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The late 1960s are remembered today as the last time wholesale social upheaval shook Europe and the United States. College students during that tumultuous period—epitomized by the events of May 1968—were as permanently marked in their worldviews as their parents had been by the Depression and World War II. Sociology was at the center of these events, and it changed decisively because of them.

The Disobedient Generation collects newly written autobiographies by an international cross-section of well-known sociologists, all of them "children of the '60s." It illuminates the human experience of living through that decade as apprentice scholars and activists, encountering the issues of class, race, the Establishment, the decline of traditional religion, feminism, war, and the sexual revolution. In each case the interlinked crises of young adulthood, rapid change, and nascent professional careers shaped this generation's private and public selves. This is an intensely personal collective portrait of a generation in a time of struggle.

“Many memories, many myths”—this is how Wendy Doniger begins the story of her parents’ origins in Europe and sharply bifurcated life in America. Recalling their contrasting attitudes toward Judaism and religion in general—and acknowledging the mythologized narratives that keep bubbling up in those recollections—Doniger tells the story of their childhoods, their unusual marriage, their life in the post–World War II Jewish enclave of Great Neck, New York, and her own complex relationship with each of them.

Having spent decades in urban clinical practice while working simultaneously as an academic administrator, teacher, and writer, Frances Ward is especially well equipped to analyze the American health care system. In this memoir, she explores the practice of nurse practitioners through her experiences in Newark and Camden, New Jersey, and in north Philadelphia.

Ward views nurse practitioners as important providers of primary health care (including the prevention of and attention to the root causes of ill health) in independent practice and as equal members of professional teams of physicians, registered nurses, and other health care personnel. She describes the education of nurse practitioners, their scope of practice, their abilities to prescribe medications and diagnostic tests, and their overall management of patients’ acute and chronic illnesses. Also explored are the battles that nurse practitioners have waged to win the right to practice—battles with physicians, health insurance companies, and even other nurses.

The Door of Last Resort, though informed by Ward’s experiences, is not a traditional memoir. Rather, it explores issues in primary health care delivery to poor, urban populations from the perspective of nurse practitioners and is intended to be their voice. In doing so, it investigates the factors affecting health care delivery in the United States that have remained obscure throughout the current national debate

This is the history of Washington Duke and two of his sons, Benjamin Newton Duke and James Buchanan Duke. Although numerous other members of the family play their parts in the story it focuses primarily on the three men who were at the center of the economic and philanthropic activities which made the Dukes of Durham one of America's famous families. The Dukes operated closely and constantly as a family, and only in that context is their full story told.

In the years after the Civil War, Washington Duke proved to be an unusually able industrialist and a conscientious, Methodist philanthropist. He was, in fact, a major Southern pioneer in both industry and philanthropy. His two sons by a second marriage were remarkably devoted to each other as well as to their father. Both sons also reflected traits of thier father. While Benjamin N. Duke and James B. Duke had life-long involvement with the business world—first in tobacco, then textiles, and finally electric power—as well as with philanthropy, they actually developed complementary specializations. Benjamin N. Duke, the older of the two, served as the family's primary agent for philanthropy from his early manhood in the late 1800's until he gradually became semi-invalid after 1915. James B. Duke, on the other hand, early displayed a marked talent, even a genius, for business. Toward the end of his life, with the establishment of The Duke Endowment late in 1924, he emerged as one of the nation's major philanthropists, ranking alongside Andrew Carnegie and John D. Rockefeller. A central theme of this book is, however, that the Endowment, despite its magnitude and far-reaching scope, was essentially the institutionalization and culmination of a pattern of family philanthropy that emerged in the 1890's and for which the older brother, Benjamin N. Duke, had always been the primary agent. Thus, the story of James B. Duke, who was and has remained much the more well-known of the two brothers, cannot properly be told out of the family context from which he emerged and in which occurred most of the important phases of his life.

Washington Duke, as a small, land-owning yeoman farmer, was typical of the great majority class not only in antebellum North Carolina but in the South as a whole. Only after the war, when he and his sons emerged as large-scale industrialists and philanthropists, did the Dukes become atypical. Their story is, then, both agricultural and industrial, both Southern and national. Born North Carolinians, they moved onto a national, even global, stage. Yet all the while they kept deep roots, as well as vast investments of capital, in the Old North State, and they poured many millions into philanthropy, largely in the two Carolinas. Based largely on manuscript sources, many of them hitherto unused, this is the first study of the Duke family. The "New South," as recent historians have told us, may not have been so new—but it was certainly different in important ways, and the Dukes loomed large among those who helped to make it so.

In this authoritative account, Robert H. Ferrell shows how the treatment of President Franklin D. Roosevelt's illness in 1944- 1945 was managed by none other than the president himself. Although this powerful American president knew that he suffered from cardiovascular disease, he went to great lengths to hide that fact—both from his physician and from the public. Why Roosevelt disguised the nature of his illness may be impossible to discern fully. He was a secretive man who liked to assign only parts of tasks to his assistants so that he, the president, would be the only one who knew the whole story. The presidency was his life, and he did not wish to give it up.

The president's duplicity, though not easily measurable, had a critical effect on his performance. Placed on a four-hour-a-day schedule by his physicians, Roosevelt could apply very little time to his presidential duties. He took long vacations in South Carolina, Warm Springs, the Catoctin Mountains, and Hyde Park, as well as lengthy journeys to Hawaii, Canada, and Yalta. Important decisions were delayed or poorly made. America's policy toward Germany was temporarily abandoned in favor of the so-called Morgenthau Plan, which proposed the "pastoralization" of Germany, turning the industrial heart of Europe into farmland. Roosevelt nearly ruined the choice of Senator Harry S. Truman as his running mate in 1944 by wavering in the days prior to the party's national convention. He negotiated an agreement with Winston Churchill on sharing postwar development of nuclear weapons but failed to let the State Department know. And, in perhaps the most profoundly unwise decision, Roosevelt accepted a fourth term when he could not possibly survive it.

In his final year, a year in which he faced crucial responsibility regarding World War II and American foreign policy, Franklin D. Roosevelt failed to serve the nation as a healthy president would have. Reading like a mystery story, The Dying President clears up many of the myths and misunderstandings that have surrounded Roosevelt's last year, finally revealing the truth about this missing chapter in FDR's life.

In The Eclipse I Call Father: Essays on Absence, David Axelrod recalls a balmy night in May 1970 when he vowed to allow no one and nothing he loves to pass from this life without praise, even if it meant praising the most bewildering losses. In each of these fourteen essays Axelrod delivers on that vow as he ranges across topics as diverse as marriage, Japanese poetry, Craftsman design, Old English riddles, racism, extinction, fatherhood, mountaineering, predatory mega-fauna, street fighting, trains, the Great Depression, and the effects of climate change—accretions of absence that haunt the writer and will likewise haunt readers.

The essays in this collection grew from a ten-year period when the author found himself periodically living and working abroad, wondering why foreign landscapes haunted him more than the familiar landscapes of the inland Pacific Northwest he called home. Each place had a long history of habitation, but at home he was blind, unable to see past the surfaces of things. Axelrod examines many aspects of that phenomenon in these pages, framing surface realities and imagining the scale and scope of that surface, but also trying to sense what is absent or changed, and how, despite its absence, the unseen accretes to ever-greater densities and persists as something uncanny.

Curious, alert, and keenly observant, these essays probe the boundaries between what is here and what is gone, what is present and what is past, in elegant prose. Readers familiar with Axelrod’s poetry will find a new facet of his lyrical gifts, while those encountering his work for the first time will be richly rewarded by the discovery of this Northwest literary talent.

This absorbing biography chronicles the life and work of one of the most important entertainers of the twentieth century. Eddie Cantor (1892–1964) starred in theater, film, radio, and television. His immense popularity across a variety of media, his pride in his Jewish heritage, and his engagement with pressing political issues distinguished him from other headliners of his era. Paying equal attention to Cantor’s humor and politics, Weinstein documents his significance as a performer, philanthropist, and activist. Many show business figures quietly shed their Jewish backgrounds or did not call attention to the fact that they were Jewish. Cantor was different. He addressed the vital issues of his times, including acculturation, national identity, and antisemitism. He was especially forceful in opposing Nazism and paid a price for this activism in 1939, when a sponsor cancelled the actor’s radio program. In this carefully researched book, Weinstein uncovers sketches and routines filled with Jewish phrases, allusions, jokes, songs, and stories. Cantor frequently did not mark this material as “Jewish,” relying instead on attentive audiences to interpret his coded performances. Illustrated with thirty photographs, The Eddie Cantor Story examines the evolution, impact, and legacy of Cantor’s performance style. His music and comedy not only shaped the history of popular entertainment, but also provide a foundation for ongoing efforts to redefine Jewish culture and build community in contemporary America.

The Edge of Mosby’s Sword is the first scholarly volume to delve into the story of one of John Singleton Mosby’s most trusted and respected officers, Colonel William Henry Chapman. Presenting both military and personal perspectives of Chapman’s life, Gordon B. Bonan offers an in-depth understanding of a man transformed by the shattering of his nation. This painstakingly researched account exposes a soldier and patriot whose convictions compelled him to battle fiercely for Southern independence; whose quest for greatness soured when faced with the brutal realities of warfare; and who sought to heal his wounded nation when the guns of war were silenced.
Born into a wealthy slave-owning family, Chapman was a student of the fiery secessionist rhetoric of antebellum Virginia who eagerly sought glory and adventure on the battlefields of the Civil War. Bonan traces Chapman’s evolution from an impassioned student at the University of Virginia to an experienced warrior and leader, providing new insight into the officer’s numerous military accomplishments. Explored here are Chapman’s previously overlooked endeavors as a student warrior, leader of the Dixie Artillery, and as second-in-command to Mosby, including his participation in the capture of Harpers Ferry, the battering of Union forces at Second Manassas, and his ferocious raids during the 1864 Shenandoah Valley campaign. Bonan reveals fresh perspectives on the intrepid maneuvers of Mosby’s Rangers, the hardships of war, and Chapman’s crucial role as the right hand of the “Gray Ghost.” But while Mosby recognized him for his bravery and daring, the fame Chapman sought always eluded him. Instead, with his honors and successes came disillusionment and sorrow, as he watched comrades and civilians alike succumb to the terrible toll of the war.

The end of the struggle between North and South saw Chapman accept defeat with dignity, leading the Rangers to their official surrender and parole at Winchester. With the horrors of the war behind him, he quickly moved to embrace the rebuilding of his country, joining the Republican party and beginning a forty-two-year career at the IRS enforcing Federal law throughout the South. In the end, Chapman’s life is a study in contradictions: nationalism and reconciliation; slavery and liberty; vengeance and chivalry.

Like The Education of Henry Adams, the early twentieth-century classic from which this book derives its name, Adams described the ascent, or descent, of a postwar social and political order into something that a few people called modernity. But Dumas follows this evolution, not in the United States as Adams did, but in insular Arkansas.

Beginning with the defeat of Governor Francis Cherry by the son of a hillbilly socialist at the end of the Joe McCarthy era, Dumas traces the development of a modernist political cast that eventually produced Arkansas’s first president of the United States. It follows the seed from 1978 that would germinate into the second impeachment of an American president.

Dumas has written for newspapers and about politics for sixty-three years, since 1954, the year that the stolid Cherry fell to Orval Eugene Faubus. The book is a political memoir that describes not only his education in the ways of politicians but the politicians’ own education and miseducation in how you win voters and then how you get things done.

It is mostly a collection of untold stories, often deeply personal, that reveal the inner struggles and sometimes the tribulations of the state’s leaders—Cherry, Faubus, Winthrop Rockefeller, Dale Bumpers, David Pryor, John McClellan, J. William Fulbright, Bill Clinton, Jim Guy Tucker, and others.

Brooks's theological and intellectual lineage

The Education of Phillips Brooks probes the formative years of one of the best-known figures of Victorian America's "Gilded Age". Rigorously researched, bringing as yet untapped archival material into play, John F. Woolverton's book is an extremely readable and fascinating look at a gifted, persuasive clergyman and public figure. The sermon Brooks delivered at his Holy Trinity Church in Philadelphia while Abraham Lincoln's body lay in state overnight in Independence Hall was published, making him nationally famous overnight. He also is known for penning the lyrics to "O Little Town of Bethlehem". Although Brooks was not a major theologian, he was nurtured in an atmosphere of serious religious thought. In the crisis era of pre-Civil War America, he sought a religious and cultural ideal in the "perfect manhood" of Jesus Christ and consequently "won a name" for himself, as his slightly envious cousin, Henry Adams, once remarked. Woolverton places Brooks in his cultural context and shows how this religious leader was shaped psychologically and by his times and how those factors helped him forge a spiritual ideal for a troubled nation.

Brimming with honestly and passion, The Education of a WASP chronicles one white woman's discovery of racism in 1960s America. First published in 1970 and highly acclaimed by reviewers, Lois Stalvey's account is as timely now as it was then. Nearly twenty years later, with ugly racial incidents occurring on college campuses, in neighborhoods, and in workplaces everywhere, her account of personal encounters with racism remains deeply disturbing. Educators and general readers interested in the subtleties of racism will find the story poignant, revealing, and profoundly moving.

“Delightful and horrible, a singular book.” —Choice

“An extraordinarily honest and revealing book that poses the issue: loyalty to one’s ethnic group or loyalty to conscience.” —Publishers Weekly

            In The Education of an Anti-Imperialist, Richard Drake follows La Follette's growth as a critic of America's wars and the policies that led to them. He began his political career with conventional Republican views of the era on foreign policy, avidly supporting the Spanish-American and Philippine-American Wars. La Follette's critique of empire emerged in 1910, during the first year of the Mexican Revolution, as he began to perceive a Washington–Wall Street alliance in the United States' dealings with Mexico. La Follette subsequently became Congress's foremost critic of Woodrow Wilson, fiercely opposing United States involvement in World War I. Denounced in the American press as the most dangerous man in the country, he became hated and vilified by many but beloved and admired by others.

            La Follette believed that financial imperialism and its necessary instrument, militarism, caused modern wars. He contended they were twin evils that would have ruinous consequences for the United States and its citizens in the twentieth century and beyond.

“An excellent book. . . . As Drake fully documents, La Follette's warnings about [World War I] profiteers and the lust for power were fully justified. Then as now, the American people were lied to by the government and media and manipulated into the stink and blood of war."—Mark Taylor, The Daily Call
 
“Scholars will . . . value the insights into La Follette's foreign policy education.”—The Historian

Early in her tenure as president of Mount Holyoke College, Joanne V. Creighton faced crises as students staged protests and occupied academic buildings; the alumnae association threatened a revolt; and a distinguished professor became the subject of a major scandal. Yet Creighton weathered each storm, serving for nearly fifteen years in office and shepherding the college through a notable revitalization.

In her autobiography, The Educational Odyssey of a Woman College President, Creighton situates her tenure at Mount Holyoke within a life and career that have traversed breathtaking changes in higher education and social life. Having held multiple roles in academia spanning undergraduate, professor, and president, Creighton served at small colleges and large public universities and experienced the dramatic changes facing women across the academy. From her girlhood in Wisconsin to the presidency of a storied women's college, she bears witness to the forces that have reshaped higher education for women and continues to advocate for the liberal arts and sciences.

When the United States entered the Second World War, eighteen-year-old enlistees were routinely assigned temporary duties and not sent into battle until they turned nineteen. But as the fighting dragged on, America was eventually forced to draft younger men into combat to replace wounded troops—and following the Battle of the Bulge, more than 300,000 eighteen-year-olds were sent as replacements to the army’s decimated divisions.

In The Eighteen-Year-Old Replacement, Richard Kingsbury brings an often-overlooked perspective to the annals of World War II. Torn from an ordinary teenager’s life in the Midwest, young Dick was drafted six weeks after D-Day and rushed with other eighteen-year-olds to the Siegfried Line to bolster Patton’s 94th Infantry Division. His reminiscence provides a moving, diarylike account of what he endured both physically and emotionally—and tells how he went from boyhood to manhood almost overnight.

In prose that is both succinct and evocative, Kingsbury recounts his experiences as a rifleman during the final bloody battles in Germany, giving readers a real feel for what combat was like for a raw recruit. He recalls his first night in a foxhole on the front line and the “unbelievable luxury” of sleeping in a barn’s hayloft. He relives freezing cold at the Bulge, which permanently damaged his legs, and the pounding of enemy artillery during Patton’s breakthrough of the German West Wall, which affected his hearing for life.

More poignantly, Kingsbury shares his anxieties over killing—as well as the distinct possibility of being killed as Wehrmacht tanks mercilessly blasted individual foxholes at Bannholz Woods. He vividly recalls Patton’s attack on Ludwigshafen, on the west bank of the Rhine, where he took a German bullet in his chest—and where three of the six newly arrived eighteen-year-olds were killed.

Interspersed with the accounts of battle are letters between Dick and Mary Jo, his sweetheart back home, capturing the blossoming of romance that transcended both distance and bloodshed. His book casts a new light on war—and courtship—in an era when boys were rushed from the home front to the front lines. By showing how crucial the contribution of these young men was to the war effort, this book gives the eighteen-year-old replacements the recognition they have long deserved.

    For the first time, the most important quotations of the great conservationist Aldo Leopold, author of A Sand County Almanac, are gathered in one volume. From conservation education to wildlife ecology, from wilderness protection to soil and water conservation, the writings of Aldo Leopold continue to have profound influence on those seeking to understand the earth and its care. Leopold biographer Curt Meine and noted conservation biologist Richard Knight have assembled this comprehensive collection of quotations from Leopold’s extensive and diverse writings, selected and organized to capture the richness and depth of the North American conservation movement.
    Prominent biologists, conservationists, historians, and philosophers provide introductory commentaries describing Leopold’s contributions in varied fields and reflecting upon the significance of his work today.

Contributors:
J. Baird Callicott
David Ehrenfeld
Susan L. Flader
Eric T. Freyfogle
Wes Jackson
Paul W. Johnson
Joni L. Kinsey
Richard L. Knight
Gary K. Meffe
Curt Meine
Gary Paul Nabhan
Richard Nelson
Bryan G. Norton
David W. Orr
Edwin P. Pister
Donald Snow
Stanley A. Temple
Jack Ward Thomas
Charles Wilkinson
Terry Tempest Williams
Donald Worster
Joy B. Zedler

Oliver Wendell Holmes, Jr., has been called the greatest jurist and legal scholar in the history of the English-speaking world. In this collection of his speeches, opinions, and letters, Richard Posner reveals the fullness of Holmes' achievements as judge, historian, philosopher, and master of English style. Thematically arranged, the volume covers a rich variety of subjects from aging and death to themes in politics, personalities, and law. Posner's substantial introduction firmly places this wealth of material in its proper biographical and historical context.

"A first-rate prose stylist, [Holmes] was perhaps the most quotable of all judges, as this ably edited volume shows."—Washington Post Book World

"Brilliantly edited, lucidly organized, and equipped with a compelling introduction by Judge Posner, [this book] is one of the finest single-volume samplers of any author's work I have seen. . . . Posner has fully captured the acrid tang of him in this masterly anthology."—Terry Teachout, National Review

"Excellent. . . . A worthwhile contribution to current American political/legal discussions."—Library Journal

"The best source for the reader who wants a first serious acquaintance with Holmes."—Thomas C. Grey, New York Review of Books

Now, nearly forty years after its original translation into English, Roger Asselineau's complete and magisterial biography of Walt Whitman will remind readers of the complex weave of traditions in Whitman scholarship. It is startling to recognize how much of our current understanding of Whitman was already articulated by Asselineau nearly half a century ago. Throughout its eight hundred pages, The Evolution of Walt Whitman speaks with authority on a vast range of topics that define both Whitman the man and Whitman the mythical personage. Remarkably, most of these discussions remain fresh and relevant, and that is in part because they have been so influential.

In particular, The Evolution of Walt Whitman inaugurated the study of Leaves of Grass as a lifelong work in progress, and it marked the end of the habit of talking about Leaves as if it were a single unified book. Asselineau saw Whitman's poetry “not as a body of static data but as a constantly changing continuum whose evolution must be carefully observed.” Throughout Evolution, Asselineau placed himself in the role of the observer, analyzing Whitman's development with a kind of scientific detachment. But behind this objective persona burned the soul of a risk taker who was willing to rewrite Whitman studies by bravely proposing what was then a controversial biographical source for Whitman's art—his homosexual desires.

The Evolution of Walt Whitman is a reminder that extraordinary works of criticism never exist in and of themselves. In this expanded edition, Roger Asselineau has provided a new essay summarizing his own continuing journey with Whitman. A foreword by Ed Folsom, editor of the Walt Whitman Quarterly, regards Evolution as the genesis of contemporary Whitman studies.

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What did it mean to be a scientist before the profession itself existed? Jan Golinski finds an answer in the remarkable career of Humphry Davy, the foremost chemist of his day and one of the most distinguished British men of science of the nineteenth century. Originally a country boy from a modest background, Davy was propelled by his scientific accomplishments to a knighthood and the presidency of the Royal Society. An enigmatic figure to his contemporaries, Davy has continued to elude the efforts of biographers to classify him: poet, friend to Coleridge and Wordsworth, author of travel narratives and a book on fishing, chemist and inventor of the miners’ safety lamp. What are we to make of such a man?
           
In The Experimental Self, Golinski argues that Davy’s life is best understood as a prolonged process of self-experimentation. He follows Davy from his youthful enthusiasm for physiological experiment through his self-fashioning as a man of science in a period when the path to a scientific career was not as well-trodden as it is today. What emerges is a portrait of Davy as a creative fashioner of his own identity through a lifelong series of experiments in selfhood.

Civil War Hero and Scapegoat, Surveyor of Mexico, General of the Egyptian Army, and Builder of the Statue of Liberty’s Pedestal
In the winter of 1861, as the secession crisis came to a head, an obscure military engineer, Charles Pomeroy Stone, emerged as the rallying point for the defense of Washington, D.C. against rebel attack. He was protector of the newly elected president and right-hand man of the army’s commanding general, General Winfield Scott, under whom he had served with distinction during the Mexican–American War. Nevertheless, with in a year, this same hero sat in a military prison accused of incompetence and possible treason.
Like other Union officers, Stone had the misfortune to run afoul of radical politicians in the nation’s capital who sought to control the war effort by undermining the professional military establishment. Their weapon, the Joint Committee on the Conduct of the War, applied a litmus test of commitment to abolition, loyalty to the Republican Party and battlefield success for the retention and promotion of army commanders. Stone, a Democrat who did not see the conflict as a crusade against slavery, and who lost his only battle, failed on all counts.
Readers of Civil War history know Stone best for his mistreatment at the hands of the Joint Committee.When his name appears, it is almost always in connection with the battle at Ball’s Bluff, Virginia, during which a close associate of Lincoln’s was killed, and its aftermath. His story, however, goes far beyond that engagement. In The Extraordinary Life of Charles Pomeroy Stone: Soldier, Surveyor, Pasha, Engineer that ranges from the Halls of Montezuma to Gold Rush California, and from the pyramids of Egypt to the foot of the Statue of Liberty, historian Blaine Lamb brings to light the many facets of Stone’s remarkable life and career. He weaves into the narrative such characters as Ulysses S. Grant,William Tecumseh Sherman, Abraham Lincoln,Winfield Scott, Alexander von Humboldt, Thaddeus Lowe, Chinese Gordon, Khedive Ismail, and Frederic Auguste Bartholdi. But the center of this tale of nineteenth-century adventure, exploration, war, and intrigue remains Stone himself, a man of honor, steadfast loyalty, and tragic innocence.

Exciting and beautifully crafted, The Extraordinary Work of Ordinary Writing provides an entirely new way of viewing “ordinary writing,” the everyday writing we typically ignore or dismiss. It takes as its center the diary of Jennifer Sinor's great-great-great-aunt Annie Ray, a woman who homesteaded in the Dakotas in the late nineteenth century. Diaries such as this have long been ignored by scholars, who prefer instead to focus on diaries with literary features. Reading diaries through this lens gives privileged status to those that are coherently crafted and ignores the very diaries that define the form through their relentless inscription of dailiness.

Annie Ray’s diary is not literary. By considering her ordinary writing as a site of complex and strategic negotiations among the writer, the form of writing, and dominant cultural scripts, Sinor makes visible the extraordinary work of the ordinary writer and the sophistication of these texts. In providing a way to read diaries outside the limits and conventions of literature, she challenges our approaches to other texts as well. Furthermore, because ordinary writing is not crafted for aesthetic reception (in contrast to autobiography proper, memoirs, and literary diaries), it is a productive site for investigating how both writing and culture get made every day.

The book is truly original in its form: nontraditional, storied, creative. Sinor, an accomplished creative writer, includes her own memories as extended metaphors in partnership with critical texts along with excerpts from her aunt's diary. The Extraordinary Work of Ordinary Writing will be a fascinating text for students of creative writing as well as of women's studies and diaries.

The Family Firm presents the first major historical analysis of the transformation of the royal household’s public relations strategy in the period 1932-1953. Beginning with King George V’s first Christmas broadcast, Buckingham Palace worked with the Church of England and the media to initiate a new phase in the House of Windsor’s approach to publicity. This book also focuses on audience reception by exploring how British readers, listeners, and viewers made sense of royalty’s new media image. It argues that the monarchy’s deliberate elevation of a more informal and vulnerable family-centred image strengthened the emotional connections that members of the public forged with the royals, and that the tightening of these bonds had a unifying effect on national life in the unstable years during and either side of the Second World War. Crucially, The Family Firm also contends that the royal household’s media strategy after 1936 helped to restore public confidence in a Crown that was severely shaken by the abdication of King Edward VIII.

That Sartre's study of Flaubert, The Family Idiot, is a towering achievement in intellectual history has never been disputed. Yet critics have argued about the precise nature of this novel, or biography, or "criticism-fiction" which is the summation of Sartre's philosophical, social, and literary thought. Sartre writes, simply, in the preface to the book: "The Family Idiot is the sequel to The Question of Method. The subject: what, at this point in time, can we know about a man? It seemed to me that this question could only be answered by studying a specific case."

"A man is never an individual," Sartre writes, "it would be more fitting to call him a universal singular. Summed up and for this reason universalized by his epoch, he in turn resumes it by reproducing himself in it as singularity. Universal by the singular universality of human history, singular by the universalizing singularity of his projects, he requires simultaneous examination from both ends." This is the method by which Sartre examines Flaubert and the society in which he existed.

Now this masterpiece is being made available in an inspired English translation that captures all the variations of Sartre's style—from the jaunty to the ponderous—and all the nuances of even the most difficult ideas. Volume 1 consists of Part One of the original French work, La Constitution, and is primarily concerned with Flaubert's childhood and adolescence.

With this volume, the University of Chicago Press completes its translation of a work that is indispensable not only to serious readers of Flaubert but to anyone interested in the last major contribution by one of the twentieth century's greatest thinkers.

That Sartre's study of Flaubert, The Family Idiot, is a towering achievement in intellectual history has never been disputed. Yet critics have argued about the precise nature of this novel or biography or "criticism-fiction" which is the summation of Sartre's philosophical, social, and literary thought. In the preface, Sartre writes: "The Family Idiot is the sequel to Search for a Method. The subject: what, at this point in time, can we know about a man? It seemed to me that this question could only be answered by studying a specific case."

Sartre discusses Flaubert's personal development, his relationship to his family, his decision to become a writer, and the psychosomatic crisis or "conversion" from his father's domination to the freedom of his art. Sartre blends psychoanalysis with a sociological study of the ideology of the period, the crisis in literature, and Flaubert's influence on the future of literature.

While Sartre never wrote the final volume he envisioned for this vast project, the existing volumes constitute in themselves a unified work—one that John Sturrock, writing in the Observer, called "a shatteringly fertile, digressive and ruthless interpretation of these few cardinal years in Flaubert's life."

"A virtuoso perfomance. . . . For all that this book does to make one reconsider his life, The Family Idiot is less a case study of Flaubert than it is a final installment of Sartre's mythology. . . . The translator, Carol Cosman, has acquitted herself brilliantly."—Frederick Brown, New York Review of Books

"A splendid translation by Carol Cosman. . . . Sartre called The Family Idiot a 'true novel,' and it does tell a story and eventually reach a shattering climax. The work can be described most simply as a dialectic, which shifts between two seemingly alternative interpretations of Flaubert's destiny: a psychoanalytic one, centered on his family and on his childhood, and a Marxist one, whose guiding themes are the status of the artist in Flaubert's period and the historical and ideological contradictions faced by his social class, the bourgeoisie."—Fredric Jameson, New York Times Book Review

Jean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot, and The Freud Scenario, both published in translation by the University of Chicago Press.

The Family Letters of Victor and Meta Berger

provide an insider's view of congressional, labor and party politics as well as a glimpse into the marriage and family life of a prominent Wisconsin couple. Victor Berger helped create a well-organized political machine in Milwaukee that engineered his election to the U.S. House of Representatives six times and controlled the mayor's office for almost 50 years. His wife, Meta, an activist in her own right, served as a member of the Milwaukee school board and of the University of Wisconsin Board of Regents, and vigorously advocated on behalf of woman suffrage and peace.

Mixing commentary on public affairs with family news and love notes, The Family Letters demonstrate how Victor and Meta were both interested observers as well as actors who sought to shape events in early twentieth century America.

Finding herself struggling with depression ("like a rude houseguest, coming and going of its own accord"), Sharon O'Brien set out to understand its origins beyond the biochemical explanations and emotional narratives prevailing in contemporary American culture. Her quest for her inheritance took her straight into the pressures and possibilities of American culture, and then to the heart of her family—the generations who shaped and were shaped by one another and their moment in history. In The Family Silver, as O'Brien travels into her family's past, she goes beyond depression to discover courage, poetry, and grace.

A compassionate and engaging writer, O'Brien uses the biographer's methods to understand her family history, weaving the scattered pieces of the past—her mother's memo books, her father's reading journal, family photographs, tombstones, dance cards, hospital records, the family silver—into a compelling narrative. In the lives of her Irish-American relatives she finds that the American values of upward mobility, progress, and the pressure to achieve sparked both desire and depression, following her family through generations, across the sea, from the Irish famine of the 1840s to Harvard Yard in the late 1960s.

"Many people who write stories of depression or other chronic illnesses tell tales of recovery in the upward-mobility sense, the 'once I was ill, but now I am well' formula that we may find appealing, but doesn't match the messiness of our lives," she writes. "Mine is not such a tale. But it is a recovery tale in another sense—a story of salvage, of rescuing stories from silence." Told with humor and honesty, O'Brien's story will captivate all readers who want to know how they, and their families, have been shaped by the past.

Engelhardt brings us into the world of his fourth-generation farm family, who lived by the family- and faith-based work ethic and concern for respectability they had inherited from their German and Norwegian ancestors. His writing has a particularly Iowa flavor, a style that needs no definition to those who live in the state. Readers will discover the appeal of his wry, humorous, and kind observations and appreciate his well-informed perspective on these transformative American decades. 

These original essays comprise a fascinating investigation into women's strategies for writing the self—constructing the female subject through autobiography, memoirs, letters, and diaries. The collection contains theoretical essays by Donna Stanton, Sandra Gilbert, and Susan Gilbert, and Susan Gubar; chapters on specific issues raised by women's autographs, such as Richard Bowring's study of tenth-century Japanese diaries or Janel Mueller's on The Book of Margery Kempe; and annotated autobiographical fragments, including texts by Julia Kristeva, by a woman who became a czarist cavalry officer, and by a contemporary Palestinian poet. There are also chapters on the seventeenth-century painter Artemisia Gentileschi; Mme de. Sévigné; Mendelssohn's sister, Fanny Hensel; the black minister Jarena Lee; Virginia Woolf; and Eva Peron. The result is a "conversation" between writers and critics across cultural and temporal boundaries. Stanton's essay plays off Virginia Woolf's A Room of One's Own. Kristeva begins with a reading of de Beauvoir, while a self-published French woman writes to defend the joys of family life against the author of Memoirs of a Dutiful Daughter.

The Inspiring True Story of a World War II Bomber Pilot Who Saved an Austrian Village—and the Incredible Search Across a Lifetime to Repay That Debt

In July 1944, Lt. Henry Supchak was flying his second-to-last mission over Germany when his B-17 bomber, Priority Gal, was hit by antiaircraft fire, disabling two engines and wounding him in the thigh. He attempted to reach neutral Switzerland, but was forced instead to order his eight crewmen to bail out over Austria. As Supchak prepared to abandon his aircraft he saw that it was on a collision course with an Alpine village. He instinctively got back into his seat, adjusted the controls, and barely escaped before the plane exploded at the base of a mountain. He parachuted into a pasture where a shepherd boy and his aunt stared in disbelief at this “man who fell from the sky.” Almost immediately, German infantry surrounded the pilot and took him away to solitary confinement. Although slightly burned by the exploding aircraft, the boy managed to find out where the wounded pilot was being held and snuck food and water to him before Supchak and his crew were taken away to a notorious prison camp for the rest of the war.

Liberated by Patton’s Third Army in April 1945, Supchak remained in the air force after World War II and even advised Gregory Peck during the filming of Twelve O’Clock High. But he carried deep scars from his war experience. Plagued by flashbacks, Supchak attempted to find closure. Opening up to his family and others about his aircombat missions and internment failed to rid him of the nagging dreams as he had hoped. But an inspired quest to find his former crew members before they all passed away put the pilot on a path of peace. A world away, an Austrian entrepreneur was searching for Supchak, the enemy pilot he had seen fall from the sky as a boy and whom he had never forgotten. Despite incredible odds, the pilot and the boy were able to meet again at the spot where Priority Gal had gone down, in a magical, miraculous reunion of closure. Beautifully written with honesty and emotion, The Final Mission: A Boy, a Pilot, and a World at War is a gripping and uplifting story of forgiveness, reconciliation, and healing from the devastation of war.