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This book probes the anatomy of public opinion by analyzing its components, their interrelations and dynamics.
Building upon recent work in communication, social psychology, social cognition, and political science, Jacob Shamir and Michal Shamir approach public opinion as a multidimensional concept with a multitude of expressions. Public opinion is not comprised merely of a distribution of attitudes obtained in the polls. It also expresses and is expressed by a climate of opinion, expectations, public speeches and political actions, including aggregate distributions of individual values, beliefs, and attitudes. Often these different facets coincide, but they may also diverge. Public opinion can evolve along different dynamic paths; the nature of the information environment is a major factor in determining which dynamic path will be set in motion.
While social information and social construction are important in public opinion processes, major information events play a central role in moving public opinion and in constraining processes of social construction. In this book these postulates are explored on the micro and macro levels, but the focus is on public opinion dynamics at the system level: how the facets of public opinion respond to the variability in information technology. This is approached from different directions and with different parameters. The authors use as their case study Israeli public opinion on issues of peace and terrorism during the Intifada.
The Anatomy of Public Opinion will form an important part in the body of study on the role of information in public opinion processes. It will be of interest to students and scholars of political science, communication, public opinion, and political psychology.
Jacob Shamir is Lecturer of Communication and Journalism, The Hebrew University, Jerusalem. Michal Shamir is Associate Professor of Political Science, Tel Aviv University.

In 1998 David Kruiper, the leader of the ‡Khomani San who today live in the Kalahari Desert in South Africa, lamented, “We have been made into nothing.” His comment applies equally to the fate of all the hunter-gatherer societies of the Cape Colony who were destroyed by the impact of European colonialism. Until relatively recently, the extermination of the Cape San peoples has been treated as little more than a footnote to South African narratives of colonial conquest. During the eighteenth and nineteenth centuries, Dutch-speaking pastoralists who infiltrated the Cape interior dispossessed its aboriginal inhabitants. In response to indigenous resistance, colonists formed mounted militia units known as commandos with the express purpose of destroying San bands. This ensured the virtual extinction of the Cape San peoples. In The Anatomy of a South African Genocide, Mohamed Adhikari examines the history of the San and persuasively presents the annihilation of Cape San society as genocide.

In this debut collection, Mark Wunderlich creates a central metaphor of the body as anchor for the soul—but it is a body in peril, one set in motion through the landscape of desire. In poems located in New York's summer streets, in the barren snowfields of Wisconsin, and along stretches of Cape Cod's open shoreline, the lover speaks to the beloved in the form of lyrical missives, arguments, and intimate monologues. The poems converse with each other; images repeat and echo in an effect that is strange and beautiful. Uniting the collection is an original and consistent voice—one that has found a hard won stance against the haphazard and negotiates with what is needful and sufficient. The Anchorage is a collection of love poems for the end of the millennium and takes as its subjects the dichotomies of love and illness, the urban and the rural, homosexual desire and familial tension. Wunderlich faces the complexities of contemporary life through poems that are both tender and striving and that leave the reader with an image of the body as a door through which one can transcend the suffering of the world.

Although ancient civilizations in the Andes are rich in history—with expansive empires, skilled artisans, and vast temple centers—the history of the Andean foothills on the south coast of present-day Peru is only now being unveiled. Nasca, a prehispanic society that flourished there from AD 1 to 750, is best known for its polychrome pottery, its enigmatic geoglyphs (the "Nasca Lines"), and its ceremonial center, Cahuachi, which was the seat of power in early Nasca. However, despite the fact that archaeologists have studied Nasca civilization for more than a century, until now they have not pieced together the daily lives of Nasca residents. With this book, Kevin Vaughn offers the first portrait of village life in this ancient Andean society.
 

Vaughn is interested in how societies develop and change, in particular their subsistence and political economies, interactions between elites and commoners, and the ritual activities of everyday life. By focusing on one village, Marcaya, he not only illuminates the lives and relationships of its people but he also contributes to an understanding of the more general roles played by villages in the growth of increasingly complex societies in the Andes. By examining agency in local affairs, he is able for the first time to explore the nature of power in Nasca and how it may have changed over time. By studying village and household activities, Vaughn argues, we can begin to appreciate from the ground up such essential activities as production, consumption, and the ideologies revealed by rituals—and thereby gain fresh insights into ancient civilizations.

This volume of essays examines the question of copying and other forms of artistic imitation and emulation in relation to Greek and Roman art, focusing particularly on sculpture and painting in the Roman period. It goes beyond recent studies of the subject in bringing to bear the views of early modern, modern, and contemporary artists on matters of copying and imitation as well as an exceptionally wide array of traditional and current critical perspectives--historiographic, literary, technical, stylistic, iconographic, and museological, among others.

Long regarded as copies of lost Greek masterpieces, a great many Roman works are now seen as neoclassical images worthy of analysis within their own Roman contexts. This book identifies and takes account of Roman criteria in rethinking the function and aesthetic appeal of these works in the eyes of their Roman owners and audiences. Collectively, the essays argue that many traditional assumptions about the status of works of classical art as originals or copies, and much of the evidence that has been used to sustain these assumptions, must be thoroughly rethought.

Among the authors are classical archaeologists, art historians (whose areas of expertise range from antiquity to the nineteenth century), and a contemporary artist and critic.

Elaine K. Gazda is Professor in the Department of the History of Art and the Interdepartmental Program in Classical Art and Archaeology, University of Michigan.

Until 1927, the wild area of Utah near the Colorado River and below the mouth of the Escalante River was almost unknown archaeologically. The Claflin-Emerson Fund of Harvard’s Peabody Museum was created to provide support for an extended survey of southeastern Utah west of the Colorado River.

One such survey was conducted by author Noel Morss during the summer of 1928, resulting in an unexpected revelation: the Fremont (Dirty Devil) River drainage area being surveyed proved to be host to a prehistoric culture different from all other established Southwestern cultures. Excavations completed the following field season confirmed Morss’s findings. This distinct culture was defined by unique unpainted black or gray pottery, sole use of a primitive moccasin type, elaborate clay figurines, and abundant distinctive pictographs. Though too definite and well developed to be confined to a single drainage, Morss concluded that the Fremont were nonetheless a periphery culture and not an integral part of the mainstream of Southwestern development.

Originally published in 1931 and now featuring a new foreword by Duncan Metcalfe, The Ancient Culture of the Fremont River in Utah has become a classic in Southwestern archaeology, furthering a conversation about the early peoples of southern Utah that continues even today.

Trading was the favorite occupation of the Maya, according to early Spanish observers such as Fray Diego de Landa (1566). Yet scholars of the Maya have long dismissed trade—specifically, market exchange—as unimportant. They argue that the Maya subsisted primarily on agriculture, with long-distance trade playing a minor role in a largely non-commercialized economy.

The Ancient Maya Marketplace reviews the debate on Maya markets and offers compelling new evidence for the existence and identification of ancient marketplaces in the Maya Lowlands. Its authors rethink the prevailing views about Maya economic organization and offer new perspectives. They attribute the dearth of Maya market research to two factors: persistent assumptions that Maya society and its rainforest environment lacked complexity, and an absence of physical evidence for marketplaces—a problem that plagues market research around the world.

Many Mayanists now agree that no site was self-sufficient, and that from the earliest times robust local and regional exchange existed alongside long-distance trade. Contributors to this volume suggest that marketplaces, the physical spaces signifying the presence of a market economy, did not exist for purely economic reasons but served to exchange information and create social ties as well.

The Ancient Maya Marketplace offers concrete links between Maya archaeology, ethnohistory, and contemporary cultures. Its in-depth review of current research will help future investigators to recognize and document marketplaces as a long-standing Maya cultural practice. The volume also provides detailed comparative data for premodern societies elsewhere in the world.

As Cyndy Hendershot demonstrates, the Gothic is more a mode than a rigid historical period, an "invasive" tendency that reveals the imaginative limits of social realities and literary techniques far beyond its origins in late eighteenth century Britain. And as she demonstrates in this first scholarly treatment of its kind, one of the continuing obsessions of the Gothic mode is masculinity. Masculinity is in some sense a Gothic castle of the imagination, haunted by fears of the body, science, and angry colonial subjects.
The book's keen critical insight, meticulous close readings and cross-cultural comparisons interrogate the historically situated function of masculinity in texts and films that range across the two-hundred year history of the Gothic. Matthew Lewis's The Monk is compared to Philip Kaufman's Invasion of the Body Snatchers to reveal the "hauntedness" of the male body. Hawthorne's short story "The Birthmark" is juxtaposed with J. S. Le Fanu's "Green Tea" to ground the fantastic qualities of the scientific imagination. Conrad's Heart of Darkness converses with Jean Rhys's Wide Sargasso Sea about the nature of imperialism. And Jane Campion's film The Piano is figured as an imaginative foray into new forms of masculinity. Utilizing the insights of Lacanian theory, Hendershot demonstrates how the Gothic realm of ghosts, demons, and hidden passages continues to suggest alternative realities to claustrophobic cultural imaginations.
"Masculinity and the Gothic combines solid literary critical insight and close readings in a detailed and lively survey of various manifestations of the gothic within British and American cultural traditions, and admirably explores the connections between various cultural discourses. It will make a fine complement to the numerous recent publications of issues of femininity in the gothic." --Sharon Willis, University of Rochester
Cyndy Hendershot is Assistant Professor of English, Arkansas State University.

The Native American hunter had a true appreciation of where his food came from and developed a ritual relationship to animal life—an understanding and attitude almost completely lacking in modern culture. In this major overview of the relation between Indians and animals on the northern Great Plains, Howard Harrod recovers a sense of the knowledge that hunting peoples had of the animals upon which they depended and raises important questions about Euroamerican relationships with the natural world. Harrod's account deals with twelve Northern Plains peoples—Lakota, Blackfeet, Cheyenne, Pawnee, and others—who with the arrival of the horse in the eighteenth century became the buffalo hunters who continue to inhabit the American imagination. Harrod describes their hunting practices and the presence of animals in their folklore and shows how these traditions reflect a "sacred ecology" in which humans exist in relationship with other powers, including animals.

Drawing on memories of Native Americans recorded by anthropologists, fur traders, missionaries, and other observers, Harrod examines cultural practices that flourished from the mid-eighteenth to the mid-nineteenth century. He reconstructs the complex rituals of Plains peoples, which included buffalo hunting ceremonies employing bundles or dancing, and rituals such as the Sun Dance for the renewal of animals. In a closing chapter, Harrod examines the meanings of Indian-animal relations for a contemporary society that values human dominance over the natural world—one in which domestic animals are removed from our consciousness as a source of food, wild animals are managed for humans to "experience," and hunting has become a form of recreation. His meticulous scholarship re-imagines a vanished way of life, while his keen insights give voice to a hunger among many contemporary people for the recovery of a ritual relationship between themselves and the natural sources of their lives.

Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto.

The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves.

Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films.

Smartphones, laptops, tablets, and e-readers all at one time held the promise of a more environmentally healthy world not dependent on paper and deforestation. The result of our ubiquitous digital lives is, as we see in The Anthrobscene, actually quite the opposite: not ecological health but an environmental wasteland, where media never die. Jussi Parikka critiques corporate and human desires as a geophysical force, analyzing the material side of the earth as essential for the existence of media and introducing the notion of an alternative deep time in which media live on in the layer of toxic waste we will leave behind as our geological legacy. 

Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

Presenting prehistoric, historic, and ethnographic data from Mongolia, China, Iceland, Mexico, Brazil, and the United States, The Anthropological Study of Class and Consciousness offers a first step toward examining class as a central issue within anthropology. Contributors to this volume use the methods of historical materialism, cultural ecology, and political ecology to understand the realities of class and how they evolve.

Five central ideas unify the collection: the objective basis for class in different social orders; people's understanding of class in relation to race and gender; the relation of ideologies of class to realities of class; the U.S. managerial middle-class denial of class and emphasis on meritocracy in relation to increasing economic insecurity; and personal responses to economic insecurity and their political implications.

Anthropologists who want to understand the nature and dynamics of culture must also understand the nature and dynamics of class. The Anthropological Study of Class and Consciousness addresses the role of the concept of class as an analytical construct in anthropology and how it relates to culture. Although issues of social hierarchy have been studied in anthropology, class has not often been considered as a central element. Yet a better understanding of its role in shaping culture, consciousness, and people's awareness of their social and natural world would in turn lead to better understanding of major trends in social evolution as well as contemporary society. This book will be of great interest to students and scholars of anthropology, labor studies, ethnohistory, and sociology.

 The Anthropology of Iceland presents the first perspectives on Icelandic anthropology from both Icelandic and foreign anthropologists. The thirteen essays in this volume are divided into four themes: ideology and action; kinship and gender; culture, class, and ethnicity; and the Commonwealth period of circa 930 to 1220, which saw the flowering of sagas. Insider and outsider viewpoints on such topics as the Icelandic women's movement, the transformation of the fishing industry, the idea of mystical power in modern Iceland, and archaeological research in Iceland merge to form an international, comparative discourse.

Individually and collectively, by bringing the insights of anthropology to bear on Iceland, the native and foreign authors of this volume carry Iceland into the realm of modern anthropology, advancing our understanding of the island's people and the practice of anthropology.

This collection provides vivid ethnographic explorations of particular, local Christianities as they are experienced by different groups around the world. At the same time, the contributors, all anthropologists, rethink the vexed relationship between anthropology and Christianity. As Fenella Cannell contends in her powerful introduction, Christianity is the critical “repressed” of anthropology. To a great extent, anthropology first defined itself as a rational, empirically based enterprise quite different from theology. The theology it repudiated was, for the most part, Christian. Cannell asserts that anthropological theory carries within it ideas profoundly shaped by this rejection. Because of this, anthropology has been less successful in considering Christianity as an ethnographic object than it has in considering other religions. This collection is designed to advance a more subtle and less self-limiting anthropological study of Christianity.

The contributors examine the contours of Christianity among diverse groups: Catholics in India, the Philippines, and Bolivia, and Seventh-Day Adventists in Madagascar; the Swedish branch of Word of Life, a charismatic church based in the United States; and Protestants in Amazonia, Melanesia, and Indonesia. Highlighting the wide variation in what it means to be Christian, the contributors reveal vastly different understandings and valuations of conversion, orthodoxy, Scripture, the inspired word, ritual, gifts, and the concept of heaven. In the process they bring to light how local Christian practices and beliefs are affected by encounters with colonialism and modernity, by the opposition between Catholicism and Protestantism, and by the proximity of other religions and belief systems. Together the contributors show that it not sufficient for anthropologists to assume that they know in advance what the Christian experience is; each local variation must be encountered on its own terms.

Contributors. Cecilia Busby, Fenella Cannell, Simon Coleman, Peter Gow, Olivia Harris, Webb Keane, Eva Keller, David Mosse, Danilyn Rutherford, Christina Toren, Harvey Whitehouse

In the West at the turn of the twentieth century, public understanding of science and the world was shaped in part by expeditions to Asia, North America, and the Pacific. The Anthropology of Expeditions draws together contributions from anthropologists and historians of science to explore the role of these journeys in natural history and anthropology between approximately 1890 and 1930. By examining collected materials as well as museum and archive records, the contributors to this volume shed light on the complex social life and intimate work practices of the researchers involved in these expeditions. At the same time, the contributors also demonstrate the methodological challenges and rewards of studying these legacies and provide new insights for the history of collecting, history of anthropology, and histories of expeditions. Offering fascinating insights into the nature of expeditions and the human relationships that shaped them, The Anthropology of Expeditions sets a new standard for the field.

Fourteen authors, including many of the best-known scholars in the field,
explore how people actually experience their culture and how those experiences are expressed in forms as varied as narrative, literary work, theater, carnival, ritual, reminiscence, and life review. Their studies will be
of special interest for anyone working in anthropological theory, symbolic
anthropology, and contemporary social and cultural anthropology, and useful as well for other social scientists, folklorists, literary theorists, and philosophers.
 

The Anthropology of Labor Unions presents ethnographic data and analysis in eight case studies from several very diverse industries. It covers a wide range of topics, from the role of women and community in strikes to the importance of place in organization, and addresses global concerns with studies from Mexico and Malawu.

Union-organized workplaces consistently afford workers higher wages and better pensions, benefits, and health coverage than their nonunion counterparts. In addition, women and minorities who belong to unions are more likely to receive higher wages and benefits than their nonunion peers. Given the economic advantages of union membership, one might expect to see higher rates of organization across industries, but labor affiliation is at an all-time low. What accounts for this discrepancy?

The contributors in this volume provide a variety of perspectives on this paradox, including discussions of approaches to and findings on the histories, cultures, and practices of organized labor. They also address substantive issues such as race, class, gender, age, generation, ethnicity, health and safety concerns, corporate co-optation of unions, and the cultural context of union-management relationships.

The first to bring together anthropological case studies of labor unions, this volume will appeal to cultural anthropologists, social scientists, sociologists, and those interested in labor studies and labor movements.

This controversial examination of precolonial African slavery looks at the various social systems that made slavery on such a scale possible and argues that the institutions of slavery were far more complex and pervasive than previously suspected.

An important new ethnographic study of São Paulo’s favelas revealing the widespread use of race-based police repression in Brazil

While Black Lives Matter still resonates in the United States, the movement has also become a potent rallying call worldwide, with harsh police tactics and repressive state policies often breaking racial lines. In The Anti-Black City, Jaime Amparo Alves delves into the dynamics of racial violence in Brazil, where poverty, unemployment, residential segregation, and a biased criminal justice system create urban conditions of racial precarity. 

The Anti-Black City provocatively offers race as a vital new lens through which to view violence and marginalization in the supposedly “raceless” São Paulo. Ironically, in a context in which racial ambiguity makes it difficult to identify who is black and who is white, racialized access to opportunities and violent police tactics establish hard racial boundaries through subjugation and death. Drawing on two years of ethnographic research in prisons and neighborhoods on the periphery of this mega-city, Alves documents the brutality of police tactics and the complexity of responses deployed by black residents, including self-help initiatives, public campaigns against police violence, ruthless gangs, and self-policing of communities.

The Anti-Black City reveals the violent and racist ideologies that underlie state fantasies of order and urban peace in modern Brazil. Illustrating how “governing through death” has become the dominant means for managing and controlling ethnic populations in the neoliberal state, Alves shows that these tactics only lead to more marginalization, criminality, and violence. Ultimately, Alves’s work points to a need for a new approach to an intractable problem: how to govern populations and territories historically seen as “ungovernable.”

Originally published in 1939, this book was the first objective study of the anti-Chinese movement in the Far West, a subject that is as much a part of the history of California as the mission period or the gold rush. Some historians of the Asian American experience consider it to be, more than half a century later, the most satisfactory work on the subject.
 

Jeanne Favret-Saada is arguably one of France’s most brilliant anthropologists, and The Anti-Witch is nothing less than a masterpiece. A synthesis of ethnographic theory and psychoanalytic revelation, where the line between researcher and subject is blurred—if not erased—The Anti-Witch develops the contours of an anthropology of therapy, while deeply engaging with what it means to be caught in the logic of witchcraft. Through an intimate and provocative sharing of the ethnographic voice with Madame Flora, a “dewitcher,” Favret-Saada delivers a critical challenge to some of anthropology’s fundamental concepts.

Sure to be of interest to practitioners of psychoanalysis as well as to anthropologists, The Anti-Witch will bring a new generation of scholars into conversation with the work of a truly innovative thinker.

In The Antigay Agenda, Didi Herman probes the values, beliefs, and rhetoric of the organizations of the Christian Right. Tracing the emergence of their antigay agenda, Herman explores how and why these groups made antigay activity a top priority, and how it relates to their political history.

"A penetrating analysis of the Christian Right's antigay agenda and of how that agenda is derived from the Christian Right's peculiar vision of American history and the Christian faith."—Rev. Peter J. Gomes, Boston Book Review

"Public intellectualism at its best. . . . A comprehensive summary of the conservative Protestant worldview."—Michael Joseph Gross, Boston Phoenix Literary Section

"Presents considerable information not previously part of the nation's political discourse. . . . [Herman] dissects the Christian Right's antigay stance dispassionately giving, as it were, the devil his due. For anyone on either side of this passionate and important conflict, that is an impressive accomplishment."—Hastings Wyman, Jr., Washington Post Book World

Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the “apartment plot,” her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based. Wojcik suggests that the apartment plot presents a philosophy of urbanism related to the theories of Jane Jacobs and Henri Lefebvre. Urban apartments were important spaces for negotiating gender, sexuality, race, and class in mid-twentieth-century America.

The Apotheosis of Janaab' Pakal takes up anew the riddles within a number of Maya hieroglyphic inscriptions first recognized by Floyd Lounsbury. Gerardo Aldana unpacks these mathematical riddles using an approach grounded in a reading of the texts made possible by recent advances in decipherment. Using a history of science methodology, he expands upon (and sometimes questions) the foundational work of archaeoastronomers.

Aldana follows three lines of investigation: a reading of the hieroglyphic inscriptions of the Classic period (a.d. 250-900), mathematical analysis to recover Classic Maya astronomical practice, and a historiography of Maya astronomy. Quoted hieroglyphs appear throughout the text for cross-examination. Aldana reveals the social and political context of Maya astronomy by explicating the science and calendrical calculations found in the tablets of the Temple of Inscriptions and the Cross Group from the city of Palenque. He offers a compelling interpretation of an 819-day count, demonstrating its utility as an astronumerological tool that Maya scribes used to simplify complex calculations.

During troubled times in Palenque, Aldana contends, Kan Balam II devised a means to preserve the legitimacy of his ruling dynasty. He celebrated a re-creation of the city as a contemporary analogue of a mythical Creation on three levels: monumental construction for a public audience, artistic patronage for an elite audience, and a secret mathematical astronomical language only for rulers-elect. Discussing all of these efforts, Aldana focuses on the recovery of the secret language and its historical context.

The Arapaho Language is the definitive reference grammar of an endangered Algonquian language. Arapaho differs strikingly from other Algonquian languages, making it particularly relevant to the study of historical linguistics and the evolution of grammar. Andrew Cowell and Alonzo Moss Sr. document Arapaho's interesting features, including a pitch-based accent system with no exact Algonquian parallels, radical innovations in the verb system, and complex contrasts between affirmative and non-affirmative statements.

Cowell and Moss detail strategies used by speakers of this highly polysynthetic language to form complex words and illustrate how word formation interacts with information structure. They discuss word order and discourse-level features, treat the special features of formal discourse style and traditional narratives, and list gender-specific particles, which are widely used in conversation. Appendices include full sets of inflections for a variety of verbs.

Arapaho is spoken primarily in Wyoming, with a few speakers in Oklahoma. The corpus used in The Arapaho Language spans more than a century of documentation, including multiple speakers from Wyoming and Oklahoma, with emphasis on recent recordings from Wyoming. The book cites approximately 2,000 language examples drawn largely from natural discourse - either recorded spoken language or texts written by native speakers.

With The Arapaho Language, Cowell and Moss have produced a comprehensive document of a language that, in its departures from its nearest linguistic neighbors, sheds light on the evolution of grammar.

Iowa has the reputation of being one big corn field, so you may be surprised to learn it boasts a rich crop of recorded archaeological sites as well—approximately 27,000 at last count. Some are spectacular, such as the one hundred mounds at Sny Magill in Effigy Mounds National Monument, while others consist of old abandoned farmsteads or small scatters of prehistoric flakes and heated rocks. Untold numbers are completely gone or badly disturbed—destroyed by plowing, erosion, or development.

Fortunately, there are many sites open to the public where the remnants of the past are visible, either in their original location or in nearby museum exhibits. Few things are more inspiring than walking among the Malchow Mounds, packed so tightly it is hard to tell where one ends and the other begins. Strolling around downtown Des Moines is a lot more interesting when you are aware of the mounds, Indian villages, and the fort that once stood there. And, although you can’t visit the Wanampito site, you can see the splendid seventeenth-century artifacts excavated from it at Heery Woods State Park.

For people who want to experience Iowa’s archaeological heritage first hand, this one-of-a-kind guidebook shows the way to sixty-eight important sites. Many are open to visitors or can be seen from a public location; others, on private land or no longer visible on the landscape, live on through artifact displays. The guide also includes a few important sites that are not open to visitors because these places have unique stories to tell. Sites of every type, from every time period, and in every corner of the state are featured. Whether you have a few hours to indulge your curiosity or are planning a road trip across the state, this guide will take you to places where Iowa’s deep history comes to life.

The tragic saga of the Donner Party has inspired both legend and scholarship ever since the survivors were rescued from the High Sierra snows in the spring of 1847. When archaeologist Donald L. Hardesty and four colleagues—a historian and three other archaeologists—turned their collective attention to the ordeal of the Donner Party, the result was an original and sometimes surprising new study of this pioneer group and their place in the history of overland migration. Now available for the first time in paperback, The Archaeology of the Donner Party combines the fruits of meticulous investigation of the Sierra Nevada sites with scientific analysis of artifacts discovered there and interpretation of the documents of the party and the memoirs of survivors. Through this interdisciplinary approach, Hardesty and his colleagues offer new insight into the ordeal of these ill-fated emigrants and demonstrate the vital role that archaeology can play in illuminating and expanding our understanding of historical events. Contributions by Michael Brodhead, Donald K. Grayson, Susan Lindstrom, and George L. Miller.

University of Utah Anthropological Paper No. 129

Swordfish Cave is a well-known rock art site located on Vandenberg Air Force Base in south central California. Named for the swordfish painted on its wall, the cave is a sacred Chumash site. It was under threat from various processes and required measures to conserve it. Nearly all of the cave’s interior was excavated to create a rock art viewing area. That effort revealed previously unknown rock art and made it possible to closely examine how early occupants used the space inside the cave. They identified three periods of human use, including an initial occupation around 3,550 years ago, an occupation about 660 years later, and a final Native American occupation that occurred much later, between A.D. 1787 and 1804. The discovery of tools used to make the pictographs linked the art to the two early occupations, pushing back the generally understood antiquity of rock art on California’s Central Coast by more than 2,000 years.
     Two aspects make this study unusual: datable materials associated with rock art and complete removal of cave deposits. Well illustrated with photographs, maps, and drawings of both the art itself and the excavations and materials revealed therein, the book presents a rare opportunity to directly link archaeology and rock art and to examine the spatial organization of prehistoric human habitation. 

Carved from cliffs and canyons, buried in desert rock and sand are pieces of the ancient past that beckon thousands of visitors every year to the American Southwest. Whether Montezuma Castle or a chunk of pottery, these traces of prehistory also bring archaeologists from all over the world, and their work gives us fresh insight and information on an almost day-to-day basis. Who hasn't dreamed of boarding a time machine for a trip into the past?

This book invites us to step into a Hohokam village with its sounds of barking dogs, children's laughter, and the ever-present grinding of mano on metate to produce the daily bread. Here, too, readers will marvel at the skills of Clovis elephant hunters and touch the lives of other ancestral people known as Mogollon, Anasazi, Sinagua, and Salado. Descriptions of long-ago people are balanced with tales about the archaeologists who have devoted their lives to learning more about "those who came before." Trekking through the desert with the famed Emil Haury, readers will stumble upon Ventana Cave, his "answer to a prayer." With amateur archaeologist Richard Wetherill, they will sense the peril of crossing the flooded San Juan River on the way to Chaco Canyon. Others profiled in the book are A. V. Kidder, Andrew Ellicott Douglass, Julian Hayden, Harold S. Gladwin, and many more names synonymous with the continuing saga of southwestern archaeology.

This book is an open invitation to general readers to join in solving the great archaeological puzzles of this part of the world. Moreover, it is the only up-to-date summary of a field advancing so rapidly that much of the material is new even to professional archaeologists. Lively and fast paced, the book will appeal to anyone who finds magic in a broken bowl or pueblo wall touched by human hands hundreds of years ago. For all readers, these pages offer a sense of adventure, that "you are there" stir of excitement that comes only with making new discoveries about the distant past.

The Archaeology of the Colorado Coalfield War Project has conducted archaeological investigations at the site of the Ludlow Massacre in Ludlow, Colorado, since 1996. With the help of the United Mine Workers of America and funds from the Colorado State Historical Society and the Colorado Endowment for the Humanities, the scholars involved have integrated archaeological finds with archival evidence to show how the everyday experiences of miners and their families shaped the strike and its outcome.The Archaeology of Class War weaves together material culture, documents, oral histories, landscapes, and photographs to reveal aspects of the strike and life in early twentieth-century Colorado coalfields unlike any standard documentary history. Excavations at the site of the massacre and the nearby town of Berwind exposed tent platforms, latrines, trash dumps, and the cellars in which families huddled during the attack. Myriad artifacts—from canning jars to a doll’s head—reveal the details of daily existence and bring the community to life.The Archaeology of Class War will be of interest to archaeologists, historians, and general readers interested in mining and labor history.

Water management, soil conservation, sustainable animal husbandry . . . because such socio-environmental challenges have been faced throughout history, lessons from the past can often inform modern policy. In this book, case studies from a wide range of times and places reveal how archaeology can contribute to a better understanding of humans' relation to the environment.

The Archaeology of Environmental Change shows that the challenges facing humanity today, in terms of causing and reacting to environmental change, can be better approached through an attempt to understand how societies in the past dealt with similar circumstances. The contributors draw on archaeological research in multiple regions—North America, Mesoamerica, Europe, the Near East, and Africa—from time periods spanning the Holocene, and from environments ranging from tropical forest to desert.
 

Through such examples as environmental degradation in Transjordan, wildlife management in East Africa, and soil conservation among the ancient Maya, they demonstrate the negative effects humans have had on their environments and how societies in the past dealt with these same problems. All call into question and ultimately refute popular notions of a simple cause-and-effect relationship between people and their environment, and reject the notion of people as either hapless victims of unstoppable forces or inevitable destroyers of natural harmony.
 

These contributions show that by examining long-term trajectories of socio-natural relationships we can better define concepts such as sustainability, land degradation, and conservation—and that gaining a more accurate and complete understanding of these connections is essential for evaluating current theories and models of environmental degradation and conservation. Their insights demonstrate that to understand the present environment and to manage landscapes for the future, we must consider the historical record of the total sweep of anthropogenic environmental change.
 

The first work to apply an events-based approach to the analysis of pivotal developments in the pre-Columbian Southeast

Across the social sciences, gradualist evolutionary models of historical dynamics are giving way to explanations focused on the punctuated and contingent “events” through which history is actually experienced. The Archaeology of Events is the first book-length work that systematically applies this new eventful approach to major developments in the pre-Columbian Southeast.
Traditional accounts of pre-Columbian societies often portray them as “cold” and unchanging for centuries or millennia. Events-based analyses have opened up archaeological discourse to the more nuanced and flexible idea of context-specific, rapidly transpiring, and broadly consequential historical “events” as catalysts of cultural change.

The Archaeology of Events, edited by Zackary I. Gilmore and Jason M. O’Donoughue, considers a variety of perspectives on the nature and scale of events and their role in historical change. These perspectives are applied to a broad range of archeological contexts stretching across the Southeast and spanning more than 7,000 years of the region’s pre-Columbian history. New data suggest that several of this region’s most pivotal historical developments, such as the founding of Cahokia, the transformation of Moundville from urban center to vacated necropolis, and the construction of Poverty Point’s Mound A, were not protracted incremental processes, but rather watershed moments that significantly altered the long-term trajectories of indigenous Southeastern societies.

In addition to exceptional occurrences that impacted entire communities or peoples, southeastern archaeologists are increasingly recognizing the historical importance of localized, everyday events, such as building a house, crafting a pot, or depositing shell. The essays collected by Gilmore and O’Donoughue show that small-scale events can make significant contributions to the unfolding of broad, regional-scale historical processes and to the reproduction or transformation of social structures.

The Archaeology of Events is the first volume to explore the archaeological record of events in the Southeastern United States, the methodologies that archaeologists bring to bear on this kind of research, and considerations of the event as an important theoretical concept.
 

Archaeology has been subjected to a wide range of misunderstandings of kinship theory and many of its central concepts. Demonstrating that kinship is the foundation for past societies’ social organization, particularly in non-state societies, Bradley E. Ensor offers a lucid presentation of kinship principles and theories accessible to a broad audience. He provides not only descriptions of what the principles entail but also an understanding of their relevance to past and present topics of interest to archaeologists. His overall goal is always clear: to illustrate how kinship analysis can advance archaeological interpretation and how archaeology can advance kinship theory.
 
The Archaeology of Kinship supports Ensor’s objectives: to demonstrate the relevance of kinship to major archaeological questions, to describe archaeological methods for kinship analysis independent of ethnological interpretation, to illustrate the use of those techniques with a case study, and to provide specific examples of how diachronic analyses address broader theory. As Ensor shows, archaeological diachronic analyses of kinship are independently possible, necessary, and capable of providing new insights into past cultures and broader anthropological theory. Although it is an old subject in anthropology, The Archaeology of Kinship can offer new and exciting frontiers for inquiry.
 
Kinship research in general—and prehistoric kinship in particular—is rapidly reemerging as a topical subject in anthropology. This book is a timely archaeological contribution to that growing literature otherwise dominated by ethnology.

In the broadest sense this book is concerned with describing and explaining how particular places contain the key elements necessary for understanding the social worlds constructed, maintained, and modified by those who once inhabited them. This is achieved through the investigation of biographical, topographic, geopolitical, ideological, cosmological, and mnemonic facets of place, beginning with processes of place making and continuing with the development of networks among and between places and broader landscapes.

Diverse spatial and temporal contexts in two culture areas--Mesoamerica and the Greater Southwest--serve as backdrops for nine chapters in which fourteen contributors show how place is an ideal starting point to begin unraveling the human past. Several authors further address the enduring significance of places of the past for contemporary peoples. Among the many strengths of this volume is the careful way in which powerful concepts, diverse lines of thought, and empirical models are integrated to reveal the multiple facets of meaningful places, and to illustrate ways in which places may be approached archaeologically, theoretically, and culturally. Ultimately, the book’s contributors champion the notion that place is a valid and useful analytical unit for describing, reconstructing, interpreting, and explaining the form, structure, and temporality of the meanings humans ascribe to their environment.