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The Offbeat is an independent literary series devoted to publishing a diverse collection of voices, and to promoting contact and discussion among Michigan writers. The Offbeat is run entirely by Michigan State University undergraduates, and is centered in East Lansing. Student editors encourage contributions by all individuals with a Michigan connection, past and present, visitor and resident, urban and rural, student and non student alike. The Offbeat’s goal is to provide an alternative literary outlet for all Michigan writers.

 

The Offbeat is an independent literary series devoted to publishing a diverse collection of voices, and to promoting contact and discussion among Michigan writers. The Offbeat is run entirely by Michigan State University undergraduates, and is centered in East Lansing. Student editors encourage contributions by all individuals with a Michigan connection, past and present, visitor and resident, urban and rural, student and non-student alike. The Offbeat' goal is to provide an alternative literary outlet for all Michigan writers. The Offbeat presents, encourages, and explores creative works in fiction, poetry, drama, essay, criticism, image, and that which defies categorization. Its purpose is to call attention to voices both emerging and established, including those that have been previously overlooked.

 

Noise from Typewriter Keys is the tenth volume in the independent literary series, The Offbeat, devoted to publishing a diverse collection of voices, and to promoting contact and discussion among writers. The Offbeat is run entirely by Michigan State Undergraduates, and is centered in East Lansing. The mission of The Offbeat is to provide an alternative literary outlet for writers from Michigan and beyond, and to call attention to voices both emerging and established.
     The Offbeat: Noise from Typewriter Keys is an ensemble of voices and eruptions heard from the inside and out. This volume includes a wide variety of writers and focuses on the ambition of new creation. This part of the series seeks to capture movement of a writer while exploring the varied sounds that come from imagination.

The Offbeat is an independent literary series devoted to publishing a diverse collection of voices, and to promoting contactand discussion among Michigan writers. The Offbeat is run entirely by Michigan State University undergraduates, and is centered in East Lansing. Student editors encourage contributions by all individuals with a Michigan connection, past and present, visitor and resident, urban and rural, student and non-student alike. The Offbeat's goal is to provide an alternative literary outlet for all Michigan writers.

 

The Offbeat is a literary collection series devoted to publishing a diverse selection of voices and to promoting contact and discussion among writers. The Offbeat is run entirely by Michigan State University students, with the goal of providing an alternative literary outlet for Michigan writers.
     This edition contains work by Steven Rajewski, Erin Ashmore, Neil Kennedy, Victoria Henderson, Mary Helmic, Rebecca Klein, Jamie Miller, Ken Sleight, Laura Tisdel, and many others.

 

With Abandon is the eighth volume in the independent literary series, The Offbeat, devoted to publishing a diverse collection of voices, and to promoting contact and discussion among writers. The Offbeat is run entirely by Michigan State Undergraduates, and is centered in East Lansing. The mission of The Offbeat is to provide an alternative literary outlet for writers from Michigan and beyond, and to call attention to voices both emerging and established.
     The Offbeat: With Abandon features a wide array of writing that cuts across genres, highlighting the best work by authors ranging from professional journalists to undergraduate writers. Thrown into the mix are voices from professors of literature, graduate students in creative writing, and even a few of our editorial staff. In this volume, writing is an act of faith, a documentation of the joy and terror of life, and above all, an act of witness.

Americans have long recognized the central importance of the nineteenth-century Republican party in preserving the Union, ending slavery, and opening the way for industrial capitalism. On the surface, the story seems straightforward -- the party's “free labor” ethos, embracing the opportunity that free soil presented for social and economic mobility, and condemning the danger that slavery in the territories posed for that mobility, foreshadowed the GOP's later devotion to unfettered enterprise and industrial capitalism. In reality, however, the narrative thread is not so linear. This work examines the contradiction that lay at the heart of the supremely influential ideology of the early Republican party. The Paradox of Progress explores one of the most profound changes in American history -- the transition from the anti-market, anti-monopoly, and democratic ideology of Jacksonian America to the business-dominated politics and unregulated excesses of Gilded Age capitalism.

Guiding this transformation was the nineteenth-century Republican party. Drawing heavily from both the pro-market commitments of the early Whig party and the anti-capitalist culture of Jackson's Democratic party, the early Republican party found itself torn between these competing values. Nowhere was this contested process more obvious or more absorbing than in Civil War-era Michigan, the birthplace of the Republican party.

In The Paradox of Progress, a fascinating look at the central factors underlying the history of the GOP, Martin Hershock reveals how in their determination to resolve their ideological dilemma, Republicans of the Civil War era struggled to contrive a formula that wo uld enable them to win popular elections and to model America's acceptance of Gilded Age capitalism.

The highly toxic PBB poisoning of Michigan remains the most widespread chemical contamination known in U.S. history. The Poisoning of Michigan is an investigative journalist's account of the contamination of Michigan's dairy cattle with the highly toxic chemical PBB (polybrominated biphenyl) in 1973. A near relation of PCB, this now-banned substance, designed as a fire retardant, was mistaken for a nutritional supplement at a chemical plant. It ended up in cattle feed that was distributed to farms throughout the state. By the time the error was discovered, virtually all nine million residents of Michigan had been ingesting contaminated milk and meat for almost a year.
     A new introduction by the author and an afterword by three distinguished environmental scientists explain how the legacy of Michigan's poisoning lives on—and how equally toxic substitutes for PBB still invade our homes and lives. This new edition of Egginton's environmental classic—first published in 1980 and long out of print—tells how the tragedy affected both the farm community and the wider populace, and how federal and state authorities failed to respond. "We were mired in a swamp of ignorance," one state official admitted.

Fort Mackinac was home to more than 4,500 British and U.S. soldiers between 1780 and 1895. These soldiers constructed buildings and walls, drilled on the parade ground, marched sentry beats, and performed myriad maintenance and administrative duties in support of the fort’s strategic military function. That function varied greatly over the fort’s 115-year history. During the first half-century of its occupation the island fort protected and controlled the upper Great Lakes fur trade and served as an administrative center for maintaining alliances with the region’s Native Americans. By the late 1830s the decline of the fur trade and acquisition of Native American lands that resulted in the creation of the state of Michigan diminished the fort’s strategic value. It was not until after the Civil War that Fort Mackinac regained a role of importance, when it became the headquarters for the country’s second national park. In this volume, Mackinac State Historic Parks’ director Phil Porter tells the story of Fort Mackinac through the lives and activities of its soldiers. This book is profusely illustrated with more than 150 historic oil portraits, maps, and photographs collected from libraries and museums across the United States and Great Britain. Military historians and readers interested in Mackinac’s rich military history will appreciate the interesting and visually compelling story of soldier life at Fort Mackinac in The Soldiers of Fort Mackinac: An Illustrated History.
 

The Sweetness of Freedom presents an eclectic grouping of late nineteenth- and twentieth-century immigrants' narratives and the personal artifacts, historical documents, and photographs these travelers brought on their journeys to Michigan. Most of the oral histories in this volume are based on interviews conducted with the immigrants themselves.
       Some of the immigrants presented here hoped to gain better education and jobs. Others—refugees—fled their homelands because of war, poverty, repression, religious persecution, or ethnic discrimination. All dreamt of freedom and opportunity. They tell why they left their homelands, why they chose to settle in Michigan, and what they brought or left behind. Some wanted to preserve their heritage, religious customs, traditions, and ethnic identity. Others wanted to forget past conflicts and lost family members. Their stories reveal how they established new lives far away from home, how they endured homesickness and separation, what they gave up and what they gained.

Streetcars played an especially important role in society around the turn of the twentieth century in Detroit, in part because of the downtown hub-and-spoke design of its main streets. During this period the streetcar was the main mode of transportation for the average citizen, as horse-drawn carriages and automobiles were not found outside of the upper class. Control over streetcar franchises was highly coveted—this control was simultaneous with having power over how and where people were transported throughout the city, making it an incredible political tool. The Thirty-Year War was a battle waged between 1892 and 1922 by the City of Detroit against the politically powerful and deeply entrenched corporations that owned streetcar franchises for control of the city’s streetway system. This compelling history shows how and why the owners of monopoly franchises of great public utilities such as bridges, street railways, electricity, natural gas, and cable television will protect and defend their privilege against public ownership or control, and is an example of how one city successfully fought back.
 

The friendship between the University of Michigan and China spans more than a century and a half. Through years of peace and years of war; through political turmoil and the shifting winds of public opinion; since the first years of U-M’s Ann Arbor campus and the last years of China’s Qing Dynasty, the University and China have been partners.

This book tells the story of twenty remarkable individuals, the country they transformed, and the University that helped them do it. There are many “firsts” in this book—first Chinese students at U-M, first female college president of China—and there are many “fathers” of disciplines: Wu Dayou, father of physics in China; Zheng Zuoxin, father of Chinese ornithology; Zeng Chengkui, father of marine botany.

While much has been written about these leaders and scholars in both English and Chinese, nowhere else is their collective story told or their shared bond with the University of Michigan celebrated.
 
The University of Michigan in China celebrates this nearly 200-year-old legacy.

(From the Preface) Many budding musicians—even from affluent families with both parents living at home and providing a strong supportive environment, combined with constant encouragement—find it very challenging to earn a PhD and reach the pinnacle of a deanship and professorship at a competitive institution of higher learning in the United States of America. As you read this book you will find that no one informed Willis Patterson of this phenomenon because without having the aforementioned criteria, he accomplished those goals and many more.

The book’s main character begins his life, similar to a diamond in the rough, and over time evolves into a rare gem at maturity. These pages will reveal how Willis Patterson of Ann Arbor, Michigan developed from somewhat of a lost child in the 1930s into a: sophisticated academician (Ph.D. in Higher Education Administration and Supervision from Wayne State University in Detroit, MI); a superior vocal performer; Voice Department Chair, Fulbright Scholar; esteemed Master Voice Teacher; Choral and Glee Club director extraordinaire; University Leader in the recruitment and retention of Minority students (Voice/Performing/Composition); an established Church Choir Director; and Associate Academic Dean of the School of Music at one of America’s finest universities, the University of Michigan.

This book is about a very humble man of significant stature. Although he was motivated and driven to become the best he could be in his quest for excellence—by kicking open the door of opportunity whenever it was presented (audition ready)—he never forgot his family members or hometown acquaintances.

The gangland style slaying if State Senator Warren G. Hooper on January 11, 1945, three days before he was to testify before a grand jury investigating alleged corruption in the Michigan legislature, forced coverage of Allied war triumphs from the state's newspaper headlines. National media representatives flocked to Michigan to join local reporters in following the efforts of grand jury special prosecutor Kim Sigler and the State Police to apprehend the killers. Because no arrests ever were made, a 1951 journalistic prediction has proven true: "The Hooper case will continue to come back to remind the people and politicians of Michigan of the black days of 1945 when almost every official of the state had his price." For this reason, the Hooper murder has endured as one of the most intriguing unsolved mysteries in the annals of Michigan crime.
     Utilizing interviews, trial transcripts, State police files, and a collection of grand jury testimony long thought to have been destroyed, Professors Bruce A. Rubenstein and Lawrence E. Ziewacz set forth the reason for Hooper's assassination. Written in a lively style, using dialogue taken from court records and correspondence, Three Bullets Sealed His Lips demonstrates that historical writing need not be dull.

This expanded edition of Tight Spaces includes six new essays that explore the fulfilling spaces inhabited by Kesho Scott, Cherry Muhanji, and Egyirba High since their book was originally published in 1987. Tight Spaces won the American Book Award in 1988. 

Traveling Through Time is the definitive illustrated guide to nearly 1,500 historic Michigan sites. With this book, travelers can journey through the state to discover the historical markers in Michigan's neighborhoods, along its highways, and in city centers.

Since 1955 the state of Michigan has erected historical markers throughout the state. In this revised edition of Traveling Through Time, Laura Rose Ashlee collects the histories that appear on these markers together into one handy guidebook---a great desk reference for researchers and armchair historians alike.

Some of the book's special features include:

o Location and full text of each marker

o Arranged alphabetically within county chapters

o More than 85 historic and color photographs

o Special section on Michigan historical markers placed outside Michigan

The against-all-odds story of a World War II–era steam locomotive and the determination of two generations of volunteers to keep it running comes alive in Twelve Twenty-Five: The Life and Times of a Steam Locomotive.
 
Pere Marquette 1225 was built in 1941 at the peak of steam locomotive development. The narrative traces the 1225’s regular freight service in Michigan, its unlikely salvation from the scrapyard for preservation at Michigan State University, and the subsequent work to bring it back to steam, first by a student club and later by a railroad museum. Milestones along the way include 1225’s retirement in 1951, its donation to MSU in 1957, its return to steam in 1988, a successful career hauling tens of thousands of excursion riders, and its starring role in the 2004 movie The Polar Express. The massive infrastructure that supported American steam locomotives in their heyday disappeared long ago, forcing 1225’s faithful to make their own spare parts, learn ancient railroad skills, and interpret the entire effort for the public. As such, the continuing career of 1225 is a triumph of historic preservation.