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“A wonderfully rich and insightful collection of well-integrated essays on important current thinkers and social movements.” -Martin Jay
University of California, Berkeley

Unruly Practices brings together a series of widely discussed essays in feminism and social theory.  Read together, they constitute a sustained critical encounter with leading European and American approaches to social theory.  In addition, Nancy Fraser develops a new and original socialist-feminist critical theory that overcomes many of the limitations of current alternatives.  First, in a series of critical essays, she deploys philosophical and literary techniques to sort the wheat from the chaff in the work of Michel Foucault, the French deconstructionists, Richard Rorty, and Jurgen Habermas.  Then, in a group of constructive essays, she incorporates their respective strengths in a new critical theory of late-capitalist political culture.

Fraser breaks new ground methodologically by integrating the previously divergent insights of poststructuralism, critical social theory, feminist theory, and pragmatism.  Thematically, she deals with varied forms of dominance and subordination in modern, industrial, late-capitalist societies - especially gender dominance and subordination; state-bureaucratic forms of organization; the institutional politics of knowledge and expertise; and the structure and function of social-welfare programs.  In the last section of the book, these themes are integrated in an original theory of “the politics of need interpretation.”  This concept becomes the linchpin of he socialist-feminist critical theory proposed in the last chapter.

In Unseen Art, Claudia Brittenham unravels one of the most puzzling phenomena in Mesoamerican art history: why many of the objects that we view in museums today were once so difficult to see. She examines the importance that ancient Mesoamerican people assigned to the process of making and enlivening the things we now call art, as well as Mesoamerican understandings of sight as an especially godlike and elite power, in order to trace a gradual evolution in the uses of secrecy and concealment, from a communal practice that fostered social memory to a tool of imperial power.

Addressing some of the most charismatic of all Mesoamerican sculptures, such as Olmec buried offerings, Maya lintels, and carvings on the undersides of Aztec sculptures, Brittenham shows that the creation of unseen art has important implications both for understanding status in ancient Mesoamerica and for analyzing art in the present. Spanning nearly three thousand years of the Indigenous art of Mexico, Guatemala, Honduras, and Belize, Unseen Art connects the dots between vision, power, and inequality, providing a critical perspective on our own way of looking.

A CHOICE 2025 Outstanding Academic Title

Finalist for the 2025 New England Society Book Awards

Henry David Thoreau’s life-long fascination with Native Americans is widely known and a recurring topic of interest, and it is also a source of modern debate. This is a figure who both had a deep interest in Native American history and culture and was seen by many of his contemporaries, including Ralph Waldo Emerson and Nathaniel Hawthorne, as “more like an Indian” than his white neighbors. At the same time, Thoreau did little to protest the systematic dispossession of Indigenous people across the country in his lifetime. John J. Kucich charges into this contradiction, considering how Thoreau could demonstrate deep respect for Native American beliefs on one hand and remain largely silent about their genocide, actively happening throughout his life, on the other. Thoreau’s long study of Native peoples, as reflected in so much of his writing, allowed him to glimpse an Indigenous worldview, but it never fully freed him from the blind spots of settler colonialism.

Drawing on Indigenous studies and critiques of settler colonialism, as well as new materialist approaches that illustrate Thoreau’s radical reimagining of the relationship between humans and the natural world, Unsettling Thoreau explores the stakes of Thoreau’s effort to live mindfully and ethically in place when living alongside, or replacing marginalized peoples. By examining the whole scope of his writings, including the unpublished Indian Notebooks, and placing them alongside Native writers and communities in and beyond New England, this book gauges Thoreau’s effort to use Indigenous knowledge to reimagine a settler colonial world, without removing him from its trappings.

Urban life has long intrigued Indigenous Amazonians, who regard cities as the locus of both extraordinary power and danger. Modern and ancient cities alike have thus become models for the representation of extreme alterity under the guise of supernatural enchanted cities. This volume seeks to analyze how these ambiguous urban imaginaries—complex representations that function as cognitive tools and blueprints for social action—express a singular view of cosmopolitical relations, how they inform and shape forest-city interactions, and the history of how they came into existence.

Featuring analysis from historical, ethnological, and philosophical perspectives, contributors seek to explain the imaginaries’ widespread diffusion, as well as their influence in present-day migration and urbanization. Above all, it underscores how these urban imaginaries allow Indigenous Amazonians to express their concerns about power, alterity, domination, and defiance.

Contributors
Natalia Buitron
Philippe Erikson
Emanuele Fabiano
Fabiana Maizza
Daniela Peluso
Fernando Santos-Granero
Pirjo Kristiina Virtanen
Robin M. Wright