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With The Old Regime and the Revolution, Alexis de Tocqueville wrote what remains the essential history of the French Revolution. Yet historians have found it nearly impossible to trace the evolution of Tocqueville's ideas because he chose not to disclose his sources.

Drawing on his unprecedented access to Tocqueville's papers—access made possible by the late French historian Francois Furet—Robert T. Gannett Jr. reveals the ingenuity of Tocqueville's analyses of issues such as landownership, administrative centralization, and public opinion in prerevolutionary France. He also sheds light on the benefits Tocqueville reaped from unexpected intellectual encounters with such authors as Burke, Constant, and Dareste de la Chavanne. A literary detective at work, Gannett tracks Tocqueville as the author himself tracked the French Revolution—and brings him to life as a meticulous historian and an ardent defender of liberty.

An ideal companion to The Old Regime and the Revolution, Volumes 1 and 2, both published by the University of Chicago Press, Tocqueville Unveiled will be a valuable resource for revolutionary historians and Tocqueville enthusiasts alike.

At one time in Europe, there was a point to pain: physical suffering could be a path to redemption. This religious notion suggested that truth was lodged in the body and could be achieved through torture. In Tortured Subjects, Lisa Silverman tells the haunting story of how this idea became a fixed part of the French legal system during the early modern period.

Looking closely at the theory and practice of judicial torture in France from 1600 to 1788, the year in which it was formally abolished, Silverman revisits dossiers compiled in criminal cases, including transcripts of interrogations conducted under torture, as well as the writings of physicians and surgeons concerned with the problem of pain, records of religious confraternities, diaries and letters of witnesses to public executions, and the writings of torture's abolitionists and apologists. She contends that torture was at the center of an epistemological crisis that forced French jurists and intellectuals to reconsider the relationship between coercion and sincerity, or between free will and evidence. As the philosophical consensus on which torture rested broke down, and definitions of truth and pain shifted, so too did the foundation of torture, until by the eighteenth century, it became an indefensible practice.

The great nineteenth-century tragedienne known simply as Rachel was the first dramatic actress to achieve international fame. Composing her own persona with the same brilliance and passion she demonstrated on stage, she virtually invented the role of "star." Rumors of her extravagant life offstage delighted the audiences who flocked to theaters in Boston and Paris, London and Moscow, to see her perform in the tragedies of Racine and Corneille. In Tragic Muse, Rachel M. Brownstein reveals the life of la grande Rachel and explores—at the boundary of biography, fiction, and cultural history—the connections between this self-dramatizing woman and her image.
Born to itinerant Jewish peddlers in 1821, Rachel arrived on the Paris stage at the age of fifteen. She became both a symbol of her culture’s highest art and a clue to its values and obsessions. Fascinated with all things Napoleonic, she was the mother of Napoleon’s grandson and the lover of many men connected to the emperor. Her story—the rise from humble beginnings to queen of the French state theater—echoes and parodies Napoleon’s own. She decisively controlled her career, her time, and finances despite the actions and claims of managers, suitors, and lovers. A woman of exceptional charisma, Rachel embodied contradiction and paradox. She captured the attention of her time and was memorialized in the works of Matthew Arnold, Charlotte Brontë, George Eliot, and Henry James.
Richly illustrated with portraits, photographs, and caricatures, Tragic Muse combines brilliant literary analysis and exceptional historical research. With great skill and acuity, Rachel M. Brownstein presents Rachel—her brief intense life and the image that was both self-fashioned and, outliving her, fashioned by others. First published by Knopf (1993), this book will attract a broad audience interested in matters as wide ranging as the construction of character, the cult of celebrity, women’s lives, and Jewish history. It will also be of enduring interest to readers concerned with nineteenth-century French culture, history, literature, theater, and Romanticism. Tragic Muse won the 1993 George Freedley Award presented by the Theater Library Association.

"Traduced by malice, persecuted by fiction, abandoned by false patrons, and overwhelmed by the sense of a domestic calamity," Tobias Smollett set off on a journey through France and Italy to relieve his despair. While there, he wrote regularly to his friends, and the result is this fascinating, wholeheartedly personal account of places and he encountered.

Travels through France and Italy is a landmark work in travel literature. Full of prejudice, grousing, sharp observation, and caustic satire, it is the first travel book in modern literature to go beyond the simple conveyance of information to reflect the writer's state of mind.

In 1878 Robert Louis Stevenson set out on a walking tour of the Cévennes behind Modestine, the donkey that carried his baggage. The one hundred twenty-mile trip was through difficult country, and Modestine proved to be less than agreeable, too. Although Stevenson's adventure lasted only twelve days, his account suggests a much longer journey, with all sorts of backward glances, detours, and retracing of steps, both on the terrain and in spirit.

Stevenson's third book, Travels with a Donkey was originally intended as a lighthearted sketch, a companion-piece to his recent Inland Voyage. Although he would not be recognized as a major author until the publication of Treasure Island and Dr. Jekyll and Mr. Hyde, one can see his voice developing. Full of charm and instruction, Travels with a Donkey serves as a guide to alternatives to the restless and distracted standard of contemporary travel.

An investigation into the relationship between history, art, architecture, memory, and diplomacy.
 
Between 1948 and 1956, the United States government planned an enormous project to build fourteen permanent overseas military cemeteries in Europe. These park-like burial grounds eventually would hold the graves of approximately 80,000 American soldiers and nurses who died during or immediately after World War II. Five of these cemeteries are located in France, more than any other nation: two in Normandy; one in Provence; and two in Lorraine.
 
In Triumph of the Dead: American World War II Cemeteries, Monuments, and Diplomacy in France, Kate Clarke Lemay explores the relationship between art, architecture, war memory, and Franco-American relations. She addresses the many functions, both original and more recent, that the American war cemeteries have performed, such as: war memorials, diplomatic gestures, Cold War political statements, prompts for debate about Franco-American relations, and the nature of French identity itself. Located on or near former battlefields, the American war cemeteries are at once history lessons, sites of memory, and commemorative monuments. As places of mourning, war cemeteries are considerably different than civic cemeteries in their rituals, designs, and influences on collective memory. As transatlantic sites, the cemeteries both construct and sustain an American memory of World War II for a Francophile and European audience.
 
The book features ten color photographs, fifty black and white photographs, and four maps. Scholars as well as enthusiasts of World War II history, mid-century art and architecture, and cultural diplomacy will be interested in reading this richly researched book, the first in-depth history of some of the most important sites of American World War II remembrance.

In Tropicopolitans Srinivas Aravamudan reconstructs the colonial imagination of the eighteenth century. By exploring representations of peoples and cultures subjected to colonial discourse, he makes a case for the agency—or the capacity to resist domination—of those oppressed. Aravamudan’s analysis of texts that accompanied European commercial and imperial expansion from the Glorious Revolution through the French Revolution reveals the development of anticolonial consciousness prior to the nineteenth century.
“Tropicalization” is the central metaphor of this analysis, a term that incorporates both the construction of various dynamic tropes by which the colonized are viewed and the site of the study, primarily the tropics. Tropicopolitans, then, are those people who bear and resist the representations of colonialist discourse. In readings that expose new relationships between literary representation and colonialism in the eighteenth century, Aravamudan considers such texts as Behn’s Oroonoko, Defoe’s Robinson Crusoe and Captain Singleton, Addison’s Cato, and Swift’s Gulliver’s Travels and The Drapier’s Letters. He extends his argument to include analyses of Johnson’s Rasselas, Beckford’s Vathek, Montagu’s travel letters, Equiano’s autobiography, Burke’s political and aesthetic writings, and Abbé de Raynal’s Histoire des deux Indes. Offering a radical approach to literary history, this study provides new mechanisms for understanding the development of anticolonial agency.
Introducing eighteenth-century studies to a postcolonial hermeneutics, Tropicopolitans will interest scholars engaged in postcolonial studies, eighteenth-century literature, and literary theory.

The Great Schism (1378–1417) divided Western Christendom into two groups: those who recognized a pope in Rome and those who recognized one in Avignon. It was a crisis of authority that brought with it spiritual anxiety and political uproar. This book presents the responses of two fascinating women whose experiences demonstrate the impact of the Schism on ordinary Christians. Constance de Rabastens (active 1384–1386), who lived in a village in rural Languedoc, had dramatic visions indicting the Avignon pope Clement VII, despite his being recognized in her region. Ursulina of Parma (1375–1408), a diminutive young woman from an urban milieu in Italy, believed that she was commanded by Christ to engage in shuttle diplomacy between the Roman and Avignon papacies in order to end the Schism. Two Women of the Great Schism translates an account of Constance’s visionary experiences as recorded by her confessor Raymond de Sabanac and a posthumous biography of Ursulina by Simone Zanacchi, a pious abbot who wrote some sixty years after his subject’s death. These texts bring to life the extraordinary spiritual and political engagement of two late medieval women who refused to be passive bystanders as rival papal factions tore Christendom apart.