5550 books match the query 'Biography & Autobiography' and 1006 start with t

cover of The Ballad of Fiddling Tom Freeman: Music, Moonshine, and Murder in Bug Tussle, Alabama

The Ballad of Fiddling Tom Freeman

Music, Moonshine, and Murder in Bug Tussle, Alabama

Joyce H. Cauthen with Robin Sterling

University of Alabama Press, 2026

A raw, firsthand account of feuds, fiddling, moonshining, and survival in a small Alabama town, told by its most colorful chronicler and shaped through careful historical insight.

The Ballad of Fiddling Tom Freeman is a riveting portrait of a forgotten America, drawn from the handwritten memoirs of a bootlegger, fiddler, and chronicler of life in Bug Tussle, Alabama, in the first half of the twentieth century. Today, rural voices are often drowned out by polished narratives, but this book resurrects the unfiltered perspective of a man who lived through—and candidly documented—the chaos and violence in his home place as he shared stories of the large close-knit families who lived there.

Freeman’s storytelling is as wild and tangled as the lives he describes, and author Joyce H. Cauthen, with the assistance of historical researcher Robin Sterling, brings clarity and context to his tales without sanding down their rough edges. The result is a vivid, bottom-up history of a place where lawlessness and loyalty often walked hand in hand.

The Ballad of Fiddling Tom Freeman stands out as a testament to the power of personal narrative. Not just a story about one man, it’s a window into a community shaped by hardship, music, and survival, told in a voice that refuses to be forgotten. This book is essential reading for historians, folklorists, musicians, and anyone drawn to the untamed stories of America’s backroads and backwoods.
 

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cover of The Barthes Effect: The Essay as Reflective Text

The Barthes Effect

The Essay as Reflective Text

Réda BensmaïaTranslated by Pat FedkiewForeword by Michèle H. Richman

University of Minnesota Press, 1987

The Barthes Effect was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The author acknowledges the essay as an eccentric phenomenon in literary history, one that has long resisted entry into the taxonomy of genres, as it concentrates on four works by Roland Barthes: The Pleasure of the Text, A Lover's Discourse, Roland Barthes by Roland Barthes, and Camera Lucida. Maintains that with Barthes the essay achieves a status of its own, as reflective text.

". . . a study rigorously conscious of the critical maneuvers it executes and, more importantly, questions as critical practice . . . " Bensmaïa's strategy produces a successful investigation of the interstices and slippages of meaning which Barthes addressed in his work." SubStance

Reda Bensmaia is associate professor in the departments of French and comparative literature at the University of Minnesota, and translator Pat Fedkiew, a graduate student in French at Minnesota. Michele Richman is associate professor of French at the University of Pennsylvania and author of Reading Georges Bataille: Beyond the Gift.

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cover of The Bassett Women

The Bassett Women

Grace McClure

Ohio University Press, 1985

In the late nineteenth century, Brown’s Park, a secluded valley astride the Utah-Colorado border, was a troubled land of deadly conflict among cattle barons, outlaws, rustlers, and small ranchers. Homesteader Elizabeth Bassett gained a tough reputation of her own, and her daughters followed suit, going on to become members of Butch Cassidy and the Wild Bunch’s inner circle. Ann—who counted Cassidy among her lovers—became known as “queen of the cattle rustlers.” Both sisters proved themselves shrewd businesswomen as they fended off hostile takeovers of the family ranch. Through the following decades, the sisters became the stuff of legend, women who embodied the West’s fearsome reputation, yet whose lived experiences were far more nuanced. Ann became a writer. Josie, whose cabin still stands at present-day Dinosaur National Monument, applied her pioneer ethics to a mechanized world and became renowned for her resourcefulness, steadfastness, and audacity.

For The Bassett Women, Grace McClure tracked down and untangled the legends of Brown’s Park, one of the way stations of the fabled “Outlaw Trail,” while creating an evenhanded and indelible portrait of the Bassetts. Based on interviews, written records, newspapers, and archives, The Bassett Women is one of the few credible accounts of early settlers on Colorado’s western slope, one of the last strongholds of the Old West.

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cover of The Battle for the University of Alabama: The Perilous Path of Higher Education in the Reconstruction South

The Battle for the University of Alabama

The Perilous Path of Higher Education in the Reconstruction South

William Warren Rogers, Jr.

University of Alabama Press, 2025

Traces the little-known story of the bitter contest for the fate of the University of Alabama after the Civil War.

In The Battle for the University of Alabama, William Warren Rogers Jr. gives a fascinating account of the fierce struggle over the nature of the University of Alabama after the Civil War. Union forces reduced the campus to ruins as the war ended, and the university did not reopen until 1869. In the interregnum, powerful forces shifted the trajectory of the school. Alabama Republicans authored an egalitarian state constitution that delivered oversight of the university to the Republican Party. That set the stage for turmoil and confrontation. This book tells the story of that conflict.

In the next few years, Democrats charged Republicans with turning the university into a “radical” institution. They alleged that a handful of unqualified individuals had gained faculty positions because of their political allegiance, which resulted in the university’s academic desecration. Professors were bitterly denounced in the state newspaper press and quite personally in Tuscaloosa. Administration of the university became part of the fratricidal political debate in the state. Political violence and questions concerning race, specifically the possible integration of the university, illuminated the controversies of the Reconstruction years. Many of these questions resonate even today.

This authoritative account sets events at the University of Alabama against the backdrop of what occurred at other state universities in the Reconstruction South. The University of North Carolina experienced controversy similar to Alabama’s. At the University of Georgia, however, calm prevailed. This story of the incendiary events at Alabama’s flagship university charts new ground and provides a revelatory look into the extraordinary partisanship that characterized the South after the Civil War.

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cover of The Battle to Stay in America: Immigration's Hidden Front Line

The Battle to Stay in America

Immigration's Hidden Front Line

Michael Kagan

University of Nevada Press, 2025

2020 Foreword INDIE awards winner

The Battle to Stay in America is the story of a community coming to grips with the federal government’s crackdown on immigrants, and learning how to defend itself. Informative and personal, this is a story about mothers and fathers, lawyers and activists, local police and federal agencies, and a struggle for the identity of a nation. This is the quintessential story of the war on immigrants, as fought and felt on the front lines in the heart of America.
 
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cover of The Beat Of My Drum: An Autobiography

The Beat Of My Drum

An Autobiography

Michael Babatunde Olatunji

Temple University Press, 2005

Babatunde Olatunji's record album Drums of Passion proclaimed that the time had come for America to recognize Africa's cultural contributions to the music world. Through his many albums and live performances, the Nigerian drummer popularized West African traditional music and spread his message of racial harmony. In this long-awaited autobiography, Olatunji presents his life story and the philosophy that guided him. Olatunji influenced and inspired musicians for more than forty years—from luminaries to music students and the many ordinary people who participated in his drum circles. He writes about rhythm being "the soul of life," and about the healing power of the drum. Ultimately, The Beat of My Drum shows why at the time of his death in 2003, Olatunji had become, according to The New York Times, "the most visible African musician in the United States."
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cover of The Beats in Mexico

The Beats in Mexico

David Stephen Calonne

Rutgers University Press, 2022

Mexico features prominently in the literature and personal legends of the Beat writers, from its depiction as an extension of the American frontier in Jack Kerouac’s On the Road to its role as a refuge for writers with criminal pasts like William S. Burroughs. Yet the story of Beat literature and Mexico takes us beyond the movement’s superstars to consider the important roles played by lesser-known female Beat writers. 
 
The first book-length study of why the Beats were so fascinated by Mexico and how they represented its culture in their work, this volume examines such canonical figures as Kerouac, Burroughs, Ginsberg, Lamantia, McClure, and Ferlinghetti. It also devotes individual chapters to women such as Margaret Randall, Bonnie Bremser, and Joanne Kyger, who each made Mexico a central setting of their work and interrogated the misogyny they encountered in both American and Mexican culture. 
 
The Beats in Mexico not only considers individual Beat writers, but also places them within a larger history of countercultural figures, from D.H. Lawrence to Antonin Artaud to Jim Morrison, who mythologized Mexico as the land of the Aztecs and Maya, where shamanism and psychotropic drugs could take you on a trip far beyond the limits of the American imagination.
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cover of The Beautiful Agonies

The Beautiful Agonies

Adrie Kusserow

Duke University Press, 2027

The Beautiful Agonies is a luminous, genre-bending work of literary nonfiction that braids intimate memoir, lyric essay, Buddhism, and anthropological insight into a meditation on aging, maternal caregiving, dying, and the beauty of the natural world. With fierce tenderness, Kusserow chronicles her mother’s final year of life in rural Vermont—days shaped by stark comedy and bodily decline, loneliness and fear, a scrappy, dogged search for meaning, and the intense beauty of the Vermont landscape. Kusserow’s trained anthropological lens, alert to stigma, cultural scripts, and the performance of “good aging,” sits alongside a tender daughter’s heart, creating a poetic, nuanced narrative that is both intellectually rigorous and emotionally shattering. Kusserow’s poetic and culturally perceptive voice—by turns wry, furious, reverent, and quietly funny—refuses sentimentality while still delivering catharsis. The Beautiful Agonies offers readers an extraordinary intersection of humanities and health, ethics and embodied emotion, cultural critique and spiritual inquiry, and a mother and daughter’s shared love of the natural world, a work as philosophically searching as it is heartbreakingly human.
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cover of The Beggar and the Professor: A Sixteenth-Century Family Saga

The Beggar and the Professor

A Sixteenth-Century Family Saga

Emmanuel Le Roy Ladurie

University of Chicago Press, 1997

From a wealth of vivid autobiographical writings, Emmanuel Le Roy Ladurie reconstructs the extraordinary life of Thomas Platter and the lives of his sons. With masterful erudition, Le Roy Ladurie deepens and expands the historical contexts of these accounts and, in the process, brings to life the customs, perceptions, and character of an age poised at the threshold of modernity.

"Le Roy Ladurie paints a remarkably contemporary picture of life in the sixteenth century. . . . It's a good story, told with a deft narrative touch."—Michael S. Kimmel, The Nation

"Le Roy Ladurie is a master of the representative detail and uses the Platters' lives as a means to see a whole century 'through a glass, darkly'."—The Independent

"Le Roy Ladurie has not only thoroughly sketched out the Platters' particular brand of gusto, he has also made it seem a defining characteristic of the sixteenth century."—The New Republic

"All [of] the drama and pathos of a Disney film."—Emily Eakin, Lingua Franca
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cover of The Benching of Willis Ward: The Making of a Black Conservative in the Jim Crow North

The Benching of Willis Ward

The Making of a Black Conservative in the Jim Crow North

Tyran Kai Steward

University of Illinois Press, 2027

On October 20, 1934, University of Michigan officials benched Wolverines star Willis Ward to accommodate Georgia Tech’s refusal to share the field with a Black player. Tyran Kai Steward illuminates how Ward’s experience as a student-athlete highlighted the distinct forms of racism practiced in the North and influenced Ward’s beliefs for the rest of his life.

Michigan’s policy of dubious inclusion showed how white institutions admitted Black individuals and then forced them to face discrimination and isolation. Steward connects Ward’s college experience to his subsequent career, where his work as a personnel executive at Ford Motor Company and the Public Services Commission reflected his ambivalence to civil rights and conservative views on race reform. As time passed, Ward advocated for Black Americans to pursue personal success over collective action, a belief that—along with his staunch Republican Party politics—made Ward an example of the Black conservative approach to racial progress.

In-depth and sobering, The Benching of Willis Ward uses one man’s career to shine a light on the workings and legacy of the North’s systems of discrimination.
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cover of The Besht: Magician, Mystic, and Leader

The Besht

Magician, Mystic, and Leader

Immanuel Etkes

Brandeis University Press, 2012

Founded in Eastern Europe in the eighteenth century, the Hasidic movement and its religious thinking have dramatically transformed modern Judaism. The figure of the Ba’al Shem Tov (known in acronym form as the BeSHT)—the purported founder of the Hasidic movement—has fascinated scholars, Jewish philosophers, and laypeople interested in popular Jewish mysticism in general and the contemporary Hasidic movement in all its variety. In this volume, Etkes enters a rich and heated debate over the origins of the movement, as well as the historicity of its mythic founder, Rabbi Israel Ba’al Shem Tov, who lived much of his life as a miracle worker. The eighteenth century, as Etkes vividly portrays, was the heyday of the kabbalists, who dabbled in the magical power of letters and words to solve personal and communal problems—and to earn a living. Etkes sheds light on the personality of the Besht, on his mysticism, and on his close circle of followers. But equally important, he challenges the popular myth of the Besht as a childlike mystic, wandering the fields in prayer, seeing visions and engaging in acts of godliness and piety. Although Etkes shows great empathy for his subject, the Besht who emerges in these pages is much more down to earth, much more a man of his times. Indeed, according to Etkes, it was never the intention of the Besht to found a religious movement. Etkes looks at the Besht’s mystical roots, examining him not only from the vantage point of a social historian, but as a religious figure. Moshe Rosman, author of Founder of Hasidism, a biography of the Besht, claims that In Praise of the Besht—a volume published about the Besht in 1814, many years after his death, which portrayed his character by means of stories told by his close followers—could not be a reliable source. Etkes, disputing this claim, shows definitively that this well-known text (translated and interpreted by, among others, Martin Buber) may indeed offer trustworthy accounts of the Besht’s life and thinking.
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cover of The Best I Recall: A Memoir

The Best I Recall

A Memoir

By Gary Cartwright

University of Texas Press, 2015

Gary Cartwright is one of Texas’s legendary writers. In a career spanning nearly six decades, he has been a newspaper reporter, Senior Editor of Texas Monthly, and author of several acclaimed books, including Blood Will Tell, Confessions of a Washed-up Sportswriter, and Dirty Dealing. Cartwright was a finalist for a National Magazine Award for reporting excellence, and he has won several awards from the Texas Institute of Letters, including its most prestigious—the Lon Tinkle Award for lifetime achievement. His personal life has been as colorful and occasionally outrageous as any story he reported, and in this vivid, often hilarious, and sometimes deeply moving memoir, Cartwright tells the story of his writing career, tangled like a runaway vine with great friendships, love affairs, four marriages, four or five great dogs . . . looking always to explain, at least to himself, how the pattern probably makes a kind of perverted sense.

Cartwright’s career began at the Fort Worth Star-Telegram and Fort Worth Press, among kindred spirits and fellow pranksters Edwin “Bud” Shrake and Dan Jenkins. He describes how the three rookie writers followed their mentor Blackie Sherrod to the Dallas Times Herald and the Dallas Morning News, becoming the “best staff of sportswriters anywhere, ever” and creating a new kind of sportswriting that “swept the country and became standard.” Cartwright recalls his twenty-five years at Texas Monthly, where he covered everything from true crime to notable Texans to Texas’s cultural oddities. Along the way, he tells lively stories about “rebelling against sobriety” in many forms, with friends and co-conspirators that included Willie Nelson, Ann Richards, Dennis Hopper, Willie Morris, Don Meredith, Jack Ruby, and countless others. A remarkable portrait of the writing life and Austin’s counterculture, The Best I Recall may skirt the line between fact and fiction, but it always tells the truth.

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cover of The Best Lawyer in a One-Lawyer Town: A Memoir

The Best Lawyer in a One-Lawyer Town

A Memoir

Dale Bumpers

University of Arkansas Press, 2004

If Frank McCourt had grown up in Depression-era Arkansas, he might write like Dale Bumpers, one of the most colorful, entertaining, and wise politicians in recent American history, Atticus Finch with a sense of humor. In The Best Lawyer in a One-Lawyer Town, Bumpers tells the story of his remarkable journey from poverty to political legend, and the result is a great American memoir that has attracted wide acclaim for its clever southern charm.
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cover of The Best Weapon for Peace: Maria Montessori, Education, and Children's Rights

The Best Weapon for Peace

Maria Montessori, Education, and Children's Rights

Erica Moretti

University of Wisconsin Press, 2022

The Italian educator and physician Maria Montessori (1870–1952) is best known for the teaching method that bears her name. She was also a lifelong pacifist, although historians tend to consider her writings on this topic as secondary to her pedagogy. In The Best Weapon for Peace, Erica Moretti reframes Montessori’s pacifism as the foundation for her educational activism, emphasizing her vision of the classroom as a gateway to reshaping society. Montessori education offers a child-centered learning environment that cultivates students’ development as peaceful, curious, and resilient adults opposed to war and invested in societal reform.
 
Using newly discovered primary sources, Moretti examines Montessori’s lifelong pacifist work, including her ultimately unsuccessful push for the creation of the White Cross, a humanitarian organization for war-affected children. Moretti shows that Montessori’s educational theories and practices would come to define chilren’s rights once adopted by influential international organizations, including the United Nations. She uncovers the significance of Montessori’s evolving philosophy of peace and early childhood education within broader conversations about internationalism and humanitarianism.
 
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cover of The Best Writings of Ulysses S. Grant

The Best Writings of Ulysses S. Grant

Edited by John F. Marszalek

Southern Illinois University Press, 2015

Famous for his military acumen and for his part in saving the Union during the American Civil War, Ulysses S. Grant also remains known for his two-volume memoirs, considered among the greatest military memoirs ever written. Grant’s other writings, however, have not received the same acclaim, even though they show the same literary skill. Originally published in the thirty-two volumes of The Papers of Ulysses S. Grant, the letters and speeches are the major source of information about Grant’s life and era and have played a key role in elevating his reputation to that of the leading general of the Civil War and the first of the modern presidents. In this collection, editor John F. Marszalek presents excerpts from Grant’s  most insightful and skillfully composed writings and provides perspective through introductory comments tying each piece to the next. The result is a fascinating overview of Grant’s life and career.

In sixteen chronological chapters, selections from Grant’s letters and other writings reveal his personal thoughts on the major events of his momentous life, including the start of the Civil War, the capture of Vicksburg, Lincoln’s reelection, Lee’s surrender, his terms as president, the Panic of 1873, and his bouts of mouth and throat cancer. Throughout, Grant’s prose reveals clearly the power of his words and his ability to present them well. Although some historians have maligned his presidency as one of the most corrupt periods in American history, these writings reinforce Grant’s greatness as a general, demonstrate the importance of his presidency, and show him to be one of the driving forces of the nineteenth century.

With this compendium, Marszalek not only celebrates the literary talent of one of America’s greatest military figures but also vindicates an individual who, for so long, has been unfairly denigrated. A concise reference for students of American history and Civil War enthusiasts as well as a valuable introduction for those who are new to Grant’s writings, this volume provides intriguing insight into one of the nineteenth century’s most important Americans.

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cover of The Best of Pickering

The Best of Pickering

Sam Pickering

University of Michigan Press, 2004

Praise for Sam Pickering:

"Pickering has all of Thurber's humor, and he writes as well as E. B. White. He writes with passion, wit, and a strange personal note of self-mockery; he is humanely educated, wise, and capable of a wide range of stylistic effects."
----Jay Parini

". . . he writes in the tradition of Montaigne hammering together a ramshackle affair of surprising nooks, crannies and additions-all under the same roof."
---The Oxford American

"Pickering has the natural essayist's intimate yet distanced take on the world that combines a devotion to particulars . . . with a near-indifference to the status- and achievement-mongering that marks modern life."
---Publishers Weekly

"Pickering writes with the sensitivity and craft of a poet, finding meaning in the commonplace and ordinary."
---Library Journal

"Pickering's genre is unique, but I'm not sure anyone else can write this stuff. I can live with that, as long as Pickering himself continues to wend through the forests, classrooms, airports, billiards championships, hometown parades, and his inner world of Tennessee gags and characters."
---Hartford Courant


His writing is as unique and recognizable as the music of Mozart, the painting of Picasso, or the poetry of Dickinson. Yet most Americans likely know Sam Pickering, the University of Connecticut English professor, from the movie Dead Poets Society. In the film, Robin Williams plays an idiosyncratic instructor---based on Pickering---who employs some over-the-top teaching methods to keep his subjects fresh and his students learning.

Fewer probably know that Pickering is the author of more than 16 books and nearly 200 articles, or that he's inspired thousands of university students to think in new ways. And, while Williams may have captured Pickering's madcap classroom antics, he didn't uncover the other side of the author-Sam Pickering as one of our great American men of letters.

The Best of Pickering amply demonstrates Pickering's amazing powers of perception, and gives us insight into the mind of a writer nearly obsessed with turning his back on the conventional trappings of American success-a writer who seems to prefer lying squirrel's-eye-level next to a bed of daffodils in the spring or trespassing on someone else's property to pursue a jaunt through joe-pye weed and goldenrod. Indeed, Pickering's philosophy, at least on paper, may very well be "Now is the only time."

If you haven't met Sam Pickering before, prepare to be surprised and delighted by these wry and sometimes self-deprecating essays that are witty and elegant and concrete yet wander widely, and include Pickering's well-trod fictional Southern town of Carthage, Tennessee, full of strange goings-on. This definitive collection of the best of Pickering is a must for Pickering fans and a fine introduction for the uninitiated to one of our greatest men of letters.
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cover of The Birdman of Koshkonong: The Life of Naturalist Thure Kumlien

The Birdman of Koshkonong

The Life of Naturalist Thure Kumlien

Martha Bergland

Wisconsin Historical Society Press, 2021

Thure Kumlien was one of Wisconsin’s earliest Swedish settlers and an accomplished ornithologist, botanist, and naturalist in the mid-1800s, though his name is not well known today. He settled on the shore of Lake Koshkonong in 1843 and soon began sending bird specimens to museums and collectors in Europe and the eastern United States, including the Smithsonian. Later, he prepared natural history exhibits for the newly established University of Wisconsin and became the first curator and third employee of the new Milwaukee Public Museum. 

For all of his achievements, Kumlien never gained the widespread notoriety of Wisconsin naturalists John Muir, Increase Lapham, or Aldo Leopold. Kumlien did his work behind the scenes, content to spend his days in the marshes and swamps rather than in the public eye. He once wrote that he was not “cut out for pretensions and show in the world.” Yet, his detailed observations of Wisconsin’s natural world—including the impact of early agriculture on the environment—were hugely important to the fields of ornithology and botany. As this carefully researched and lovingly rendered biography proves, Thure Kumlien deserves to be remembered as one of Wisconsin’s most influential naturalists. 
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cover of The Black Body

The Black Body

Anna Maria Gehnyei (Karima 2G)

Rutgers University Press, 2025

Best Translation of a Literary Work Published in 2025 from the American Association of Italian Studies

In her memoir, Anna Maria Gehnyei, better known as singer, rapper, and producer Karima 2G, reveals the challenges she faced as the child of Liberian immigrants, born and raised in Rome but perpetually viewed by her fellow Italians as a foreigner.
 
The daughter of the first Kpelle man to ever leave his native village and emigrate to Europe, Anna is proud of her heritage but only knows Liberia as a mystical, faraway land that appears in her parents’ stories. Though Italy is the only homeland she knows, she is merely classed as a resident, not a permanent citizen. At school and in the streets of Rome, she is treated to a mixture of patronizing condescension and xenophobic hostility. But Anna refuses to be bullied into mute submission, finding her voice as a performer and activist who demands recognition for Italy’s growing immigrant population.
 

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cover of The Black Heavens: Abraham Lincoln and Death

The Black Heavens

Abraham Lincoln and Death

Brian R. Dirck

Southern Illinois University Press, 2019

Winner, Lincoln Group of New York Award of Achievement 2019

From multiple personal tragedies to the terrible carnage of the Civil War, death might be alongside emancipation of the slaves and restoration of the Union as one of the great central truths of Abraham Lincoln’s life. Yet what little has been written specifically about Lincoln and death is insufficient, sentimentalized, or devoid of the rich historical literature about death and mourning during the nineteenth century. The Black Heavens: Abraham Lincoln and Death is the first in-depth account of how the sixteenth president responded to the riddles of mortality, undertook personal mourning, and coped with the extraordinary burden of sending hundreds of thousands of soldiers to be killed on battlefields.

Going beyond the characterization of Lincoln as a melancholy, tragic figure, Brian R. Dirck investigates Lincoln’s frequent encounters with bereavement and sets his response to death and mourning within the social, cultural, and political context of his times. At a young age Lincoln saw the grim reality of lives cut short when he lost his mother and sister. Later, he was deeply affected by the deaths of two of his sons, three-year-old Eddy in 1850 and eleven-year-old Willie in 1862, as well as the combat deaths of close friends early in the war. Despite his own losses, Lincoln learned how to approach death in an emotionally detached manner, a survival skill he needed to cope with the reality of his presidency.

Dirck shows how Lincoln gradually turned to his particular understanding of God’s will in his attempts to articulate the meaning of the atrocities of war to the American public, as showcased in his allusions to religious ideas in the Gettysburg Address and the Second Inaugural. Lincoln formed a unique approach to death: both intellectual and emotional, typical and yet atypical of his times. In showing how Lincoln understood and responded to death, both privately and publicly, Dirck paints a compelling portrait of a commander in chief who buried two sons and gave the orders that sent an unprecedented number of Americans to their deaths.
 
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cover of The Black Penguin

The Black Penguin

Andrew Evans

University of Wisconsin Press, 2018

A devout young boy in rural Ohio, Andrew Evans had his life mapped for him: baptism, mission, Brigham Young University, temple marriage, and children of his own. But as an awkward gay kid, bullied and bored, he escaped into the glossy pages of National Geographic and the wide promise of the world atlas. The Black Penguin is Evans's memoir, travel tale, and love story of his eventual journey to the farthest reaches of the map, a wild yet touching adventure across some of the most astonishing landscapes on Earth.

Ejected from church and shunned by his family as a young man, Evans embarks on an ambitious overland journey halfway across the world. Riding public transportation, he crosses swamps, deserts, mountains, and jungles, slowly approaching his lifelong dream and ultimate goal: Antarctica. With each new mile comes laughter, pain, unexpected friendship, true weirdness, unsettling realities, and some hair-raising moments that eventually lead to a singular discovery on a remote beach at the bottom of the world.

Evans's 12,000-mile voyage becomes a soulful quest to balance faith, family, and self, reminding us that, in the end, our lives are defined by the roads we take, the places we touch, and those we hold nearest.

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cover of The Black Public Sphere

The Black Public Sphere

Edited by The Black Public Sphere Collective

University of Chicago Press, 1995

During the 1980s and 1990s the black public sphere has expanded in reach and complexity even as progressive black political agendas have been and continue to be shattered and social programs gutted. Today, African Americans find themselves more highly integrated into American life than ever before, and yet, in many ways they are still as thoroughly segregated as at any time during this century.

To think about the black public sphere we have to be willing to rethink the relationship between markets and freedom, commodity and identity, property and pleasure. This book provides more sophisticated approaches to matters historically consigned to inadequate rubrics—"the Negro problem," "subcultures," "minorities," "inner city," and "multicultural." While these rubrics constrict and stereotype, the analytic potential of the black public sphere is that it facilitates new ways to discuss democratic values and citizenship.
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cover of The Black Seasons

The Black Seasons

Glowinski

Northwestern University Press, 2005

A mosaic of memories from a childhood in the Warsaw Ghetto and a life in hiding on the other side of the wall

When six-year-old Michal Glowinski first heard the adults around him speak of the ghetto, he understood only that the word was connected with moving-and conjured up a fantastical image of a many-storied carriage pulled through the streets by some umpteen horses. He was soon to learn that the ghetto was something else entirely. A half-century later, Glowinski, now an eminent Polish literary scholar, leads us haltingly into Nazi-occupied Poland. Scrupulously attentive to the distance between a child's experience and an adult's reflection, Glowinski revisits the images and episodes of his childhood: the emaciated violinist playing a Mendelssohn concerto on the ghetto streets; his game of chess with a Polish blackmailer threatening to deliver him to the Gestapo; and his eventual rescue by Catholic nuns in an impoverished, distant convent. In language at once spare and eloquent, Glowinski explores the horror of those years, the fragility of existence, and the fragmented nature of memory itself.

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cover of The Blind African Slave: Memoirs of Boyrereau Brinch, Nicknamed Jeffrey Brace

The Blind African Slave

Memoirs of Boyrereau Brinch, Nicknamed Jeffrey Brace

Jeffrey Brace, as told to Benjamin F. Prentiss, Esq.

University of Wisconsin Press, 2005

The Blind African Slave recounts the life of Jeffrey Brace (né Boyrereau Brinch), who was born in West Africa around 1742. Captured by slave traders at the age of sixteen, Brace was transported to Barbados, where he experienced the shock and trauma of slave-breaking and was sold to a New England ship captain. After fighting as an enslaved sailor for two years in the Seven Years War, Brace was taken to New Haven, Connecticut, and sold into slavery. After several years in New England, Brace enlisted in the Continental Army in hopes of winning his manumission. After five years of military service, he was honorably discharged and was freed from slavery. As a free man, he chose in 1784 to move to Vermont, the first state to make slavery illegal. There, he met and married an African woman, bought a farm, and raised a family. Although literate, he was blind when he decided to publish his life story, which he narrated to a white antislavery lawyer, Benjamin Prentiss, who published it in 1810. Upon his death in 1827, Brace was a well-respected abolitionist. In this first new edition since 1810, Kari J. Winter provides a historical introduction, annotations, and original documents that verify and supplement our knowledge of Brace's life and times.
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cover of The Blind Masseuse: A Traveler's Memoir from Costa Rica to Cambodia

The Blind Masseuse

A Traveler's Memoir from Costa Rica to Cambodia

Alden Jones

University of Wisconsin Press, 2013

Through personal journeys both interior and across the globe, Alden Jones investigates what motivates us to travel abroad in search of the unfamiliar.
            By way of explorations to Costa Rica, Bolivia, Nicaragua, Cuba, Burma, Cambodia, Egypt, and around the world on a ship, Jones chronicles her experience as a young American traveler while pondering her role as an outsider in the cultures she temporarily inhabits. Her wanderlust fuels a strong, high-adventure story and, much in the vein of classic travel literature, Jones's picaresque tale of personal evolution informs her own transitions, rites of passage, and understandings of her place as a citizen of the world. With sharp insight and stylish prose, Jones asks: Is there a right or wrong way to travel? The Blind Masseuse concludes that there is, but that it's not always black and white.

Gold Winner for Travel Essays, Foreword Books of the Year

Gold Medal for Travel Essays, Independent Publisher Book Awards

Winner, Bisexual Book Awards, Bisexual Biography/Memoir Category

Finalist, Housatonic Book Awards

Longlist of eight, PEN/Diamonstein Spielvogel Award for the Art of the Essay

Finalist, Travel Book or Guide Award, North American Travel Journalists Association

[more]
cover of The Blind Masseuse: A Traveler's Memoir from Costa Rica to Cambodia

The Blind Masseuse

A Traveler's Memoir from Costa Rica to Cambodia

Alden Jones

University of Wisconsin Press, 2017

Through personal journeys both interior and across the globe, Alden Jones investigates what motivates us to travel abroad in search of the unfamiliar.

By way of explorations to Costa Rica, Bolivia, Nicaragua, Cuba, Burma, Cambodia, Egypt, and around the world on a ship, Jones chronicles her experience as a young American traveler while pondering her role as an outsider in the cultures she temporarily inhabits. Her wanderlust fuels a strong, high-adventure story and, much in the vein of classic travel literature, Jones's picaresque tale of personal evolution informs her own transitions, rites of passage, and understandings of her place as a citizen of the world. With sharp insight and stylish prose, Jones asks: Is there a right or wrong way to travel? The Blind Masseuse concludes that there is, but that it's not always black and white.

[more]
cover of The Blood in Their Veins: The Kimballs, Polygamy, and the Shaping of Mormonism

The Blood in Their Veins

The Kimballs, Polygamy, and the Shaping of Mormonism

Kimball, Andrew

Signature Books, 2025

This meticulously documented, deeply engaging book represents a unique approach to Utah and Latter-day Saint history, drawing on previously untapped private letters and diaries of members of the large and widely known polygamist family of the prominent Latter-day Saint leader, Heber C. Kimball.

The story includes compelling accounts of Helen Kimball Whitney, who married Joseph Smith polygamously at fourteen and became, according to Emmeline B. Wells, “one of the best known and most estimable women of the Church,” and of her son Orson F. Whitney, who forswore his embrace of reincarnation only six years before his call as an apostle of the Church of Jesus Christ of Latter-day Saints. Another daughter, Alice Kimball Smith, married a man who was tracked to a brothel and arrested for armed robbery and assault in 1883, after which Alice turned to family friend and apostle Joseph F. Smith and became his fifth wife. Heber’s son, J. Golden Kimball, one of the most beloved and colorful personalities in Mormon and Utah history, is brought to life in another sketch. The Kimballs had to navigate the ticklish business of explaining or obfuscating polygamy to disapproving family in the East, including the extended claim by Heber’s wife Christeen to her New Jersey family that she had married a Mr. Chase monogamously. Two of Heber’s sons, both stake presidents, contemplated plural marriage in the first decade of the twentieth century, well after the church publicly disavowed the practice.

Additional light is shone on the now-defunct Latter-day Saint practices of adult adoptions and speaking in tongues, Mormon-settler relations with the Utes and Pahvants, the 1856 handcart rescue, the John Hyrum Koyle “Dream Mine,” the Jackson County, Missouri, Temple Lot suit of 1892, and federal pursuit of polygamists.

[more]
cover of The Blue Light

The Blue Light

Hussein Barghouthi

Seagull Books, 2023

The Blue Light is an autobiographical novel in chapters and vignettes that travels through memory, time, and language.

Hussein Bargouthi tells his story with Bari, a Turkish American Sufi, during Bargouthi’s years as a graduate student at the University of Washington in the late 1980s. The Blue Light has several beginnings and many returns—from Beirut’s traumatic sea to musings on color and identity, from Buddhist paths to Rajneesh disciples, from military rule to colonial insanity, from drug addiction to sacred rock. Written and lived between Arabic and English, this is a unique book whose depth is as clear as its surface. It will tempt you to dismiss it as it compels you to devour it for illumination. Merging memoir with fiction, and the hallowed with the profane, The Blue Light is a meditation on and liberation from madness—a brilliant, inimitable literary achievement.
[more]
cover of The Blues Dream of Billy Boy Arnold

The Blues Dream of Billy Boy Arnold

Billy Boy Arnold with Kim Field

University of Chicago Press, 2021

The frank, funny, and unforgettable autobiography of a living legend of Chicago blues.  
 
Simply put, Billy Boy Arnold is one of the last men standing from the Chicago blues scene’s raucous heyday. What’s more, unlike most artists in this electrifying melting pot, who were Southern transplants, Arnold—a harmonica master who shared stages with Bo Diddley, Muddy Waters, and Howlin’ Wolf, plus a singer and hitmaker in his own right who first recorded the standards “I Wish You Would” and “I Ain’t Got You”—was born right here and has lived nowhere else. This makes his perspective on Chicago blues, its players, and its locales all the rarer and all the more valuable. Arnold has witnessed musical generations come and go, from the decline of prewar country blues to the birth of the electric blues and the worldwide spread of rock and roll. Working here in collaboration with writer and fellow musician Kim Field, he gets it all down. The Blues Dream of Billy Boy Arnold is a remarkably clear-eyed testament to more than eighty years of musical love and creation, from Arnold’s adolescent quest to locate the legendary Sonny Boy Williamson, the story of how he named Bo Diddley Bo Diddley, and the ups and downs of his seven-decade recording career. Arnold’s tale—candidly told with humor, insight, and grit—is one that no fan of modern American music can afford to miss.
 
[more]
cover of The Body Alone: A Lyrical Articulation of Chronic Pain

The Body Alone

A Lyrical Articulation of Chronic Pain

Nina Lohman

University of Iowa Press, 2024

The Body Alone is an inquiry into the experience, meaning, and articulation of pain. It is a personal hybrid account incorporating research, scholarship, and memoir to examine chronic pain through the multi-lens of medicine, theology, and philosophy. Broken bodies tell broken stories. Nina Lohman’s pain experience is portrayed through a cyclical narrative of primers, vocabulary lessons, prescription records, and hypothesized internal monologues—fractured not for the sake of experimentation but because the story itself demands it.

In both form and content, The Body Alone represents boundary-pressing work that subverts the traditional narrative by putting pressure on the medical, cultural, and political systems that impact women’s access to fair and equal healthcare. This is more than an illness narrative, it is a battle cry demanding change.
 
[more]
cover of The Body of Brooklyn

The Body of Brooklyn

David Lazar

University of Iowa Press, 2003

Even before the controversy that surrounded the publication of A Million Little Pieces, the question of truth has been at the heart of memoir. From Elie Wiesel to Benjamin Wilkomirski to David Sedaris, the veracity of writers' claims has been suspect. In this fascinating and timely collection of essays, leading writers meditate on the subject of truth in literary nonfiction. As David Lazar writes in his introduction, "How do we verify? Do we care to? (Do we dare to eat the apple of knowledge and say it's true? Or is it a peach?) Do we choose to? Is it a subcategory of faith? How do you respond when someone says, 'This is really true'? Why do they choose to say it then?"
The past and the truth are slippery things, and the art of non-fiction writing requires the writer to shape as well as explore. In personal essays, meditations on the nature of memory, considerations of the genres of memoir, prose poetry, essay, fiction, and film, the contributors to this provocative collection attempt to find answers to the question of what truth in nonfiction means.
Contributors: 
John D'Agata, Mark Doty, Su Friedrich, Joanna Frueh, Ray González, Vivian Gornick, Barbara Hammer, Kathryn Harrison, Marianne Hirsch, Wayne Koestenbaum, Leonard Kriegel, David Lazar, Alphonso Lingis, Paul Lisicky, Nancy Mairs, Nancy K. Miller, Judith Ortiz Cofer, Phyllis Rose, Oliver Sacks, David Shields, and Leo Spitzer.
[more]
cover of The Bone Doctor's Concerto: Music, Surgery, and the Pieces in Between

The Bone Doctor's Concerto

Music, Surgery, and the Pieces in Between

Alvin H. Crawford, MD

Ohio University Press, 2023

Published by the University of Cincinnati Press

Born in Memphis, Tennessee in 1939, Dr. Alvin Crawford grew up and attended medical school in a segregated world. Beginning with his early life in Orange Mound—a self-contained community for freed slaves established in the 1890s—Crawford’s autobiography describes his flirtation with a music degree and time spent playing in jazz bands through the segregated South. In 1960, Crawford began his ground-breaking medical career with his entrance into the University of Tennessee College of Medicine, becoming the school’s first African American student. After completing his medical training and traveling the world as a surgeon for the Navy, Crawford found himself in Cincinnati, where he established the Comprehensive Pediatric Orthopedic Clinic at Cincinnati Children’s Hospital, the first in the region.

Underlying this story are the systemic and very personal incidents of racism Crawford experienced throughout his career. His autobiography is a personal account of segregation, integration, ambition, hard work, and taking risks.

[more]
cover of The Book Keeper: A Memoir of Race, Love, and Legacy

The Book Keeper

A Memoir of Race, Love, and Legacy

Julia McKenzie Munemo

Ohio University Press, 2020

“A fiercely felt memoir about family shame and the transformative power of love even as it’s also an ongoing meditation on privilege and race in twenty-first-century America. This is a debut striking in its empathetic imagination, observational acuity, and emotional intelligence.” — Jim Shepard, author of Like You’d Understand, Anyway.

In a memoir that’s equal parts love story, investigation, and racial reckoning, Munemo unravels and interrogates her whiteness, a shocking secret, and her family’s history.

When interracial romance novels written by her long-dead father landed on Julia McKenzie Munemo’s kitchen table, she—a white woman—had been married to a black man for six years and their first son was a toddler. Out of shame about her father’s secret career as a writer of “slavery porn,” she hid the books from herself, and from her growing mixed-race family, for more than a decade. But then, with police shootings of African American men more and more in the public eye, she realized that understanding her own legacy was the only way to begin to understand her country.

[more]
cover of The Book of Bauer: Stories from a Forgotten Town

The Book of Bauer

Stories from a Forgotten Town

Stephen S. Lottridge

University of Utah Press, 2023

Graffiti-covered industrial concrete ruins are all that remain today to remind us of the lives, adventures, and human relationships that once animated Bauer, Utah. Located just south of Tooele, across the Oquirrh Mountains west of the Salt Lake Valley, Bauer was abandoned in 1979 and declared a toxic waste site. The Book of Bauer: Stories from a Forgotten Town brings it back to life, evoking mid-twentieth century family and community in that company town as seen through the eyes of an observant adolescent boy.

Presenting a dramatic snapshot of life in Bauer in narrative autobiographical form, the book recalls the fate of hundreds of derelict mining towns throughout the mountain and sagebrush West. With vivid prose and intimate observation, The Book of Bauer offers an unparalleled memoir of small-town life in Utah and the Great Basin.

[more]
cover of The Book of Queer Mormon Joy

The Book of Queer Mormon Joy

Pray, Kerry Spencer

Signature Books, 2024

The story of queer Mormons is one that some might not expect to be joyful. The Church of Jesus Christ of Latter-day Saints has traditionally asserted that queerness is counter to God’s plan and that gender as determined at birth is eternal. Any marriage other than a monogamous pairing of male and female is “counterfeit.” So called “wickedness,” we are told, “never was happiness.”

But queer Mormons tell different stories—stories filled with joy. This collection includes essays by queer Mormons across the LGBTQ spectrum who, when they looked inside themselves, found divinity rather than sin. Stories by people who are made exactly as they are meant to be, and live accordingly.

Queer Mormons who feel forced out of the institutional church don’t typically find despair on the outside or abandonment by the divine. Instead, their lives are rich and beautiful—made all the more so by the struggle. The Book of Mormon tells us, “Men are that they might have joy.” The Book of Queer Mormon Joy affirms that trans, nonbinary, intersex, asexual, bisexual, polyamorous, and gay people have joy. Joy is for everyone.

[more]
cover of The Bookmaker's Daughter: A Memory Unbound

The Bookmaker's Daughter

A Memory Unbound

Shirley Abbott

University of Arkansas Press, 2006

This deeply felt memoir is a journey through family history, feminist insight, and southern mythology. In it a daughter reflects on the complicated and volatile love she and her father shared. Shirley Jean Abbott grew up in Hot Springs, Arkansas, in the 1940s and 50s and was the beloved daughter of Alfred Bemont Abbott, affectionately known as “Hat.” Hat wasn’t a bookmaker in the literary sense, even though he allowed Shirley’s mother to believe as much while they were dating. Rather, his craft was gambling, and his business was horse racing.

Despite the corruption, which put food on the table and rabbit coats in the closet, Abbott remembers the kind and attentive father who spent nights reading to her. He alone is responsible for opening the door to a world of language and literature for her. And she ran with it. Against her father’s wishes, after graduation she headed for New York City. In the end, the girl he had nurtured into an independent and intelligent young woman had outgrown the small town where she grew up. The Bookmaker’s Daughter was originally published by Ticknor and Fields in 1992 and was a Book of the Month Club selection.

[more]
cover of The Botanical Odyssey of Richard S. Felger

The Botanical Odyssey of Richard S. Felger

Edited by Benjamin T. Wilder, Bill Broyles, and Thomas Bowen

University of Arizona Press, 2026

This work is a vibrant tribute to Richard Stephen Felger, who was one of the most influential scientists of the American Southwest and northwestern Mexico. Known as a desert botanist, Felger’s work transcended regional boundaries, blending rigorous fieldwork with global ecological vision. This work offers an intimate and multifaceted portrait of a man whose tireless advocacy for biodiversity and biocultural conservation shaped generations of desert scientists..

Edited by Benjamin T. Wilder, Bill Broyles, and Thomas Bowen, this book is both a celebration and a resource. The work is separated into four parts. With humor, insight, and deep empathy, Felger’s own voice leads the journey in part 1, recounting his most memorable field experiences with masterful prose and sly wit. Part 2 brings together heartfelt reflections from colleagues who worked alongside Felger in the field, revealing the eccentric brilliance and relentless curiosity that defined his career. Part 3 explores his family history and the unconventional path that shaped his life’s work, while part 4 presents a comprehensive bibliography of his most important publications. The book contains four maps that help take you around the world on Felger’s journeys, and fifty images selected from the thousands of slides from his archive that further transport and anchor you in the adventure.

Felger’s own voice, paired with reflections from twenty colleagues, creates a rich, multifaceted narrative, offering readers a rare glimpse into the life of a scientific icon whose legacy continues to inspire desert researchers and conservationists across the globe.

Contributors

James Aronson

Thomas Bowen

Bill Broyles

Alberto Búrquez

Susan Davis Carnahan

Mark Alan Dimmitt

Exequiel Ezcurra

Gil Gillenwater

Russ Kleinman

Angelina Martínez-Yrízar

Gregory McNamee

Cathy Moser Marlett

Gary Paul Nabhan

Wallace J. Nichols

William R. Norris

Humberto Romero Morales

Sue Rutman

Silke Schneider

Jeffrey Seminoff

Jane Spinti

Benjamin T. Wilder

[more]
cover of The Boy Is Gone: Conversations with a Mau Mau General

The Boy Is Gone

Conversations with a Mau Mau General

Laura Lee P. Huttenbach

Ohio University Press, 2015

A story with the power to change how people view the last years of colonialism in East Africa, The Boy Is Gone portrays the struggle for Kenyan independence in the words of a freedom fighter whose life spanned the twentieth century’s most dramatic transformations. Born into an impoverished farm family in the Meru Highlands, Japhlet Thambu grew up wearing goatskins and lived to stand before his community dressed for business in a pressed suit, crisp tie, and freshly polished shoes. For most of the last four decades, however, he dressed for work in the primary school classroom and on his lush tea farm.

The General, as he came to be called from his leadership of the Mau Mau uprising sixty years ago, narrates his life story in conversation with Laura Lee Huttenbach, a young American who met him while backpacking in Kenya in 2006. A gifted storyteller with a keen appreciation for language and a sense of responsibility as a repository of his people’s history, the General talks of his childhood in the voice of a young boy, his fight against the British in the voice of a soldier, and his long life in the voice of shrewd elder. While his life experiences are his alone, his story adds immeasurably to the long history of decolonization as it played out across Africa, Asia, and the Americas.

[more]
cover of The Boy Next Door: My Sixty Year Friendship with Bill Clinton

The Boy Next Door

My Sixty Year Friendship with Bill Clinton

Carolyn Yedell Staley

Parkhurst Brothers, Inc., 2025

The life of President Bill Clinton as seen through the lens of one who was his next-door neighbor during high school and who has maintained a close and uninterrupted friendship ever since, by maintaining a near-constant correspondence, serving roles in both his gubernatorial and presidential administrations, and having shared personal interests, especially music. 
[more]
cover of The Boy Soldier: Edwin Jemison and the Story Behind the Most Remarkable Portrait of the Civil War

The Boy Soldier

Edwin Jemison and the Story Behind the Most Remarkable Portrait of the Civil War

Alexandra Filipowski and Hugh T. Harrington

Westholme Publishing, 2016

A Haunting Photograph and the Search to Uncover the Life and Family of a Young Man Lost to War
Since its first publication over fifty years ago, the haunting image of Private Edwin F. Jemison has attracted widespread attention from those interested in the Civil War and other wars. His likeness has been compared to that of the Mona Lisa, and it rivals Abraham Lincoln as being one of the Civil War’s most recognized photographs. And yet, his name is not widely known. Some believe that there is something about the mouth that is special, or his hands. Others, perhaps the majority, find his eyes to be powerful and thought provoking. Some wonder if they are looking into the future: Eddie’s own future or the future of all soldiers. Is there a sense of fear or a resignation to fate? He is, foremost, strikingly boyish.
Despite the great interest in the photograph almost nothing has been known of the young man himself, and misinformation about him has circulated since he was properly identified twenty years ago. The authors have spent decades researching the story behind the photograph seeking primary sources for accurate details of Jemison’s life. The result is The Boy Soldier: Edwin Jemison and the Story Behind the Most Remarkable Portrait of the Civil War, the only biography of this young Confederate soldier. We first encounter Eddie as he travels from Louisiana in 1857 to stay with relatives and attend school in Georgia. In the spring of 1861, after Louisiana had seceded from the Union, Eddie enlists in the Confederate army. A little over a week after enlistment, and with minimal training, he is sent to Virginia to fight in the greatest struggle this nation has ever endured. Over 150 years later the intrigue around his photograph is matched by the very peculiar accounts of his death, as well as the controversy of his burial location. The authors examine both issues to complete the story of the young soldier’s life and death.
[more]
cover of The Boy from Altheimer: From the Depression to the Boardroom

The Boy from Altheimer

From the Depression to the Boardroom

William H. Bowen

University of Arkansas Press, 2006

Bill Bowen’s memoir deals with many of the most important events and years in Arkansas history in the twentieth century. Bowen was born and raised in Altheimer, in the Arkansas Delta, a section of the country that was among the most impoverished in the nation during the Depression. His adolescence was shaped by the Depression, and as a young adult he enlisted in the U.S. Navy during World War II, and served in the U.S. Naval Reserve until 1963. After the war, Bowen became a tax attorney. He used his unique skills to refine the legal aspects of investment banking in Arkansas and became so proficient at it that he moved into the banking field to serve first as president then board chairman of one of Arkansas’s largest banks. Legal and banking experience led naturally to politics, and he became chief of staff for Gov. Bill Clinton. After Clinton announced his candidacy for president, it became Bowen’s task to protect the interests and programs of Governor Clinton in the face of intense pressure from then Lt. Gov. Jim Guy Tucker to become de facto governor. Even in retirement he continued to lead an energetic, productive life as he prepared himself for yet another career, this one in education, serving two years as dean of the University of Arkansas, Little Rock, Law School, which now bears his name.
[more]
cover of The Boy of Battle Ford and the Man

The Boy of Battle Ford and the Man

W. S. Blackman

Southern Illinois University Press, 2012

A classic story of a young man’s journey to adulthood, The Boy of Battle Ford covers Blackman’s years growing up in early post-settlement Illinois, where he gave in to temptations such as drinking, gambling, and the lure of prostitutes before joining the army, finding God and becoming a preacher. Blackman, who notes that he is determined to “write facts” in this book,   peppers his story with the sordid details of the sinful times of his life as well as with discussions of faith and of struggling to understand his God and his beliefs.

[more]
cover of The Boys of Winter: Life and Death in the U.S. Ski Troops During the Second World War

The Boys of Winter

Life and Death in the U.S. Ski Troops During the Second World War

Charles J. Sanders

University Press of Colorado, 2005

The Boys of Winter tells the true story of three young American ski champions and their brutal, heroic, and fateful transformation from athletes to infantrymen with the 10th Mountain Division. Charles J. Sanders's fast-paced narrative draws on dozens of interviews and extensive research to trace these boys' lives from childhood to championships and from training at Mount Rainier and in the Colorado Rockies to battling against the Nazis.

[more]
cover of The Breakaway: The Inside Story of the Wirtz Family Business and the Chicago Blackhawks

The Breakaway

The Inside Story of the Wirtz Family Business and the Chicago Blackhawks

Bryan Smith

Northwestern University Press, 2018

“This is a terrific book, a dramatic family saga told in artful prose and filled with emotional turmoil, a few surprisingly touching moments but enough dysfunction for a couple of Eugene O’Neill plays.” —Rick Kogan, Chicago Tribune

When Rocky Wirtz took over the Wirtz Corporation in 2007, including management of the Chicago Blackhawks, the fiercely beloved hockey team had fallen to a humiliating nadir. As chronic losers playing to a deserted stadium, they were worse than bad—they were irrelevant. ESPN named the franchise the worst in all of sports. Rocky's resurrection of the team's fortunes was—publicly, at least—a feel-good tale of shrewd acumen. Behind the scenes, however, it would trigger a father, son, and brother-against-brother drama of Shakespearean proportions. The Breakaway reveals that untold story.

Arthur Wirtz founded the family's business empire during the Depression. From roots in real estate, "King Arthur" soon expanded into liquor and banking, running his operations with an iron hand and a devotion to profit that earned him the nickname Baron of the Bottom Line. His son Bill further expanded the conglomerate, taking the helm of the Blackhawks in 1966. "Dollar Bill" Wirtz demanded unflinching adherence to Arthur's traditions and was notorious for an equally fierce temperament.

Yet when Rocky took the reins of the business after Bill's death, it was an organization out of step with the times and financially adrift. The Hawks weren't only failing on the ice—the parlous state of the team's finances imperiled every facet of the Wirtz empire. To save the team and the company, Rocky launched a radical turnaround campaign. Yet his modest proposal to televise the Hawks' home games provoked fierce opposition from Wirtz family insiders, who considered any deviation from Arthur and Bill's doctrines to be heresy.

Rocky's break with the edicts of his grandfather and father led to a reversal for the ages—three Stanley Cup championships in six years, a feat Fortune magazine called "the greatest turnaround in sports business history." But this resurrection came at a price, a fracturing of Rocky's relationships with his brother and other siblings. In riveting prose that recounts a story spanning three generations, The Breakaway reveals an insider's view of a brilliant but difficult Chicago business and sports dynasty and the inspiring story of perseverance and courage in the face of intense family pressures.
[more]
cover of The Brothers Robidoux and the Opening of the American West

The Brothers Robidoux and the Opening of the American West

Robert J. Willoughby

University of Missouri Press, 2012

 Written in a unique biographical format, Robert Willoughby interweaves the stories of six brothers who shaped the American trans-Mississippi West during the first five decades of the nineteenth century. After migrating from French Canada to St. Louis, the brothers Robidoux—Joseph, Francois, Antoine, Louis, Michel, and Isadore—and their father, Joseph, became significant members in the business, fur trading, and land speculation communities, frequently interacting with upper-class members of the French society.
            Upon coming of age, the brothers followed their father into the fur business and American Indian trade. The oldest of the six, Joseph, led the group on an expedition up the Missouri River as Lewis and Clark had once done, designating a path of trade sites along their journey until they reached their destination at present-day Omaha, Nebraska. Eventually the younger brothers set out on their own westward expedition in the mid 1820s, reaching both Colorado and Santa Fe, New Mexico. Joseph eventually became a town founder in northwest Missouri near Blacksnake Creek. Antoine and Louis traveled as far as California, finally settling in Santa Fe where they became prominent citizens. As a trapper and trader, Michel endured many hardships and close calls during his journey across the West. Francois and Isadore made their home in New Mexico, maintaining a close relationship with Joseph in Missouri.
Though frequently under contract by others, the brothers did their best work when allowed to freelance and make their own rules. The brothers would ultimately pass on their prosperous legacy of ranging, exploring, trading, and town-building to a new generation of settlers. As the nature of the fur trade changed, so did the brothers’ business model. They began focusing on outfitting western migrants, town folk, and farmers. Their practices made each of them wealthy; however, they all died poor.
            To understand the opening of the American West, one must first know about men like the brothers Robidoux. Their lives are the framework for stories about the American frontier. By using primary sources located at the Missouri Historical Society, the Mexican Archives of New Mexico, and the Huntington Library, as well as contemporary accounts written by those who knew them, Willoughby has now told the Robidouxs’ story.
[more]
cover of The Buffalo, Ben, and Me

The Buffalo, Ben, and Me

Todd Parnell & Foreword by Jim Baker

University of Missouri Press, 2007

The Buffalo River in northwest Arkansas is one of the longest free-flowing, undammed rivers west of the Mississippi—and one of the most beautiful waterways on earth. Almost lost to development, it proved to be the perfect testing ground for a young boy almost lost to mediocrity.

Middle-schooler Ben is struggling with learning challenges that have left him resentful and underachieving. His father, middle-ager Todd, wants to help his son gain self-confidence but is searching for his own identity. For twelve adventure-filled days on the river—all 125 miles of her navigable course, from Ponca to the White River—father and son discover the formative, curative, and redemptive powers of nature.

Leaving video games and cell phones behind isn’t easy for kids these days, but in the great outdoors parents and youngsters can connect in unimaginable ways. The Buffalo, Ben, and Me shares such a connection in an adventure story set on a wild river. It is a captivating tale featuring a host of colorful characters and enlivened by photos that reflect the essence of the wilderness.

But deeper than that, it is the story of crossing a threshold from dream to possibility—of one man’s search for meaning in his life and his efforts to motivate his son, blending love of family with love of nature in a tale of transformation. It tells how a rebellious teen and a bored banker conspired to buck a system keyed to predictability, and how a wild river inspired both to a better use of their lives. “This trip hit me as hard as it did Ben,” writes Parnell, “as a wake-up call to life, to what is important, to what is not.”

The trip down the Buffalo was one that even Ben admits changed his life in more ways than one, as he later went on to earn a master of science degree specializing in stream ecology. For any reader who loves the outdoors—and especially those seeking to connect with their children—The Buffalo, Ben, and Me is essential reading that reminds us of possibilities to be had in facing life head-on as it raises awareness of the need to protect the Ozarks’ water resources and heritage.

[more]
cover of The Bullet Meant for Me

The Bullet Meant for Me

By Jan Reid

University of Texas Press, 2005

Jan Reid's powerful, moving account of what being shot during a robbery in Mexico City and the painful road to recovery taught him about manhood, friendship, and marriage.

On April 20, 1998, Jan Reid was shot during a robbery in Mexico City, where he had gone to watch his friend, the boxer Jesus Chavez, fight. In The Bullet Meant for Me, Reid powerfully recounts his ordeal, the long chain of life events that brought him to that fateful attack, and his struggle to regain the ability to walk and to be a full partner in a deeply satisfying marriage. Re-examining the whole trajectory of his life, Reid questions how much the Texan ideal of manhood shaped his identity, including his love for boxing and participation in the sport. He meditates on male friendship as he tells the story of his close relationship with Chavez, whose career and personal travails Reid details with empathy and insight. And he describes his long months in physical therapy, during which he drew on the unwavering love of his wife and daughter, as well as the courage and strength he had learned from boxing, to heal his body and spirit. A moving, intimate portrait of a man, a friendship, and a marriage, The Bullet Meant for Me is Jan Reid's most personal book.

[more]
cover of The Button Box: A Daughter's Loving Memoir of Mrs. George S. Patton

The Button Box

A Daughter's Loving Memoir of Mrs. George S. Patton

Ruth Ellen Patton Totten, Edited by James Patton Totten, Foreward by Carlo W. D'Este

University of Missouri Press, 2005

"There was never a moment in our lives that we were not reminded that our father was the finest, bravest, most gallant, and best-looking man who ever lived and that he was destined for unimaginable glory. This we took for granted. Being our father’s children was a special influence in all our lives, but the greatest, most pervasive, and most interesting influence in my life was Ma."

The Button Box is the loving memoir of Beatrice Ayer Patton (1886–1953), the wife of one of the greatest military figures in history, General George S. Patton, Jr. Written by the Pattons’ daughter, Ruth Ellen, the book covers Beatrice’s life from her youth in a wealthy New England family until her death, with an emphasis on her years of marriage to George Patton. A supportive and loving wife, Beatrice was accomplished in her own right as an equestrian, musician, lecturer, sailor, and internationally published author. Courageous and adventurous, Beatrice played a significant role in her husband’s life. Without her, General Patton might never have reached his own level of success.

Although there have been numerous books written on George S. Patton, The Button Box provides a unique perspective on the general’s complex personality as well as a rare and intimate look inside his famous American family, a glimpse of the “Old Army” that formed the cadre of the army of World War II, and a detailed description of life “between the wars” in a society not to be seen again. Most important, though, it is the story of a truly fascinating woman, told with love and a rowdy sense of humor by her daughter.
[more]
cover of The California Days of Ralph Waldo Emerson

The California Days of Ralph Waldo Emerson

Brian C. Wilson

University of Massachusetts Press, 2022

In the spring of 1871, Ralph Waldo Emerson boarded a train in Concord, Massachusetts, bound for a month-and-a-half-long tour of California—an interlude that became one of the highlights of his life. On their journey across the American West, he and his companions would take in breathtaking vistas in the Rockies and along the Pacific Coast, speak with a young John Muir in the Yosemite Valley, stop off in Salt Lake City for a meeting with Brigham Young, and encounter a diversity of communities and cultures that would challenge their Yankee prejudices.

Based on original research employing newly discovered documents, The California Days of Ralph Waldo Emerson maps the public story of this group’s travels onto the private story of Emerson’s final years, as aphasia set in and increasingly robbed him of his words. Engaging and compelling, this travelogue makes it clear that Emerson was still capable of wonder, surprise, and friendship, debunking the presumed darkness of his last decade.

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cover of The Calling of History: Sir Jadunath Sarkar and His Empire of Truth

The Calling of History

Sir Jadunath Sarkar and His Empire of Truth

Dipesh Chakrabarty

University of Chicago Press, 2015

A leading scholar in early twentieth-century India, Sir Jadunath Sarkar (1870–1958) was knighted in 1929 and became the first Indian historian to gain honorary membership in the American Historical Association. By the end of his lifetime, however, he had been marginalized by the Indian history establishment, as postcolonial historians embraced alternative approaches in the name of democracy and anti-colonialism. The Calling of History examines Sarkar’s career—and poignant obsolescence—as a way into larger questions about the discipline of history and its public life.

Through close readings of more than twelve hundred letters to and from Sarkar along with other archival documents, Dipesh Chakrabarty demonstrates that historians in colonial India formulated the basic concepts and practices of the field via vigorous—and at times bitter and hurtful—debates in the public sphere. He furthermore shows that because of its non-technical nature, the discipline as a whole remains susceptible to pressure from both the public and the academy even today. Methodological debates and the changing reputations of scholars like Sarkar, he argues, must therefore be understood within the specific contexts in which particular histories are written.

Insightful and with far-reaching implications for all historians, The Calling of History offers a valuable look at the double life of history and how tensions between its public and private sides played out in a major scholar’s career.
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cover of The Canals of Mars: A Memoir

The Canals of Mars

A Memoir

Gary Fincke

Michigan State University Press, 2010

The Canals of Mars is a memoir that explores and ponders "weakness," which in Gary Fincke's family was the catch-all term for every possible human flaw-physical, psychological, or spiritual. Fincke grew up near Pittsburgh during the 1950s and 1960s, raised by blue-collar parents for whom the problems that beset people-from alcoholism to nearsightedness to asthma to fear of heights-were nothing but weaknesses.
     In a highly engaging style, Fincke meditates on the disappointments he suffered-in his body, his mind, his work-because he was convinced that he had to be "perfect." Anything less than perfection was weakness and no one, he understood from an early age, wants to be weak.
     Six of the chapters in the book have been cited in Best American Essays. The chapter that provides the book's title, The Canals of Mars, won a Pushcart Prize and was included in The Pushcart Book of Essays: The Best Essays from a Quarter Century of the Pushcart Prize.

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