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Unfinished Gestures presents the social and cultural history of courtesans in South India who are generally called devadasis, focusing on their encounters with colonial modernity in the nineteenth and early twentieth centuries. Following a hundred years of vociferous social reform, including a 1947 law that criminalized their lifestyles, the women in devadasis communities contend with severe social stigma and economic and cultural disenfranchisement. Adroitly combining ethnographic fieldwork with historical research, Davesh Soneji provides a comprehensive portrait of these marginalized women and unsettles received ideas about relations among them, the aesthetic roots of their performances, and the political efficacy of social reform in their communities.

 

Poignantly narrating the history of these women, Soneji argues for the recognition of aesthetics and performance as a key form of subaltern self-presentation and self-consciousness. Ranging over courtly and private salon performances of music and dance by devadasis in the nineteenth century, the political mobilization of devadasis identity in the twentieth century, and the post-reform lives of women in these communities today, Unfinished Gestures charts the historical fissures that lie beneath cultural modernity in South India.

The contradictions of modernization run through the whole of modern Chinese history. The abundance of manufactured goods being sold in the West attests to China's industrial revolution, but this capitalist vision of 'utopia' sits uneasily with traditional Chinese values. It is also in conflict with the socialism that has been the bedrock of Chinese society since the foundation of the People's Republic in 1949.

Utopia and Modernity in China examines the conflicts inherent in China's attempt to achieve a 'utopia' by advancing production and technology. Through the lenses of literature, arts, law, the press and the environment, the contributors interrogate the contradictions of modernization in Chinese society and its fundamental challenges.

By unpicking both China's vision of utopia and its realities and the increasing tension between traditional Chinese values and those of the West, this book offers a unique insight into the cultural forces that are part of reshaping today's China.