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In the spring of 1945 the Allies arrested the physicists they believed had worked on the German nuclear programme. Interned in an English country house owned by MI6, their conversations were secretly recorded. Operation Epsilon sought to determine how close Nazi Germany had come to building an atomic bomb. It was in this quiet setting – Farm Hall, near Cambridge – that the interned physicists first heard of the attack on Hiroshima. Aside from changing the course of history, that night was also one of great shock and personal defeat for the physicists – they were under the assumption that they alone had discovered nuclear fission. This is the story of Nazi Germany’s hunt for a nuclear bomb. It is a tale of the genius and guilt of lauded, respected scientists.

Available for the first time in paperback, The Nuremberg Fallacy examines the inherent shortcomings of the Nuremberg "rules of war" and the War Crimes Tribunal's impossible expectations. In 1946, the Tribunal declared all aggressive war, war crimes, and crimes against humanity illegal. Yet the period since World War II has witnessed an unprecedented number of armed conflicts. In light of recent crises, including those in Rwanda, Bosnia and Serbia, and the Middle East, it is clear that the issues explored in The Nuremberg Fallacy are as relevant today as they were at the time of the book's first publication a quarter century ago.

In this volume, Eugene Davidson continues his investigations begun in The Trial of the Germans (University of Missouri Press), which studied the Nuremberg trials themselves, by focusing on five major conflicts since the end of World War II: the Suez crisis of 1956; Algeria's war of independence; Israel's recurring (and ongoing) battles with its Arab neighbors, complicated and worsened by intervention of the superpowers; the wars in Southeast Asia; and the Soviet Union's suppression of Czechoslovakia and other border states of Eastern Europe.

By exploring the roots and ramifications of these five conflicts, Davidson is able to chart the crosscurrents between large and small states, between individual nations and the United Nations, between the rules of Nuremberg and the significantly older rules of self- interest. The result is a thoughtful and thought-provoking study of the dynamics of war and peace in the post-Nuremberg world.

The rules of war proclaimed at Nuremberg—observing the flag of truce, prohibiting attacks on surrendered enemies, treating prisoners of war and civilian populations humanely—have become virtually irrelevant in modern guerrilla warfare. If anything, Davidson suggests, conditions have actually become worse than they were before the Nuremberg War Crimes Tribunal.

The continuing importance and relevance of The Nuremberg Fallacy is best summarized in the final sentences of Davidson's text: "The survival of a nation cannot be successfully entrusted to simplistic formulae or to principles that reflect unworkable doctrines. No computers have been programmed for the wisdom that remains essential for survival. People still have to provide that from their own inner and outer resources, no matter how far the weapons may seem to have outdistanced them."

In 1946, at age twenty-two, Beate Sirota Gordon helped to draft the new postwar Japanese Constitution. The Only Woman in the Room chronicles how a daughter of Russian Jews became the youngest woman to aid in the rushed, secret drafting of a constitution; how she almost single-handedly ensured that it would establish the rights of Japanese women; and how, as a fluent speaker of Japanese and the only woman in the room, she assisted the American negotiators as they worked to persuade the Japanese to accept the new charter.

Sirota was born in Vienna, but in 1929 her family moved to Japan so that her father, a noted pianist, could teach, and she grew up speaking German, English, and Japanese. Russian, French, Italian, Latin, and Hebrew followed, and at fifteen Sirota was sent to complete her education at Mills College in California. The formal declaration of World War II cut Gordon off from her parents, and she supported herself by working for a CBS listening post in San Francisco that would eventually become part of the FCC. Translating was one of Sirota’s many talents, and when the war ended, she was sent to Japan as a language expert to help the American occupation forces. When General MacArthur suddenly created a team that included Sirota to draft the new Japanese Constitution, he gave them just eight days to accomplish the task. Colonel Roest said to Beate Sirota, “You’re a woman, why don’t you write the women’s rights section?”; and she seized the opportunity to write into law guarantees of equality unparalleled in the US Constitution to this day.

But this was only one episode in an extraordinary life, and when Gordon died in December 2012, words of grief and praise poured from artists, humanitarians, and thinkers the world over. Illustrated with forty-seven photographs, The Only Woman in the Room captures two cultures at a critical moment in history and recounts, after a fifty-year silence, a life lived with purpose and courage. This edition contains a new afterword by Nicole A. Gordon and an elegy by Geoffrey Paul Gordon.

This is a groundbreaking study of the prestigious Berlin and Vienna Philharmonics during the Third Reich. Making extensive use of archival material, including some discussed here for the first time, Fritz Trümpi offers new insight into the orchestras’ place in the larger political constellation.

Trümpi looks first at the decades preceding National Socialist rule, when the competing orchestras, whose rivalry mirrored a larger rivalry between Berlin and Vienna, were called on to represent “superior” Austro-German music and were integrated into the administrative and social structures of their respective cities—becoming vulnerable to political manipulation in the process. He then turns to the Nazi period, when the orchestras came to play a major role in cultural policies. As he shows, the philharmonics, in their own unique ways, strengthened National Socialist dominance through their showcasing of Germanic culture in the mass media, performances for troops and the general public, and fictional representations in literature and film. Accompanying these propaganda efforts was an increasing politicization of the orchestras, which ranged from the dismissal of Jewish members to the programming of ideologically appropriate repertory—all in the name of racial and cultural purity.

Richly documented and refreshingly nuanced, The Political Orchestra is a bold exploration of the ties between music and politics under fascism.

For sixty years, different groups in Europe have put forth interpretations of World War II and their respective countries’ roles in it consistent with their own political and psychological needs. The conflict over the past has played out in diverse arenas, including film, memoirs, court cases, and textbooks. It has had profound implications for democratization and relations between neighboring countries. This collection provides a comparative case study of how memories of World War II have been constructed and revised in seven European nations: France, Germany, Austria, Switzerland, Poland, Italy, and the USSR (Russia). The contributors include scholars of history, literature, political science, psychology, and sociology. Country by country, they bring to the fore the specifics of each nation’s postwar memories in essays commissioned especially for this volume. The use of similar analytical categories facilitates comparisons.

An extensive introduction contains reflections on the significance of Europeans’ memories of World War II and a conclusion provides an analysis of the implications of the contributors’ findings for memory studies. These two pieces tease out some of the findings common to all seven countries: for instance, in each nation, the decade and a half between the late 1960s and the mid-1980s was the period of most profound change in the politics of memory. At the same time, the contributors demonstrate that Europeans understand World War II primarily through national frames of reference, which are surprisingly varied. Memories of the war have important ramifications for the democratization of Central and Eastern Europe and the consolidation of the European Union. This volume clarifies how those memories are formed and institutionalized.

Contributors. Claudio Fogu, Richard J. Golsan, Wulf Kansteiner, Richard Ned Lebow, Regula Ludi, Annamaria Orla-Bukowska, Heidemarie Uhl, Thomas C. Wolfe

In European and Holocaust historiography, it is generally believed that neither the Zionist movement nor the Yishuv were mindful of the plight of European Jews in the face of the Nazi threat during the 1930s. Drawing on a wide variety of memoirs, letters, and institutional reports by people from all walks of life, this volume sheds new light on a troubled period in Jewish history. Jehuda Reinharz and Yaacov Shavit trace Jewish responses to developments in Eastern and Central Europe, as well as reactions to British policy on the question of a Jewish homeland, to show that Zionists in the Yishuv worked tirelessly on the international stage on behalf of their coreligionists in Europe. Nevertheless, their efforts were all too often shattered by the realities of their powerlessness and lack of resources. Piercing to the heart of conversations about how or whether to save Jews in an increasingly hostile Europe, this volume provides a nuanced assessment of what could and could not be achieved in the years just prior to World War II and Holocaust.

Alone Against Germany, Britain Gave America Its Most Astonishing Secrets
In August 1940, a German invasion of Britain looked inevitable. Luftwaffe bombers were pounding British cities, France had surrendered, and the Low Countries were under German control. Although sympathetic to Britain’s plight, the United States remained staunchly neutral. Unknown to the rest of the world, Britain’s brightest scientific and military minds had been working on futuristic technology for a decade, including radar and jet propulsion. While the great value of radar to locate and identify objects at long distance and at night or in bad weather was appreciated, at the time it was thought that practical radar required a room-sized device for generating an effective signal. Now, suddenly, British scientists had something extraordinary—the cavity magnetron, a generator hundreds of times more powerful than any other in use and small enough to be held in the hand. With the British economy and industry reeling from the war, Winston Churchill gambled on an unorthodox plan: a team of scientists and engineers would travel under cover to the United States and give the still-neutral Americans the best of Britain’s military secrets. It was hoped that in exchange the United States would provide financial and manufacturing support—which might even lead to their official entry into the war.

     The Tizard Mission, named for its leader Sir Henry Tizard, steamed across the Atlantic carrying a suitcase-sized metal deed box. Designed to sink in the event the ship was torpedoed by a U-boat, the box contained details of the Whittle jet engine, research for an atomic bomb, and a precious cavity magnetron. The Americans proved to be astonished, receptive, and efficient: Bell Telephone produced the first thirty magnetrons in October 1940, and over a million by the end of the war. With this device, both warships and aircraft could carry war-winning radar. But Britain did not only give America military secrets, these same technologies would produce a fortune for postwar commercial industries, with the magnetron being the key component to the microwave oven. In The Tizard Mission: The Top-Secret Operation That Changed the Course of World War II, Stephen Phelps reveals how the Tizard Mission was the turning point in the technological war, giving Britain the weapons it desperately needed and laying the groundwork for both the Special Relationship and much of the United States’s postwar economic boom, an effect that still resonates today.

A Classic Firsthand Account of the Struggle to Stop the Japanese Advance Toward Australia in 1942
Following their attacks on Pearl Harbor, the Dutch East Indies, and the Philippines, the Japanese invaded New Guinea in early 1942 as part of their attempt to create a Pacific empire. Control of New Guinea would enable Japan to establish large army, air force, and naval bases in close proximity to Australia. The Australians, with American cooperation, began a counterattack in earnest. The mountainous terrain covered with nearly impenetrable tropical forest and full of natural hazards resulted in an exceedingly grueling battleground. The struggle for New Guinea, one of the major campaigns of World War II, lasted the entire war, with the crucial fighting occurring in the first year. In The Toughest Fighting in the World, first published in 1943, Australian war correspondent George H. Johnston recorded the efforts of both the Australian and American troops, aided by the New Guinea native people, throughout 1942 as they fought a series of vicious and bitter battles against a determined foe. In one of the classic accounts of combat in World War II, the author makes a compelling case that the hardships endured by the soldiers in New Guinea from both nature and the enemy were among the most severe in the war.

The recent dedication of the World War II memorial and the sixtieth-anniversary commemoration of D-Day remind us of the hold that World War II still has over America's sense of itself. But the selective process of memory has radically shaped our picture of the conflict. Why else, for instance, was a 1995 Smithsonian exhibition on Hiroshima that was to include photographs of the first atomic bomb victims, along with their testimonials, considered so controversial? And why do we so readily remember the civilian bombings of Britain but not those of Dresden, Hamburg, and Tokyo?

Marianna Torgovnick argues that we have lived, since the end of World War II, under the power of a war complex—a set of repressed ideas and impulses that stems from our unresolved attitudes toward the technological acceleration of mass death. This complex has led to gaps and hesitations in public discourse about atrocities committed during the war itself. And it remains an enduring wartime consciousness, one most recently animated on September 11.

Showing how different events from World War II became prominent in American cultural memory while others went forgotten or remain hidden in plain sight, The War Complex moves deftly from war films and historical works to television specials and popular magazines to define the image and influence of World War II in our time. Torgovnick also explores the 1961 trial of Adolf Eichmann, the emotional legacy of the Holocaust, and the treatment of World War II's missing history by writers such as W. G. Sebald to reveal the unease we feel at our dependence on those who hold the power of total war. Thinking anew, then, about how we account for war to each other and ourselves, Torgovnick ultimately, and movingly, shows how these anxieties and fears have prepared us to think about September 11 and our current war in Iraq.

The War in American Culture explores the role of World War II in the transformation of American social, cultural, and political life.

World War II posed a crisis for American culture: to defeat the enemy, Americans had to unite across the class, racial and ethnic boundaries that had long divided them. Exploring government censorship of war photography, the revision of immigration laws, Hollywood moviemaking, swing music, and popular magazines, these essays reveal the creation of a new national identity that was pluralistic, but also controlled and sanitized. Concentrating on the home front and the impact of the war on the lives of ordinary Americans, the contributors give us a rich portrayal of family life, sexuality, cultural images, and working-class life in addition to detailed consideration of African Americans, Latinos, and women who lived through the unsettling and rapidly altered circumstances of wartime America.

Historians are increasingly looking at the sacrifices Germans had to make during World War II. In this context, Svenja Goltermann has taken up a particularly delicate topic, German soldiers’ experience of violence during the war, and repercussions of this experience after their return home. Part I of her book explores the ways in which veterans’ experiences of wartime violence reshaped everyday family life, involving family members in complex ways. Part II offers an extensive analysis of the psychiatric response to this new category of patient, and in particular the reluctance of psychiatrists to recognize the psychic afflictions of former POWs as constituting the grounds for long-term disability. Part III analyzes the cultural representations of veterans’ psychic suffering, encompassing the daily press, popular films, novels, and theater.

Originally published in German as Die Gesellschaft der Uberlebenden, The War in Their Minds examines hitherto unused source material—psychiatric medical files of soldiers—to make clear how difficult it was for the soldiers and their families to readjust to normal, everyday life. Goltermann allows these testimonies of violence, guilt, justification, and helplessness speak for themselves and sensitively explores how the pension claims of returning soldiers were to compete with the claims of the Holocaust victims to compensation.

When the 206th Coast Artillery Regiment of the Arkansas National Guard was called into federal service in January of 1941, few of the soldiers saw this action as anything more than a temporary detour in their lives. The war, after all, was in Europe and Asia and did not seem to involve them; many of the men thought they would serve their one-year enlistment and go home. The Japanese attack on Pearl Harbor changed all that.

The Williwaw War highlights the event sthat shaped the service of Arkansas’s 206th in the Aleutian Islands, including the Japanese strikes on Dutch Harbor on the third and fourth of June 1942, as well as the naval battle of the Komandorski Islands and the recapture of Attu and Kiska.

Written by the noted co-authors of the best-welling books on World War II, The Williwaw War chronicles the efforts of the men of the 206th as they battled terrible weather, overwhelming boredome and deprivation, and the Japanese, who were succesfully attempting to distract the Americans from the main Japanese assault on Midway Island.

Italy, from the toe to the Alps, was the scene of the longest, bloodiest, most frustrating, and least understood series of battles fought by the Western Allies during World War II.        Now, John S. D. Eisenhower offers a new look at the Italian campaign, emphasizing the Anzio offensive—an operation pushed by Winston Churchill that fell largely to American troops to carry out. It was visualized as an amphibious landing of two Allied divisions behind German lines that would force the Wehrmacht to evacuate all of Italy. But the Germans held on and, with the arrival of reinforcements, nearly wiped out the Allied troops pinned down at Anzio Beach.

            By portraying that struggle from the perspectives of both commanders and foot soldiers, this prominent military historian focuses on the experiences of the individuals who fought in the Italian campaign to reveal what the battle at Anzio was all about. But more than the account of one operation, They Fought at Anzio covers the entire Italian campaign, from the landings at Salerno to the capture of Rome.

Eisenhower brings a trained eye to reconstructing the difficult terrain of battle, approaching the Anzio campaign as a contest between opposing commands striving to anticipate and counter the opponent’s moves—not as a field exercise but as a deadly struggle for survival. He analyzes the command decisions that brought about the Anzio stalemate, interspersing his account with personal experiences of the men in the trenches, the nurses of the 56th Evacuation Hospital, and the young officers witnessing the horrors of war for the first time.

As a study in command, Eisenhower’s narrative gives new credit to generals Lucian Truscott and Fred Walker and assesses both the strengths and weaknesses of General Mark Clark, allowing us to grasp the situation as it appeared to those in command. He also offers compelling portraits of German commanders Field Marshal Albert Kesselring and General Frido von Senger und Etterlin.

            It has been said that Anzio was a soldier’s battle, remembered more for blood shed than for military objectives achieved. By focusing on the experiences of the soldiers who fought there and the decisions of commanders in perilous circumstances, They Fought at Anzio offers a new appreciation of the contributions of both and a new understanding of this unheralded theater of the war.

First published in 1955, They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis.

“What happened here was the gradual habituation of the people, little by little, to being governed by surprise; to receiving decisions deliberated in secret; to believing that the situation was so complicated that the government had to act on information which the people could not understand, or so dangerous that, even if the people could not understand it, it could not be released because of national security. And their sense of identification with Hitler, their trust in him, made it easier to widen this gap and reassured those who would otherwise have worried about it.”--from Chapter 13, “But Then It Was Too Late”

The classic, chilling account of how fascism took over Germany—and of the constant danger of complacency

“When this book was first published it received some attention from the critics but none at all from the public. Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”
 
That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest.
 
They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.
 
A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

One of twelve children in a close-knit, affluent Catholic Belgian family, Jan Vansina began life in a seemingly sheltered environment. But that cocoon was soon pierced by the escalating tensions and violence that gripped Europe in the 1930s and 1940s. In this book Vansina recalls his boyhood and youth in Antwerp, Bruges, and the Flemish countryside as the country was rocked by waves of economic depression, fascism, competing nationalisms, and the occupation of first Axis and then Allied forces.
            Within the vast literature on World War II, a much smaller body of work treats the everyday experiences of civilians, particularly in smaller countries drawn into the conflict. Recalling the war in Belgium from a child’s-eye perspective, Vansina describes pangs of hunger so great as to make him crave the bitter taste of cod-liver oil. He vividly remembers the shock of seeing severely wounded men on the grounds of a field hospital, the dangers of crossing fields and swimming in ponds strafed by planes, and his family’s interactions with occupying and escaping soldiers from both sides. After the war he recalls emerging numb from the cinema where he first saw the footage of the Nazi death camps, and he describes a new phase of unrest marked by looting, vigilante justice, and the country’s efforts at reunification.
            Vansina, a historian and anthropologist best known for his insights into oral tradition and social memory, draws on his own memories and those of his siblings to reconstruct daily life in Belgium during a tumultuous era.

Best Special Interest Books, selected by the American Association of School Librarians

Best Books for General Audiences, selected by the Public Library Reviewers

The thunderous roar of exploding depth charges was a familiar and comforting sound to the crew members of the USS Barb, who frequently found themselves somewhere between enemy fire and Davy Jones's locker.
 
Under the leadership of her fearless skipper, Captain Gene Fluckey, the Barb sank the greatest tonnage of any American sub in World War II. At the same time, the Barb did far more than merely sink ships-she changed forever the way submarines stalk and kill their prey.
 
This is a gripping adventure chock-full of "you-are-there" moments. Fluckey has drawn on logs, reports, letters, interviews, and a recently discovered illegal diary kept by one of his torpedomen. And in a fascinating twist, he uses archival documents from the Japanese Navy to give its version of events.
 
The unique story of the Barb begins with its men, who had the confidence to become unbeatable. Each team helped develop innovative ideas, new tactics, and new strategies. All strove for personal excellence, and success became contagious. Instead of lying in wait under the waves, the USS Barb pursued enemy ships on the surface, attacking in the swift and precise style of torpedo boats. She was the first sub to use rocket missiles and to creep up on enemy convoys at night, joining the flank escort line from astern, darting in and out as she sank ships up the column.
Surface-cruising, diving only to escape, "Luckey Fluckey" relentlessly patrolled the Pacific, driving his boat and crew to their limits. There can be no greater contrast to modern warfare's long-distance, videogame style of battle than the exploits of the captain and crew of the USS Barb, where they sub, out of ammunition, actually rammed an enemy ship until it sank.
 
Thunder Below! is a first-rate, true-life, inspirational story of the courage and heroism of ordinary men under fire.

A Main Selection of the Military Book Club. Winner of the Rear Admiral Samuel Eliot Morison Award for Naval Literature given by the Naval Order of the United States, New York Commandery.

This new edition contains a new foreword by the author.

To Command the Sky is a scholarly record of the fight for domination of the skies over western Europe during World War II. It also explains the technical details of the tactics used to defeat the Luftwaffe. This book is important for serious students of World War II or military aviation.

 
Since World War II, the story of the trauma hero—the noble white man psychologically wounded by his encounter with violence—has become omnipresent in America’s narratives of war, an imaginary solution to the contradictions of American political hegemony. In Total Mobilization, Roy Scranton cuts through the fog of trauma that obscures World War II, uncovering a lost history and reframing the way we talk about war today.
 
Considering often overlooked works by James Jones, Wallace Stevens, Martha Gellhorn, and others, alongside cartoons and films, Scranton investigates the role of the hero in industrial wartime, showing how such writers struggled to make sense of problems that continue to plague us today: the limits of American power, the dangers of political polarization, and the conflicts between nationalism and liberalism. By turning our attention to the ways we make war meaningful—and by excavating the politics implicit within the myth of the traumatized hero—Total Mobilization revises the way we understand not only World War II, but all of postwar American culture.
 
 

Mustard gas is typically associated with the horrors of World War I battlefields and trenches, where chemical weapons were responsible for tens of thousands of deaths. Few realize, however, that mustard gas had a resurgence during the Second World War, when its uses and effects were widespread and insidious. 

 

Toxic Exposures tells the shocking story of how the United States and its allies intentionally subjected thousands of their own servicemen to poison gas as part of their preparation for chemical warfare. In addition, it reveals the racialized dimension of these mustard gas experiments, as scientists tested whether the effects of toxic exposure might vary between Asian, Hispanic, black, and white Americans. Drawing from once-classified American and Canadian government records, military reports, scientists’ papers, and veterans’ testimony, historian Susan L. Smith explores not only the human cost of this research, but also the environmental degradation caused by ocean dumping of unwanted mustard gas.

 

As she assesses the poisonous legacy of these chemical warfare experiments, Smith also considers their surprising impact on the origins of chemotherapy as cancer treatment and the development of veterans’ rights movements. Toxic Exposures thus traces the scars left when the interests of national security and scientific curiosity battled with medical ethics and human rights. 

 

An investigation into the relationship between history, art, architecture, memory, and diplomacy.
 
Between 1948 and 1956, the United States government planned an enormous project to build fourteen permanent overseas military cemeteries in Europe. These park-like burial grounds eventually would hold the graves of approximately 80,000 American soldiers and nurses who died during or immediately after World War II. Five of these cemeteries are located in France, more than any other nation: two in Normandy; one in Provence; and two in Lorraine.
 
In Triumph of the Dead: American World War II Cemeteries, Monuments, and Diplomacy in France, Kate Clarke Lemay explores the relationship between art, architecture, war memory, and Franco-American relations. She addresses the many functions, both original and more recent, that the American war cemeteries have performed, such as: war memorials, diplomatic gestures, Cold War political statements, prompts for debate about Franco-American relations, and the nature of French identity itself. Located on or near former battlefields, the American war cemeteries are at once history lessons, sites of memory, and commemorative monuments. As places of mourning, war cemeteries are considerably different than civic cemeteries in their rituals, designs, and influences on collective memory. As transatlantic sites, the cemeteries both construct and sustain an American memory of World War II for a Francophile and European audience.
 
The book features ten color photographs, fifty black and white photographs, and four maps. Scholars as well as enthusiasts of World War II history, mid-century art and architecture, and cultural diplomacy will be interested in reading this richly researched book, the first in-depth history of some of the most important sites of American World War II remembrance.