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383 books match the query 'Globalization' and 6 start with u

cover of Underglobalization: Beijing's Media Urbanism and the Chimera of Legitimacy

Underglobalization

Beijing's Media Urbanism and the Chimera of Legitimacy

Joshua Neves

Duke University Press, 2020

Despite China's recent emergence as a major global economic and geopolitical power, its association with counterfeit goods and intellectual property piracy has led many in the West to dismiss its urbanization and globalization as suspect or inauthentic. In Underglobalization Joshua Neves examines the cultural politics of the “fake” and how frictions between legality and legitimacy propel dominant models of economic development and political life in contemporary China. Focusing on a wide range of media technologies and practices in Beijing, Neves shows how piracy and fakes are manifestations of what he calls underglobalization—the ways social actors undermine and refuse to implement the specific procedures and protocols required by globalization at different scales. By tracking the rise of fake politics and transformations in political society, in China and globally, Neves demonstrates that they are alternate outcomes of globalizing processes rather than anathema to them.
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cover of United States of Banana: A Graphic Novel

United States of Banana

A Graphic Novel

Giannina Braschi and Joakim LindengrenEdited and with an introduction by Amanda M. Smith and Amy Sheeran

The Ohio State University Press, 2021

“I was a monument to immigration—now I’m a border control cop.” So admits the Statue of Liberty in Giannina Braschi’s United States of Banana, a rollicking and nakedly political allegory of US imperialism and Puerto Rican independence. Illustrated by Swedish comic book artist Joakim Lindengren and based on Braschi’s epic manifesto by the same title, the story takes us along on the madcap adventures of Zarathustra, Hamlet, and Giannina herself as they rescue the Puerto Rican prisoner Segismundo from under the skirt of the Statue of Liberty. Throughout their quest, the characters debate far-ranging political and philosophical subjects, spanning terrorism, global warming, mass incarceration, revolution, and love. The Marx Brothers, Pablo Neruda, Barack Obama, Disney characters and more make appearances in this stirring call to overthrow empire, liberate the imprisoned masses, and build a new country rooted in friendship, art, poetry, and laughter.
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cover of United States–Latin American Relations, 1850–1903: Establishing a Relationship

United States–Latin American Relations, 1850–1903

Establishing a Relationship

Edited by Thomas M. Leonard

University of Alabama Press, 1999

United States–Latin American Relations, 1850–1903 is a collection of essays that provide an in-depth analysis of the developing relationship between the Americas during the critical period from the Mexican War to the Panama Canal treaty of 1903.

During the second half of the 19th century several forces in the United States, Latin America, and Europe converged to set the stage for the establishment of a more permanent relationship between the United States and Latin America. The key factors--security, economics, and modernization--created both commonalities and conflicts between and among regions. In this volume, scholars examine not only the domestic but also the geopolitical forces that encouraged and guided development of diplomatic relations in this rapidly changing period.

As the contributors note, by the end of the century, economic interests dominated the relationship that eventually developed. This period saw the building of a string of U.S. naval bases in Latin America and the Caribbean, the rapid industrialization of the United States and the development of a substantial export market, the entrance of many U.S. entrepreneurs into Latin American countries, and the first two inter-American conferences. By the century's end, the United States appeared as the dominant partner in the relationship, a perception that earned it the "imperialist" label.

This volume untangles this complex relationship by examining U.S. relations with Mexico, Cuba, Colombia, Central America, Peru, Argentina, Chile, Brazil, Uruguay, and Paraguay from the perspective of both the United States and the individual Latin American countries.

A companion volume to United States-Latin American Relations, 1800-1850: The Formative Generations, edited by T. Ray Shurbutt, this book establishes a historical perspective crucial to understanding contemporary diplomatic relations.


 

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cover of Untapped: Exploring the Cultural Dimensions of Craft Beer

Untapped

Exploring the Cultural Dimensions of Craft Beer

Nathaniel G. Chapman

West Virginia University Press, 2017

Untapped collects twelve previously unpublished essays that analyze the rise of craft beer from social and cultural perspectives.

In the United States, the United Kingdom, and Western Europe there has been exponential growth in the number of small independent breweries over the past thirty years – a reversal of the corporate consolidation and narrowing of consumer choice that characterized much of the twentieth century. While there are legal and policy components involved in this shift, the contributors to Untapped ask broader questions. How does the growth of craft beer connect to trends like the farm-to-table movement, gentrification, the rise of the “creative class,” and changing attitudes toward both cities and farms? How do craft beers conjure history, place, and authenticity? At perhaps the most fundamental level, how does the rise of craft beer call into being new communities that may challenge or reinscribe hierarchies based on gender, class, and race?
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cover of Untimely Bollywood: Globalization and India's New Media Assemblage

Untimely Bollywood

Globalization and India's New Media Assemblage

Amit S. Rai

Duke University Press, 2009

Known for its elaborate spectacle of music, dance, costumes, and fantastical story lines, Bollywood cinema is a genre that foregrounds narrative rupture, indeterminacy, and bodily sensation. In Untimely Bollywood, Amit S. Rai argues that the fast-paced, multivalent qualities of contemporary Bollywood cinema are emblematic of the changing conditions of media consumption in a globalizing India. Through analyses of contemporary media practices, Rai shifts the emphasis from a representational and linear understanding of the effects of audiovisual media to the multiple, contradictory, and evolving aspects of media events. He uses the Deleuzian concept of assemblage as a model for understanding the complex clustering of technological, historical, and physical processes that give rise to contemporary media practices. Exploring the ramifications of globalized media, he sheds light on how cinema and other popular media organize bodies, populations, and spaces in order to manage the risky excesses of power and sensation and to reinforce a liberalized postcolonial economy.

Rai recounts his experience of attending the first showing of a Bollywood film in a single-screen theater in Bhopal: the sensory experience of the exhibition space, the sound system, the visual style of the film, the crush of the crowd. From that event, he elicits an understanding of cinema as a historically contingent experience of pleasure, a place where the boundaries of identity and social spaces are dissolved and redrawn. He considers media as a form of contagion, endlessly mutating and spreading, connecting human bodies, organizational structures, and energies, thus creating an inextricable bond between affect and capital. Expanding on the notion of media contagion, Rai traces the emerging correlation between the postcolonial media assemblage and capitalist practices, such as viral marketing and the development of multiplexes and malls in India.

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cover of Utopia and Cosmopolis: Globalization in the Era of American Literary Realism

Utopia and Cosmopolis

Globalization in the Era of American Literary Realism

Thomas Peyser

Duke University Press, 1998

When did Americans first believe they were at the center of a truly global culture? How did they envision that culture and how much do recent attitudes toward globalization owe to their often utopian dreams? In Utopia and Cosmopolis Thomas Peyser asks these and other questions, offers a reevaluation of American literature and culture at the dawn of the twentieth century, and provides a new context for understanding contemporary debates about America’s relation to the rest of the world.
Applying current theoretical work on globalization to the writing of authors as diverse as Edward Bellamy, Charlotte Perkins Gilman, William Dean Howells, and Henry James, Peyser reveals the ways in which turn-of-the-century American writers struggled to understand the future in a newly emerging global community. Because the pressures of globalization at once fostered the formation of an American national culture and made national culture less viable as a source of identity, authors grappled to find a form of fiction that could accommodate the contradictions of their condition. Utopia and Cosmopolis unites utopian and realist narratives in subtle, startling ways through an examination of these writers’ aspirations and anxieties. Whether exploring the first vision of a world brought together by the power of consumer culture, or showing how different cultures could be managed when reconceived as specimens in a museum, this book steadily extends the horizons within which late nineteenth- and early twentieth-century American literature and culture can be understood.
Ranging widely over history, politics, philosophy, and literature, Utopia and Cosmopolis is an important contribution to debates about utopian thought, globalization, and American literature.
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