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Henry David Thoreau is best known as a writer, naturalist, and social critic, but he was also a schoolteacher, surveyor, and pencil-­maker. In The Gospel According to This Moment, Unitarian minister Barry M. Andrews reveals how an idiosyncratic and unconventional religious faith was central to Thoreau’s many-­faceted life—­a dimension that has been largely unexamined.

Through close readings of his writings and a focus on his Unitarian upbringing, Harvard education, mentoring by Ralph Waldo Emerson, and immersion in ancient Eastern and Western philosophies, Andrews explores the nature of Thoreau’s spiritual message, what he called the “Gospel according to this moment,” which enables a flourishing and deliberate life. Today, Thoreau is widely recognized as an advocate for simple living, environmental preservation, and civil disobedience. As Andrews uncovers, Thoreau is also a spiritual guide who can teach us an alternative way of being religious in the world.

This anthology argues for the serious study of the literary oeuvre of Anne Rice, a major figure in today’s popular literature. The essays assert that Rice expands the conventions of the horror genre’s formula to examine important social issues. Like a handful of authors working in this genre, Rice manipulates its otherwise predictable narrative structures so that a larger, more interesting cultural mythology can be developed. Rice searches for philosophical truth, examining themes of good and evil, the influence on people and society of both nature and nurture, and the conflict and dependence of humanism and science.

In the tumultuous years following the Civil War, violence and lawlessness plagued the state of Texas, often overwhelming the ability of local law enforcement to maintain order. In response, Reconstruction-era governor Edmund J. Davis created a statewide police force that could be mobilized whenever and wherever local authorities were unable or unwilling to control lawlessness. During its three years (1870–1873) of existence, however, the Texas State Police was reviled as an arm of the Radical Republican party and widely condemned for being oppressive, arrogant, staffed with criminals and African Americans, and expensive to maintain, as well as for enforcing the new and unpopular laws that protected the rights of freed slaves.

Drawing extensively on the wealth of previously untouched records in the Texas State Archives, as well as other contemporary sources, Barry A. Crouch and Donaly E. Brice here offer the first major objective assessment of the Texas State Police and its role in maintaining law and order in Reconstruction Texas. Examining the activities of the force throughout its tenure and across the state, the authors find that the Texas State Police actually did much to solve the problem of violence in a largely lawless state. While acknowledging that much of the criticism the agency received was merited, the authors make a convincing case that the state police performed many of the same duties that the Texas Rangers later assumed and fulfilled the same need for a mobile, statewide law enforcement agency.

Essays mapping how modern art confronts mortality in an age of war and annihilation.

While much about modernism remains up for debate, there can be no dispute about the connection between modernist art and death. The long modern moment was and is an age of war, genocide, and annihilation. Two world wars killed perhaps as many as 100 million people, through combat, famine, holocaust, and ghastly attacks on civilians. The ongoing COVID-19 pandemic is the fifth global pandemic since 1918, with more than a half-million American deaths and counting.

It can hardly come as a surprise, then, that many of the touchstones of modernism reflect on death and devastation. In Philip D. Beidler’s exploration of the modernist canon, he illuminates how these singular voices looked extinction in the eye and tried to reckon with our finitude—and their own. The Great Beyond: Art in the Age of Annihilation catalogs through lively prose an eclectic selection of artists, writers, and thinkers. In 16 essays, Beidler takes nuanced and surprising approaches to well-studied figures—the haunting sculpture by Saint-Gaudens commissioned by Henry Adams for his late wife; Luchino Visconti’s adaptation of Mann’s Death in Venice; and the author’s own long fascination with Beckett’s Waiting for Godot.

The threads and recurring motifs that emerge through Beidler’s analysis bridge the different media, genres, and timeframes of the works under consideration. Protomodernists Crane and Twain connect with near-contemporary voices like Sebald and Morrison. Robert MacFarlane’s 21st-century nonfiction about what lies underneath the earth echoes the Furerbunker and the poetry of Gertrud Kolmar. Learned but lively, somber but not grim, The Great Beyond is not a comfortable read, but it is in a way comforting. In tracing how his subjects confronted nothingness, be it personal or global, Beidler draws a brilliant map of how we see the end of the road.
 

The United States government thought it could make Indians "vanish." After the Indian Wars ended in the 1880s, the government gave allotments of land to individual Native Americans in order to turn them into farmers and sent their children to boarding schools for indoctrination into the English language, Christianity, and the ways of white people. Federal officials believed that these policies would assimilate Native Americans into white society within a generation or two. But even after decades of governmental efforts to obliterate Indian culture, Native Americans refused to vanish into the mainstream, and tribal identities remained intact.

This revisionist history reveals how Native Americans' sense of identity and "peoplehood" helped them resist and eventually defeat the U.S. government's attempts to assimilate them into white society during the Progressive Era (1890s-1920s). Tom Holm discusses how Native Americans, though effectively colonial subjects without political power, nonetheless maintained their group identity through their native languages, religious practices, works of art, and sense of homeland and sacred history. He also describes how Euro-Americans became increasingly fascinated by and supportive of Native American culture, spirituality, and environmental consciousness. In the face of such Native resiliency and non-Native advocacy, the government's assimilation policy became irrelevant and inevitably collapsed. The great confusion in Indian affairs during the Progressive Era, Holm concludes, ultimately paved the way for Native American tribes to be recognized as nations with certain sovereign rights.

A revelatory economic history of America's Gilded Age—and how it wasn't just the Robber Barons who benefited.

The Gilded Age, spanning the late nineteenth and early twentieth centuries, was when Americans got rich. Or, rather, some Americans got rich. Because as much as the era is synonymous with staggering economic growth, it also doubles as America’s cautionary tale for the perils of leaving rich people and institutions unregulated. It was the time of extractive industrialists, worker exploitation, stifled economic mobility, and racial exclusion—lessons that the United States learned the hard way.

Vincent Geloso contests this traditional narrative by revisiting the math in this new empirical account of the Gilded Age. The Great Enrichment is an economic history of America’s rise to affluence, a period that doubled as a remarkable rise of the country’s economic floor. The conventional contrast of Robber Barons against huddled masses is, in Geloso’s analysis, unsubstantiated by economic data. The Gilded Age was the first egalitarian enrichment that humanity witnessed—a time when both rich and poor benefited in ways that were seismic, albeit unequal. Yet the net result was a great leap forward, not the lamentable birth of modern inequality.

Geloso marshals an expanded set of economic measures to account for factors not typically included in the Gilded Age economic story. The Great Enrichment sets a new standard for empirical history in one of America’s most consequential—and perhaps misunderstood—periods.

This study of the legendary Michigan shipbuilder Frank E. Kirby examines his life and the accomplishments that earned him national esteem and international fame. Kirby was involved in the design and build of nearly one hundred vessels, many of which sailed the Great Lakes region. He is best known for designing the paddle steamer Tashmoo and two boats that ferried visitors to Boblo Island in the Detroit River for decades, Columbia and Ste. Claire. Though only three of his vessels remain, none of them operational, hundreds of thousands of Michiganders who are still alive today have been carried by Kirby vessels. Told through stories found in the Detroit Free Press, historical archives, family documents, an interview conducted by his daughter-in-law Dorothy Clement Kirby in 1926, and keepsakes, Richard Gebhart brings to life the story of one of the most prolific Great Lakes shipbuilders of the time. 
 

This groundbreaking historical account documents the little-known but significant conflict that erupted among Maine lobstermen in the 1950s—a pivotal clash that pitted independent small-scale fishermen against powerful dealers and federal government regulators. Written by distinguished historian Ronald P. Formisano, this work reconstructs a dramatic struggle over prices and economic power within Maine's vital lobster fishery.

Capturing the reality of the Lobster War strike and its subsequent legal proceedings, Formisano's narrative explores how independent owner-operators of the Maine lobster fishery, facing economic pressures from middlemen dealers and federal intervention, banded together in a coordinated effort to secure fair prices and maintain control over their livelihoods. 

Through meticulous historical research, Formisano illuminates the economic realities of commercial fishing, the dynamics between laborers and processors, and the role of government regulation in shaping resource management policies.The Great Lobster War serves as both a detailed historical study and an accessible story of working-class agency and collective action in the postwar era.