279 books match the query 'Slavery' and 64 start with t

cover of The Sulu Zone: The Dynamics of External Trade, Slavery and Ethnicity in the Transformation of a Southeast Asian Maritime State, 1768-1898 (Second Edition)

The Sulu Zone

The Dynamics of External Trade, Slavery and Ethnicity in the Transformation of a Southeast Asian Maritime State, 1768-1898 (Second Edition)

James F. Warren

National University of Singapore Press, 2007

First published in 1981, The Sulu Zone deals with a fascinating geographical, cultural and historical "border zone" centered on the Sulu and Celebes Seas between 1768 an 1898, and its complex interactions with China and the West. The author examines the social and cultural forces generated within the Sulu Sultanate by the China trade, namely the advent of organized, long distance maritime slave raiding and the assimilation of captives on a hitherto unprecedented scale into a traditional Malayo-Muslim social system.

His work analyzes the dynamics of the last autonomous Malayo-Muslim maritime state over a long historical period and describes its stunning response to the world capitalist economy and the rapid "forward movement" of colonialism and modernity. It also shows how the changing world of global cultural flows and economic interactions caused by cross-cultural trade and European dominance affected men and women who were forest dwellers, highlanders, and slaves, people who worked in everyday jobs as fishers, raiders, divers and traders. Often neglected by historians, the responses of these members of society are a crucial part of the history of Southeast Asia.
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cover of The Transatlantic Zombie: Slavery, Rebellion, and Living Death

The Transatlantic Zombie

Slavery, Rebellion, and Living Death

Sarah Juliet Lauro

Rutgers University Press, 2015

Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. 
 
Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie’s cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie as a cultural conquest that was rebranded for the American cinema.
 
As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-diasporic culture’s preservation through a strategy of mythic combat.
 
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cover of The Travels of Reverend Olafur Egilsson

The Travels of Reverend Olafur Egilsson

Karl Smari Hreinsson

Catholic University of America Press, 2016

The combination of Reverend Olafur's narrative, the letters, and the material in the Appendices provides a first-hand, in-depth view of early seventeenth-century Europe and the Maghreb equaled by few other works dealing with the period. We are pleased to offer it to the wider audience that an English edition allows.
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cover of The Truth About Modern Slavery

The Truth About Modern Slavery

Emily Kenway

Pluto Press, 2021

'A powerful treatise' - Amelia Gentleman, Guardian

In 2019, over 10,000 possible victims of slavery were found in the UK. From men working in Sports Direct warehouses for barely any pay, to teenaged Vietnamese girls trafficked into small town nail bars, we’re told that modern slavery is all around us, operating in plain sight.

But is this really slavery, and is it even a new phenomenon? Why has the British Conservative Party called it 'one of the great human rights issues of our time', when they usually ignore the exploitation of those at the bottom of the economic pile? The Truth About Modern Slavery reveals how modern slavery has been created as a political tool by those in power. It shows how anti-slavery action acts as a moral cloak, hiding the harms of the ‘hostile environment’ towards migrants, legitimising big brands’ exploitation of the poorest workers and oppressing sex workers.

Blaming the media's complicity, rich philanthropists' opportunism and our collective failure to realise the lies we’re being told, The Truth About Modern Slavery provides a vital challenge to conventional narratives on modern slavery.

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cover of The Truth About Modern Slavery

The Truth About Modern Slavery

Emily Kenway

Pluto Press, 2021

'A powerful treatise' - Amelia Gentleman, Guardian

In 2019, over 10,000 possible victims of slavery were found in the UK. From men working in Sports Direct warehouses for barely any pay, to teenaged Vietnamese girls trafficked into small town nail bars, we’re told that modern slavery is all around us, operating in plain sight.

But is this really slavery, and is it even a new phenomenon? Why has the British Conservative Party called it 'one of the great human rights issues of our time', when they usually ignore the exploitation of those at the bottom of the economic pile? The Truth About Modern Slavery reveals how modern slavery has been created as a political tool by those in power. It shows how anti-slavery action acts as a moral cloak, hiding the harms of the ‘hostile environment’ towards migrants, legitimising big brands’ exploitation of the poorest workers and oppressing sex workers.

Blaming the media's complicity, rich philanthropists' opportunism and our collective failure to realise the lies we’re being told, The Truth About Modern Slavery provides a vital challenge to conventional narratives on modern slavery.

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cover of The Union on Trial: The Political Journals of Judge William Barclay Napton, 1829-1883

The Union on Trial

The Political Journals of Judge William Barclay Napton, 1829-1883

Edited by Christopher Phillips & Jason L. Pendleton. Introduction by Christopher Phillips

University of Missouri Press, 2005

Spanning some fifty-four years, The Union on Trial is a fascinating look at the journals that William Barclay Napton (1808–1883), an editor, Missouri lawyer, and state supreme court judge, kept from his time as a student at Princeton to his death in Missouri. Although a northerner by birth, Napton, the owner or trustee of forty-six slaves, viewed American society through a decidedly proslavery lens.
Focusing on events between the 1850s and 1870s, especially those associated with the Civil War and Reconstruction, The Union on Trial contains Napton’s political reflections, offering thoughtful and important perspectives of an educated northern-cum-southern rightist on the key issues that turned Missouri toward the South during the Civil War era. Although Napton’s journals offer provocative insights into the process of southernization on the border, their real value lies in their author’s often penetrating analysis of the political, legal, and constitutional revolution that the Civil War generated. Yet the most obvious theme that emerges from Napton’s journals is the centrality of slavery in Missourians’ measure of themselves and the nation and, ultimately, in how border states constructed their southernness out of the tumultuous events of the era.
Napton’s impressions of the constitutional crises surrounding the Civil War and Reconstruction offer essential arguments with which to consider the magnitude of the nation’s most transforming conflict. The book also provides a revealing look at the often intensely political nature of jurists in nineteenth-century America. A lengthy introduction contextualizes Napton’s life and beliefs, assessing his transition from northerner to southerner largely as a product of his political transformation to a proslavery, states’ rights Democrat but also as a result of his marriage into a slaveholding family. Napton’s tragic Civil War experience was a watershed in his southern evolution, a process that mirrored his state’s transformation and one that, by way of memory and politics, ultimately defined both.
Students and scholars of American history, Missouri history, and the Civil War will find this volume indispensable reading.
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cover of The United States Governed by Six Hundred Thousand Despots: A True Story of Slavery

The United States Governed by Six Hundred Thousand Despots

A True Story of Slavery

John Swanson Jacobs

University of Chicago Press, 2024

Lost on the other side of the world since 1855, the story of John Swanson Jacobs finally returns to America. This student edition reproduces his narrative in full and presents it on its own without any editorial or biographical apparatus.
 
For one hundred and sixty-nine years, a first-person slave narrative written by John Swanson Jacobs—brother of Harriet Jacobs—was buried in a pile of newspapers in Australia. Jacobs’s long-lost narrative, The United States Governed by Six Hundred Thousand Despots, is a startling and revolutionary discovery. A document like this—written by an ex-slave and ex-American, in language charged with all that can be said about America outside America, untampered with and unedited by white abolitionists—has never been seen before. A radical abolitionist, sailor, and miner, John Jacobs has a life story that is as global as it is American. Born into slavery, by 1855 he had fled both the South and the United States altogether, becoming a stateless citizen of the world and its waters. That year, he published his life story in an Australian newspaper, far from American power and its threats. Unsentimental and unapologetic, Jacobs radically denounced slavery and the state, calling out politicians and slaveowners by their names, critiquing America’s founding documents, and indicting all citizens who maintained the racist and intolerable status quo.
 
Reproduced in full, this narrative—which entwines with that of his sister and with the life of their friend Frederick Douglass—here opens new horizons for how we understand slavery, race, and migration, and all that they entailed in nineteenth-century America and the world at large. To truly reckon with the lives of John Jacobs is to see with new clarity that in 1776, America embarked on two experiments at once: one in democracy, the other in tyranny.
 
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cover of The United States Governed by Six Hundred Thousand Despots: A True Story of Slavery; A Rediscovered Narrative, with a Full Biography

The United States Governed by Six Hundred Thousand Despots

A True Story of Slavery; A Rediscovered Narrative, with a Full Biography

John Swanson Jacobs

University of Chicago Press, 2024

Lost on the other side of the world since 1855, the story of John Swanson Jacobs finally returns to America. This comprehensive edition includes Jacobs's narrative in full alongside a full-length biography.
 
For one hundred and sixty-nine years, a first-person slave narrative written by John Swanson Jacobs—brother of Harriet Jacobs—was buried in a pile of newspapers in Australia. Jacobs’s long-lost narrative, The United States Governed by Six Hundred Thousand Despots, is a startling and revolutionary discovery. A document like this—written by an ex-slave and ex-American, in language charged with all that can be said about America outside America, untampered with and unedited by white abolitionists—has never been seen before. A radical abolitionist, sailor, and miner, John Jacobs has a life story that is as global as it is American. Born into slavery, by 1855, he had fled both the South and the United States altogether, becoming a stateless citizen of the world and its waters. That year, he published his life story in an Australian newspaper, far from American power and its threats. Unsentimental and unapologetic, Jacobs radically denounced slavery and the state, calling out politicians and slaveowners by their names, critiquing America’s founding documents, and indicting all citizens who maintained the racist and intolerable status quo.
 
Reproduced in full, this narrative—which entwines with that of his sister and with the life of their friend Frederick Douglass—here opens new horizons for how we understand slavery, race, and migration, and all that they entailed in nineteenth-century America and the world at large. The second half of the book contains a full-length, nine-generation biography of Jacobs and his family by literary historian Jonathan Schroeder. This new guide to the world of John Jacobs will transform our sense of it—and of the forces and prejudices built into the American project. To truly reckon with the lives of John Jacobs is to see with new clarity that in 1776, America embarked on two experiments at once: one in democracy, the other in tyranny.
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cover of The War on Words: Slavery, Race, and Free Speech in American Literature

The War on Words

Slavery, Race, and Free Speech in American Literature

Michael T. Gilmore

University of Chicago Press, 2010

How did slavery and race impact American literature in the nineteenth century? In this ambitious book, Michael T. Gilmore argues that they were the carriers of linguistic restriction, and writers from Frederick Douglass to Stephen Crane wrestled with the demands for silence and circumspection that accompanied the antebellum fear of disunion and the postwar reconciliation between the North and South.

Proposing a radical new interpretation of nineteenth-century American literature, The War on Words examines struggles over permissible and impermissible utterance in works ranging from Thoreau’s “Civil Disobedience” to Henry James’s The Bostonians. Combining historical knowledge with groundbreaking readings of some of the classic texts of the American past, The War on Words places Lincoln’s Cooper Union address in the same constellation as Margaret Fuller’s feminism and Thomas Dixon’s defense of lynching. Arguing that slavery and race exerted coercive pressure on freedom of expression, Gilmore offers here a transformative study that alters our understanding of nineteenth-century literary culture and its fraught engagement with the right to speak.

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cover of This Incurable Evil: Mapuche Resistance to Spanish Enslavement, 1598–1687

This Incurable Evil

Mapuche Resistance to Spanish Enslavement, 1598–1687

Eugene C.Berger

University of Alabama Press, 2023

Documents how initial Mapuche-Spanish alliances were built and how they were destroyed by increasingly powerful slave-trading elites operating like organized crime families

The history of Spanish presence in the Americas is usually viewed as a one-sided conquest. In This Incurable Evil: Mapuche Resistance to Spanish Enslavement, 1598–1687, Eugene C. Berger provides a major corrective in the case of Chile. For example, in the south, indigenous populations were persistent in their resistance against Spanish settlement. By the end of the sixteenth century, Spanish aspirations to conquer the entire Pacific Coast were dashed at least twice by armed resistance from the Mapuche peoples. By 1600, the Mapuche had killed two Spanish governors and occupied more than a dozen Spanish towns. Chile’s colonial future was quite uncertain.

As Berger documents, for much of the seventeenth century it seemed that there could be peace along the Spanish-Mapuche frontier. Through trade, intermarriage, and even mutual distrust of Dutch and English pirates, the Mapuche and the Spanish began to construct a colonial entente. However, this growing alliance was obliterated by the “incurable evil,” an ever-expanding enslavement of Mapuches, and one which prompted a new generation of Mapuche resistance. This trade saw Mapuche rivals, neutrals, and even friends placed in irons and forced to board ships in Valdivia and Concepción or to march northward along the Andes. The Mapuche labored in the gold mines of La Serena, in urban workshops in Lima, in the silver mines of Potosí, or on the thousands of haciendas in between and would never return to their homes. With this tragic betrayal, Chile was left a more corrupt, violent, and polarized place, which would cause deep wounds for centuries.
 

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cover of To Be A Slave in Brazil: 1550-1888

To Be A Slave in Brazil

1550-1888

Mattoso, Katia M de Queiros

Rutgers University Press, 1986

This book was published originally in French in 1979 and in Portuguese in 1982. Written without scholarly footnotes for a general readership, it is a deceptively simple book direct in its presentation, lacking a specialized jargon, and organized in an imaginative and interesting way. But it also is a volume that reflects some of the most recent and innovative research on the question of slavery. Putting aside the somewhat arid debate over the feudal or capitalist nature of the "slave mode of production" and the political aspects of the movement for abolition, To Be a Slave in Brazil presents an overview of Brazilian slavery which reflects the trend toward study of the slave community, religion, the family, and other features of the internal aspects of slavery.
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cover of Toussaint Louverture: The Story of the Only Successful Slave Revolt in History; A Play in Three Acts

Toussaint Louverture

The Story of the Only Successful Slave Revolt in History; A Play in Three Acts

C. L. R. James Edited and Introduced by Christian Høgsbjerg

Duke University Press, 2013

In 1934 C. L. R. James, the widely known Trinidadian intellectual, writer, and political activist, wrote the play Toussaint Louverture: The Story of the Only Successful Slave Revolt in History, which was presumed lost until the rediscovery of a draft copy in 2005. The play's production, performed in 1936 at London's Westminster Theatre with a cast including the American star Paul Robeson, marked the first time black professional actors starred on the British stage in a play written by a black playwright. This edition includes the program, photographs, and reviews from that production, a contextual introduction and editorial notes on the play by Christian Høgsbjerg, and selected essays and letters by James and others. In Toussaint Louverture, James demonstrates the full tragedy and heroism of Louverture by showing how the Haitian revolutionary leader is caught in a dramatic conflict arising from the contradiction between the barbaric realities of New World slavery and the modern ideals of the Enlightenment. In his portrayal of the Haitian Revolution, James aspired to vindicate black accomplishments in the face of racism and to support the struggle for self-government in his native Caribbean. Toussaint Louverture is an indispensable companion work to The Black Jacobins (1938), James's classic account of Haiti's revolutionary struggle for liberation.
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cover of Trafficking Rhetoric: Race, Migration, and the Making of Modern-Day Slavery

Trafficking Rhetoric

Race, Migration, and the Making of Modern-Day Slavery

Annie Hill

The Ohio State University Press, 2024

Honorable Mention, 2025 NCA Public Address Division’s Marie Hochmuth Nichols Award

Human trafficking has generated intense global concern, with stories of sex slavery and images of women forced into prostitution so persuasive that states have raced to respond ahead of empirical data and clear definitions of the crime. In Trafficking Rhetoric, Annie Hill analyzes the entanglement of state veneration and state violence by tracking how the United Kingdom points to the alleged crimes of others in order to celebrate itself and conceal its own aggression. Hill compares the UK’s acclaimed rescue approach to human trafficking with its hostile approach to migration, arguing that they are two sides of the same coin—one that relies on rhetorical constructions of “trafficked women” and “illegal migrants” to materialize the UK as an Anglo-white space.

Drawing from official estimates, policy papers, NGO reports, news stories, and awareness campaigns and situating them in the broader EU context, Hill accounts for why the UK’s antitrafficking agenda emerged with such rhetorical force in the early twenty-first century. Trafficking Rhetoric reframes controversies over labor, citizenship, and migration while challenging the continued traction of race-baiting and gender bias in determining who has the right to live, work, and belong in the nation.

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cover of Trafficking in Slavery’s Wake: Law and the Experience of Women and Children in Africa

Trafficking in Slavery’s Wake

Law and the Experience of Women and Children in Africa

Benjamin N. Lawrance

Ohio University Press, 2012

Women and children have been bartered, pawned, bought, and sold within and beyond Africa for longer than records have existed. This important collection examines the ways trafficking in women and children has changed from the aftermath of the “end of slavery” in Africa from the late nineteenth century to the present.

The formal abolition of the slave trade and slavery did not end the demand for servile women and children. Contemporary forms of human trafficking are deeply interwoven with their historical precursors, and scholars and activists need to be informed about the long history of trafficking in order to better assess and confront its contemporary forms. This book brings together the perspectives of leading scholars, activists, and other experts, creating a conversation that is essential for understanding the complexity of human trafficking in Africa.

Human trafficking is rapidly emerging as a core human rights issue for the twenty-first century. Trafficking in Slavery’s Wake is excellent reading for the researching, combating, and prosecuting of trafficking in women and children.

Contributors: Margaret Akullo, Jean Allain, Kevin Bales, Liza Stuart Buchbinder, Bernard K. Freamon, Susan Kreston, Benjamin N. Lawrance, Elisabeth McMahon, Carina Ray, Richard L. Roberts, Marie Rodet, Jody Sarich, and Jelmer Vos.

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