
Edited by Patricia Siple and Susan D. Fischer
University of Chicago Press, 1991
Edited by Debra Hopkins, Jochen Kleres, Helena Flam, and Helmut Kuzmics
Campus Verlag, 2009
Theorizing Emotions reflects the recent turn to emotions in academia—not just in sociology but also in psychology, evolutionary biology, and neuroscience. Drawing on the classic studies of Max Weber, Erving Goffman, and Norbert Elias, several leading European scholars present their findings on the role of emotions in various facets of society, from the laboratory to the office to the media. Among the topics discussed are the tensions between feelings and feeling rules, the conscious and unconscious emotions of scientists, emotions and social disorder, the effect of the emotional turn as an element of advancing modernity, romantic love in U.S. and Israeli codes of conduct, and the role of mass media in generating massive public emotions.
Jeannette Marie Mageo
University of Michigan Press, 1998
Clyde H. Coombs
University of Michigan Press, 1952
Halliwell, Martin
Rutgers University Press, 2014
Kysa Nygreen
University of Chicago Press, 2013
Milton Mayer
University of Chicago Press, 2017
Gina Barreca
University Press of New England, 2013

C. Robert Pace
University of Minnesota Press, 1941
They Went to College was first published in 1941. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Courtney Adams Wooten
Utah State University Press, 2020

Peter Brooks
University of Chicago Press, 2027
How the form of the case history became an important way of studying the individual as an exemplary case in medicine, psychoanalysis, law, and the novel.
What does it mean when we address ourselves to a specific problem and treat it as a “case” that needs resolution, a resolution that may in turn offer us more general lessons? The “case history” has become a central form of thought and analysis in our culture, but rarely has it been studied on its own. In Thinking in Cases, the distinguished critic Peter Brooks zeroes in on a kind of thinking that we all know—and often use—without understanding its dimensions and its history.
This book ponders what we do and mean when we think in cases—when we take up specific instances with a view to making them exemplary. Brooks brings to this study decades of reflection on the psychoanalytic case history, on the rhetoric of the legal case, and on novels that unfold as cases seeking solutions. Brooks focuses on the case-history’s emergence in the late nineteenth century: first, he examines how Henry James’s uses of narrative parallel case-study methods in law, medicine, and psychoanalysis. Elsewhere, he traces the case history from Hippocratic medicine through Sir Arthur Conan Doyle’s detective fiction to a startling legal case from Victorian England involving shipwreck and cannibalism. Other chapters discuss a tale of madness by Balzac and Freud’s most speculative works, especially Moses and Monotheism. A final chapter examines recent novels—Duras’s The Ravishing of Lol Stein, Coetzee’s Disgrace, Modiano’s Dora Bruder, and Erpenbeck’s Kairos—as case studies.
Sharon Cameron
University of Chicago Press, 1989
Suzanne Keen
The Ohio State University Press, 2014
Mihai Surdu
Central European University Press, 2016
Teresa L. Scheid
Rutgers University Press, 2021
Adrian Johnston
Northwestern University Press, 2005
George Loewenstein
Russell Sage Foundation, 2003
Jonina Einarsdottir
University of Wisconsin Press, 2004
Catherine Waldby and Robert Mitchell
Duke University Press, 2006
Waldby and Mitchell pull together a prodigious amount of research—involving policy reports and scientific papers, operating manuals, legal decisions, interviews, journalism, and Congressional testimony—to offer a series of case studies based on particular forms of tissue exchange. They examine the effect of threats of contamination—from HIV and other pathogens—on blood banks’ understandings of the gift/commodity relationship; the growth of autologous economies, in which individuals bank their tissues for their own use; the creation of the United Kingdom’s Stem Cell bank, which facilitates the donation of embryos for stem cell development; and the legal and financial repercussions of designating some tissues “hospital waste.” They also consider the impact of different models of biotechnology patents on tissue economies and the relationship between experimental therapies to regenerate damaged or degenerated tissues and calls for a legal, for-profit market in organs. Ultimately, Waldby and Mitchell conclude that scientific technologies, the globalization of tissue exchange, and recent anthropological, sociological, and legal thinking have blurred any strict line separating donations from the incursion of market values into tissue economies.
Kay Deaux
Russell Sage Foundation, 2006
Tobie Nathan
Seagull Books, 2024
Roy Scranton
University of Chicago Press, 2019
Mark Edmundson
University of Chicago Press, 2007
Mario Mieli
Pluto Press, 2018
First published in Italian in 1977, Mario Mieli's groundbreaking book is an early landmark of revolutionary queer theory - now available for the first time in a complete and unabridged English translation.
Among the most important works ever to address the relationship between homosexuality, homophobia and capitalism, Mieli's essay continues to pose a radical challenge to today's dominant queer theory and politics.
With extraordinary prescience, Mieli exposes the efficiency with which capitalism co-opts 'perversions' which are then 'sold both wholesale and retail'. In his view the liberation of homosexual desire requires the emancipation of sexuality from both patriarchal sex roles and capital.
Drawing heavily upon Marx and psychoanalysis to arrive at a dazzlingly original vision, Towards a Gay Communism is a hitherto neglected classic that will be essential reading for all who seek to understand the true meaning of sexual liberation under capitalism today.
Ruth Enid Zambrana
Rutgers University Press, 2018
Elzbieta M. Gozdziak
Rutgers University Press, 2016
By Philip Scepanski
University of Texas Press, 2021
Following the most solemn moments in recent American history, comedians have tested the limits of how soon is “too soon” to joke about tragedy. Comics confront the horrifying events and shocking moments that capture national attention and probe the acceptable, or “sayable,” boundaries of expression that shape our cultural memory. In Tragedy Plus Time, Philip Scepanski examines the role of humor, particularly televised comedy, in constructing and policing group identity and memory in the wake of large-scale events.
Tragedy Plus Time is the first comprehensive work to investigate tragedy-driven comedy in the aftermaths of such traumas as the JFK assassination and 9/11, as well as during the administration of Donald Trump. Focusing on the mass publicization of television comedy, Scepanski considers issues of censorship and memory construction in the ways comedians negotiate emotions, politics, war, race, and Islamophobia. Amid the media frenzy and conflicting expressions of grief following a public tragedy, comedians provoke or risk controversy to grapple publicly with national traumas that all Americans are trying to understand for themselves.

Richard Kuhns
University of Chicago Press, 1991
Lee Siegel
University of Chicago Press, 2014
Martínez-San Miguel, Yolanda
Rutgers University Press, 2016
Martínez-San Miguel, Yolanda
Rutgers University Press, 2016
Jackson Wright Shultz
Dartmouth College Press, 2015
George Haslerud
University of Minnesota Press, 1972
Fahs, Breanne
Rutgers University Press, 2018
Suzana Maia
Vanderbilt University Press, 2012
Their motivation to migrate and to work as erotic dancers can also be understood in the context of a representational system, inaugurated in colonial times, that emphasizes the exoticism of Brazilian womentheir bodies, their skin tone, their sexuality. These stereotypes are the props that Brazilian women use to construct their performances in Manhattan and Queens gentlemen's bars and the language through which they negotiate their relationships to society at large.
Transnational Desires focuses on the lives of nine Brazilian dancers with whom the author, herself a middleclass Brazilian, developed close relationships over the years. Maia examines their social relations both in the bar scene and with family, friends, and lovers outside. She shows that for these women erotic dancing is part of a life trajectory that involves negotiating their social position and life prospects in a fundamentally transnational social universe.
Ruth Leys
University of Chicago Press, 2000
Don Kulick
University of Chicago Press, 1998
Laurent Joubert, Translated by Gregory David de Rocher
University of Alabama Press, 1980
Laurent Joubert (b. 1529) was an important figure in the medical world of the French Renaissance. His monumental Treatise on Laughter provides categories and examples of the laughable. The work describes laughter, its causes and effects, its types and differences. His subdivisions and categories, along with their examples, furnish today's critic and reader with a Renaissance vision of comic commonplaces. It is this vision that may prove to be of great value in analyzing comic literature of the Renaissance.
Lisa Diedrich
University of Minnesota Press, 2007
Creative expression inspired by disease has been criticized as a celebration of victimhood, unmediated personal experience, or just simply bad art. Despite debate, however, memoirs written about illness—particularly AIDS or cancer—have proliferated since the late twentieth century and occupy a highly influential place on the cultural landscape today.
In Treatments, Lisa Diedrich considers illness narratives, demonstrating that these texts not only recount and interpret symptoms but also describe illness as an event that reflects wider cultural contexts, including race, gender, class, and sexuality. Diedrich begins this theoretically rigorous analysis by offering examples of midcentury memoirs of tuberculosis. She then looks at Susan Sontag’s Illness As Metaphor, Audre Lorde’s The Cancer Journals, and Eve Kosofsky Sedgwick’s “White Glasses,” showing how these breast cancer survivors draw on feminist health practices of the 1970s and also anticipate the figure that would appear in the wake of the AIDS crisis in the 1980s—the “politicized patient.” She further reveals how narratives written by doctors Abraham Verghese and Rafael Campo about treating people with AIDS can disrupt the doctor–patient hierarchy, and she explores practices of witnessing that emerge in writing by Paul Monette and John Bayley.
Through these records of intensely personal yet universal experience, Diedrich demonstrates how language both captures and fails to capture these “scenes of loss” and how illness narratives affect the literary, medical, and cultural contexts from which they arise. Finally, by examining the ways in which the sick speak and are spoken for, she argues for an ethics of failure—the revaluation of loss as creating new possibilities for how we live and die.
Lisa Diedrich is assistant professor of women’s studies at Stony Brook University.

Eva Hajdinová
Central European University Press, 2027
Roderick M. Kramer
Russell Sage Foundation, 2004
Elinor Ostrom
Russell Sage Foundation, 2003
Karen Cook
Russell Sage Foundation, 2001
Tom R. Tyler
Russell Sage Foundation, 2002
Dona Lee Davis
Ohio University Press, 2015
Twins Talk is an ethnographic study of identical twins in the United States, a study unique in that it considers what twins have to say about themselves, instead of what researchers have written about them. It presents, in the first person, the grounded and practical experiences of twins as they engage, both individually and together, the “who am I” and “who are we” questions of life. Here, the twins themselves are the stars.
Dona Lee Davis conducted conversational interviews with twenty-two sets of identical twins attending the Twins Days Festival in Twinsburg, Ohio, the largest such gathering in the world. Lively and often opinionated, each twin comes through as a whole person who at the same time maintains a special bond that the vast majority of people will never experience.
The study provides a distinctive and enlightening insider’s challenge to the nature/nurture debates that dominate contemporary research on twins. The author, herself an identical twin, draws on aspects of her own life to inform her analysis of the data throughout the text. Each chapter addresses a different theme from multiple viewpoints, including those of popular science writers, scientific researchers, and singletons, as well as those of the twins themselves.