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Almost from the time of Georgia’s settlement by Oglethorpe in 1733, both Georgians and Carolinians had made periodic unsuccessful attempts to conquer the Spanish Castillo San Marcos in St. Augustine; and during the American Revolution (in 1776, 1777, and 1778) the rebels tried without success to take the fortification, which was then a British stronghold. Each of the three expeditions was less successful than the preceding one, and between the formal campaigns vicious partisan warfare between loyalists and rebels devastated much of the area between the Altamaha and St. Johns rivers.

This book presents a detailed history of the three Georgia-Florida campaigns. Indecisive and lacking the glamour of either the contemporary campaigns in the North, or the later campaigns in the South, they appeared isolated from the mainstream of the revolutionary struggle. The rebels were handicapped by divided command, personal quarrels, difficult terrain, and miserable weather. While Searcy emphasizes the military aspects of the period, she also treats the conflict between civil and military authorities, the effects of war on the civilian populace, and the interaction of economic matters with military affairs. Her work clarifies the importance of these military activities in the subsequent British strategy in the occupation of Georgia and the Carolinas.

A Dan Josselyn Memorial Publication

This facsimile edition of Moore's Georgia and South Carolina expeditions includes an extensive new introduction from Georgia's senior archaeologist.

This compilation of Clarence Bloomfield Moore's investigations along the rich coastal and river drainages of Georgia and South Carolina makes
available in a single volume valuable works published a century ago. By modern standards Moore's excavation techniques were crude, but his results were nothing less than spectacular. He recorded data with care, and much information can be learned from his works. In some cases his publications are the only documentation extant for sites that have since been destroyed. In one case, relic collectors had destroyed six mounds at Mason's Plantation—the largest Mississippian center in the Savannah River valley—by the time Moore visited the site in 1897.

Moore also documented prehistoric urn burials, a ritual widely practiced in eastern North America but more frequently on the Gulf Coastal Plain
of Alabama and coastal sites in Georgia and South Carolina. In the introduction, Lewis Larson discusses Moore's investigations within the framework of the current understanding of Georgia and South Carolina coastal archaeological chronology.

 

What really happened that afternoon in November 1938, when the young Polish Jew walked into the German embassy in Paris and shots rang out? The immediate consequence was concrete: Nazi Germany retaliated with the "Night of Broken Glass," recognized as the beginning of the Holocaust. Lost and overlooked in the aftermath is the arresting story of Herschel Grynszpan, the confused teenager whose murder of Ernst vom Rath was used to justify Kristallnacht. In this historical novel, award-winning writer Harlan Greene may be the first author to take the Polish Jew at his word. Historians have tried to explain away Herschel Grynszpan's claim that he was involved in a love affair with vom Rath; Greene, instead, traces the lives of the underprivileged and persecuted Herschel Grynszpan and the wealthy German diplomat Ernst vom Rath as they move inevitably towards their ill-fated affair. In spare, vivid, and compelling prose, Greene imagines their world, their relationship, and their last horrific encounter, as they tried to wrest love and meaning from a world that would itself soon disappear in a whirlwind of disaster and madness.

The German Patient takes an original look at fascist constructions of health and illness, arguing that the idea of a healthy "national body"---propagated by the Nazis as justification for the brutal elimination of various unwanted populations---continued to shape post-1945 discussions about the state of national culture. Through an examination of literature, film, and popular media of the era, Jennifer M. Kapczynski demonstrates the ways in which postwar German thinkers inverted the illness metaphor, portraying fascism as a national malady and the nation as a body struggling to recover. Yet, in working to heal the German wounds of war and restore national vigor through the excising of "sick" elements, artists and writers often betrayed a troubling affinity for the very biopolitical rhetoric they were struggling against. Through its exploration of the discourse of collective illness, The German Patient tells a larger story about ideological continuities in pre- and post-1945 German culture.

Jennifer M. Kapczynski is Assistant Professor of Germanic Languages and Literatures at Washington University in St. Louis. She is the coeditor of the anthology A New History of German Cinema.

Cover art: From The Murderers Are Among Us (1946). Reprinted courtesy of the Deutsche Kinemathek.

"A highly evocative work of meticulous scholarship, Kapczynski's deftly argued German Patient advances the current revaluation of Germany's postwar reconstruction in wholly original and even exciting ways: its insights into discussions of collective sickness and health resonate well beyond postwar Germany."
---Jaimey Fischer, University of California, Davis

"The German Patient provides an important historical backdrop and a richly specific cultural context for thinking about German guilt and responsibility after Hitler. An eminently readable and engaging text."
---Johannes von Moltke, University of Michigan

"This is a polished, eloquently written, and highly informative study speaking to the most pressing debates in contemporary Germany. The German Patient will be essential reading for anyone interested in mass death, genocide, and memory."
---Paul Lerner, University of Southern California

Does the new, more powerful Germany pose a threat to its neighbors? Does the new German Problem resemble the old? The German Problem Transformed addresses these questions fifty years after the founding of the Federal Republic and ten years after the fall of the Berlin Wall.

Many observers have underscored the reemergence of Germany as Europe's central power. After four decades of division, they contend, Germany is once again fully sovereign; without the strictures of bipolarity, its leaders are free to define and pursue national interests in East and West. From this perspective, the reunified Germany faces challenges not unlike those of its unified predecessor a century earlier.

The German Problem Transformed rejects this formulation. Thomas Banchoff acknowledges post-reunification challenges, but argues that postwar changes, not prewar analogies, best illuminate them. The book explains the transformation of German foreign policy through a structured analysis of four critical postwar junctures: the cold war of the 1950s, the détente of the 1960s and 1970s, the new cold war of the early 1980s, and the post-cold war 1990s. Each chapter examines the interaction of four factors--international structure and institutions, foreign policy ideas, and domestic politics--in driving the direction of German foreign policy at a key turning point.

This book will be of interest to scholars and students of German history, German politics, and European international relations, as well as policymakers and the interested public.

Thomas Banchoff is Assistant Professor of Government, Georgetown University.

This cookbook features recipes for German-Jewish cuisine as it existed in Germany prior to World War II, and as refugees later adapted it in the United States and elsewhere. Because these dishes differ from more familiar Jewish food, they will be a discovery for many people. With a focus on fresh, seasonal ingredients, this indispensable collection of recipes includes numerous soups, both chilled and hot; vegetable dishes; meats, poultry, and fish; fruit desserts; cakes; and the German version of challah, Berches. These elegant and mostly easy-to-make recipes range from light summery fare to hearty winter foods. The Gropmans—a mother-daughter author pair—have honored the original recipes Gabrielle learned after arriving as a baby in Washington Heights from Germany in 1939, while updating their format to reflect contemporary standards of recipe writing. Six recipe chapters offer easy-to-follow instructions for weekday meals, Shabbos and holiday meals, sausage and cold cuts, vegetables, coffee and cake, and core recipes basic to the preparation of German-Jewish cuisine. Some of these recipes come from friends and family of the authors; others have been culled from interviews conducted by the authors, prewar German-Jewish cookbooks, nineteenth-century American cookbooks, community cookbooks, memoirs, or historical and archival material. The introduction explains the basics of Jewish diet (kosher law). The historical chapter that follows sets the stage by describing Jewish social customs in Germany and then offering a look at life in the vibrant émigré community of Washington Heights in New York City in the 1940s and 1950s. Vividly illustrated with more than fifty drawings by Megan Piontkowski and photographs by Sonya Gropman that show the cooking process as well as the delicious finished dishes, this cookbook will appeal to readers curious about ethnic cooking and how it has evolved, and to anyone interested in exploring delicious new recipes.

The emergence of biology as a distinct science in the eighteenth century has long been a subject of scholarly controversy. Michel Foucault, on the one hand, argued that its appearance only after 1800 represented a fundamental rupture with the natural history that preceded it, marking the beginnings of modernity. Ernst Mayr, on the other hand, insisted that even the word "biology" was unclear in its meaning as late as 1800, and that the field itself was essentially prospective well into the 1800s.
 
In The Gestation of German Biology, historian of ideas John Zammito presents a different version of the emergence of the field, one that takes on both Foucault and Mayr and emphasizes the scientific progress throughout the eighteenth century that led to the recognition of the need for a special science. The embrace of the term biology around 1800, Zammito shows, was the culmination of a convergence between natural history and human physiology that led to the development of comparative physiology and morphology—the foundations of biology. Magisterial in scope, Zammito’s book offers nothing less than a revisionist history of the field, with which anyone interested in the origins of biology will have to contend.

 

Davidson Don Tengo Jabavu was born in the Cape Colony in British southern Africa on October 20, 1885, when a few African men could vote and the prospects for black equality with the ruling whites seemed promising. He died on August 3, 1959, in the Cape Province of the Union of South Africa, eleven years after the apartheid state had begun stripping blacks of their rights and exorcising the ‘ghost of equality’ with a completeness unparalleled in the country’s history. The ‘ghost of equality was the last vestige of the Cape liberal tradition — itself best summed up by the dictum ’equal rights for all civilized men‘ — finally erased in 1959 with the passage of legislation that would, the following year, remove from parliament the last elected white representatives of Africans.…

If D.D.T. Jabavu’s life reveals anything about South Africa’s political history, it is that this history was not monolithic. It was not simply a lengthly confrontation between a black elite represented by the African National Congress and the white segregationist state. Rather, there was a range of black political opinion and activity, of which Jabavu, an active participant in virtually every government-sponsored and every major extraparliamentary conference between 1920 and the late 1940s, represented one prominent historical strain.

This book, however, is about more than D.D.T. Javavu’s politics; it is about his public life, or perhaps more accurately, his public lives. The book is arranged thematically, divided according to the parts Jabavu played: student, teacher, Methodist, and politician.

— from the introduction by the author

This historical novel is the third and final book in American poet and fiction writer Janet Lewis’s Cases of Circumstantial Evidence series, based on legal case studies compiled in the nineteenth century. In The Ghost of Monsieur Scarron, Lewis returns to her beloved France, the setting of The Wife of Martin Guerre, her best-known novel and the first in the series. As Swallow Press executive editor Kevin Haworth relates in a new introduction, Monsieur Scarron shifts the reader into the center of Paris in 1694, during the turbulent reign of the Sun King, Louis XIV. The junction of this time and place gives Monsieur Scarron an intriguing political element not apparent in either The Wife of Martin Guerre or The Trial of Sören Qvist.

The Ghost of Monsieur Scarron begins in a small bookbinder’s shop on a modest Paris street, but inexorably expands to encompass a tumultuous affair, growing social unrest, and the conflicts between a legal system based on oppressive order and a society about to undergo harsh changes. With its domestic drama set against a larger political and historical backdrop, Monsieur Scarron is considered by some critics and readers to be the most intricately layered and fully realized book of Lewis’s long career. Originally published in 1959, Monsieur Scarron has remained in print almost continuously ever since.

In this compelling work, Brian Ladd examines the ongoing conflicts radiating from the remarkable fusion of architecture, history, and national identity in Berlin. Ladd surveys the urban landscape, excavating its ruins, contemplating its buildings and memorials, and carefully deconstructing the public debates and political controversies emerging from its past.

"Written in a clear and elegant style, The Ghosts of Berlin is not just another colorless architectural history of the German capital. . . . Mr. Ladd's book is a superb guide to this process of urban self-definition, both past and present."—Katharina Thote, Wall Street Journal

"If a book can have the power to change a public debate, then The Ghosts of Berlin is such a book. Among the many new books about Berlin that I have read, Brian Ladd's is certainly the most impressive. . . . Ladd's approach also owes its success to the fact that he is a good storyteller. His history of Berlin's architectural successes and failures reads entertainingly like a detective novel."—Peter Schneider, New Republic

"[Ladd's] well-written and well-illustrated book amounts to a brief history of the city as well as a guide to its landscape."—Anthony Grafton, New York Review of Books

 

In the twenty years since its original publication, The Ghosts of Berlin has become a classic, an unparalleled guide to understanding the presence of history in our built environment, especially in a space as historically contested—and emotionally fraught—as Berlin. Brian Ladd examines the ongoing conflicts radiating from the remarkable fusion of architecture, history, and national identity in Berlin. Returning to the city frequently, Ladd continues to survey the urban landscape, traversing its ruins, contemplating its buildings and memorials, and carefully deconstructing the public debates and political controversies emerging from its past.

Must a gift be given freely? How can we tell a gift from a bribe? Are gifts always a part of human relations—or do they lose their power and importance once the market takes hold and puts a price on every exchange? These questions are central to our sense of social relations past and present, and they are at the heart of this book by one of our most interesting and renowned historians.
In a wide-ranging look at gift giving in early modern France, Natalie Zemon Davis reveals the ways that gift exchange is crucial to understanding alliance and conflict in family life, economic relations, politics, and religion. Moving from the king’s bounty to the beggar’s alms, her book explores the modes and meanings of gift giving in every corner of sixteenth-century French society. In doing so, it arrives at a new way of considering gifts—what Davis calls "the gift register"—as a permanent feature of social relations over time. Gift giving, with its own justifications and forms in different periods, can create amity or lead to quarrels and trouble. It mixes the voluntary and the obligatory, with interested bribery at one extreme and inspired gratuitousness at the other.
Examining gifts both ethnographically (through archives, letters, and other texts) and culturally (through literary, ethical, and religious sources), Davis shows how coercive features in family life and politics, rather than competition from the market, disrupted the gift system. This intriguing book suggests that examining the significance of gifts can not only help us to understand social relations in the past, but teach us to deal graciously with each other in the present.

Amanda Wilcox offers an innovative approach to two major collections of Roman letters—Cicero’s Ad Familiares and Seneca’s Moral Epistles—informed by modern cross-cultural theories of gift-giving.
    By viewing letters and the practice of correspondence as a species of gift exchange, Wilcox provides a nuanced analysis of neglected and misunderstood aspects of Roman epistolary rhetoric and the social dynamics of friendship in Cicero’s correspondence. Turning to Seneca, she shows that he both inherited and reacted against Cicero’s euphemistic rhetoric and social practices, and she analyzes how Seneca transformed the rhetoric of his own letters from an instrument of social negotiation into an idiom for ethical philosophy and self-reflection. Though Cicero and Seneca are often viewed as a study in contrasts, Wilcox extensively compares their letters, underscoring Cicero’s significant influence on Seneca as a prose stylist, philosopher, and public figure.

The Girls' History and Culture Reader: The Twentieth Century provides scholars, instructors, and students with the most influential essays that have defined the field of American girls' history and culture. A relatively new and energetic field of inquiry, girl-centered research is critical for a fuller understanding of women and gender, a deeper consideration of childhood and adolescence, and a greater acknowledgment of the significance of generation as a historical force in American culture and society.

 

Bringing together work from top scholars of women and youth, The Girls' History and Culture Reader: The Twentieth Century illustrates girls' centrality to major twentieth-century forces such as immigration, labor, feminism, and consumerism. Themes in this pioneering volume include girls' use of fashion and music, their roles as workers, their friendships, and new ideas about girls' bodies. While girls in the twentieth century found new avenues for personal ambition and self-expression, especially at school and in the realm of leisure and popular culture, they continued to wrestle with traditional ideas about feminine identity, socialization, and sexuality.

 

Contributors are Joan Jacobs Brumberg, Rachel Devlin, Susan J. Douglas, Miriam Forman-Brunell, Kyra D. Gaunt, Mary Celeste Kearney, Ilana Nash, Mary Odem, Leslie Paris, Kathy Peiss, Vicki L. Ruiz, Kelly Schrum, and Judy Yung.

The first and only anthology of key writings about Glacier National Park, this comprehensive collection ranges from Native American myths to early exploration narratives to contemporary journeys, from investigations of the park’s geology and biology to hair-raising encounters with wild animals, fires, and mountain peaks.
 
Soon after the park was established in 1910, visitors began to arrive, often with pen in hand. They included such well-known authors as mystery writer Mary Roberts Rinehart, historian Agnes C. Laut, fiction writer Dorothy Johnson, humorist Irvin S. Cobb, poet Vachel Lindsay, and artist Maynard Dixon—all featured in the book. Readers will encounter colorful characters who lived in and around the park in its early days, including railroad magnate and conservationist Louis Hill, renegade ranger and poacher Joe Cosley, bootlegger Josephine Doody, and old-time cowboy guide Jim Whilt. Blackfeet and Kalispel myths, politically charged descriptions by early explorers such as John Muir and George Bird Grinnell, and full-color reproductions of the illustrated letters of cowboy artist and Glacier resident Charles M. Russell are also included. 

Copublished with the Glacier National Park Conservancy.
The Glacier National Park Conservancy preserves the Park for generations to come. Learn more about our work at www.glacier.org

Part of the National Park Reader series, edited by Lance Newman and David Stanley

The move was successful—though not on the level some boosters envisioned—and since 1888, Toledo glass factories have employed thousands of workers who created the city’s middle class and developed technical innovations that impacted the glass industry worldwide. But as has occurred in other cities dominated by single industries—from Detroit to Pittsburgh to Youngstown—changes to the industry it built have had a devastating impact on Toledo. Today, 45 percent of all glass is manufactured in China.

Well-researched yet accessible, this new book explores how the economic, cultural, and social development of the Glass City intertwined with its namesake industry and examines Toledo’s efforts to reinvent itself amidst the Midwest’s declining manufacturing sector.

Honorable Mention, American Society for Hispanic Art Historical Studies's Eleanor Tufts Book Award, hailed by the award committee as a "transformative scholarly contribution."
Winner, 2016 Admiral Teixeira da Mota Prize from the Academia de Marinha (Naval Academy), Lisbon

Recently identified by the editors as the Rua Nova dos Mercadores, the principal commercial and financial street in Renaissance Lisbon, two sixteenth-century paintings, acquired by Dante Gabriel Rossetti in 1866, form the starting point for this portrait of a global city in the early modern period. Focusing on unpublished objects, and incorporating newly discovered documents and inventories that allow novel interpretations of the Rua Nova and the goods for sale on it, these essays offer a compelling and original study of a metropolis whose reach once spanned four continents. The Rua Nova views painted by an anonymous Flemish artist portray an everyday scene on a recognizable street, with a diverse global population. This thoroughfare was the meeting point of all kinds of people, from rich to poor, slave to knight, indigenous Portuguese to Jews and diasporic black Africans.

The volume highlights the unique status of Lisbon as an entrepôt for curiosities, luxury goods and wild animals. As the Portuguese trading empire of the fifteenth and sixteenth century expanded sea-routes and networks from West Africa to India and the Far East, non-European cargoes were brought back to Renaissance Lisbon. Many rarities were earmarked for the Portuguese court, but simultaneously exclusive items were readily available for sale on the Rua Nova, the Lisbon equivalent of Bond Street or Fifth Avenue. Specialized shops offered West African and Ceylonese ivories, raffia and Asian textiles, rock crystals, Ming porcelain, Chinese and Ryukyuan lacquerware, jewelry, precious stones, naturalia and exotic animal byproducts. Lisbon was also a hub of distribution for overseas goods to other courts and cities in Europe. The cross-cultural and artistic influences between Lisbon and Portuguese Africa and Asia at this date are reassessed. Lisbon was imagined as the head of empire or caput mundi, while the River Tagus became the aquatic gateway to a globally connected world. Lisbon evolved into a dynamic Atlantic port city, excelling in shipbuilding, cartography and the manufacture of naval instruments. The historian Damião de Góis bragged of the "Tagus reigning over the world." Lisbon's fame depended on its river, an aquatic avenue that competed with the Rua Nova, providing a means of interaction, trade and communication along Lisbon’s coastline. Even for the cosmopolitan Góis, who traveled extensively for the Portuguese crown, Lisbon’s chaotic docks were worth describing. Of all the European cities he experienced, only Lisbon and her rival Seville could be "rightfully called Ladies and Queens of the Sea." Góis contended that they had opened up the early modern world through circumnavigation. Lisbon was destroyed in a devastating earthquake and tsunami in November 1755. These paintings are the only large-scale vistas of Rua Nova dos Mercadores to have survived, and together with the new objects and archival sources offer a fresh and original insight into Renaissance Lisbon and its material culture.

"Karl Marx aspired to a world in which our animal needs would be satisfied and our human needs could be addressed. It is a realistic possibility now, as William Robinson outlines—or the alternative that is taking shape before our eyes: a 'global police state' controlled by narrowly concentrated capital with 'surplus humanity' left to survive somehow on its own. The choice is in our hands."
—Noam Chomsky, author of Who Rules the World?
 
As the world becomes ever more unequal, people become ever more “disposable.” Today, governments systematically exclude sections of their populations from society through heavy-handed policing. But it doesn't always go to plan.
 
William I. Robinson exposes the nature and dynamics of this out-of-control system, arguing for the urgency of creating a movement capable of overthrowing it. The global police state uses a variety of ingenious methods of control, including mass incarceration, police violence, US-led wars, the persecution of immigrants and refugees, and the repression of environmental activists.
 
He writes in his Introduction, “I offer a ‘big picture” of the emerging global police state in a short book that is eminently readable. The pages to follow may startle many readers and make them angry. I trust the work will serve as a warning of the dystopic future that is upon us. More importantly, by exposing the nature and dynamic of this out-of-control system, I hope it will contribute to the struggles to bring about an alternative future based on human freedom and liberation.”
 
Movements have emerged to combat the increasing militarization, surveillance and social cleansing; however, many of them appeal to a moral sense of social justice rather than addressing its root: global capitalism.
 
Using shocking data which reveals how far capitalism has become a system of repression, Robinson argues that the emerging megacities of the world are becoming the battlegrounds where the excluded and the oppressed face off against the global police state.     

For decades the United States has been the most dominant player on the world’s stage. The country’s economic authority, its globally forceful foreign policy, and its leading position in international institutions tend to be seen as the result of a long-standing, deliberate drive to become a major global force. Furthermore, it has become widely accepted that American exceptionalism—the belief that America is a country like no other in history—has been at the root of many of the country’s political, military, and global moves. Frank Ninkovich disagrees.  

One of the preeminent intellectual historians of our time, Ninkovich delivers here his most ambitious and sweeping book to date. He argues that historically the United States has been driven not by a belief in its destiny or its special character but rather by a need to survive the forces of globalization. He builds the powerful case that American foreign policy has long been based on and entangled in questions of global engagement, while also showing that globalization itself has always been distinct from—and sometimes in direct conflict with—what we call international society. 

In the second half of the twentieth century, the United States unexpectedly stumbled into the role of global policeman and was forced to find ways to resolve international conflicts that did not entail nuclear warfare. The United States's decisions were based less in notions of exceptionalism and more in a need to preserve and expand a flourishing global society that had become essential to the American way of life.

Sure to be controversial, The Global Republic compellingly and provocatively counters some of the deepest and most common misconceptions about America’s history and its place in the world.

This special issue of Radical History Review offers a range of perspectives on the intellectual formation of the global South. Spanning time periods and objects of study across the global South, the essays develop new theoretical frameworks for thinking about geography, inequality, and subjectivity. Contributors investigate the construction of gender and racial formation in the global South and also explore what is politically and theoretically at stake in considering under-studied places like Guyana, or peripheries like Melanesia.  One essay considers how encounters between spaces in the global South, specifically between Lebanon and West Africa, help to refocus attention from the preoccupations of northern nations with their former colonies to the frictions of decolonization. Several articles focus on the role of popular culture in regard to the geopolitical formation of the global South, with topics ranging from film to music to the career of Muhammad Ali.

Contributors: Afro-Asian Networks Research Collective, Phineas Bbaala, Emily Callaci, Aharon de Grassi, Pamila Gupta, Mingwei Huang, Sean Jacobs, Maurice Jr. M. LaBelle, Christopher J. Lee, Roseann Liu, Marissa J. Moorman, Michelle Moyd, Ronald C. Po, Savannah Shange, Sandhya Shukla, Pahole Sookkasikon, Quito Swan, Sarah Van Beurden, Sarah E. Vaughn, Jelmer Vos, Keith B. Wagner

Global biennials have proliferated in the contemporary art world, but artists’ engagement with large-scale international exhibitions has a much longer history that has influenced the present in important ways. Going back to the earliest world’s fairs in the nineteenth century, this book argues that “globalism” was incubated in a century of international art contests and today constitutes an important tactic for artists.

As world’s fairs brought millions of attendees into contact with foreign cultures, products, and processes, artworks became juxtaposed in a “theater of nations,” which challenged artists and critics to think outside their local academies. From Gustave Courbet’s rebel pavilion near the official art exhibit at the 1855 French World’s Fair to curator Beryl Madra’s choice of London-based Cypriot Hussein Chalayan for the off-site Turkish pavilion at the 2006 Venice Biennale, artists have used these exhibitions to reflect on contemporary art, speak to their own governments back home, and challenge the wider geopolitical realm—changing art and art history along the way. Ultimately, Caroline A. Jones argues, the modern appetite for experience and event structures, which were cultivated around the art at these earlier expositions, have now come to constitute contemporary art itself, producing encounters that transform the public and force us to reflect critically on the global condition.

Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present.

By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.

"This is a book about Chicago. It is also, and for that very reason, a book about every other American city which has lived long enough and grown large enough to experience the transformation of neighborhoods and the contact of cultures and the tension between different types of individual and community behavior. . . . Here is a type of sociological investigation which is equally marked by human interest and scientific method."—Christian Century

When brothers Ethan and Hosea Grosh left Pennsylvania in 1849, they joined throngs of men from all over the world intent on finding a fortune in the California Gold Rush. Their search for wealth took them from San Francisco into the gold country and then over the Sierra into Nevada’s Gold Canyon, where they placer-mined for gold and discovered a deposit of silver. The letters they sent back to their family offer vivid commentaries on the turbulent western frontier, the diverse society of the Gold Rush camps, and the heartbreaking labor and frustration of mining. Their lively descriptions of Gold Canyon provide one of the earliest accounts of life in what would soon become the fabulously wealthy Comstock Mining District.

The Groshes’ letters are rich in color and important historical details. Generously annotated and with an introduction that provides a context for the brothers’ career and the setting in which they tried to make their fortune, these documents powerfully depict the often harsh realities of Gold Rush life and society.

There are some two hundred TV markets in the country, but only one—Boston, Massachusetts—hosted a Golden Age of local programming. In this lively insider account, Terry Ann Knopf chronicles the development of Boston television, from its origins in the 1970s through its decline in the early 1990s. During TV’s heyday, not only was Boston the nation’s leader in locally produced news, programming, and public affairs, but it also became a model for other local stations around the country. It was a time of award-winning local newscasts, spirited talk shows, thought-provoking specials and documentaries, ambitious public service campaigns, and even originally produced TV films featuring Hollywood stars. Knopf also shows how this programming highlighted aspects of Boston’s own history over two turbulent decades, including the treatment of highly charged issues of race, sex, and gender—and the stations’ failure to challenge the Roman Catholic Church during its infamous sexual abuse scandal. Laced with personal insights and anecdotes, The Golden Age of Boston Television offers an intimate look at how Boston’s television stations refracted the city’s culture in unique ways, while at the same time setting national standards for television creativity and excellence.

The seventeenth century heralded a golden age of exploration, as intrepid travelers sailed around the world to gain firsthand knowledge of previously unknown continents. These explorers also collected the world’s most beautiful flora, and often their findings were recorded for posterity by talented professional artists. The Golden Age of Botanical Art tells the story of these exciting plant-hunting journeys and marries it with full-color reproductions of the stunning artwork they produced. Covering work through the nineteenth century, this lavishly illustrated book offers readers a look at 250 rare or unpublished images by some of the world’s most important botanical artists.

            Truly global in its scope, The Golden Age of Botanical Art features work by artists from Europe, China, and India, recording plants from places as disparate as Africa and South America. Martyn Rix has compiled the stories and art not only of well-known figures—such as Leonardo da Vinci and the artists of Empress Josephine Bonaparte—but also of those adventurous botanists and painters whose  names and work have been forgotten. A celebration of both extraordinarily beautiful plant life and the globe-trotting men and women who found and recorded it, The Golden Age of Botanical Art will enchant gardeners and art lovers alike.

 

At one time every station in Chicago—a maximum of five, until 1964–produced or aired some programming for children. From the late 1940’s through the early 1970’s, local television stations created a golden age of children’s television unique in American broadcasting. Though the shows often operated under strict budgetary constraints, these programs were rich in imagination, inventiveness, and devoted fans. Now, discover the back stories and details of this special era from the people who created, lived, and enjoyed it—producers, on-air personalities, and fans.
 

This collection focuses on the introduction of phenomenology to the United States by the community of scholars who taught and studied at the New School for Social Research from 1954 through 1973. During those years, Dorion Cairns, Alfred Schutz, and Aron Gurwitsch—all former students of Edmund Husserl—came together in the department of philosophy to establish the first locus of phenomenology scholarship in the country. This founding trio was soon joined by three other prominent scholars in the field: Werner Marx, Thomas M. Seebohm, and J. N. Mohanty. The Husserlian phenomenology that they brought to the New School has subsequently spread through the Anglophone world as the tradition of Continental philosophy.

The first part of this volume includes original works by each of these six influential teachers of phenomenology, introduced either by one of their students or, in the case of Seebohm and Mohanty, by the thinkers themselves. The second part comprises contributions from twelve leading scholars of phenomenology who trained at the New School during this period. The result is a powerful document tracing the lineage and development of phenomenology in the North American context, written by members of the first two generations of scholars who shaped the field.

Contributors: Michael Barber, Lester Embree, Jorge García-Gómez, Fred Kersten, Thomas M. T. Luckmann, William McKenna, J. N. Mohanty, Giuseppina C. Moneta, Thomas Nenon, George Psathas, Osborne P. Wiggins, Matthew M. Seebohm, and Richard M. Zaner.

One of the most persistent legends in the annals of New World exploration is that of the Land of Gold. This mythical site was located over vast areas of South America (and later, North America); the search for it drove some men mad with greed and, as often as not, to their untimely deaths.

In this history of quest and adventure, Robert Silverberg traces the fate of Old World explorers lured westward by the myth of El Dorado. From the German conquistadores licensed by the Spanish king to operate out of Venezuela, to the journeys of Gonzalo Pizarro in the Amazon basin, and to the nearly miraculous voyage of Francisco Orellana to the mouth of the Amazon River, encountering the warlike women who gave the river its name, violence and bloodshed accompanied the determined adventurers. Sir Walter Raleigh and a host of other explorers spent small fortunes and many lives trying to locate Manoa, a city that was rumored to be El Dorado—City of Gold. Celebrated science fiction author Robert Silverberg recreates these legendary quests in The Golden Dream: Seekers of El Dorado.