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8642 books match the query '20th century' and 1764 start with t

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Toward Camden

Mercy Romero

Duke University Press, 2021

In Toward Camden, Mercy Romero writes about the relationships that make and sustain the largely African American and Puerto Rican Cramer Hill neighborhood in New Jersey where she grew up. She walks the city and writes outdoors to think about the collapse and transformation of property. She revisits lost and empty houses—her family's house, the Walt Whitman House, and the landscape of a vacant lot. Throughout, Romero engages with the aesthetics of fragment and ruin; her writing juts against idioms of redevelopment. She resists narratives of the city that are inextricable from crime and decline and witnesses everyday lives lived at the intersection of spatial and Puerto Rican diasporic memory. Toward Camden travels between what official reports say and what the city's vacant lots withhold.

Duke University Press Scholars of Color First Book Award recipient

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Toward Nationalism's End

An Intellectual Biography of Hans Kohn

Adi Gordon

Brandeis University Press, 2017

This intellectual biography of Hans Kohn (1891–1971) looks at theories of nationalism in the twentieth century as articulated through the life and work of its leading scholar and activist. Hans Kohn was born in late nineteenth-century Prague, but his peripatetic life took him from the Revolutionary-era Russia to interwar-era Palestine under the British Empire to the United States during the Cold War. Bearing witness to dramatic reconfigurations of national and political identities, he spearheaded an intellectual revolution that fundamentally challenged assumptions about the “naturalness” and the immutability of nationalism. Reconstructing Kohn’s long and fascinating career, Gordon uncovers the multiple political and intellectual trends that intersected with and shaped his theories of nationalism. Throughout his life, Kohn was not simply a theorist but also a participant in multiple and often conflicting movements: Zionism and anti-Zionism, pacifism, liberalism, and military interventionism. His evolving theories thus drew from and reflected fierce debates about the nature of internationalism, imperialism, liberalism, collective security, and especially the Jewish Question. Kohn’s scholarship was not an abstraction but a product of his lived experience as a Habsburg Jew, an erstwhile cultural Zionist, and an American Cold Warrior. As a product of the times, his concepts of nationalism reflected the changing world around him and evolved radically over his lifetime. His intellectual biography thus offers a panorama of the dynamic intellectual cornerstones of the twentieth century.

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Toward a Democratic New Order

David Bryn-Jones

University of Minnesota Press, 1945

Toward a Democratic New Order was first published in 1945. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

We have succeeded, at a tremendous cost in human suffering, in preventing the imposition of a totalitarian new order upon the world. But our victory will be hollow and temporary unless democracy, in whose name we have fought, can gird itself to meet the challenges of a rapidly changing world. It cannot remain a static faith, whose triumph in its nineteenth-century form is taken for granted. It must be re-examined and redefined, not in terms of shibboleths and tenets a century old, but in the light of today's conditions and problems. That this redefinition is an urgent need of our time is the underlying conviction of Toward a Democratic New Order.

Men have not made the utmost sacrifice for a return to the world as it was before 1939. That world crashed because of its inherent weaknesses. Restored with inadequate modifications, it may well crash again. Can a stronger, more stable order be established within the democratic framework? Is democracy the best form of government? Can the normal processes of democratic government effect the far-reaching changes now necessary? Can the industrial problems of our age be solved on democratic lines? Can labor and management free themselves from the prejudices of an era that is now dead? Are we justified in believing the democratic order capable of securing and maintaining the welfare of the individual and society as a whole? Can democracy resolve the conflict between nationalistic claims on the one hand and conditions essential for economic stability and efficiency on the other?

These are some of the questions considered in this philosophical approach to world problems by David Bryn-Jones. His provocative analysis and interpretations make Toward a Democratic New Order truly significant reading for our postwar world.

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Toward a Just World

The Critical Years in the Search for International Justice

Dorothy V. Jones

University of Chicago Press, 2002

"Toward a Just World is an insightful and thoughtful history. The first half of the twentieth century and the heroic efforts of those who sought international justice during that time will be much better understood and appreciated thanks to this fascinating book."—Robert F. Drinan, Georgetown University

A century ago, there was no such thing as international justice, and until recently, the idea of permanent international courts and formal war crimes tribunals would have been almost unthinkable. Yet now we depend on institutions such as these to air and punish crimes against humanity, as we have seen in the International Criminal Tribunal for Rwanda and the appearance of Serbian leader Slobodan Milosevic before the Tribunal for the Former Yugoslavia.

Toward a Just World tells the remarkable story of the long struggle to craft the concept of international justice that we have today. Dorothy V. Jones focuses on the first half of the twentieth century, the pivotal years in which justice took on expanded meaning in conjunction with ideas like world peace, human rights, and international law. Fashioning both political and legal history into a compelling narrative, Jones recovers little-known events from undeserved obscurity and helps us see with new eyes the pivotal ones that we think we know. Jones also covers many of the milestones in the history of diplomacy, from the Treaty of Versailles and the creation of the League of Nations to the Nuremberg war crimes tribunal and the making of the United Nations.

As newspapers continue to fill their front pages with stories about how to administer justice to al Qaeda and Saddam Hussein, Toward a Just World will serve as a timely reminder of how the twentieth century achieved one of its most enduring triumphs: giving justice an international meaning.

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Toward a Natural Forest

The Forest Service in Transition (A Memoir)

Jim Furnish

Oregon State University Press, 2015

Jim Furnish joined the U.S. Forest Service in 1965, enthusiastic and naive, proud to be part of such a storied and accomplished agency. Nothing could have prepared him for the crisis that would soon rock the agency to its foundation, as a burgeoning environmental movement challenged the Forest Service’s legacy and legitimacy.

The Forest Service stumbled in responding to a wave of lawsuits from environmental groups in the late 20th Century—a phenomenon best symbolized by the spotted owl controversy that shut down logging on public forests in the Pacific Northwest in the 1990s. The agency was brought to its knees, pitted between a powerful timber industry that had been having its way with the national forests for decades, and organized environmentalists who believed public lands had been abused and deserved better stewardship.

Toward a Natural Forest offers an insider’s view of this tumultuous time in the history of the Forest Service, presenting twin tales of transformation, both within the agency and within the author’s evolving environmental consciousness. While stewarding our national forests with the best of intentions, had the Forest Service diminished their natural essence and ecological values? How could one man confront the crisis while remaining loyal to his employer?

In this revealing memoir, Furnish addresses the fundamental human drive to gain sustenance from and protect the Earth, believing that we need not destroy it in the process. Drawing on the author’s personal experience and his broad professional knowledge, Toward a Natural Forest illuminates the potential of the Forest Service to provide strong leadership in global conservation efforts. Those interested in our public lands—environmentalists, natural resource professionals, academics, and historians—will find Jim Furnish’s story deeply informed, thought-provoking, and ultimately inspiring.

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Toward a Theater of the Oppressed

The Dramaturgy of John Arden

Javed Malick

University of Michigan Press, 1995

Toward a Theater of the Oppressed is an engaging study of the dramaturgy of contemporary British playwright John Arden and the political implications of his work. Arden made his debut on the London stage in the wake of a powerful new wave of young, "angry" drama in England during the late 1950s. Javed Malick argues that in contrast to contemporaries like John Osborne, Harold Pinter, and Arnold Wesker, Arden offered a radically different approach to drama and theater, employing a long-neglected writing style that derived from pre-bourgeois popular traditions.
Malick situates Arden's dramaturgy in the wider context of the radical alternative tradition in Western drama, drawing connections to Brecht, Piscator, the radical playwrights of the 1960s. He then explores the formal structure, ideological implications, and historical significance of Arden's work, treating his stage plays as one dramaturgically coherent opus- from the early Waters of Babylon to his and Margaretta D'Arcy's ambitious trilogy, The Island of the Mighty. Finally, he discusses the last phase of Arden and D'Arcy's political and artistic development, which led them to turn their backs on the professional theater circuit. He argues that Arden's rejection of the institutional stage was the logical outcome of his persistent search for alternative forms of political theater.
Toward a Theater of the Oppressed will be invaluable reading for those interested in modern drama, political theater, and popular performance, as well as students of contemporary British drama.
Javed Malick is Reader in English, Khalsa College, University of Delhi, India.

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Toward the End of the Century

Essays into Poetry

Wayne Dodd

University of Iowa Press, 1992

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Toxic Exposures

Mustard Gas and the Health Consequences of World War II in the United States

Smith, Susan L.

Rutgers University Press, 2019

Mustard gas is typically associated with the horrors of World War I battlefields and trenches, where chemical weapons were responsible for tens of thousands of deaths. Few realize, however, that mustard gas had a resurgence during the Second World War, when its uses and effects were widespread and insidious.

Toxic Exposures tells the shocking story of how the United States and its allies intentionally subjected thousands of their own servicemen to poison gas as part of their preparation for chemical warfare. In addition, it reveals the racialized dimension of these mustard gas experiments, as scientists tested whether the effects of toxic exposure might vary between Asian, Hispanic, black, and white Americans. Drawing from once-classified American and Canadian government records, military reports, scientists’ papers, and veterans’ testimony, historian Susan L. Smith explores not only the human cost of this research, but also the environmental degradation caused by ocean dumping of unwanted mustard gas.

As she assesses the poisonous legacy of these chemical warfare experiments, Smith also considers their surprising impact on the origins of chemotherapy as cancer treatment and the development of veterans’ rights movements. Toxic Exposures thus traces the scars left when the interests of national security and scientific curiosity battled with medical ethics and human rights.

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Toxic Voices

The Villain from Early Soviet Literature to Socialist Realism

Eric Laursen

Northwestern University Press, 2013

Satire and the fantastic, vital literary genres in the 1920s, are often thought to have fallen victim to the official adoption of socialist realism. Eric Laursen contends that these subversive genres did not just vanish or move underground. Instead, key strategies of each survive to sustain the villain of socialist realism. Laursen argues that the judgment of satire and the hesitation associated with the fantastic produce a narrative obsession with controlling the villain’s influence. In identifying a crucial connection between the questioning, subversive literature of the 1920s and the socialist realists, Laursen produces an insightful revision of Soviet literary history.

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Traces of the Unseen

Photography, Violence, and Modernization in Early Twentieth-Century Latin America

Carolina Sá Carvalho

Northwestern University Press, 2023

Winner of the 2024 Roberto Reis Book Award
Winner of the LASA Environment Section Best Book of 2023
Winner of the LASA Amazonian Studies Section Best Book of 2024
Co-Winner of the LASA Book Award for the Visual Culture Studies 2024

A richly illustrated examination of photography as a technology for documenting, creating, and understanding the processes of modernization in turn-of-the-century Brazil and the Amazon

Photography at the turn of the twentieth century was not only a product of modernity but also an increasingly available medium to chronicle the processes of modernization. Traces of the Unseen: Photography, Violence, and Modernization in Early Twentieth-Century Latin America situates photography’s role in documenting the destruction wrought by infrastructure development and extractive capitalist expansion in the Amazon and outside the Brazilian metropole. Combining formal analysis of individual photographs with their inclusion in larger multimedia assemblages, Carolina Sá Carvalho explores how this visual evidence of violence was framed, captioned, cropped, and circulated. As she explains, this photographic creation and circulation generated a pedagogy of the gaze with which increasingly connected urban audiences were taught what and how to see: viewers learned to interpret the traces of violence captured in these images within the larger context of modernization.

Traces of the Unseen draws on works by Flavio de Barros, Euclides da Cunha, Roger Casement, Claude Lévi-Strauss, and Mario de Andrade to situate an unruly photographic body at the center of modernity, in all its disputed meanings. Moreover, Sá Carvalho locates historically specific practices of seeing within the geopolitical peripheries of capitalism. What emerges is a consideration of photography as a technology through which modern aspirations, moral inclinations, imagined futures, and lost pasts were represented, critiqued, and mourned.

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Tracing Paradise

Two Years in Harmony with John Milton

Dawn Potter

University of Massachusetts Press, 2009

One winter morning, poet Dawn Potter sat down at her desk in Harmony, Maine, and began copying out the opening lines of John Milton's Paradise Lost. Her intent was to spend half an hour with a poem she had never liked, her goal to transcribe a page or two. Maybe she would begin to appreciate the poet's art, though she had no real expectations that the exercise would change her mind about the poem. Yet what began as a whim turned rapidly into an obsession, and soon Potter was immersed in a strange and unexpected project: she found herself copying out every single word of Milton's immense, convoluted epic.

Tracing Paradise: Two Years in Harmony with John Milton is her memoir of that long task. Over the course of twelve chapters, Potter explores her very personal response to Milton and Paradise Lost, tracing the surprising intersections between a seventeenth-century biblical epic and the routine joys and tragedies of domestic life in contemporary rural Maine. Curious, opinionated, and eager, she engages with the canon on mutable, individual terms. Though she writes perceptively about the details and techniques of Milton's art, always her reactions are linked to her present-tense experiences as a poet, small-time farmer, family member, and citizen of a poor and beleaguered north-country town.

A skilled and entertaining writer, Potter is also a wide-ranging and sophisticated reader. Yet her memoir is not a scholarly treatise: her enthusiasms and misgivings about both Milton and Paradise Lost ebb and flow with the days. Tracing Paradise reminds us that close engagement with another artist's task may itself be a form of creation. Above all, Potter's memoir celebrates one reader's difficult yet transformative love affair with Milton's glorious, irritating, inscrutable masterpiece.

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Tracking King Tiger

Reies López Tijerina and the FBI

José Angel Gutiérrez

Michigan State University Press, 2019

Reies López Tijerina, one of the Four Horsemen of the Chicano Movement, led the land grant struggle by Hispanos in the 1960s to recover the lands granted to their ancestors by Spain and Mexico and then guaranteed by the Treaty of Guadalupe Hidalgo. In his struggle, Tijerina became the target of local and state law enforcement officials in New Mexico and the FBI nationwide. José Angel Gutiérrez meticulously examines thousands of pages of FBI documents, interview transcripts, newspaper reports, and other written accounts on Tijerina and the Alianza Federal de Pueblos Libres, the organization of land grant claimants led by Tijerina in New Mexico. The primary source materials that document the U.S. government’s attempts to destroy Tijerina, his family, and his followers complement the secondary literature on Tijerina and his efforts as the premier leader of the land grant recovery movement. Threaded through the volume are glimpses into the special personal relationship between Tijerina and the author.

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Tracking Modernity

India’s Railway and the Culture of Mobility

Marian Aguiar

University of Minnesota Press, 2010

From Mohandas Gandhi’s nineteenth-century tour in a third-class compartment to the recent cinematic shenanigans of Wes Anderson’s The Darjeeling Limited, the railway has been one of India’s most potent emblems of modern life. In the first in-depth analysis of representations of the Indian railway, Marian Aguiar interprets modernity through the legacy of this transformative technology.

Since the colonial period in India, the railway has been idealized as a rational utopia—a moving box in which racial and class differences might be amalgamated under a civic, secular, and public order. Aguiar charts this powerful image into the postcolonial period, showing how the culture of mobility exposes this symbol of reason as surprisingly dynamic and productive. Looking in turn at the partition of India, labor relations, rituals of travel, works of literature and film, visual culture, and the Mumbai train bombings of 2006, Aguiar finds incongruities she terms “counternarratives of modernity” to signify how they work both with and against the dominant rhetoric. Revealing railways as a microcosm of tensions within Indian culture, Aguiar demonstrates how their representations have challenged prevailing ideas of modernity.

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Tracking the Texas Rangers

The Twentieth Century

Bruce A. Glasrud

University of North Texas Press, 2013

Tracking the Texas Rangers: The Twentieth Century is an anthology of fifteen previously published articles and chapter excerpts covering key topics of the Texas Rangers during the twentieth century. The task of determining the role of the Rangers as the state evolved and what they actually accomplished for the benefit of the state is a difficult challenge. The actions of the Rangers fit no easy description. There is a dark side to the story of the Rangers; during the Mexican Revolution, for example, some murdered with impunity. Others sought to restore order in the border communities as well as in the remainder of Texas. It is not lack of interest that complicates the unveiling of the mythical force. With the possible exception of the Alamo, probably more has been written about the Texas Rangers than any other aspect of Texas history.
Tracking the Texas Rangers covers leaders such as Captains Bill McDonald, "Lone Wolf" Gonzaullas, and Barry Caver, accomplished Rangers like Joaquin Jackson and Arthur Hill, and the use of Rangers in the Mexican Revolution. Chapters discuss their role in the oil fields, in riots, and in capturing outlaws. Most important, the Rangers of the twentieth century experienced changes in investigative techniques, strategy, and intelligence gathering. Tracking looks at the use of Rangers in labor disputes, in race issues, and in the Tejano civil rights movement. The selections cover critical aspects of those experiences--organization, leadership, cultural implications, rural and urban life, and violence.
In their introduction, editors Bruce A. Glasrud and Harold J. Weiss, Jr., discuss various themes and controversies surrounding the twentieth-century Rangers and their treatment by historians over the years. They also have added annotations to the essays to explain where new research has shed additional light on an event to update or correct the original article text.

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Trading Blocs

States, Firms, and Regions in the World Economy

Kerry A. Chase

University of Michigan Press, 2005

Global commerce is rapidly organizing around regional trading blocs in North America, Western Europe, Pacific Asia, and elsewhere--with potentially dangerous consequences for the world trading system. Professor Kerry Chase examines how domestic politics has driven the emergence of these trading blocs, arguing that businesses today are more favorably inclined to global trade liberalization than in the past because recent regional trading arrangements have created opportunities to restructure manufacturing more efficiently.

Trading Blocs is the first book to systematically demonstrate the theoretical significance of economies of scale in domestic pressure for trading blocs, and thereby build on a growing research agenda in areas of political economy and domestic politics.

"Chase has written a superb book that provides us with an innovative and compelling explanation for the development of trading blocs."
--Vinod Aggarwal, Director, Berkeley APEC Study Center, University of California, Berkeley

Kerry A. Chase is Assistant Professor of Political Science at Tufts University.

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Trading in Lives?

Operations of the Jewish Relief and Rescue Committee in Budapest, 1944-1945

Szabolcs Szita

Central European University Press, 2005

Set in the tumultuous moments of 1944–45 Budapest, this work discusses the operations of the Budapest Relief and Rescue Committee. Drawing out the contradictions and complexities of the mass deportations of Hungarian Jews during the final phase of World War II, Szita suggests that in the Hungarian context, a commerce in lives ensued, where prominent Zionists like Dr. Rezso Kasztner negotiated with the higher echelons of the SS, trying to garner the freedom of Hungarian Jews. Szita's portrait of the controversial Kasztner is a more sympathetic rendition of a powerful Zionist leader who was later assassinated in Israel for his dealings with Nazi leaders. Szita reveals a story of interweaving personalities and conflicts during arguably the most tragic moment in European history. The author's extensive research is a tremendous contribution to a field of study that has been much ignored by scholarship-the Hungarian holocaust and the trade in human lives.

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Tradition and Authenticity in the Search for Ecumenic Wisdom

Thomas Langan

University of Missouri Press, 1992

Our emerging world system is bringing the great traditions and cultures it has spawned into ever more intimate and dangerous contact. Langan argues that we must struggle toward a unity of discourse respectful of genuine experiences of varying civilizations if we are to live peacefully on one planet.

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Traffic in Asian Women

Laura Hyan Yi Kang

Duke University Press, 2020

In Traffic in Asian Women Laura Hyun Yi Kang demonstrates that the figure of "Asian women" functions as an analytic with which to understand the emergence, decline, and permutation of U.S. power/knowledge at the nexus of capitalism, state power, global governance, and knowledge production throughout the twentieth century. Kang analyzes the establishment, suppression, forgetting, and illegibility of the Japanese military "comfort system" (1932–1945) within that broader geohistorical arc. Although many have upheld the "comfort women" case as exemplary of both the past violation and the contemporary empowerment of Asian women, Kang argues that it has profoundly destabilized the imaginary unity and conceptual demarcation of the category. Kang traces how "Asian women" have been alternately distinguished and effaced as subjects of the traffic in women, sexual slavery, and violence against women. She also explores how specific modes of redress and justice were determined by several overlapping geopolitical and economic changes ranging from U.S.-guided movements of capital across Asia and the end of the Cold War to the emergence of new media technologies that facilitated the global circulation of "comfort women" stories.

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Tragedy and Triumph on the Great Lakes

Richard Gebhart

Michigan State University Press, 2024

Richard Gebhart traces little-known voyages of Great Lakes ships that sailed the Atlantic beginning in the 1850s. They bore cargoes to and from the lakes and as far as Constantinople. Gebhart recovers the voices of long-ago ship captains, along with their cargo manifests and itineraries. Drawing on deep research in old newspapers and maritime archives, he traces the construction of new ships and shipyards, and the comings and goings and travails of the lakes’ workhorses. Included is a mournful visit to a boneyard where many ships’ lives ended. Among many other lost tales, Gebhart brings to light the rise of oil tankers, marking the great twentieth-century energy transition in shipping. A must-read for Great Lakes shipping fans.

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Tragic Spirits

Shamanism, Memory, and Gender in Contemporary Mongolia

Manduhai Buyandelger

University of Chicago Press, 2013

The collapse of socialism at the end of the twentieth century brought devastating changes to Mongolia. Economic shock therapy—an immediate liberalization of trade and privatization of publicly owned assets—quickly led to impoverishment, especially in rural parts of the country, where Tragic Spirits takes place. Following the travels of the nomadic Buryats, Manduhai Buyandelger tells a story not only of economic devastation but also a remarkable Buryat response to it—the revival of shamanic practices after decades of socialist suppression.

Attributing their current misfortunes to returning ancestral spirits who are vengeful over being abandoned under socialism, the Buryats are now at once trying to appease their ancestors and recover the history of their people through shamanic practice. Thoroughly documenting this process, Buyandelger situates it as part of a global phenomenon, comparing the rise of shamanism in liberalized Mongolia to its similar rise in Africa and Indonesia. In doing so, she offers a sophisticated analysis of the way economics, politics, gender, and other factors influence the spirit world and the crucial workings of cultural memory.

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Trams or Tailfins?

Public and Private Prosperity in Postwar West Germany and the United States

Jan L. Logemann

University of Chicago Press, 2012

In the years that followed World War II, both the United States and the newly formed West German republic had an opportunity to remake their economies. Since then, much has been made of a supposed “Americanization” of European consumer societies—in Germany and elsewhere. Arguing against these foggy notions, Jan L. Logemann takes a comparative look at the development of postwar mass consumption in West Germany and the United States and the emergence of discrete consumer modernities.

In Trams or Tailfins?, Logemann explains how the decisions made at this crucial time helped to define both of these economic superpowers in the second half of the twentieth century. While Americans splurged on private cars and bought goods on credit in suburban shopping malls, Germans rebuilt public transit and developed pedestrian shopping streets in their city centers—choices that continue to shape the quality and character of life decades later. Outlining the abundant differences in the structures of consumer society, consumer habits, and the role of public consumption in these countries, Logemann reveals the many subtle ways that the spheres of government, society, and physical space define how we live.

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Transatlantic Central Europe

Contesting Geography and Redifining Culture beyond the Nation

Jessie Labov

Central European University Press, 2019

While there are still occasional uses of it today, the term "Central Europe" carries little of the charge that it did in the 1980s and early 1990s, and as a political and intellectual project it has receded from the horizon. Proponents of a distinct cultural profile of these countries—all involved now in the process of Transatlantic integration—used "Central European", as a contestation with the geo-political label of Eastern Europe. This book discusses the transnational set of practices connecting journals with other media in the mid-1980s, disseminating the idea of Central Europe simultaneously in East and West. A range of new methodologies, including GIS-mapping visualization, is used, repositing the political-cultural journal as one central node of a much larger cultural system. What has happened to the liberal humanist philosophy that "Central Europe" once evoked? In the early years of the transition era, the liberal humanist perspective shared by Havel, Konrád, Kundera, and Michnik was quickly replaced by an economic liberalism that evolved into neoliberal policies and practices. The author follows the trajectories of the concept into the present day, reading its material and intellectual traces in the postcommunist landscape. She explores how the current use of transnational, web-based media follows the logic and practice of an earlier, 'dissident' generation of writers.

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Transatlantic Fascism

Ideology, Violence, and the Sacred in Argentina and Italy, 1919-1945

Federico Finchelstein

Duke University Press, 2010

In Transatlantic Fascism, Federico Finchelstein traces the intellectual and cultural connections between Argentine and Italian fascisms, showing how fascism circulates transnationally. From the early 1920s well into the Second World War, Mussolini tried to export Italian fascism to Argentina, the “most Italian” country outside of Italy. (Nearly half the country’s population was of Italian descent.) Drawing on extensive archival research on both sides of the Atlantic, Finchelstein examines Italy’s efforts to promote fascism in Argentina by distributing bribes, sending emissaries, and disseminating propaganda through film, radio, and print. He investigates how Argentina’s political culture was in turn transformed as Italian fascism was appropriated, reinterpreted, and resisted by the state and the mainstream press, as well as by the Left, the Right, and the radical Right.

As Finchelstein explains, nacionalismo, the right-wing ideology that developed in Argentina, was not the wholesale imitation of Italian fascism that Mussolini wished it to be. Argentine nacionalistas conflated Catholicism and fascism, making the bold claim that their movement had a central place in God’s designs for their country. Finchelstein explores the fraught efforts of nationalistas to develop a “sacred” ideological doctrine and political program, and he scrutinizes their debates about Nazism, the Spanish Civil War, imperialism, anti-Semitism, and anticommunism. Transatlantic Fascism shows how right-wing groups constructed a distinctive Argentine fascism by appropriating some elements of the Italian model and rejecting others. It reveals the specifically local ways that a global ideology such as fascism crossed national borders.

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Transatlantic Subjects

Acts of Migration and Cultures of Transnationalism between Greece and America

Ioanna Laliotou

University of Chicago Press, 2004

The early twentieth century was marked by massive migration of southern Europeans to the United States. Transatlantic Subjects views this diaspora through the lens of Greek migrant life to reveal the emergence of transnational forms of subjectivity.

According to Ioanna Laliotou, cultural institutions and practices played an important role in the formation of migrant subjectivities. Reconstructing the cultural history of migration, her book points out the relationship between subjectivity formation and cultural practices and performances, such as publishing, reading, acting, storytelling, consuming, imitating, parading, and traveling. Transatlantic Subjects then locates the development of these practices within key sites and institutions of cultural formation, such as migrant and fraternal associations, educational institutions, state agencies and nongovernmental organizations, mental institutions, coffee shops, the church, steamship companies, banks, migration services, and chambers of commerce.

Ultimately, Laliotou explores the complex and situational entanglements of migrancy, cultural nationalism, and the politics of self. Reading against the grain of hegemonic narratives of cultural and migration histories, she reveals how migrancy produced distinctive forms of sociality during the first half of the twentieth century.

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Transcending the New Woman

Multiethnic Narratives in the Progressive Era

Charlotte J. Rich

University of Missouri Press, 2009

The dawn of the twentieth century saw the birth of the New Woman, a cultural and literary ideal that replaced Victorian expectations of domesticity with visions of social, political, and economic autonomy. Although such writers as Edith Wharton and Kate Chopin treated these ideals in well-known literature of that era, marginalized women also explored changing gender roles in works that deserve more attention today.

This book is the first study to focus solely on multiethnic women writers’ responses to the ideal of the New Woman in America, opening up a world of literary texts that provide new insight into the phenomenon. Charlotte Rich reveals how these authors uniquely articulated the contradictions of the American New Woman, and how social class, race, or ethnicity impacted women’s experiences of both public and private life in the Progressive era.

Rich focuses on the work of writers representing five distinct ethnicities: Native Americans S. Alice Callahan and Mourning Dove, African American Pauline Hopkins, Chinese American Sui Sin Far, Mexican American María Cristina Mena, and Jewish American Anzia Yezierska. She shows that some oftheir works contain both affirmative and critical portraits of white New Women; in other cases, while these authorsalign their multiethnic heroines with the new ideals, those ideals are sometimes subordinated to more urgent dialogues about inequality and racial violence.

Here are views of women not usually encountered in fiction of this era. Callahan’s and Mourning Dove’s novels allude to women’s rights but ultimately privilege critiques of violence against Native Americans. Hopkins’s novels trace an increasingly pessimistic trajectory, drawing cynical conclusions about black women’s ability to thrive in a prejudiced society. Mena’s magazine portraits of Mexican life present complex critiques of this independent ideal of womanhood. Yezierska’s stories question the philanthropy of socially privileged Progressive female reformers with whom immigrant women interact. These writers’ works sometimes affirm emerging ideals but in other cases illuminate the iconic New Woman’s blindness to her own racial and economic privilege.

Through her insightful analysis, Rich presents alternative versions of female autonomy, with characters living outside the mainstream or moving between cultures. Transcending the New Woman offers multiple ways of transcending an ideal that was problematic in its exclusivity, as well as an entrée to forgotten works. It shows how the concept of the New Woman can be seen in newly complex ways when viewed through the writings of authors whose lives often embody the New Woman’s emancipatory goals—and whose fictions both affirm and complicateher aspirations.

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Transfigured Night

Libuše Moníková

Karolinum Press, 2023

A vision of late-twentieth-century Prague from an acclaimed Czech novelist.

In late 1992, three years after the Velvet Revolution and as Czechoslovakia is about to dissolve into the Czech Republic and Slovakia, choreographer and dancer Leonora Marty, who fled the Communist state decades earlier, has returned to Prague. Having wrapped up her ballet of The Makropulos Affair, the famous dancer meets old classmates, wanders the city through crowds of tourists, and visits the most obscure and unvisited museums. When she is approached by Thomas Asperger, a descendant of ethnic Germans driven from Czechoslovakia after World War II, she must confront three relationships—her relationship with the city of her youth, her homeland’s relationship with its past, and her new romance with this German admirer.

Written in German and published in 1995, by an author whose life mirrored her protagonist’s, the novel provides a cultural tour of Prague. Employing a style as influenced by the operas of Leoš Janácek as the novels of Thomas Pynchon, Transfigured Night is a masterpiece of Czech literature, showing that the culture of this nation comes in a variety of tongues.

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Transformation of American Catholic Sisters

Lora Quinonez

Temple University Press, 1993

"Lora Ann QuiÃ±onez and Mary Daniel Turner once again serve American religious women well. Although their book focuses on the development of the Leadership Conference of Women Religious, it...is also an account of the thought development of American women religious.... Besides describing areas of change, QuiÃ±onez and Turner analyze and interpret them thoroughly and objectively and also compassionately, courageously, and readably." --Review for Religious During the past four decades, radical changes have occurred in the personal and corporate lives of Roman Catholic nuns in the United States; in their institutions and ministries; in their relations with laity, clergy, and hierarchy; and in their presence in the public sphere. In this book, Lora Ann QuiÃ±onez and Mary Daniel Turner explore this transformation: the experiences that marked these changes, their effects on the women, and the future suggested by the nature of the reforms. The movement for change picked up speed in the decade after Vatican Council 11, which mandated the adaptation of religious communities to contemporary milieu. The impact of American culture on the sisters generated a struggle to reconcile American belonging and religious commitment into one identity. The Women's Movement caused a gradual awakening to the reality of gender as an element of personal and corporate identity. It made American nuns confront the structural questions that occur to awakened women and also confront the male Church hierarchy. This book is the first comprehensive analysis of the forces that directed the process by which American sisters have redefined themselves. "[QuiÃ±onez and Turner ] offer a privileged perspective on the transitions that have taken place in the past 25 years.... [This] is an important work that will enlighten and challenge. It contains pieces of the ongoing transformation that are not found in the many other books on American women's religious life today. American sisters will appreciate this splendid effort to synthesize their experience. Others in the church will find that the experience of American sisters has much resonance with their own." --National Catholic Reporter "This well-written and well-documented book shows the energy, creativity, and highly organized response of these women to Vatican Council II and to the momentum which they themselves created. It is a testimony to the dynamism and creativity of the women in religious life in the past forty years. The book is a work of love and a tribute to all those women who have suffered and celebrated the transition thus far." --Marie J. Giblin, Maryknoll School of Theology

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Transforming Peasants, Property and Power

The Collectivization of Agriculture in Romania, 1949–1962

Dorin Dobrincu

Central European University Press, 2009

The subject matter of the volume is part of larger research agenda on the process of land collectivization in the former communist camp, focusing on state, identity and property. The main innovation of the volume is to apply recent interdisciplinary approaches to the study of the collectivization process, asking what types of new peasant-state relations it formed and how it transformed notions of self, persons, and things (such as land). The project conceived of changes in the system of ownership as causing changes in the identity and attitude of people; similarly, it regarded the study of personal identities as essential for understanding changes in the system of ownership. This perspective is rare in the area-studies approaches to the topic.

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Transforming Tradition

The Reform of Chinese Theater in the 1950s and Early 1960s

Siyuan Liu

University of Michigan Press, 2021

Shortly after the establishment of the People’s Republic of China in 1949, the PRC launched a reform campaign that targeted traditional song and dance theater encompassing more than a hundred genres, collectively known as xiqu. Reformers censored or revised xiqu plays and techniques; reorganized star-based private troupes; reassigned the power to create plays from star actors to the newly created functions of playwright, director, and composer; and eliminated market-oriented functionaries such as agents. While the repertoire censorship ended in the 1980s, major reform elements have remained: many traditional scripts (or parts of them) are no longer in performance; actors whose physical memory of repertoire and acting techniques had been the center of play creation, have been superseded by directors, playwrights, and composers. The net result is significantly diminished repertoires and performance techniques, and the absence of star actors capable of creating their own performance styles through new signature plays that had traditionally been one of the hallmarks of a performance school. Transforming Tradition offers a systematic study of the effects of the comprehensive reform of traditional theater conducted in the 1950s and ’60s, and is based on a decade’s worth of exhaustive research of official archival documents, wide-ranging interviews, and contemporaneous publications, most of which have never previously been referenced in scholarly research.

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Transgenerational Remembrance

Performance and the Asia-Pacific War in Contemporary Japan

Jessica Nakamura

Northwestern University Press, 2020

In Transgenerational Remembrance, Jessica Nakamura investigates the role of artistic production in the commemoration and memorialization of the Asia-Pacific War (1931–1945) in Japan since 1989. During this time, survivors of Japanese aggression and imperialism, previously silent about their experiences, have sparked contentious public debates about the form and content of war memories.

The book opens with an analysis of the performance of space at Yasukuni Shinto Shrine, which continues to promote an anachronistic veneration of the war. After identifying the centrality of performance in long-standing dominant narratives, Transgenerational Remembrance offers close readings of artistic performances that tackle subject matter largely obscured before 1989: the kamikaze pilot, Japanese imperialism, comfort women, the Battle of Okinawa, and Japanese American internment. These case studies range from Hirata Oriza’s play series about Japanese colonial settlers in Korea and Shimada Yoshiko’s durational performance about comfort women to Kondo Aisuke’s videos and gallery installations about Japanese American internment.

Working from theoretical frameworks of haunting and ethics, Nakamura develops an analytical lens based on the Noh theater ghost. Noh emphasizes the agency of the ghost and the dialogue between the dead and the living. Integrating her Noh-inflected analysis into ethical and transnational feminist queries, Nakamura shows that performances move remembrance beyond current evidentiary and historiographical debates.

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Transgressing Time

The Device at the Heart of Time Travel

Edward Royston

The Ohio State University Press, 2026

The first systemic analysis of time travel as narrative device, Edward Royston’s Transgressing Time argues that as a fictional conceit, time travel can most fruitfully be understood from a narratological perspective that sidesteps questions of its plausibility. In service of this goal, Royston identifies the precise narrative device, “anachronic metalepsis,” that powers time travel. Existing at the confluence of narrative’s power to manipulate temporality and fiction’s power to transgress and displace across ontological boundaries, anachronic metalepsis demonstrates that the power of narrative itself is what enables time travel.

Royston bolsters this concept through readings of classics such as Back to the Future and Octavia E. Butler’s Kindred, contemporary works such as the video game Outer Wilds and Scott Alexander Howard’s The Other Valley, and lesser-known works such as the nineteenth-century Spanish novel El Anacronópete. These readings demonstrate how time travel functions across different mediums and genres and spotlights the ways authors and creators have used anachronic metalepsis to contend with themes of exile, freedom and consequences, the powers and pitfalls of nostalgia, the nature of history and our relationship to it, and the nature of time itself.

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Transience

Chinese Experimental Art at the End of the Twentieth Century

Wu Hung

University of Chicago Press, 2006

In a groundbreaking approach to avant-garde Chinese art, the 1999 exhibition "Transience: Chinese Experimental Art at the End of the Twentieth Century" established a historical framework for current artistic production in China. Organized by the David and Alfred Smart Museum of Art at the University of Chicago, the show and its catalog highlighted the diverse responses of twenty-two artists to Chinas recent history and current social transformation.

These detailed essays on the artists and their works are now available in a revised edition of the exhibition catalog. Written by Wu Hung, a leading authority and the curator of the exhibit, Transience explores contemporary Chinese art through the themes of demystification, ruins, and transience, and represents an original perspective in the continuing discussion on Chinese experimental art.

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Translating Empire

Jose Marti, Migrant Latino Subjects, and American Modernities

Laura Lomas

Duke University Press, 2008

In Translating Empire, Laura Lomas uncovers how late nineteenth-century Latino migrant writers developed a prescient critique of U.S. imperialism, one that prefigures many of the concerns about empire, race, and postcolonial subjectivity animating American studies today. During the 1880s and early 1890s, the Cuban journalist, poet, and revolutionary José Martí and other Latino migrants living in New York City translated North American literary and cultural texts into Spanish. Lomas reads the canonical literature and popular culture of the United States in the Gilded Age through the eyes of Martí and his fellow editors, activists, orators, and poets. In doing so, she reveals how, in the process of translating Anglo-American culture into a Latino-American idiom, the Latino migrant writers invented a modernist aesthetics to criticize U.S. expansionism and expose Anglo stereotypes of Latin Americans.

Lomas challenges longstanding conceptions about Martí through readings of neglected texts and reinterpretations of his major essays. Against the customary view that emphasizes his strong identification with Ralph Waldo Emerson and Walt Whitman, the author demonstrates that over several years, Martí actually distanced himself from Emerson’s ideas and conveyed alarm at Whitman’s expansionist politics. She questions the association of Martí with pan-Americanism, pointing out that in the 1880s, the Cuban journalist warned against foreign geopolitical influence imposed through ostensibly friendly meetings and the promotion of hemispheric peace and “free” trade. Lomas finds Martí undermining racialized and sexualized representations of America in his interpretations of Buffalo Bill and other rituals of westward expansion, in his self-published translation of Helen Hunt Jackson’s popular romance novel Ramona, and in his comments on writing that stereotyped Latino/a Americans as inherently unfit for self-government. With Translating Empire, Lomas recasts the contemporary practice of American studies in light of Martí’s late-nineteenth-century radical decolonizing project.

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Translating Modernism

Fitzgerald and Hemingway

Ronald Berman

University of Alabama Press, 2009

In Translating Modernism Ronald Berman continues his career-long study of the ways that intellectual and philosophical ideas informed and transformed the work of America’s major modernist writers.

Here Berman shows how Fitzgerald and Hemingway wrestled with very specific intellectual, artistic, and psychological influences, influences particular to each writer, particular to the time in which they wrote, and which left distinctive marks on their entire oeuvres. Specifically, Berman addresses the idea of "translating" or "translation"—for Fitzgerald the translation of ideas from Freud, Dewey, and James, among others; and for Hemingway the translation of visual modernism and composition, via Cézanne.

Though each writer had distinct interests and different intellectual problems to wrestle with, as Berman demonstrates, both had to wrestle with transmuting some outside influence and making it their own.

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Translating the Counterculture

The Reception of the Beats in Turkey

Erik Mortenson

Southern Illinois University Press, 2018

In Turkey the Beat message of dissent is being given renewed life as publishers, editors, critics, readers, and others dissatisfied with the conservative social and political trends in the country have turned to the Beats and other countercultural forebears for alternatives. Through an examination of a broad range of literary translations, media portrayals, interviews, and other related materials, this book seeks to uncover how the Beats and their texts are being circulated, discussed, and used in Turkey to rethink the possibilities they might hold for social critique today.

Mortenson examines how in Turkey the Beats have been framed by the label “underground literature”; explores the ways they are repurposed in the counterculture-inspired journal Underground Poetix; looks at the reception of Jack Kerouac’s On the Road and how that reaction provides a better understanding of the construction of “American-ness”; delves into the recent obscenity trial of William S. Burroughs’s novel The Soft Machine and the attention the book’s supporters brought to government repression and Turkish homophobia; and analyzes the various translations of Allen Ginsberg’s Howl to demonstrate the relevance Ginsberg still holds for social rebellion today.

Translating the Counterculture takes a revolutionary look at how contemporary readers in other parts of the world respond to the Beats. Challenging and unsettling an American-centric understanding of the Beats, Mortenson pushes the discipline toward a fuller consideration of their cultural legacy in a globalized twenty-first century.

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Translating the Unspeakable

Poetry and the Innovative Necessity

Kathleen Fraser

University of Alabama Press, 1999

A prominent avant-garde poet charts both her personal artistic development and the difficulties faced by women writers pursuing innovative paths.

An accomplished and influential poet, Kathleen Fraser has been instrumental in drawing attention to other women poets working outside the mainstream. Translating the Unspeakable gathers eighteen of her essays written over nearly twenty years, combining autobiography and criticism to examine what it means for any artist to innovate instead of following an already traveled path.

In autobiographical passages Fraser tells how her generation was influenced by revolutions in art and philosophy during the early 1960s and how she spent years pursuing idiosyncratic means of rediscovering the poem's terms. By the 1970s her evolving poetics were challenged by questions of gender, until immersion in feminist/modernist scholarship led her to initiate greater dialogue among experimentalist poets.

Other essays examine modernist women writers, their contemporary successors, and the visual poetics they have practiced. By exploring the work of such poets as H. D., Mina Loy, Lorine Niedecker, and Barbara Guest, Fraser conveys their struggle to establish a presence within accepted poetic conventions and describes the role experimentation plays in helping women overcome self-imposed silence.

All of Fraser's writings explore how the search to find one's own way of speaking into a very private yet historic space—of translating the unspeakable—drives poetic experimentation for women and men alike. This provocative book provides a glimpse into the thought processes of
the poetic mind, enhancing our understanding of innovative writing.

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Transnational Construction of Mayanness

Reading Modern Mesoamerica through US Archives

Fernando Armstrong-Fumero

University Press of Colorado, 2023

The Transnational Construction of Mayanness explores how US academics, travelers, officials, and capitalists contributed to the construction of the Maya as an area of academic knowledge and affected the lives of the Maya peoples who were the subject of generations of anthropological research from the mid-nineteenth century to the present. Expanding discussions of the neocolonial relationship between the US and its southern neighbors and emphasizing little-studied texts virtually inaccessible to those in Mexico and Central America, this is the first and only set of comparative studies to bring in US-based documentary collections as an enriching source of evidence.

Contributors tap documentary, ethnographic, and ethnoarchaeological sources from North America to expand established categories of fieldwork and archival research conducted within the national spaces of Mexico and Central America. A particularly rich and diverse set of case studies interrogate the historical processes that remove sources from their place of production in the “field” to the US, challenge the conventional wisdom regarding the geography of data sources that are available for research, and reveal a range of historical relationships that enabled US actors to shape the historical experience of Maya-speaking peoples.

The Transnational Construction of Mayanness offers rich insight into transnational relations and suggests new avenues of research that incorporate an expanded corpus of materials that embody the deep-seated relationship between Maya-speaking peoples and various gringo interlocutors. The work is an important bridge between Mayanist anthropology and historiography and broader literatures in American, Atlantic, and Indigenous studies.

Contributors: David Carey, M. Bianet Castellanos, Matilde Córdoba Azcárate, Lydia Crafts, John Gust, Julio Cesar Hoil Gutierréz, Jennifer Mathews, Matthew Watson

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Transnational Korean Cinema

Cultural Politics, Film Genres, and Digital Technologies

Dal Yong Jin

Rutgers University Press, 2020

In Transnational Korean Cinema author Dal Yong Jin explores the interactions of local and global politics, economics, and culture to contextualize the development of Korean cinema and its current place in an era of neoliberal globalization and convergent digital technologies.

The book emphasizes the economic and industrial aspects of the story, looking at questions on the interaction of politics and economics, including censorship and public funding, and provides a better view of the big picture by laying bare the relationship between film industries, the global market, and government. Jin also sheds light on the operations and globalization strategies of Korean film industries alongside changing cultural policies in tandem with Hollywood’s continuing influences in order to comprehend the power relations within cultural politics, nationally and globally. This is the first book to offer a full overview of the nascent development of Korean cinema.

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Transnational Modernity and the Italian Reinvention of Walt Whitman, 1870-1945

Caterina Bernardini

University of Iowa Press, 2021

Caterina Bernardini gauges the effects that Walt Whitman’s poetry had in Italy from 1870 to 1945: the reactions it provoked, the aesthetic and political agendas it came to sponsor, and the creative responses it facilitated. Particular attention is given to women writers and noncanonical writers often excluded from previous discussions in this area of study. Bernardini also investigates the contexts and causes of Whitman’s success abroad through the lives, backgrounds, beliefs, and imaginations of the people who encountered his work.

Studying Whitman’s reception from a transnational perspective shows how many countries were simultaneously carving out a new modernity in literature and culture. In this sense, Bernardini not only shows the interconnectedness of various international agents in understanding and contributing to the spread of Whitman’s work, but, more largely, illustrates a constellation of similar pre-modernist and modernist sensibilities. This stands in contrast to the notion of sudden innovation: modernity was not easy to achieve, and it did not imply a complete refusal of tradition. Instead, a continuous and fruitful negotiation between tradition and innovation, not a sudden break with the literary past, is at the very heart of the Italian and transnational reception of Whitman. The book is grounded in archival studies and the examination of primary documents of noteworthy discovery.

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Transnational Radicals

Italian Anarchists in Canada and the U.S., 1915-1940

Travis Tomchuk

University of Manitoba Press, 2015

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Transpacific Cartographies

Narrating the Contemporary Chinese Diaspora in the United States

Melody Yunzi Li

Rutgers University Press, 2024

Transpacific Cartographies examines how contemporary Chinese diasporic narratives address the existential loss of home for immigrant communities at a time of global precarity and amid rising Sino-US tensions. Focusing on cultural productions of the Chinese diaspora from the 1990s to the present -- including novels by the Sinophone writers Yan Geling (The Criminal Lu Yanshi), Shi Yu (New York Lover), Chen Qian (Listen to the Caged Bird Sing), and Rong Rong (Notes of a Couple), as well as by the Anglophone writer Ha Jin (A Free Life; A Map of Betrayal), selected TV shows (Beijinger in New York; The Way We Were), and online literature -- Melody Yunzi Li argues that the characters in these stories create multilayered maps that transcend the territorial boundaries that make finding a home in a foreign land a seemingly impossible task. In doing so, these “maps” outline a transpacific landscape that reflects the psycho-geography of homemaking for diasporic communities. Intersecting with and bridging Sinophone studies, Chinese American studies, and diaspora studies and drawing on theories of literary cartography, Transpacific Cartographies demonstrates how these “maps” offer their readers different paths for finding a sense of home no matter where they are.

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Transpacific Experiments

Intermedia Art and Music in 1960s Japan

Miki Kaneda

University of Michigan Press, 2026

Intermedia art—an avant-garde multimedia practice that combines sound and moving images—took root in Japan alongside other places in the 1960s. In Transpacific Experiments, Miki Kaneda analyzes intermedia as a practice that gives form to errant possibilities, unfolding in spaces of the everyday, to offer nuanced insights into the global flow of ideas, influence, and discourses of appropriation. The stories of intermedia art throughout the study offer feminist and transnational perspectives on experimental music and art that disorient existing narratives about the experimental and political in unexpected ways.

Transpacific Experiments contends that social, cultural, and political arrangements local to Japan had a greater influence on the transnational experimental music scene than previously acknowledged. Kaneda’s perspective extends, exceeds, and at times unsettles frameworks for experimental practices, revealing the limitations of any single political or aesthetic lens.

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Transpacific Femininities

The Making of the Modern Filipina

Denise Cruz

Duke University Press, 2012

In this groundbreaking study, Denise Cruz investigates the importance of the figure she terms the "transpacific Filipina" to Philippine nationalism, women's suffrage, and constructions of modernity. Her analysis illuminates connections between the rise in the number of Philippine works produced in English and the emergence of new social classes of transpacific women during the early to mid-twentieth century.

Through a careful study of multiple texts produced by Filipina and Filipino writers in the Philippines and the United States—including novels and short stories, newspaper and magazine articles, conduct manuals, and editorial cartoons—Cruz provides a new archive and fresh perspectives for understanding Philippine literature and culture. She demonstrates that the modern Filipina did not emerge as a simple byproduct of American and Spanish colonial regimes, but rather was the result of political, economic, and cultural interactions among the Philippines, Spain, the United States, and Japan. Cruz shows how the complex interplay of feminism, nationalism, empire, and modernity helped to shape, and were shaped by, conceptions of the transpacific Filipina.

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Transplanetary Americas

Art, Outer Space, and the Latinx Imagination

Robb Hernández

Duke University Press, 2026

In Transplanetary Americas, Robb Hernández launches a propulsive pathway for Latinx cultural studies by exploring how the modern space race has driven artists to look upward and attune to expressions derived from the solar system and beyond. By advancing a theoretical and methodological framework he calls transplanetary relationality, Hernández shows how artists’ ascendant attentions unhinge Latinidades from their terrestrial bindings in an aerial pursuit of being with Earth and with other planets. Speculation, science, and technology fuel creative activities referencing the cosmos, taking Latinx art history into unexpected territory. Science fiction B-movie aesthetics empowers political statements of the third kind. NASA’s Apollo program sparks muralist imaginings about other planetary vistas. Private aerospace companies are prompting new generations of artist-activists to defend both land and sky. By showcasing visionaries who frustrate categories of time and place, Hernández’s investigation transcends the typical limits of border studies via a vertical scale, proving that the color of space is not only black but brown.

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Transplanting the Great Society

Lyndon Johnson and Food for Peace

Kristin L. Ahlberg

University of Missouri Press, 2008

Enacted in 1954, the Food for Peace program allowed the United States to make agricultural surpluses available to needy nations but served varying political agendas. President Eisenhower saw it primarily as a temporary means for improving domestic agriculture prices, while his two Democratic successors turned it into the cornerstone of an expanded foreign assistance program.

Kristin Ahlberg traces the transformation of Public Law 480 from a means of liquidating domestic surplus into a vital component of U.S. foreign policy. She focuses on how Lyndon Johnson sought to re-create his Great Society reforms on a global scale by exporting programs designed to improve the lives of world citizens through combating food shortages—and how he also wielded Food for Peace as a diplomatic tool to gain support for U.S. policies and to reward or punish allies for their behavior.

LBJ sought to demonstrate America’s commitment to the less fortunate while providing a deterrent to those impoverished nations most vulnerable to communist influence, and the White House maintained control of the program’s objectives on a country-by-country basis while leaving its implementation to the bureaucracy. Ahlberg describes these foreign policy maneuvers as well as the domestic battles that found farm nationalists like Senator Allen Ellender opposing Johnson and Secretary of Agriculture Orville Freeman—and also found the Department of Agriculture, Department of State, and Agency for International Development vying for control of the program.

Ahlberg draws on recently declassified sources to show how the Johnson administration used Food for Peace to win diplomatic support for American policy in Vietnam, prevent nuclear proliferation on the Indian subcontinent, and uphold Israeli security. When India diverted resources from agriculture to arms, Washington suspended wheat shipments until New Delhi reordered its priorities. But in the case of Israel and South Vietnam, LBJ used food aid to help client governments build up their militaries—as well as to win the “hearts and minds” of the Vietnamese people.

Transplanting the Great Society is an insightful study that shows the successes and limitations of using food aid as a diplomatic tool during the middle period of the cold war. It paints a broader picture of Johnson’s foreign policies, opening a new window on both his administration and postwar diplomatic history.

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Trap with a Green Fence

Survival in Treblinka

Richard Glazar

Northwestern University Press, 1995

Trap with a Green Fence is Richard Glazar's memoir of deportation, escape, and survival. In economical prose, Glazar weaves a description of Treblinka and its operations into his evocation of himself and his fellow prisoners as denizens of an underworld. Glazar gives us compelling images of these horrors in a tone that remains thoughtful but sober, affecting but simple.

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Trapeze

The Unexpurgated Diary of Anaïs Nin, 1947–1955

Anaïs Nin

Ohio University Press, 2017

Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented. It was not until decades later, when the diaries were published in their unexpurgated form, that the world began to learn the full details of Nin’s fascinating life and the emotional and literary high-wire acts she committed both in documenting it and in defying the mores of 1950s America. Trapeze begins where the previous volume, Mirages, left off: when Nin met Rupert Pole, the young man who became not only her lover but later her husband in a bigamous marriage.

It marks the start of what Nin came to call her “trapeze life,” swinging between her longtime husband, Hugh Guiler, in New York and her lover, Pole, in California, a perilous lifestyle she continued until her death in 1977. Today what Nin did seems impossible, and what she sought perhaps was impossible: to find harmony and completeness within a split existence. It is a story of daring and genius, love and pain, largely unknown until now.

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