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1566 books match the query 'Christianity' and 10 start with v

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Vardis Fisher

Michael Austin

University of Illinois Press, 2021

Raised by devout Mormon parents, Vardis Fisher drifted from the faith after college. Yet throughout his long career, his writing consistently reflected Mormon thought. Beginning in the early 1930s, the public turned to Fisher's novels like Children of God to understand the increasingly visible Church of Jesus Christ of Latter-day Saints. His striking works vaulted him into the same literary tier as William Faulkner while his commercial success opened the New York publishing world to many of the founding figures in the Mormon literary canon. Michael Austin looks at Fisher as the first prominent American author to write sympathetically about the Church and examines his work against the backdrop of Mormon intellectual history.

Engrossing and enlightening, Vardis Fisher illuminates the acclaimed author's impact on Mormon culture, American letters, and the literary tradition of the American West.

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Victim of History

Cardinal Mindszenty, a biography

Margit Balogh

Catholic University of America Press, 2022

“Victim of history,” “a martyr from behind the Iron Curtain,” “the Hungarian Gandhi” – these are just some of the epithets which people used to describe Cardinal Mindszenty, archbishop of Esztergom, who was the last Hungarian prelate to use the title of prince primate. Today, Mindszenty has been forgotten in most countries except for Hungary, but when he died in 1975, he was known all over the world as a symbol of the struggle of the Catholic Church against communism. Cardinal Mindszenty held the post of archbishop of Esztergom from 1945 until 1974, but during this period of almost three decades he served barely four years in office. The political police arrested him on December 26, 1948, and the Budapest People’s Court subsequently sentenced him to life imprisonment. Based on the Stalinist practice of show trials, one of the accusations against Mindszenty, referring to his legitimist leanings, was his alleged attempt to re-establish Habsburg rule in Hungary. He regained freedom during the 1956 revolution but only for a few days. He was granted refuge by the US Embassy in Budapest between November 4, 1956 –September 28, 1971. In the fifteen years he spent at the American embassy enormous changes took place in the world while his personality remained frozen into the past. When in 1971 Pope Paul VI received the Hungarian foreign minister, he called Mindszenty “the victim of history”. His last years were spent free at last, but far away from his homeland. In Hungary, the Catholic believers eagerly await his beatification.

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Victorian Sacrifice

Ilana M. Blumberg

The Ohio State University Press, 2013

In Victorian Sacrifice: Ethics and Economics in Mid-Century Novels, Ilana Blumberg offers a major reconsideration of the central Victorian ethic of self-sacrifice, suggesting that much of what we have taken to be the moral psychology of Victorian fiction may be understood in terms of the dramatic confrontation between Christian theology and the world of modern economic theory. As Victorian writers Charlotte Mary Yonge, Charles Dickens, George Eliot, Anthony Trollope, Wilkie Collins, and Mary Augusta Ward strove to forge a practicable ethics that would reconcile the influences of an evangelical Christianity and its emphasis on selfless charity with the forces of laissez-faire capitalism and its emphasis on individual profit, they moved away from the cherished ideal of painful, solitary self-sacrifice in service of another’s good. Instead, Blumberg suggests, major novelists sought an ethical realism characterized by the belief that virtuous action could serve the collective benefit of the parties involved. At a mid-century moment of economic optimism, novelists transformed the ethical landscape by imagining what the sociologist Herbert Spencer would later call a “measured egoism,” an ethically responsible self-concern which might foster communal solidarity and material abundance.

Bringing the recent literary turns to ethics and to economics into mutual conversation, Blumberg offers us a new lens on a matter as pressing today as 150 years ago: the search for an ethics adequate to the hopes and fears of a new economy.

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Vida y muerte de San Cristóbal

Juan de Benavides

Arizona Center for Medieval and Renaissance Studies, 2020

As the patron of travelers, Saint Christopher inspired one of the most popular cults in the medieval era, which spread across Europe and especially the Iberian Peninsula. Artistic renderings of the saint were found near the doors of most Spanish Gothic churches, and paratheatrical representations of Saint Christopher were also commonplace in religious processions. His conversion and martyrdom were often staged between the fifteenth and early eighteenth centuries.

In the theater, Juan de Benavides’s Vida y muerte de San Cristóbal is one of two known comedias dealing with the saint, but it was heavily censored after its premiere. The immense popularity of St. Christopher and other primitive saints first drew the attention of the Council of Trent in the mid-1500s, when the Catholic Church attempted to suppress the influence of the earlier saints due to their fantastical nature. The stories of these saints were censored, rewritten or even omitted in the post-Tridentine martyrologies. This publication is the first critical edition of the only extant copy of Benavides’s playscript. The circumstances surrounding Benavides’s play continue a dialogue about such important topics as censorship and the influence of the church over artistic production.

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Violence and Miracle in the Fourteenth Century

Private Grief and Public Salvation

Michael E. Goodich

University of Chicago Press, 1995

As war, pestilence, and famine spread through Europe in the Middle Ages, so did reports of miracles, of hopeless victims wondrously saved from disaster. These "rescue miracles," recorded by over one hundred fourteenth-century cults, are the basis of Michael Goodich's account of the miraculous in everyday medieval life.

Rescue miracles offer a wide range of voices rarely heard in medieval history, from women and children to peasants and urban artisans. They tell of salvation not just from the ravages of nature and war, but from the vagaries of a violent society—crime, unfair judicial practices, domestic squabbles, and communal or factional conflict. The stories speak to a collapse of confidence in decaying institutions, from the law to the market to feudal authority. Particularly, the miraculous escapes documented during the Hundred Years' War, the Italian communal wars, and other conflicts are vivid testimony to the end of aristocratic warfare and the growing victimization of noncombatants.

Miracles, Goodich finds, represent the transcendent and unifying force of faith in a time of widespread distress and the hopeless conditions endured by the common people of the Middle Ages. Just as the lives of the saints, once dismissed as church propaganda, have become valuable to historians, so have rescue miracles, as evidence of an underlying medieval mentalite. This work expands our knowledge of that state of mind and the grim conditions that colored and shaped it.

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Visions of Queer Martyrdom from John Henry Newman to Derek Jarman

Dominic Janes

University of Chicago Press, 2015

With all the heated debates around religion and homosexuality today, it might be hard to see the two as anything but antagonistic. But in this book, Dominic Janes reveals the opposite: Catholic forms of Christianity, he explains, played a key role in the evolution of the culture and visual expression of homosexuality and male same-sex desire in the nineteenth and twentieth centuries. He explores this relationship through the idea of queer martyrdom—closeted queer servitude to Christ—a concept that allowed a certain degree of latitude for the development of same-sex desire.
Janes finds the beginnings of queer martyrdom in the nineteenth-century Church of England and the controversies over Cardinal John Henry Newman’s sexuality. He then considers how liturgical expression of queer desire in the Victorian Eucharist provided inspiration for artists looking to communicate their own feelings of sexual deviance. After looking at Victorian monasteries as queer families, he analyzes how the Biblical story of David and Jonathan could be used to create forms of same-sex partnerships. Finally, he delves into how artists and writers employed ecclesiastical material culture to further queer self-expression, concluding with studies of Oscar Wilde and Derek Jarman that illustrate both the limitations and ongoing significance of Christianity as an inspiration for expressions of homoerotic desire.
Providing historical context to help us reevaluate the current furor over homosexuality in the Church, this fascinating book brings to light the myriad ways that modern churches and openly gay men and women can learn from the wealth of each other’s cultural and spiritual experience.

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Visions of Sodom

Religion, Homoerotic Desire, and the End of the World in England, c. 1550-1850

H. G. Cocks

University of Chicago Press, 2017

The book of Genesis records the fiery fate of Sodom and Gomorrah—a storm of fire and brimstone was sent from heaven and, for the wickedness of the people, God destroyed the cities “and all the plains, and all the inhabitants of the cities, and that which grew upon the ground.” According to many Protestant theologians and commentators, one of the Sodomites’ many crimes was homoerotic excess.

In Visions of Sodom, H. G. Cocks examines the many different ways in which the story of Sodom’s destruction provided a template for understanding homoerotic desire and behaviour in Britain between the Reformation and the nineteenth century. Sodom was not only a marker of sexual sins, but also the epitome of false—usually Catholic—religion, an exemplar of the iniquitous city, a foreshadowing of the world’s fiery end, an epitome of divine and earthly punishment, and an actual place that could be searched for and discovered. Visions of Sodom investigates each of these ways of reading Sodom’s annihilation in the three hundred years after the Reformation. The centrality of scripture to Protestant faith meant that Sodom’s demise provided a powerful origin myth of homoerotic desire and sexual excess, one that persisted across centuries, and retains an apocalyptic echo in the religious fundamentalism of our own time.

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Visits with the Amish

Impressions of the Plain Life

Linda Egenes

University of Iowa Press, 2000

Who are the “plain people,” the men and women who till their fields with horse and plow, travel by horse and buggy, live without electricity and telephones, and practice “help thy neighbor” in daily life? Linda Egenes visited with her Old Order Amish neighbors in southeast Iowa for thirteen years before writing this informative and companionable introduction to their lifeways.

Drawn to their slower pace of life and their resistance to the lures of a consumer society, Egenes found a warm welcome among the Amish, and in return she has given us an equally warm perspective on Amish family life as she experienced it. The Amish value harmony in family life above all, and Egenes found an abundance of harmony as she savored homemade ice cream in a kitchen where the refrigerator ran on kerosene, learned to milk a two-bucket cow, helped cook dinner for nine in a summer kitchen, spent the day in a one-room schoolhouse, and sang “The Hymn of Praise” in its original German at Sunday service.

Whether quilting at a weekly sewing circle above the Stringtown Grocery, playing Dutch Blitz and Dare Base with schoolchildren, learning the intricacies of harness making, or mulching strawberries in a huge garden, Egenes was treated with the kindness, respect, and dignity that exemplify the strong community ties of the Amish. Her engaging account of her visits with the Amish, beautifully illustrated with woodcuts by Caldecott Medal winner Mary Azarian, reveals the serene and peaceful ways of a plain people whose lives are anything but plain.

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Voicing the Mystery

An Introduction to the Q?ne Tradition of the Täwa??do Orthodox Churches

Calum A. Samuelson and Ralph Lee

Bridwell Press, 2026

This volume presents a new study of Qǝne, the extemporaneous sacred oral poetry of the Ethiopian and Eritrean Täwaḥǝdo churches. It discusses the technique of “Wax and Gold” used to compose Qǝne through which poets construct multilayered meaning using complex grammatical structures, polysemous vocabulary, and oblique allusions to texts and customs. The Introduction outlines the history of the Qǝne tradition, its liturgical function, and the challenges involved in understanding its multiple layers of meaning, and it provides a detailed account of the translation method developed for this study.

Aimed at both scholars of the Täwaḥǝdo tradition and a wider audience, this book exposes readers to an ancient poetic practice previously inaccessible without a comprehensive knowledge of Gǝʿǝz. The book introduces the new approach of Integrative Translation: each poem is presented through paired Plain and Poetic translations, enabling readers to perceive the branching meanings of the original Gǝʿǝz text and the diverse connections they evoke. A selection of fifteen qǝne poems is included, drawn from published collections compiled by notable traditional scholars of the churches, each featuring the Gǝʿǝz text and paired translations on facing pages.

Extensive annotations guide readers through the interpretive world in which Qǝne is composed, tracing the scriptural, liturgical, exegetical, hagiographical, and cultural sources that shape the tradition and illuminate the multiple meanings embedded in each poem. A Glossary also explains key terms and concepts. This is the first volume to make the Qǝne tradition accessible in English while preserving the distinctive multilayered character of the poetry.

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