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A comprehensive overview of the controversy surrounding Hitler’s Willing Executioners.

Few if any books of the past fifty years have moved a broad section of the German public to think about their country’s Nazi past as has Daniel Jonah Goldhagen’s Hitler’s Willing Executioners. The main argument of his book is that Germans committed the unthinkable acts of the Holocaust not because they were forced to but out of a deeply held conviction that killing Jews was morally just. Unwilling Germans? traces the intense and varied reception of a book that has created more heated debate than any other treatment of Germany’s genocidal past.

This volume is the second in the series Cold War Documentary Readers, a project of the US National Security Archive and the Cold War International History Project.

The volume is the first documented account of this early Cold War crisis from both sides of the Iron Curtain. Based on the recent unprecedented access to the once-closed archives of several member states of the Warsaw Pact, this collection of primary-source documents presents one of the most notorious events of post-war European history in a highly readable format.

Previously unreleased Kremlin records, once highly classified American documents, materials from the Soviet Foreign Ministry, and transcripts of internal East German Communist Party Politburo meetings in the days leading to the uprising in the German Democratic Republic (GDR) are among the highlights of this sensational documentary.

In this volume, as in the previous one in the series, each part is preceded by a detailed introductory essay to provide the necessary historical and political context. The individual documents are introduced by short headnotes summarizing the contents and orienting the reader. A chronology, glossary and bibliography offer further background information.

The archaeology of four New Orleans neighborhoods that were replaced by public housing projects

Uprooted: Race, Public Housing, and the Archaeology of Four Lost New Orleans Neighborhoods uses archaeological research on four neighborhoods that were razed during the construction of public housing in World War II–era New Orleans. Although each of these neighborhoods was identified as a “slum” historically, the material record challenges the simplicity of this designation. D. Ryan Gray provides evidence of the inventiveness of former residents who were marginalized by class, color, or gender and whose everyday strategies of survival, subsistence, and spirituality challenged the city’s developing racial and social hierarchies.

These neighborhoods initially appear to have been quite distinct, ranging from the working-class Irish Channel, to the relatively affluent Creole of Color–dominated Lafitte area, to the former location of Storyville, the city’s experiment in semilegal prostitution. Archaeological and historical investigations suggest that race was the crucial factor in the areas’ selection for clearance. Each neighborhood manifested a particular perceived racial disorder, where race intersected with ethnicity, class, or gender in ways that defied the norms of Jim Crow segregation.

Gray’s research makes use of both primary documents—including census records, city directories, and even the brothel advertising guides called “Blue Books”—and archaeological data to examine what this entailed at a variety of scales, reconstructing narratives of the households and communities affected by clearance. Public housing, both in New Orleans and elsewhere, imposed a new kind of control on urban life that had the effect of making cities both more segregated and less equal. The story of the neighborhoods that were destroyed provides a reminder that their erasure was not an inevitable outcome, and that a more equitable and just city is still possible today. A critical examination of the rise of public housing helps inform the ongoing debates over its demise, especially in light of the changing face of post-Katrina New Orleans.
 

Traditional interpretations of the 1950s have emphasized how American anti-communists deployed censorship and the blacklist to silence dissent, particularly in the realm of foreign policy. Yet those efforts at repression did not always succeed. Throughout the early years of the Cold War, a significant number of writers and performers continued to express controversial views about international relations in Hollywood films, through the new medium of television, on the Broadway stage, and from behind the scenes.

By promoting superpower cooperation, decolonization, nuclear disarmament, and other taboo causes, dissident artists such as Lillian Hellman, Arthur Miller, Rod Serling, Dalton Trumbo, Reginald Rose, and Paddy Chayefsky managed both to stretch the boundaries of Cold War ideology and to undermine some of its basic assumptions. Working at times under assumed names and in some cases outside the United States, they took on the role of informal diplomats who competed with Washington in representing America to the world. 

Ironically, the dissidents' international appeal eventually persuaded the U.S. foreign policy establishment that their unconventional views could be an asset in the Cold War contest for “hearts and minds,” and their artistic work an effective means to sell American values and culture abroad. By the end of the 1950s, the Eisenhower administration not only appropriated the work of these talented artists but enlisted some of them to serve as official voices of Cold War cultural diplomacy.

An unstructured genre that blends high aesthetic standards with nonfiction commentary, the journalistic crónica, or chronicle, has played a vital role in Latin American urban life since the nineteenth century. Drawing on extensive archival research, Viviane Mahieux delivers new testimony on how chroniclers engaged with modernity in Mexico City, Buenos Aires, and São Paulo during the 1920s and 1930s, a time when avant-garde movements transformed writers' and readers' conceptions of literature. Urban Chroniclers in Modern Latin America: The Shared Intimacy of Everyday Life examines the work of extraordinary raconteurs Salvador Novo, Cube Bonifant, Roberto Arlt, Alfonsina Storni, and Mário de Andrade, restoring the original newspaper contexts in which their articles first emerged.

Each of these writers guided their readers through a constantly changing cityscape and advised them on matters of cultural taste, using their ties to journalism and their participation in urban practice to share accessible wisdom and establish their role as intellectual arbiters. The intimate ties they developed with their audience fostered a permeable concept of literature that would pave the way for overtly politically engaged chroniclers of the 1960s and 1970s. Providing comparative analysis as well as reflection on the evolution of this important genre, Urban Chroniclers in Modern Latin America is the first systematic study of the Latin American writers who forged a new reading public in the early twentieth century.

Forges a new understanding of how these two Lusophone nations are connected

The closely entwined histories of Portugal and Brazil remain key references for understanding developments—past and present—in either country. Accordingly, Fernando Arenas considers Portugal and Brazil in relation to one another in this exploration of changing definitions of nationhood, subjectivity, and utopias in both cultures. Examining the two nations’s shared language and histories as well as their cultural, social, and political points of divergence, Arenas pursues these definitive changes through the realms of literature, intellectual thought, popular culture, and political discourse.