1832 books match the query 'Essays' and 450 start with t

cover of The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction

The Perversity of Things

Hugo Gernsback on Media, Tinkering, and Scientifiction

Hugo Gernsback

University of Minnesota Press, 2016

In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction’s annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback’s vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies.

Wythoff argues that Gernsback developed a means of describing and assessing the cultural impact of emerging media long before media studies became an academic discipline. From editorials and blueprints to media histories, critical essays, and short fiction, Wythoff has collected a wide range of Gernsback’s writings that have been out of print since their magazine debut in the early 1900s. These articles cover such topics as television; the regulation of wireless/radio; war and technology; speculative futures; media-archaeological curiosities like the dynamophone and hypnobioscope; and more. All together, this collection shows how Gernsback’s publications evolved from an electrical parts catalog to a full-fledged literary genre.

The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction.

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cover of The Place of the Symbolic: Essays on Art and Politics

The Place of the Symbolic

Essays on Art and Politics

Reiner Schürmann

Diaphanes, 2021

This book weaves together Reiner Schürmann’s work on art and politics, drawing on a range of the most important thinkers and poets of the twentieth century and beyond.

The Place of the Symbolic gathers Reiner Schürmann’s essays on the nexus of art and politics. In keeping with his translation of the destruction of metaphysics into an an-archic philosophy of practice, Schürmann develops a radical theory of the place of symbols, irreducible either to idealist theories of symbols or structuralist accounts of the symbolic. Symbols, Schürmann argues, may provide a bridge between ontological difference and politics. They resist being grasped metaphysically, in terms of representation. Instead, their understanding requires a specific way of existence: attending to the coming-to-presence of phenomena. As such, the understanding of symbols discloses a form of praxis that abandons ultimate grounds and opens onto the manifold.

Alongside Schürmann’s theory of symbols, the collection includes essays on the relation between metaphysics, tragedy, and technology; on the “there is” in poetry; as well as on judgment. Throughout these characteristically lucid interventions, Schürmann’s most urgent concern remains a consideration of singular and finite practices that enact a release from universal principles. Art and politics appear here as the unworking of ultimate grounds; that is, as practices attuned to a truly groundless form of life.
 
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cover of The Pocket Epicurean

The Pocket Epicurean

John Sellars

University of Chicago Press, 2021

A short, smart guide to living the good life through the teachings of Epicurus.

As long as there has been human life, we’ve searched for what it means to be happy. More than two thousand years ago, the Greek philosopher Epicurus came to his own conclusion: all we really want in life is pleasure. Though today we tend to associate the word “Epicurean” with indulgence in the form of food and wine, the philosophy of Epicurus was about a life well lived even in the hardest of times. As John Sellars shows in this concise, approachable guide, the ideal life envisioned by Epicurus and his followers was a life much more concerned with mental pleasures and the avoidance of pain. Their goal, in short, was a life of tranquility or contentment.
 
In The Pocket Epicurean Sellars walks us through the history of Epicureanism, starting with the private garden on the edge of ancient Athens where Epicurus and his students lived in the fourth century BC, and where women were as welcome as men. Sellars then moves on to ancient Rome, where Epicurean influence flourished thanks to the poet Lucretius and his cohort. Throughout the book, Sellars draws on the ideas of Epicurus to offer a constructive way of thinking about the pleasures of friendship and our place in the world.

 
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cover of The Poetics of Indeterminacy: Rimbaud to Cage

The Poetics of Indeterminacy

Rimbaud to Cage

Marjorie Perloff

Northwestern University Press, 1999

In her seminal study, first published in 1981, Marjorie Perloff argues that the map of Modernist poetry needs to be redrawn to include a central tradition which cannot properly be situated within the Romantic-Symbolist tradition dominating the early twentieth century.
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cover of The Poetics of Natural History

The Poetics of Natural History

Christoph Irmscher

Rutgers University Press, 2019

Winner of the 2000 American Studies Network Prize and the Literature and Language Award from the Association of American Publishers, Inc.

Early American naturalists assembled dazzling collections of native flora and fauna, from John Bartram’s botanical garden in Philadelphia and the artful display of animals in Charles Willson Peale’s museum to P. T. Barnum’s American Museum, infamously characterized by Henry James as “halls of humbug.” Yet physical collections were only one of the myriad ways that these naturalists captured, catalogued, and commemorated America’s rich biodiversity. They also turned to writing and art, from John Edward Holbrook’s forays into the fascinating world of herpetology to John James Audubon’s masterful portraits of American birds.
 
In this groundbreaking, now classic book, Christoph Irmscher argues that early American natural historians developed a distinctly poetic sensibility that allowed them to imagine themselves as part of, and not apart from, their environment. He also demonstrates what happens to such inclusiveness in the hands of Harvard scientist-turned Amazonian explorer Louis Agassiz, whose racist pseudoscience appalled his student William James. 
 
This expanded, full-color edition of The Poetics of Natural History features a preface and art from award-winning artist Rosamond Purcell and invites the reader to be fully immersed in an era when the boundaries between literature, art, and science became fluid.
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cover of The Politics of Bitcoin: Software as Right-Wing Extremism

The Politics of Bitcoin

Software as Right-Wing Extremism

David Golumbia

University of Minnesota Press, 2016

Since its introduction in 2009, Bitcoin has been widely promoted as a digital currency that will revolutionize everything from online commerce to the nation-state. Yet supporters of Bitcoin and its blockchain technology subscribe to a form of cyberlibertarianism that depends to a surprising extent on far-right political thought. The Politics of Bitcoin exposes how much of the economic and political thought on which this cryptocurrency is based emerges from ideas that travel the gamut, from Milton Friedman, F.A. Hayek, and Ludwig von Mises to Federal Reserve conspiracy theorists.

Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

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cover of The Politics of Vibration: Music as a Cosmopolitical Practice

The Politics of Vibration

Music as a Cosmopolitical Practice

Marcus Boon

Duke University Press, 2022

In The Politics of Vibration Marcus Boon explores music as a material practice of vibration. Focusing on the work of three contemporary musicians—Hindustani classical vocalist Pandit Pran Nath, Swedish drone composer and philosopher Catherine Christer Hennix, and Houston-based hip-hop musician DJ Screw—Boon outlines how music constructs a vibrational space of individual and collective transformation. Contributing to a new interdisciplinary field of vibration studies, he understands vibration as a mathematical and a physical concept, as a religious or ontological force, and as a psychological determinant of subjectivity. Boon contends that music, as a shaping of vibration, needs to be recognized as a cosmopolitical practice—in the sense introduced by Isabelle Stengers—in which what music is within a society depends on what kinds of access to vibration are permitted, and to whom. This politics of vibration constitutes the hidden ontology of contemporary music because the organization of vibration shapes individual music scenes as well as the ethical choices that participants in these scenes make about how they want to live in the world.
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cover of The Politics of the Artificial: Essays on Design and Design Studies

The Politics of the Artificial

Essays on Design and Design Studies

Victor Margolin

University of Chicago Press, 2002

Emerging from the world of commercial art and product styling, design has now become completely integrated into human life. Its marks are all around us, from the chairs we sit on to the Web sites on our computer screens.

One of the pioneers of design studies and still one of its most distinguished practitioners, Victor Margolin here offers a timely meditation on design and its study at the turn of the millennium and charts new directions for the future development of both fields. Divided into sections on the practice and study of design, the essays in The Politics of the Artificial cover such topics as design history, design research, design as a political tool, sustainable design, and the problems of design's relation to advanced technologies. Margolin also examines the work of key practitioners such as the matrix designer Ken Isaacs. Throughout the book Margolin demonstrates the underlying connections between the many ways of reflecting on and practicing design. He argues for the creation of an international, interdisciplinary field of design research and proposes a new ethical agenda for designers and researchers that encompasses the responsibility to users, the problems of sustainability, and the complicated questions of how to set boundaries for applying advanced technology to solve the problems of human life.

Opinionated and erudite, Victor Margolin's The Politics of the Artificial breaks fresh ground in its call for a new approach to design research and practice. Designers, engineers, architects, anthropologists, sociologists, and historians will all benefit from its insights.
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cover of The Popular Wobbly: Selected Writings of T-Bone Slim

The Popular Wobbly

Selected Writings of T-Bone Slim

T-Bone Slim

University of Minnesota Press, 2025

The first critical edition of the writings of the prolific radical workers’ newspaper columnist and musician who rode the rails during the Great Depression

The Popular Wobbly brings together a wide selection of writings by T-Bone Slim, the most popular and talented writer belonging to the Industrial Workers of the World (IWW). Slim wrote humorous, polemical pieces, engaging with topics like labor and class injustice, which were mostly published in IWW publications from 1920 until his death in 1942. Although relatively little is known about Slim, editors Owen Clayton and Iain McIntyre coalesce the latest research on this enigmatic character to create a vivid portrait that adds valuable context for the array of writings assembled here.

Known as “the laureate of the logging camps,” Slim also composed numerous songs that have been performed and recorded by Pete Seeger, Utah Phillips, and Candie Carawan, who in 1960 updated Slim’s song “The Popular Wobbly” with Civil Rights–era lyrics. Slim’s witticisms, sayings, and exhortations (“Wherever you find injustice, the proper form of politeness is attack”; “Only the poor break laws—the rich evade them”) were widely discussed among fellow hobos across the “jungle” campfires that dotted the railways, and some even transcribed his commentary on boxcars that traveled the country. Yet despite Slim’s importance and fame during his lifetime, his work disappeared from public view almost immediately after his death.

The Popular Wobbly is the first critical edition of Slim’s work and also a significant contribution to literature about working-class writers, the radical labor movement, and the history and culture of nomadism and precarity. With this publication, Slim’s rediscovered writings can once again inspire artists and activists to march and agitate for a more just and equitable world.

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cover of The Population Ahead

The Population Ahead

Roy G. Francis, Editor

University of Minnesota Press, 1958

The Population Ahead was first published in 1958. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This volume brings together the thinking and viewpoints of specialists from various pertinent fields for a discussion of factors bearing on the quality of future populations of the world. The discussions center around three fundamental questions: Is the human population growing at a rate which threatens the standards of living to which most of tits individuals aspire? Is the genetic composition of the population tending in directions which are harmful to the common good? What can and should be done, if the answer to either of the foregoing questions is yes?

The chapters, by nine different contributors, are based on the papers given at a conference on population problems held at the University of Minnesota in 1957. In addition, discussion and comments by six other participants in the conference are included.

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cover of The Possibility Machine: Music and Myth in Las Vegas

The Possibility Machine

Music and Myth in Las Vegas

Edited by Jake Johnson

University of Illinois Press, 2023

Singular and star-studded writings on America’s neon-lit playground

At once a Technicolor wonderland and the embodiment of American mythology, Las Vegas exists at the Ground Zero of a reverence for risk-taking and the transformative power of a winning hand. Jake Johnson edits a collection of short essays and flash ideas that probes how music-making and soundscapes shape the City of Second Chances. Treating topics ranging from Cher to Cirque de Soleil, the contributors delve into how music and musicians factored in the early development of Vegas’s image; the role of local communities of musicians and Strip mainstays in sustaining tensions between belief and disbelief; the ways aging showroom stars provide a sense of timelessness that inoculates visitors against the outside world; the link connecting fantasies of sexual prowess and democracy with the musical values of Liberace and others; considerations of how musicians and establishments gambled with identity and opened the door for audience members to explore Sin City–only versions of themselves; and the echoes and energy generated by the idea of Las Vegas as it travels across the country.

Contributors: Celine Ayala, Kirstin Bews, Laura Dallman, Joanna Dee Das, James Deaville, Robert Fink, Pheaross Graham, Jessica A. Holmes, Maddie House-Tuck, Jake Johnson, Kelly Kessler, Michael Kinney, Carlo Lanfossi, Jason Leddington, Janis McKay, Sam Murray, Louis Niebur, Lynda Paul, Arianne Johnson Quinn, Michael M. Reinhard, Laura Risk, Cassaundra Rodriguez, Arreanna Rostosky, and Brian F. Wright

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cover of The Power of Civil Servants

The Power of Civil Servants

David Normington and Peter Hennessy

Haus Publishing, 2018

 
Throughout Britain, Civil Servants are exposed to public scrutiny today in unprecedented ways. What does it mean that the political neutrality of the Civil Service has only been enshrined in law since 2010, nearly 150 years after it was first proposed? Why is it so important for politicians to trust Civil Servants (and what difficulties arise when they do not)? 

Coauthored by former First Civil Service Commissioner David Normington and historian Peter Hennessy, The Power of Whitehall provides answers through rich observations about the nature of the British Civil Service, its values and effectiveness, and how it should continue to adapt to a changing world.
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cover of The Power of Journalists

The Power of Journalists

Nick Robinson, Gary Gibbon, Barbara Speed, and Charlie Beckett

Haus Publishing, 2018

We live in a profoundly challenging era for journalists. While the profession has historically taken on the mantle of providing clear, sound information to the public, journalists now face competition from dubious sources online and smear campaigns launched by public figures. In The Power of Journalists, four of the United Kingdom’s foremost journalists—Nick Robinson, Barbara Speed, Charlie Beckett, and Gary Gibbon—give on-the-ground accounts of how they’ve weathered some of the most significant political events of the past five years, including the referendum on Scottish independence and Brexit. These monumental political decisions exposed each journalist to the dangerous vicissitudes of public opinion, and made them all the more certain of their mission. In describing the role of the journalist as truth-teller and protector of impartiality as well as interpreter of controversial facts and trusted source of public opinion, they issue a clarion call for good journalism.
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cover of The Power of Judges

The Power of Judges

David Neuberger and Peter Riddell

Haus Publishing, 2018

To the vast majority of the English public, the role of the United Kingdom’s Supreme Court has often been distant and incomprehensible, its judges a caste apart from society. The Power of Judges ends this mystery, exploring the fundamental concept of justice and explaining the main functions of the courts, the challenges they face, and the complexity of the judicial system.

In this lucid account of the judiciary, David Neuberger and Peter Riddell lead us through an array of topics both philosophical and logistical, including the relationships between morality and law and between Parliament and the judiciary. They explain the effects of cuts in legal aid and shed light on complex and controversial subjects like assisted dying and the complexities of combating mass terrorism while protecting personal liberty. Given that many of these issues span national borders, the book also compares the United Kingdom’s legal system with its counterparts in the United States and Germany.

Full of insights, The Power of Judges is an informative and accessible account of the United Kingdom’s judicial system, its contribution to running the country, and the challenges it faces—including the many threats to its effectiveness.
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cover of The Power of Politicians

The Power of Politicians

Tessa Jowell and Frances D’Souza

Haus Publishing, 2018

The Power of Politicians takes readers inside the workings of Parliament via an autobiographical account of Tessa Jowell’s own experience of entering politics as an MP. Jowell offers fascinating insights into the workings of Parliament and sheds light on the successful pathways for developing policy into final legislation. The details of the inner workings of politics are interwoven with a powerful personal narrative, as Jowell offers a firsthand account of the role of women in contemporary political life.

With former Lord Speaker Frances D’Souza serving as Jowell’s interlocutor, this book provides a passionate and inspiring interpretation on moral duty. Ultimately, The Power of Politicians offers not just a case study of the life and everyday work of a politician, but also attends to deeper questions about what is demanded from the political class. The overall result is a nothing less than a master class in how to be a good politician.
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cover of The Proper Edge of the Sky: High Plateau Country of Utah

The Proper Edge of the Sky

High Plateau Country of Utah

Edward A Geary

University of Utah Press, 1992

Edward Geary’s collection of writings on the High Plateau country of central and southern Utah, a combination guidebook, travel narrative, personal essays, and natural, social, and literary history, encompasses each of those forms with a sweep as broad as the landscape it describes.

It traces the progress of travelers to the region, including the historic Dominguez-Escalante party in 1776, and trappers and explorers such as Jedediah Smith, John C. Freemont, and Kit Carson. Scandinavian and English descendants of the early Mormon pioneers, sent to settle Manti and surrounding areas by Brigham Young in 1849, populate many of the pages and dominate the agrarian villages described by the author. The book also describes the multiethnic society of French Basque, Greeks, Slavs, Italians, Chinese, Welsh, and Finnish laborers and coal miners that developed in the region.

Geary writes of all these people with affection and a deep sense of place, of belonging to a distinctive landscape and its history. It is a book that will bring a rush of understanding to those who have lived in the High Plateaus and greater depth of appreciation to visitors.

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cover of The Prophetic Law: Essays in Judaism, Girardianism, Literary Studies, and the Ethical

The Prophetic Law

Essays in Judaism, Girardianism, Literary Studies, and the Ethical

Sandor Goodhart

Michigan State University Press, 2014

To read literature is to read the way literature reads. René Girard’s immense body of work supports this thesis bountifully. Whether engaging the European novel, ancient Greek tragedy, Shakespeare’s plays, or Jewish and Christian scripture, Girard teaches us to read prophetically, not by offering a method he has developed, but by presenting the methodologies they have developed, the interpretative readings already available within (and constitutive of) such bodies of classical writing. In The Prophetic Law, literary scholar, theorist, and critic Sandor Goodhart divides his essays on René Girard since 1983 into four groupings. In three, he addresses Girardian concerns with Biblical scripture (Genesis and Exodus), literature (the European novel and Shakespeare), and philosophy and religious studies issues (especially ethical and Jewish subject matters). In a fourth section, he reproduces some of the polemical exchanges in which he has participated with others—including René Girard himself—as part of what could justly be deemed Jewish-Christian dialogue. The twelve texts that make up the heart of this captivating volume constitute the bulk of the author’s writings to date on Girard outside of his three previous books on Girardian topics. Taken together, they offer a comprehensive engagement with Girard’s sharpest and most original literary, anthropological, and scriptural insights.
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cover of The Punitive Imagination: Law, Justice, and Responsibility

The Punitive Imagination

Law, Justice, and Responsibility

Austin Sarat

University of Alabama Press, 2014

Presents a thought-provoking collection of five essays that explore the purposes and meanings of legal punishment in the United States, both culturally and socially

From the Gospel of Matthew to numerous US Supreme Court justices, many literary and legal sources have observed that how a society metes out punishment reveals core truths about its character. The Punitive Imagination is a collection of essays that engages and contributes to debates about the purposes and meanings of punishment in the United States.
 
The Punitive Imagination examines some of the critical assumptions that frame America's approach to punishment. It explores questions such as:
·         What is the place of concern for human dignity in our prevailing ideologies of punishment?
·         Can we justly punish the socially disadvantaged?
·         What assumptions about persons, social institutions, and the ordering of social space provide the basis for American punitiveness?
·         Who, if anyone, can be held responsible for excessively punitive criminal sentences?
·         How does punishment depend on prevailing views of free will, responsibility, desert, blameworthiness?
·         Where/how are those views subject to challenge in our punitive practices?
 
As Sarat posits in his introduction, the way a society punishes demonstrates its commitment to standards of judgment and justice, its distinctive views of blame and responsibility, its understandings of mercy and forgiveness, and its particular ways of responding to evil. He goes on to discuss the history of punishment in the United States and what it reveals about assumptions made about persons that “undergird” the American system of punishment.
 
The five additional contributors to The Punitive Imagination seek to illuminate what American practices of punishment tell us about who we are as a nation. Synthesizing cultural, sociological, philosophical, and legal perspectives, they offer a distinctive take on the meaning of punishment in America.
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cover of The Queen of America Goes to Washington City: Essays on Sex and Citizenship

The Queen of America Goes to Washington City

Essays on Sex and Citizenship

Lauren Berlant

Duke University Press, 1997

In The Queen of America Goes to Washington City, Lauren Berlant focuses on the need to revitalize public life and political agency in the United States. Delivering a devastating critique of contemporary discourses of American citizenship, she addresses the triumph of the idea of private life over that of public life borne in the right-wing agenda of the Reagan revolution. By beaming light onto the idealized images and narratives about sex and citizenship that now dominate the U.S. public sphere, Berlant argues that the political public sphere has become an intimate public sphere. She asks why the contemporary ideal of citizenship is measured by personal and private acts and values rather than civic acts, and the ideal citizen has become one who, paradoxically, cannot yet act as a citizen—epitomized by the American child and the American fetus.
As Berlant traces the guiding images of U.S. citizenship through the process of privatization, she discusses the ideas of intimacy that have come to define national culture. From the fantasy of the American dream to the lessons of Forrest Gump, Lisa Simpson to Queer Nation, the reactionary culture of imperilled privilege to the testimony of Anita Hill, Berlant charts the landscape of American politics and culture. She examines the consequences of a shrinking and privatized concept of citizenship on increasing class, racial, sexual, and gender animosity and explores the contradictions of a conservative politics that maintains the sacredness of privacy, the virtue of the free market, and the immorality of state overregulation—except when it comes to issues of intimacy.
Drawing on literature, the law, and popular media, The Queen of America Goes to Washington City is a stunning and major statement about the nation and its citizens in an age of mass mediation. As it opens a critical space for new theory of agency, its narratives and gallery of images will challenge readers to rethink what it means to be American and to seek salvation in its promise.
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cover of The Real Economy: Essays in Ethnographic Theory

The Real Economy

Essays in Ethnographic Theory

Edited by Federico Neiburg and Jane I. Guyer

HAU, 2020

This collection highlights a key metaphor in contemporary discourse about economy and society. The contributors explore how references to reality and the real economy are linked both to the utopias of collective well-being, supported by real monies and good economies, and the dystopias of financial bubbles and busts, in which people’s own lives “crash” along with the reality of their economies.
 
An ambitious anthropology of economy, this volume questions how assemblages of vernacular and scientific realizations and enactments of the economy are linked to ideas of truth and moral value; how these multiple and shifting realities become present and entangle with historically and socially situated lives; and how the formal realizations of the concept of the “real” in the governance of economies engage with the experiential lives of ordinary people. Featuring essays from some of the world’s most prominent economic anthropologists, The Real Economy is a milestone collection in economic anthropology that crosses disciplinary boundaries and adds new life to social studies of the economy.
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cover of The Real Life of the Parthenon

The Real Life of the Parthenon

Patricia Vigderman

The Ohio State University Press, 2018


Ownership battles over the marbles removed from the Parthenon by Lord Elgin have been rumbling into invective, pleading, and counterclaims for two centuries. The emotional temperature around them is high, and steering across the vast past to safe anchor in a brilliant heritage is tricky. The stories around antiquities become distorted by the pull of ownership, and it is these stories that urge Patricia Vigderman into her own exploration of their inspiring legacy in her compelling extended essay, The Real Life of the Parthenon.
 
Vigderman’s own journey began at the Parthenon, but curiosity edged her further onto the sea between antiquity and the present. She set out to seek the broken temples and amphorae, the mysterious smiles of archaic sculpture, and the finely hammered gold of a funeral wreath among the jumbled streets of modern Athens, the fertile fields of Sicily, the mozzarella buffalo of Paestum. Guided along the way toward the enduring landscapes and fractured history by archeologists, classicists, historians, and artists—and by the desire they inspire—she was caught by ongoing, contemporary local life among the ruins. Gathering present meaning and resonance for the once and future remains of vanished glory, The Real Life of the Parthenon illuminates an important but shadowy element of our common cultural life: the living dynamic between loss and delight.
 
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cover of The Relative Native: Essays on Indigenous Conceptual Worlds

The Relative Native

Essays on Indigenous Conceptual Worlds

Eduardo Viveiros de Castro

HAU, 2015

This volume is the first to collect the most influential essays and lectures of Eduardo Viveiros de Castro. Published in a wide variety of venues, and often difficult to find, the pieces are brought together here for the first time in a one major volume, which includes his momentous 1998 Cambridge University Lectures, “Cosmological Perspectivism in Amazonia and Elsewhere.”

Rounded out with new English translations of a number of previously unpublished works, the resulting book is a wide-ranging portrait of one of the towering figures of contemporary thought—philosopher, anthropologist, ethnographer, ethnologist, and more. With a new afterword by Roy Wagner elucidating Viveiros de Castro’s work, influence, and legacy, The Relative Native will be required reading, further cementing Viveiros de Castro’s position at the center of contemporary anthropological inquiry.

 

 


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cover of The Rescue of Romanticism: Walter Pater and John Ruskin

The Rescue of Romanticism

Walter Pater and John Ruskin

Kenneth Daley

Ohio University Press, 2001

Valuable and timely in its long historical and critical perspective on the legacy of romanticism to Victorian art and thought, The Rescue of Romanticism is the first book-length study of the close intellectual relationship between Walter Pater and John Ruskin, the two most important Victorian critics of art. Kenneth Daley explores the work and thought of both writers in context with other Victorian writers, and enlarges the issues at stake between them, connecting these issues to ongoing artistic, cultural, and political concerns of the modern world.

Professor Daley gives a more finely honed picture than ever before of romanticism’s emergence as a literary concept in Victorian England, detailing the political differences that characterize the opposition between John Ruskin and his younger contemporary, Walter Pater, over the nature of romanticism. Individual chapters reassess the Victorian reception of such romantic figures as Wordsworth, Dante Gabriel Rossetti, Leonardo, and Michelangelo.

Daley demonstrates how Pater’s “modern” reading of romanticism emerged from Ruskin’s distrust of romanticism and from Ruskin’s arguments and examples defining pathetic fallacy. His discussion of Ruskin’s Oxford lectures and their timing in Pater’s developing career refresh the intersections of the two bodies of work and the portrait of the Victorian period in general.

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cover of The Responsibilities of Democracy

The Responsibilities of Democracy

John Major and Nick Clegg

Haus Publishing, 2019

Democracy operates on consent. That means politicians have an obligation to present and argue their causes in order to ultimately win consensus. Above all, democracy requires honesty—in facing up to challenges, acknowledging fears and dangers, and admitting the limitations of government. But democracy has its flaws, not least in the lack of efficiency in the decision-making process.

Amid pressing questions about the nature and limits of democracy, both in Britain and beyond, The Responsibilities of Democracy provides a clear-eyed perspective shared by two former politicians. Two central figures of the British political establishment, John Major and Nick Clegg, share their thoughts on where democracy is heading and how it can survive in the twenty-first century. Offering his perspective as a former prime minister, Major writes of the qualities on which a healthy democracy depends and expresses his deep concerns about the declining decorum of political exchange. Clegg brings a counter-perspective in discussing the ways in which political language has always involved trading insults and argues that echo chambers, although now more sophisticated, are nothing new. Compromise, Clegg insists, is not betrayal, but is instead the very substance of our politics and our democracy. The Responsibilities of Democracy explores the overall health of UK democracy, giving a balanced analysis of its values and flaws. It is also a clarion call to the electorate and politicians to nurture and protect the precious values on which democracy depends.
 
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cover of The Restless Dead: Necrowriting and Disappropriation

The Restless Dead

Necrowriting and Disappropriation

Cristina Rivera Garza

Vanderbilt University Press, 2020

Based on comparative readings of contemporary books from Latin America, Spain, and the United States, the essays in this book present a radical critique against strategies of literary appropriation that were once thought of as neutral, and even concomitant, components of the writing process. Debunking the position of the author as the center of analysis, Cristina Rivera Garza argues for the communality—a term used by anthropologist Floriberto Díaz to describe modes of life of Indigenous peoples of Oaxaca based on notions of collaborative labor—permeating all writing processes.

Disappropriating is a political operation at the core of projects acknowledging, both at ethical and aesthetic levels, that writers always work with materials that are not their own. Writers borrow from the practitioners of a language, entering in a debt relationship that can only be covered by ushering the text back to the communities from which it grew. In a world rife with violence, where the experiences of many are erased by pillage and extraction, writing among and for the dead is a form of necrowriting that may well become a life-affirming act of decolonization and resistance.
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cover of The River of the Mother of God: and other Essays by Aldo Leopold

The River of the Mother of God

and other Essays by Aldo Leopold

Aldo Leopold; Edited by J. Baird Callicott and Susan L. Flader

University of Wisconsin Press, 1992

His name is inextricably linked with a single work, A Sand County Almanac, a classic of natural history literature and the conservationist's bible. This book brings together the best of Leopold's essays.

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cover of The Road Washes Out in Spring: A Poet’s Memoir of Living Off the Grid

The Road Washes Out in Spring

A Poet’s Memoir of Living Off the Grid

Baron Wormser

Brandeis University Press, 2023

A new edition of an evergreen back-to-nature book in the tradition of Thoreau.
 
For nearly twenty-five years, poet Baron Wormser and his family lived in a house in Maine with no electricity or running water. They grew much of their own food, carried water by hand, and read by the light of kerosene lamps. They considered themselves part of the “back to the land” movement, but their choice to live off the grid was neither a statement nor a protest: they simply had built their house too far from the road and could not afford to bring in power lines. Over the years, they settled into a life that centered on what Thoreau would have called “the essential facts.” In this graceful meditation, Wormser similarly spurns ideology in favor of observation, exploration, and reflection. “When we look for one thread of motive,” he writes, “we are, in all likelihood, deceiving ourselves.” His refusal to be satisfied with the obvious explanation, the single thread of motive, makes him a keen and sympathetic observer of his neighbors and community, a perceptive reader of poetry and literature, and an honest and unselfconscious analyst of his own responses to the natural world. The result is a series of candid personal essays on community and isolation, nature, civilization, and poetry. Lovely and rich, The Road Washes Out in Spring is an immersive read. A new preface by the author rounds out this new edition.
 
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cover of The Road since Structure: Philosophical Essays, 1970-1993, with an Autobiographical Interview

The Road since Structure

Philosophical Essays, 1970-1993, with an Autobiographical Interview

Thomas S. Kuhn

University of Chicago Press, 2000

Thomas Kuhn will undoubtedly be remembered primarily for The Structure of Scientific Revolutions, a book that introduced one of the most influential conceptions of scientific progress to emerge during the twentieth century. The Road Since Structure, assembled with Kuhn's input before his death in 1996, follows the development of his thought through the later years of his life: collected here are several essays extending and rethinking the perspectives of Structure as well as an extensive, fascinating autobiographical interview in which Kuhn discusses the course of his life and philosophy.
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cover of The Robert Bellah Reader

The Robert Bellah Reader

Robert N. Bellah

Duke University Press, 2006

Perhaps best known for his coauthored bestselling books Habits of the Heart and The Good Society, Robert N. Bellah is a truly visionary leader in the social study of religion. For more than four decades, he has examined the role of religion in modern and premodern societies, attempting to discern how religious meaning is formed and how it shapes ethical and political practices. The Robert Bellah Reader brings together twenty-eight of Bellah’s seminal essays. While the essays span a period of more than forty years, nearly half of them were written in the past decade, many in the past few years.

The Reader is organized around four central concerns. It seeks to place modernity in theoretical and historical perspective, drawing from major figures in social science, historical and contemporary, from Aristotle and Rousseau through Durkheim and Weber to Habermas and Mary Douglas. It takes the United States to be in some respects the type-case of modernity and in others the most atypical of modern societies, analyzing its common faith in individual freedom and democratic self-government, and its persistent paradoxes of inequality, exclusion, and empire. The Reader is also concerned to test the axiomatic modern assumption that rational cognition and moral evaluation, fact and value, are absolutely divided, arguing instead that they overlap and interact much more than conventional wisdom in the university today usually admits. Finally, it criticizes modernity’s affirmation that faith and knowledge stand even more utterly at odds, arguing instead that their overlap and interaction, obvious in every premodern society, animate the modern world as well.

Through such critical and constructive inquiry this Reader probes many of our deepest social and cultural quandaries, quandaries that put modernity itself, with all its immense achievements, at mortal risk. Through the practical self-understanding such inquiry spurs, Bellah shows how we may share responsibility for the world we have made and seek to heal it.

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cover of The Robie House of Frank Lloyd Wright

The Robie House of Frank Lloyd Wright

Joseph Connors

University of Chicago Press, 1984

The Robie House in Chicago is one of the world's most famous houses, a masterpiece from the end of Frank Lloyd Wright's early period and a classic example of the Prairie House. This book is intended as a companion for the visitor to the house, but it also probes beneath the surface to see how the design took shape in the mind of the architect. Wright's own writings, rare working drawings from the period, and previously unpublished photographs of the house in construction help the reader look over the shoulder of the architect at work. Beautiful new photographs of the Robie House and related Wright houses have been specially taken to illustrate the author's points, and a bibliography on Wright is provided.
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cover of The Romanov Empire and Nationalism: Essays in the Methodology of Historical Research

The Romanov Empire and Nationalism

Essays in the Methodology of Historical Research

Alexei Miller

Central European University Press, 2008

Miller addresses the fabric of interaction between the imperial authority and local communities in the Romanov empire. How did the authorities structure the space of the empire? What were the economic relations between the borderlands and the center? How was the use of different languages regulated? How did the central authorities and local officials implement policies regarding different population groups? How did the experience, acquired in particular borderlands, influence the policies elsewhere —among others—through officials who often changed their place of service during their careers? How did the local elites and communities react to the policies of the imperial authorities? How did they uphold their special interests if the empire encroached on them, but also—how did they collaborate with the empire and how did they use imperial resources for local interests?
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cover of The Romare Bearden Reader

The Romare Bearden Reader

Robert G. O'Meally, editor

Duke University Press, 2019

The Romare Bearden Reader brings together a collection of new essays and canonical writings by novelists, poets, historians, critics, and playwrights. The contributors, who include Toni Morrison, Ralph Ellison, August Wilson, Farah Jasmine Griffin, and Kobena Mercer, contextualize Bearden's life and career within the history of modern art, examine the influence of jazz and literature on his work, trace his impact on twentieth-century African American culture, and outline his art's political dimensions. Others focus on specific pieces, such as A Black Odyssey, or the ways in which Bearden used collage to understand African American identity. The Reader also includes Bearden's most important writings, which grant readers insight into his aesthetic values and practices and share his desire to tell what it means to be black in America. Put simply, The Romare Bearden Reader is an indispensable volume on one of the giants of twentieth-century American art.

Contributors. Elizabeth Alexander, Romare Bearden, Mary Lee Corlett, Rachel DeLue, David C. Driskell, Brent Hayes Edwards, Ralph Ellison, Henri Ghent, Farah Jasmine Griffin, Harry Henderson, Kobena Mercer, Toni Morrison, Albert Murray, Robert G. O’Meally, Richard Powell, Richard Price, Sally Price, Myron Schwartzman, Robert Burns Stepto, Calvin Tomkins, John Edgar Wideman, August Wilson
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cover of The Roots of Things: Essays

The Roots of Things

Essays

Maxine Kumin

Northwestern University Press, 2010

Throughout her career, Pulitzer Prize–winning poet Maxine Kumin has been at the vanguard of discussions about feminism and sexism, the state of poetry, and our place in the natural world. The Roots of Things gathers into one volume her best essays on the issues that have been closest to her throughout her storied career.

Divided into sections on "Taking Root," "Poets and Poetry," and "Country Living," these pieces reveal Kumin honing her views within a variety of forms, including speeches, critical essays, and introductions of other writers’ work. Whether she is recollecting scenes from her childhood, ruminating on the ups and downs of what she calls "pobiz" (for "poetry business"), describing the battles she’s fought on behalf of women, or illuminating the lives of animals, Kumin offers insight that can only be born of long and closely observed experience.

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cover of The Sacred Calling: Four Decades of Women in the Rabbinate

The Sacred Calling

Four Decades of Women in the Rabbinate

Rabbi Rebecca Einstein Schorr and Rabbi Alysa Mendelson Graf

Central Conference of American Rabbis, 2016

Winner of the 2016 National Jewish Book Award in Women's Studies, this pioneering anthology paints an illuminating and necessary picture of the past while laying the groundwork for important work yet to be done.

Women have been rabbis for over forty years. No longer are women rabbis a unique phenomenon, rather they are part of the fabric of Jewish life. In this anthology, rabbis and scholars from across the Jewish world reflect back on the historic significance of women in the rabbinate and explore issues related to both the professional and personal lives of female rabbis. This collection examines the ways in which the reality of women in the rabbinate has impacted all aspects of Jewish life, including congregational culture, liturgical development, life cycle ritual, the Jewish healing movement, spirituality, theology, and more.

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cover of The Sacred Earth: Jewish Perspectives on Our Planet

The Sacred Earth

Jewish Perspectives on Our Planet

Rabbi Andrue J. Kahn

Central Conference of American Rabbis, 2023

The Torah begins by setting forth the heavens and the Earth as God’s creation, impelling humanity to steward our planet for its own sake and for its ability to nurture our lives. Yet the human-Divine-environment relationship seems to be in perpetual crisis. The Sacred Earth is a contemporary Jewish response to the looming threat of climate change, the widespread desire for experiential spirituality rooted in nature, and the continually changing relationship between humanity, nature, technology, and the Divine. The leading thinkers in this collection reflect on human vulnerability in the face of forces of nature, examine conceptions of our place in cosmology, and grapple with environmental destruction. Ultimately, with hope, they creatively explore ways to redeem this sacred Earth.
 

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cover of The Sacred Encounter: Jewish Perspectives on Sexuality

The Sacred Encounter

Jewish Perspectives on Sexuality

Rabbi Lisa Grushcow, Dphil

Central Conference of American Rabbis, 2014

This wide-ranging anthology takes a close look at the breadth of human sexuality from a Jewish perspective. The essays begin with a look at biblical and rabbinic views on sexuality and then proceed to explorations of sexuality at different moments in the life cycle, sexuality and the marital model, diverse expressions of sexuality, examples of sexuality education, the nexus of sexuality and theology, and the challenges of contemporary sexual ethics. The Sacred Encounter is a thought-provoking and important Jewish resource. Perfect for personal study or for high school or adult classes.

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cover of The Sacred Exchange: Creating a Jewish Money Ethic

The Sacred Exchange

Creating a Jewish Money Ethic

Rabbi Mary L. Zamore

Central Conference of American Rabbis, 2019

Part of the CCAR Press Challenge and Change series, this anthology creates a rich and varied discussion about the ethics of money. Our use of and relationship with money must reflect our religious values--this book aims to start a comprehensive conversation about how Judaism can guide us in this multi-faceted relationship.

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cover of The Sacred Table: Creating a Jewish Food Ethic

The Sacred Table

Creating a Jewish Food Ethic

Rabbi Mary L. Zamore

Central Conference of American Rabbis, 2011

The Sacred Table: Creating a Jewish Food Ethic is an anthology of diverse essays on Jewish dietary practices. This volume presents the challenge of navigating through choices about eating, while seeking to create a rich dialogue about the intersection of Judaism and food. The definition of Kashrut, the historic Jewish approach to eating, is explored, broadened and, in some cases, argued with, in these essays. Kashrut is viewed not only as a ritual practice, but also as a multifaceted Jewish relationship with food and its production, integrating values such as ethics, community, and spirituality into our dietary practice.

The questions considered in The Sacred Table are broad reaching. Does Kashrut represent a facade of religiosity, hiding immorality and abuse, or is it, in its purest form, a summons to raise the ethical standards of food production? How does Kashrut enrich spiritual practice by teaching intentionality and gratitude? Can paying attention to our own eating practices raise our awareness of the hungry? Can Kashrut inspire us to eat healthfully? Can these laws draw us around the same table, thus creating community? In exploring the complexities of these questions, this book includes topics such as agricultural workers' rights, animal rights, food production, the environment, personal health, the spirituality of eating and fasting, and the challenges of eating together.

The Sacred Table celebrates the ideology of educated choice. The essays present a diverse range of voices, opinions, and options, highlighting the Jewish values that shape our food ethics. Whether for the individual, family, or community, this book supplies the basic how-tos of creating a meaningful Jewish food ethic and incorporating these choices into our personal and communal religious practices. These resources will be helpful if we are new to these ideas or if we are teaching or counseling others. Picture a beautiful buffet of choices from which you can shape your personal Kashrut. Read, educate yourself, build on those practices that you already follow, and eat well.
 

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cover of The Sagebrush Ocean, Tenth Anniversary Edition: A Natural History Of The Great Basin

The Sagebrush Ocean, Tenth Anniversary Edition

A Natural History Of The Great Basin

Stephen Trimble

University of Nevada Press, 1999

Noted writer and photographer Stephen Trimble mixes eloquent accounts of personal experiences with clear explication of natural history. His photographs capture some of the most spectacular but least-known scenery in the western states. The Great Basin Desert sweeps from the Sierra to the Rockies, from the Snake River Plain to the Mojave Desert. "Biogeography" would be one way to sum up Trimble's focus on the land: what lives where, and why. He introduces concepts of desert ecology and discusses living communities of animals and plants that band Great Basin mountains—from the exhilarating emptiness of dry lake-beds to alpine regions at the summits of the 13,000-foot Basin ranges.

This is the best general introduction to the ecology and spirit of the Great Basin, a place where "the desert almost seems to mirror the sky in size," where mountains hold "ravens, bristlecone pines, winter stillness—and unseen, but satisfying, the possibility of bighorn sheep." Trimble's photographs come from the backcountry of this rugged land, from months of exploring and hiking the Great Basin wilderness in all seasons; and his well-chosen words come from a rare intimacy with the West.

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cover of The Sagebrush Ocean: 35th Anniversary Edition

The Sagebrush Ocean

35th Anniversary Edition

Stephen Trimble

University of Nevada Press, 2026

The Sagebrush Ocean, the essential introduction to the ecology and spirit of the Great Basin Desert, returns in this richly updated 35th anniversary edition. Winner of the Ansel Adams Award for Photography and Conservation, Stephen Trimble’s authoritative voice and evocative photographs illuminate this landscape of sun-struck playas, surprising wetlands, remote canyons, and wind-swept tundra.

Today, the once-vast “sagebrush ocean” is an endangered sea, as environmental changes and human development have diminished it by half. This heartbreaking decline drives Trimble’s updated text, but he blends loss with reverence for what remains—and urgent insight into what’s at stake. Striking color photographs, many newly added, illuminate some of the continent’s most spectacular but little known scenery. For anyone curious about the Great Basin or concerned for its future, this timely edition is indispensable.

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cover of The San Luis Valley: Sand Dunes and Sandhill Cranes

The San Luis Valley

Sand Dunes and Sandhill Cranes

Text by Susan J. Tweit; Photographs by Glenn Oakley

University of Arizona Press, 2005

It is a high valley edged by serrated peaks, a remote expanse the size of Connecticut lying, as if forgotten, between two mountain ranges. Here, North America’s tallest sand dunes blow against glacier-gouged summits, the Rio Grande begins its long journey from snowflake to saltwater, and vast reaches of desert scrub hide verdant pocket wetlands. Colorado’s San Luis Valley is not a place for the timid. Sizzling hot in summer, frigid cold in winter, this huge landscape is humbling in its openness, a place defined by the rhythms of nature—and by the thrust and parry of male courting female in the ritual dance of sandhill cranes. These majestic birds arrive by the thousands twice a year to feed, rest, and socialize in the valley’s wetlands—invisible except from the air—and their cries temper the constant wind. Susan Tweit lives in the high desert of southern Colorado not far from the valley’s dunes and wetlands. With the precision of a scientist and the passion of a poet, she guides readers through this land of sand dunes and sandhill cranes, describing its natural features and tracing its human history from buffalo hunters and conquistadors to Hispanic farming communities and UFO observatories. And in stunning images, photographer Glenn Oakley brings his intimate feel for light and landscape to portraying not only the subtle beauty of this high-desert sanctuary but also the grandeur of the cranes in flight. As an intimate look at Great Sand Dunes National Park and Preserve and the San Luis Valley, this book reveals a desert place as seductive and sobering as existence itself.
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cover of The Science of Near-Death Experiences

The Science of Near-Death Experiences

Edited by John C. Hagan III

University of Missouri Press, 2017

What happens to consciousness during the act of dying? The most compelling answers come from people who almost die and later recall events that occurred while lifesaving resuscitation, emergency care, or surgery was performed. These events are now called near-death experiences (NDEs). As medical and surgical skills improve, innovative procedures can bring back patients who have traveled farther on the path to death than at any other time in history. Physicians and healthcare professionals must learn how to appropriately treat patients who report an NDE. It is estimated that more than 10 million people in the United States have experienced an NDE. Hagan and the contributors to this volume engage in evidence-based research on near-death experiences and include physicians who themselves have undergone a near-death experience. This book establishes a new paradigm for NDEs.

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cover of The Scores Project: Essays on Experimental Notation in Music, Art, Poetry, and Dance, 1950–1975

The Scores Project

Essays on Experimental Notation in Music, Art, Poetry, and Dance, 1950–1975

Michael Gallope

J. Paul Getty Trust, The, 2025

A collection of essays examining experimental scores and source documents from the postwar avant-gardes, interpreted by experts on art, music, dance, and poetry.

Individuals working in and across the fields of visual art, music, poetry, theater, and dance in the mid–twentieth century began to use experimental scores in ways that revolutionized artistic practice and opened up new forms of interdisciplinary collaboration. Their experimental methods—associated with the neo-avant-garde, neo-Dadaism, intermedia, Fluxus, and postmodernism—exploded in notoriety during the 1960s in locales from New York to Europe, East Asia, and Latin America, becoming foundational to global trends in contemporary art and performance.

The Scores Project provides an in-depth view of this historical moment. Through expert commentaries from an interdisciplinary team of scholars with accompanying illustrations, this publication examines a series of experimental scores by John Cage, George Brecht, Sylvano Bussotti, Morton Feldman, Allan Kaprow, Alison Knowles, Jackson Mac Low, Benjamin Patterson, Yvonne Rainer, Mieko Shiomi, David Tudor, and La Monte Young. Ambitious, provocative, and playful, The Scores Project is an illuminating resource to scholars and students who seek to understand this innovative and historically complex moment in the history of art.

An expanded edition of this open-access publication is available for free online at 
www.getty.edu/publications/scores/. It includes more than 2,800 images, audio/video files, and interactive features. Also available are free PDF and EPUB downloads of the book.
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cover of The Sculpture of Robyn Horn

The Sculpture of Robyn Horn

Robyn Horn

University of Arkansas Press, 2018

In Robyn Horn’s thirty years as a wood sculptor, her work has evolved from small, lathe-turned objects to ten-foot-high redwood compositions like her Already Set in Motion #1170, which graces a garden at the Crystal Bridges Museum of American Art. In creating these forms that rise from the earth at improbable angles, Horn’s primary tool is the chainsaw, and yet a tenderness for her medium reveals itself in the delicate balance of planes that allows her sculptures to both loom and flow, visually indicating that they are precarious when in fact they are sturdy.

The essays and images in The Sculpture of Robyn Horn sketch the industrious career of this Little Rock, Arkansas-based sculptor, illuminating her attention to geometry, physics, and the philosophy of design, and exploring the context and origin of the various series—Geodes, Millstones, Standing Stones, and Slipping Stones, among others—that characterize her body of work.

 
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cover of The Serpent and the Stylus: Essays on G. B. Piranesi

The Serpent and the Stylus

Essays on G. B. Piranesi

Edited by Mario Bevilacqua, Heather Hyde Minor, and Fabio Barry

University of Michigan Press, 2006

Piranesi was an architect, engraver, antiquities restorer and dealer, draftsman, archaeologist, furniture and fireplace designer, author, and bookseller. His creations in paper and in stone garnered considerable renown in his own lifetime, allowing him to transform himself from a penniless son of a stonemason to a wealthy entrepreneur. However, despite attempts to catalogue and analyze his work, little is known about Piranesi. Since Henri Focillon published his monograph on the artist in 1918, scholars have sought to expand his interpretive strategies used to examine Piranesi and his work. This volume is a representative sampling of the contemporary scholarship on Piranesi, with each essay scrutinizing a particular aspect of his oeuvre. By engaging with material found in eighteenth-century manuscripts and printed materials, as well as the texts and images Piranesi produced, the nine essays by esteemed contributors add to the rapidly growing and diversifying field of eighteenth-century studies. The outcome is a volume that will add to the expanding, glittering mosaic of Piranesi’s life and his work.

Front Flap

Mario Bevilacqua is Associate Professor at the University of Florence, Italy.

Heather Hyde Minor is Assistant Professor at the University of Illinois, Urbana-Champaign.

Fabio Barry is Assistant Professor at the American University of Rome, Italy.

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cover of The Sespe Wild: Southern California'S Last Free River

The Sespe Wild

Southern California'S Last Free River

Bradley John Monsma

University of Nevada Press, 2007

A hundred miles northwest of Los Angeles, Sespe Creek flows through some of the wildest territory in California. A mostly roadless expanse of chaparral and mixed forest, in many places nearly inaccessible even on foot, the Sespe is the untamed heart of Southern California, a wilderness on the edge of one of the world’s major metropolitan developments. To nature writer and outdoorsman John Bradley Monsma, the Sespe is both his place of escape and the place “that teaches me to be fully alive.” In The Sespe Wild, Monsma shares his exploration of this unique and fantastic region. His attention ranges from the physical Sespe, examined on foot or by kayak, to the subsurface geology that shaped it, the Chumash people who first occupied it, and the impact of Spanish and then American settlers. He also considers the Sespe through the eyes of some of its nonhuman populations—the nearly extinct condors, the vanished grizzlies, the mountain sheep, the steelhead trout, the red-legged frogs. Through the metaphor of the river, he ponders the tensions between preservation and overmanagement of wildlife and wilderness areas, the ecology of fire, the intricate connections between species, and the almost miraculous ways that the Sespe has escaped the fate of other Southern California streams, dammed or carved up into canals by development. “To consider this place,” Monsma says, “is to call up issues crucial wherever wilderness and cities meet: recreational impacts on wildlife habitat, the dynamics of accessibility and protection, the physical and psychological need for healthy ecosystems, threats of development and resource extraction.” Monsma’s engaging text addresses the Sespe’s losses and its ongoing pattern of creation and renewal, leading us through rich layers of natural and cultural history in a narrative as colorful and exciting as a day on a Sespe trail. The Sespe, existing at the intersection of ecological processes and human ideals of wilderness, reminds us that nature and culture have always intermingled, and that the past and present, animal and human, “natural” and “unnatural” are ultimately and irrevocably inseparable.
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cover of The Seven Deadly Virtues: 18 Conservative Writers on Why the Virtuous Life is Funny as Hell

The Seven Deadly Virtues

18 Conservative Writers on Why the Virtuous Life is Funny as Hell

Jonathan V. Last

Templeton Press, 2014

An all-star team of eighteen conservative writers offers a hilarious, insightful, sanctimony-free remix of William Bennett’s The Book of Virtues—without parental controls. The Seven Deadly Virtues sits down next to readers at the bar, buys them a drink, and an hour or three later, ushers them into the revival tent without them even realizing it.
 
The book’s contributors include Sonny Bunch, Christopher Buckley, David “Iowahawk” Burge, Christopher Caldwell, Andrew Ferguson, Jonah Goldberg, Michael Graham, Mollie Hemingway, Rita Koganzon, Matt Labash, James Lileks, Rob Long, Larry Miller, P. J. O’Rourke, Joe Queenan, Christine Rosen, and Andrew Stiles. Jonathan V. Last, senior writer at the Weekly Standard, editor of the collection, is also a contributor. All eighteen essays in this book are appearing for the first time anywhere.
 
In the book’s opening essay, P. J. O’Rourke observes: “Virtue has by no means disappeared. It’s as much in public view as ever. But it’s been strung up by the heels. Virtue is upside down. Virtue is uncomfortable. Virtue looks ridiculous. All the change and the house keys are falling out of Virtue’s pants pockets.”
 
Here are the virtues everyone (including the book’s contributors) was taught in Sunday school but have totally forgotten about until this very moment.  In this sanctimony-free zone:
 
• Joe Queenan observes: “In essence, thrift is a virtue that resembles being very good at Mahjong. You’ve heard about people who can do it, but you’ve never actually met any of them.”
• P. J. O’Rourke notes: “Fortitude is quaint. We praise the greatest generation for having it, but they had aluminum siding, church on Sunday, and jobs that required them to wear neckties or nylons (but never at the same time). We don’t want those either.”
• Christine Rosen writes: “A fellowship grounded in sociality means enjoying the company of those with whom you actually share physical space rather than those with whom you regularly and enthusiastically exchange cat videos.”
• Rob Long offers his version of modern day justice: if you sleep late on the weekend, you are forced to wait thirty minutes in line at Costco.
• Jonah Goldberg offers: “There was a time when this desire-to-do-good-in-all-things was considered the only kind of integrity: ‘Angels are better than mortals. They’re always certain about what is right because, by definition, they’re doing God’s will.’ Gabriel knew when it was okay to remove a mattress tag and Sandalphon always tipped the correct amount.”
• Sonny Bunch dissects forbearance, observing that the fictional Two Minutes Hate of George Orwell’s 1984 is now actually a reality directed at living, breathing people. Thanks, in part, to the Internet, “Its targets are designated by a spontaneously created mob—one that, due to its hive-mind nature—is virtually impossible to call off.”
 
By the time readers have completed The Seven Deadly Virtues, they won’t even realize that they’ve just been catechized into an entirely different—and better—moral universe.
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cover of The Shadow Family

The Shadow Family

George Estreich

University of Iowa Press, 2027

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cover of The Shapes of Memory Loss: Stories, Poems and Essays from the University of Michigan Medical School and Health System

The Shapes of Memory Loss

Stories, Poems and Essays from the University of Michigan Medical School and Health System

Michigan Publishing Services, 2013

“Shapes of Memory Loss” is a collection of poetry, fiction, and narrative written by and about people with cognitive impairment or dementia. The authors, all affiliated with the University of Michigan Health System, come forward to share their personal experience as they “navigate this unknown territory”. These pieces offer the reader a view into the often isolated and not fully understood journey that those with memory loss and cognitive impairment are on. The book serves as an educational and support tool for anyone who has been touched by dementia, memory loss, and other related disorders. Healthcare professionals will gain information and insight about these disorders presented from the perspective of patients and families affected by them.
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cover of The Sheep Book: A Handbook for the Modern Shepherd, Revised and Updated

The Sheep Book

A Handbook for the Modern Shepherd, Revised and Updated

Ron Parker

Ohio University Press, 2001

The Sheep Book carries the reader along through a year in a sheep’s life during which sheep and shepherd form a symbiosis. A knowledgeable shepherd manages a flock in such a way as to provide an appropriate environment for all phases of the annual journey from breeding through pregnancy, lambing, growing of lambs, marketing of lamb and wools, and revitalization of the sheep for another cycle. The Sheep Book guides the reader to working with the instincts of the sheep—treating them as animals with special talents and ways of behaving that can be engaged and directed. The reader is encouraged to learn from the sheep, for they are the best teachers of a successful shepherd.
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