3745 books match the query 'Europe' and 44 start with v

cover of Value Change in Global Perspective

Value Change in Global Perspective

Paul R. Abramson and Ronald Inglehart

University of Michigan Press, 1995

In this pioneering work, Paul R. Abramson and Ronald Inglehart show that the gradual shift
from Materialist values (such as the desire for economic and physical security) to Post-materialist values (such as the desire for freedom, self-expression, and the quality of life) is in all likelihood a global phenomenon. Value Change in Global Perspective analyzes over thirty years worth of national surveys in European countries and presents the most comprehensive and nuanced discussion of this shift to date. By paying special attention to the way generational replacement transforms values among mass publics, the authors are able to present a comprehensive analysis of the processes through which values change.
In addition, Value Change in Global Perspective analyzes the 1990-91 World Values Survey, conducted in forty societies representing over seventy percent of the world's population. These surveys cover an unprecedentedly broad range of the economic and political spectrum, with data from low-income countries (such as China, India, Mexico, and Nigeria), newly industrialized countries (such as South Korea) and former state-socialist countries in Eastern Europe and the former Soviet Union. This data adds significant new meaning to our understanding of attitude shifts throughout the world.
Value Change in Global Perspective has been written to meet the needs of scholars and students alike. The use of percentage, percentage differences, and algebraic standardization procedures will make the results easy to understand and useful in courses in comparative politics and in public opinion.
Paul R. Abramson is Professor of Political Science, Michigan State University. Ronald Inglehart is Professor of Political Science and Program Director, Institute for Social Research, University of Michigan.
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cover of Value in Art: Manet and the Slave Trade

Value in Art

Manet and the Slave Trade

Henry M. Sayre

University of Chicago Press, 2022

Art historian Henry M. Sayre traces the origins of the term “value” in art criticism, revealing the politics that define Manet’s art.

How did art critics come to speak of light and dark as, respectively, “high in value” and “low in value”? Henry M. Sayre traces the origin of this usage to one of art history’s most famous and racially charged paintings, Édouard Manet’s Olympia.

Art critics once described light and dark in painting in terms of musical metaphor—higher and lower tones, notes, and scales. Sayre shows that it was Émile Zola who introduced the new “law of values” in an 1867 essay on Manet. Unpacking the intricate contexts of Zola’s essay and of several related paintings by Manet, Sayre argues that Zola’s usage of value was intentionally double coded—an economic metaphor for the political economy of slavery. In Manet’s painting, Olympia and her maid represent objects of exchange, a commentary on the French Empire’s complicity in the ongoing slave trade in the Americas.
 
Expertly researched and argued, this bold study reveals the extraordinary weight of history and politics that Manet’s painting bears. Locating the presence of slavery at modernism’s roots, Value in Art is a surprising and necessary intervention in our understanding of art history.
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cover of Vampire Nation: Violence as Cultural Imaginary

Vampire Nation

Violence as Cultural Imaginary

Tomislav Z. Longinovi

Duke University Press, 2011

Vampire Nation is a nuanced analysis of the cultural and political rhetoric framing ‘the serbs’ as metaphorical vampires in the last decades of the twentieth century, as well as the cultural imaginaries and rhetorical mechanisms that inform nationalist discourses more broadly. Tomislav Z. Longinović points to the Gothic associations of violence, blood, and soil in the writings of many intellectuals and politicians during the 1990s, especially in portrayals by the U.S.-led Western media of ‘the serbs’ as a vampire nation, a bloodsucking parasite on the edge of European civilization.

Interpreting oral and written narratives and visual culture, Longinović traces the early modern invention of ‘the serbs’ and the category’s twentieth-century transformations. He describes the influence of Bram Stoker’s nineteenth-century novel Dracula on perceptions of the Balkan region and reflects on representations of hybrid identities and their violent destruction in the works of the region’s most prominent twentieth-century writers. Concluding on a hopeful note, Longinović considers efforts to imagine a new collective identity in non-nationalist terms. These endeavors include the emigrant Yugoslav writer David Albahari’s Canadian Trilogy and Cyber-Yugoslavia, a mock nation-state with “citizens” in more than thirty countries.

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cover of Vandals to Visigoths: Rural Settlement Patterns in Early Medieval Spain

Vandals to Visigoths

Rural Settlement Patterns in Early Medieval Spain

Karen Eva Carr

University of Michigan Press, 2002

Though many argue that the fall of Rome around 400 C.E. had little effect on the rural poor of the western Mediterranean, Karen Eva Carr argues persuasively to the contrary. Vandals to Visigoths shows how the empire's collapse significantly transformed the lives of rural people. Even after the dust settled from the Germanic invasions, landscape archaeology shows the surviving rural population defending themselves in isolated hill-forts and cut off from the larger Mediterranean world.
Vandals to Visigoths uses archaeological survey data as a springboard to a theoretical discussion of rural survival strategies in the non-industrial world and the ways in which these strategies are affected by government actions. Carr draws on historical, archaeological, and ethnographic comparanda to conclude that the larger, more powerful Roman government was more advantageous for the rural poor than the weaker Vandal and Visigothic regimes. Though Carr agrees that the lives of the rural people and the free slaves were miserable, she shows through her data and theory that they became even more wretched after the decline of the empire.
Vandals to Visigoths will appeal to historians of Rome, as well as of Early Medieval Europe and Spain. Anthropologists, economists, and political scientists who study Late Antiquity and the medieval period will also be interested, as it discusses the broader implications of the role of government in the lives of early medieval Spain's subjects.
Karen Eva Carr is Associate Professor of History, Portland State University.
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cover of Varieties of Innovation Systems: The Governance of Knowledge Transfer in Europe

Varieties of Innovation Systems

The Governance of Knowledge Transfer in Europe

Michael Ortiz

Campus Verlag, 2013

This book investigates the governance structures and mechanisms of knowledge and technology transfer in the context of innovation and production systems in six regions of Europe. For that purpose, the author develops a new and innovative heuristic governance model of knowledge transfer systems. Against the assumption of far-reaching institutional coherence and homogeneity of national systems in existing scholarship, Michael Ortiz demonstrates that national innovation and production systems are regionally variegated. With analyses of strengths and weaknesses, barriers, shortcomings, and dilemmas of regional innovation and knowledge transfer systems, the book ultimately identifies best practice models and policy recommendations for the investigated regions. 
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cover of Vatican II Behind the Iron Curtain

Vatican II Behind the Iron Curtain

Piotr H. Kosicki

Catholic University of America Press, 2016

The goal of this volume is to begin writing Central and Eastern Europe back into the story of the Second Vatican Council, its origins, and its consequences. This volume assembles - for the first time in any language - a broad overview of the place of four different Communist-run countries - Czechoslovakia, Hungary, Poland, and Yugoslavia - in the story of the Council. Framing these is an account of how the Cold War impacted the Council and its reception. The book engages with both English-language scholarship and the national historiographies of the countries that it examines, offering a global lens on the present state of research (covering all relevant languages) and seeking to propel that research forward. All of the chapters draw on both non-English secondary literature and original primary sources - some published, some archival.
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cover of Vehicle of Influence: Building a European Car Market

Vehicle of Influence

Building a European Car Market

Roland Stephen

University of Michigan Press, 2000

This study examines a crucial period in European integration, ending in the early 1990s, when significant progress was made towards the dream of a unified European market. It shows how European automakers were part of these changes and how their influence within the institutions of the European Union (EU) yielded a wide range of policy compromises governing a single European car market.
The book begins by reviewing the history of the EU and the logic of regional free trade, and goes on to develop a political explanation for the kinds of changes that actually occurred. The author argues that European automakers enjoyed a privileged place in the political arena, albeit one much transformed by the new institutions of the EU. Therefore, these firms often significantly influenced regional policy outcomes. The argument is applied to policymaking in the important areas of environmental regulation, trade, subsidies, and anti-trust regulation.
This work lies at the intersection of business, economics, and political science and is of interest to both experts and non-specialists with an interest in the tremendous economic and political changes brought about by the creation of a united Europe and, more generally, by the worldwide process of regional economic integration. Academics, professionals, businessmen, and leaders in government all have something to learn from the way in which firms and governments combined to build the largest car market in the world.
Roland Stephen is Assistant Professor in the Department of Political Science, North Carolina State University.
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cover of Velocipedomania: A Cultural History of the Velocipede in France

Velocipedomania

A Cultural History of the Velocipede in France

Corry Cropper

Bucknell University Press, 2023

When blacksmith Pierre Michaux affixed pedals to the front axle of a two-wheeled scooter with a seat, he helped kick off a craze known as velocipedomania, which swept France in the late 1860s. The immediate forerunner of the bicycle, the velocipede similarly reflected changing cultural attitudes and challenged gender norms. 
 
Velocipedomania is the first in-depth study of the velocipede fad and the popular culture it inspired. It explores how the device was hailed as a symbol of France’s cutting-edge technological advancements, yet also marketed as an invention with a noble pedigree, born from the nation’s cultural and literary heritage. Giving readers a window into the material culture and enthusiasms of Second Empire France, it provides the first English translations of 1869’s Manual of the Velocipede, 1868’s Note on Monsieur Michaux’s Velocipede, and the 1869 operetta Dagobert and his Velocipede. It also reprints scores of rare images from newspapers and advertisements, analyzing how these magnificent machines captured the era’s visual imagination. By looking at how it influenced French attitudes towards politics, national identity, technology, fashion, fitness, and gender roles, this book shows how the short-lived craze of velocipedomania had a big impact. 
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cover of Venice

Venice

William H. McNeill

University of Chicago Press, 1974

In this magisterial history, National Book Award winner William H. McNeill chronicles the interactions and disputes between Latin Christians and the Orthodox communities of eastern Europe during the period 1081–1797. Concentrating on Venice as the hinge of European history in the late medieval and early modern period, McNeill explores the technological, economic, and political bases of Venetian power and wealth, and the city’s unique status at the frontier between the papal and Orthodox Christian worlds. He pays particular attention to Venetian influence upon southeastern Europe, and from such an angle of vision, the familiar pattern of European history changes shape.

“No other historian would have been capable of writing a book as direct, as well-informed and as little weighed down by purple prose as this one. Or as impartial. McNeill has succeeded admirably.”—Fernand Braudel, Times Literary Supplement

“The book is serious, interesting, occasionally compelling, and always suggestive.”—Stanley Chojnacki, American Historical Review

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cover of Venice For Lovers

Venice For Lovers

Louis Begley and Anka Muhlstein

Haus Publishing, 2003

Every year for the 30 they have been married, Louis Begley and Anka Mulhstein spend long, enjoyable months in Venice. They write and live there and, over the decades, La Serenissima has become their second home. The owners of their favourite restaurants have become their friends and they share the lives of the locals, far off the beaten tourist tracks, as Mulhstein describes so very charmingly in this book. Louis Begley tells the story of how he fell in love in and with Venice. He is not alone, as his brilliant literary essay on the city’s place in world literature demonstrates: Henry James, Marcel Proust and Thomas Mann are only some of his illustrious predecessors. Mulhstein and Begley’s Venice is a very private view of a place, which will forever inspire dreams of love and passion.
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cover of Venice and Rome

Venice and Rome

Jean-Paul Sartre

Seagull Books, 2021

A trio of short pieces on two cities of eternal magic, Venice and Rome.

Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions.
 
“Venice speaks to us; this false witness’s voice, shrill at times, whispering at others, broken by silences, is its voice.” In these three moving short pieces, we discover Sartre as a master stylist, lyrically describing his time in two bewitching eternal cities—Venice and Rome. “Antiquity,” Sartre writes, “is alive in Rome, with a hate-filled, magical life.”
 
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cover of Vertical Empire: The General Resettlement of Indians in the Colonial Andes

Vertical Empire

The General Resettlement of Indians in the Colonial Andes

Jeremy Ravi Mumford

Duke University Press, 2012

In 1569 the Spanish viceroy Francisco de Toledo ordered more than one million native people of the central Andes to move to newly founded Spanish-style towns called reducciones. This campaign, known as the General Resettlement of Indians, represented a turning point in the history of European colonialism: a state forcing an entire conquered society to change its way of life overnight. But while this radical restructuring destroyed certain aspects of indigenous society, Jeremy Ravi Mumford's Vertical Empire reveals the ways that it preserved others. The campaign drew on colonial ethnographic inquiries into indigenous culture and strengthened the place of native lords in colonial society. In the end, rather than destroying the web of Andean communities, the General Resettlement added another layer to indigenous culture, a culture that the Spaniards glimpsed and that Andeans defended fiercely.
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cover of Veto Power: Institutional Design in the European Union

Veto Power

Institutional Design in the European Union

Jonathan B. Slapin

University of Michigan Press, 2011

"This is a terrific book. The questions that Slapin asks about intergovernmental conferences (IGCs) in the European Union are extraordinarily important and ambitious, with implications for the EU and for international cooperation more generally. Furthermore, Slapin's theorizing of his core questions is rigorous, lucid, and accessible to scholarly readers without extensive formal modeling background . . . This book is a solid, serious contribution to the literature on EU studies."
---Mark Pollack, Temple University

"An excellent example of the growing literature that brings modern political science to bear on the politics of the European Union."
---Michael Laver, New York University

Veto rights can be a meaningful source of power only when leaving an organization is extremely unlikely. For example, small European states have periodically wielded their veto privileges to override the preferences of their larger, more economically and militarily powerful neighbors when negotiating European Union treaties, which require the unanimous consent of all EU members.

Jonathan B. Slapin traces the historical development of the veto privilege in the EU and how a veto---or veto threat---has been employed in treaty negotiations of the past two decades. As he explains, the importance of veto power in treaty negotiations is one of the features that distinguishes the EU from other international organizations in which exit and expulsion threats play a greater role. At the same time, the prominence of veto power means that bargaining in the EU looks more like bargaining in a federal system. Slapin's findings have significant ramifications for the study of international negotiations, the design of international organizations, and European integration.

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cover of Vichy and the Eternal Feminine: A Contribution to a Political Sociology of Gender

Vichy and the Eternal Feminine

A Contribution to a Political Sociology of Gender

Francine Muel-Dreyfus

Duke University Press, 2001

In this nuanced history of occupied France, Francine Muel-Dreyfus presents a powerful examination of the political and social construction of gender under the Vichy regime. Arguing that the regime used symbolic violence to reshape a liberal culture once based on individual rights into one of deference to hierarchical authority, Muel-Dreyfus shows how Vichy invoked theories of “natural” gender inequality and “eternal” opposition between the masculine and the feminine to justify women’s legal and social subordination, and how these ideologies were incorporated into the French woman’s sense of self.
Drawing on an extensive body of legislative, religious, educational, medical, and literary texts, Muel-Dreyfus examines how the Vichy regime brutally resurrected the gender politics that had been rejected during France’s social struggles in the 1930s. Strikingly, she reveals how this resurrection in turn fed into racial politics: childless women, for instance, and those who had abortions were construed—like Jews—as threats to France’s racial “purity.” With its atendant patterns of social inclusion and exclusion that were deeply rooted in the political and cultural history of the Third Republic, Muel-Dreyfus claims, a pervasive range of gendered metaphors helped to structure the very laws and policies of the Vichy regime.
The French language edition of this book was published in 1996 to wide acclaim. Contributing to theories about the role of gender in political philosophy, to the cultural anthropology of symbolic representation, and to our understanding of the history of fascism, Vichy and the Eternal Feminine will appeal to French, European, and twentieth-century historians; students and scholars of gender and racial studies; political scientists; and anthropologists.


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cover of Victim of History: Cardinal Mindszenty, a biography

Victim of History

Cardinal Mindszenty, a biography

Margit Balogh

Catholic University of America Press, 2022

“Victim of history,” “a martyr from behind the Iron Curtain,” “the Hungarian Gandhi” – these are just some of the epithets which people used to describe Cardinal Mindszenty, archbishop of Esztergom, who was the last Hungarian prelate to use the title of prince primate. Today, Mindszenty has been forgotten in most countries except for Hungary, but when he died in 1975, he was known all over the world as a symbol of the struggle of the Catholic Church against communism. Cardinal Mindszenty held the post of archbishop of Esztergom from 1945 until 1974, but during this period of almost three decades he served barely four years in office. The political police arrested him on December 26, 1948, and the Budapest People’s Court subsequently sentenced him to life imprisonment. Based on the Stalinist practice of show trials, one of the accusations against Mindszenty, referring to his legitimist leanings, was his alleged attempt to re-establish Habsburg rule in Hungary. He regained freedom during the 1956 revolution but only for a few days. He was granted refuge by the US Embassy in Budapest between November 4, 1956 –September 28, 1971. In the fifteen years he spent at the American embassy enormous changes took place in the world while his personality remained frozen into the past. When in 1971 Pope Paul VI received the Hungarian foreign minister, he called Mindszenty “the victim of history”. His last years were spent free at last, but far away from his homeland. In Hungary, the Catholic believers eagerly await his beatification.
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cover of Victoria County History of Cumbria: Kirkoswald and Renwick

Victoria County History of Cumbria

Kirkoswald and Renwick

Richard Brockington and with Sarah Rose

University of London Press, 2019

Kirkoswald and Renwick is the first parish history to be produced by the Cumbria County History Trust in collaboration with Lancaster University for the Victoria County History of Cumbria. Covering 30 square miles of agricultural land and moorland, the modern civil parish of Kirkoswald lies between the river Eden and the Pennine heights, on the western edge of the North Pennine Area of Outstanding Natural Beauty. Kirkoswald township, anciently a market and small industrial centre, lies nine miles north east of Penrith. Until 1566 Kirkoswald Castle was the principal seat of the powerful Barons Dacre of the North whose massive landholdings extended over six counties. In 1523 Lord Thomas Dacre translated St Oswald’s church, a pre-conquest foundation for which the village is named, to collegiate status, and after the Reformation the college became a gentleman's residence, acquired in 1611 by the Fetherstonhaugh family whose home it still is after 400 years and 11 generations of descent. The economy, largely dependent on agriculture, benefited for 600 years from Kirkoswald's role as a market and business centre, with some manufacturing (textiles, paper and timber) powered by the waters of the Raven Beck. From 1631 to about 1850 there was coal mining on the Pennine Edge (with associated lime-burning). In the 21st century the parish remains an unspoilt and beautiful corner of England, home to some 30 farms specialising in animal husbandry, and many retired people and commuters to Penrith and Carlisle. 
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cover of Victorian People: A Reassessment of Persons and Themes, 1851-67

Victorian People

A Reassessment of Persons and Themes, 1851-67

Asa Briggs

University of Chicago Press, 1975

This text looks at the people, ideas and events between the Great Exhibition of 1851 and the Second Reform Act of 1867. From "John Arthur Roebuck and the Crimean War", and "Samuel Smiles and the Gospel of Work" to "Thomas Hughes and the Public Schools" and "Benjanmin Disraeli and the Leap in the Dark", Asa Briggs provides an assessment of Victorian achievements; and in doing so conjures up an enviable picture of the progress and independence of the last century.

"For expounding this theme, this interaction of event and personality, Mr. Briggs is abundantly and happily endowed. He is always readable, often amusing, never facetious. He is widely read and widely interested. He has a sound historic judgment, and an unfailing sense for what is significant in the historic sequence and what is merely topical. . . . Above all, he is in sympathy with the age of which he is writing."—Times Literary Supplement
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cover of Victorian Poetry, Europe, and the Challenge of Cosmopolitanism

Victorian Poetry, Europe, and the Challenge of Cosmopolitanism

Christopher M. Keirstead

The Ohio State University Press, 2011

The scope and complexity of the encounter with Europe in Victorian poetry remains largely underappreciated despite recent critical attention to the genre’s global and transnational contexts. Providing much more than colorful settings or a convenient place of self-exile from England, Europe—as destination and idea—formed the basis of a dynamic, evolving form of critical cosmopolitanism much in tune with attempts to theorize the concept today. Christopher M. Keirstead’s Victorian Poetry, Europe, and the Challenge of Cosmopolitanism synthesizes the complex relationship between several notable Victorian poets, including Elizabeth Barrett Browning, Robert Browning, Matthew Arnold, and A. C. Swinburne, and their respective attitudes toward Europe as a cosmopolitan whole. Examining their international relationships and experiences, the monograph explores the ways in which these poets worked to reconcile their emotional and intellectual affinity for world citizenship with their British identity.

 
This book reveals how a diverse range of poets sought to resituate the form within a broad European political and cultural frame of reference. At the same time, a strong awareness of the difficulties of sustaining genuine, transformative contact between cultures permeates the work of these poets. The challenge of cosmopolitanism thus consisted not only in the threat it posed to entrenched assumptions about what was normative, natural, or universal but also in the challenge cosmopolitanism posed to itself.
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cover of Victorian Popularizers of Science: Designing Nature for New Audiences

Victorian Popularizers of Science

Designing Nature for New Audiences

Bernard Lightman

University of Chicago Press, 2007

The ideas of Charles Darwin and his fellow Victorian scientists have had an abiding effect on the modern world. But at the time The Origin of Species was published in 1859, the British public looked not to practicing scientists but to a growing group of professional writers and journalists to interpret the larger meaning of scientific theories in terms they could understand and in ways they could appreciate. Victorian Popularizers of Science focuses on this important group of men and women who wrote about science for a general audience in the second half of the nineteenth century.

Bernard Lightman examines more than thirty of the most prolific, influential, and interesting popularizers of the day, investigating the dramatic lecturing techniques, vivid illustrations, and accessible literary styles they used to communicate with their audience. By focusing on a forgotten coterie of science writers, their publishers, and their public, Lightman offers new insights into the role of women in scientific inquiry, the market for scientific knowledge, tensions between religion and science, and the complexities of scientific authority in nineteenth-century Britain.
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cover of Victorian Scientific Naturalism: Community, Identity, Continuity

Victorian Scientific Naturalism

Community, Identity, Continuity

Edited by Gowan Dawson and Bernard Lightman

University of Chicago Press, 2014

Victorian Scientific Naturalism examines the secular creeds of the generation of intellectuals who, in the wake of The Origin of Species, wrested cultural authority from the old Anglican establishment while installing themselves as a new professional scientific elite. These scientific naturalists—led by biologists, physicists, and mathematicians such as William Kingdon Clifford, Joseph Dalton Hooker, Thomas Henry Huxley, and John Tyndall—sought to persuade both the state and the public that scientists, not theologians, should be granted cultural authority, since their expertise gave them special insight into society, politics, and even ethics.
           
In Victorian Scientific Naturalism, Gowan Dawson and Bernard Lightman bring together new essays by leading historians of science and literary critics that recall these scientific naturalists, in light of recent scholarship that has tended to sideline them, and that reevaluate their place in the broader landscape of nineteenth-century Britain. Ranging in topic from daring climbing expeditions in the Alps to the maintenance of aristocratic protocols of conduct at Kew Gardens, these essays offer a series of new perspectives on Victorian scientific naturalism—as well as its subsequent incarnations in the early twentieth century—that together provide an innovative understanding of the movement centering on the issues of community, identity, and continuity.
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cover of Victorian Things

Victorian Things

Asa Briggs

University of Chicago Press, 1989

"No Victorianist, however well read, could fail to learn something from this book. It is a veritable plum pudding, bursting with interesting information and experience."—Christopher A. Kent, Victorian Periodicals Review
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cover of Vienna in the Age of Uncertainty: Science, Liberalism, and Private Life

Vienna in the Age of Uncertainty

Science, Liberalism, and Private Life

Deborah R. Coen

University of Chicago Press, 2007

Vienna in the Age of Uncertainty traces the vital and varied roles of science through the story of three generations of the eminent Exner family, whose members included Nobel Prize–winning biologist Karl Frisch, the teachers of Freud and of physicist Erwin Schrödinger, artists of the Vienna Secession, and a leader of Vienna’s women’s movement. Training her critical eye on the Exners through the rise and fall of Austrian liberalism and into the rise of the Third Reich, Deborah R. Coen demonstrates the interdependence of the family’s scientific and domestic lives, exploring the ways in which public notions of rationality, objectivity, and autonomy were formed in the private sphere. Vienna in the Age of Uncertainty presents the story of the Exners as a microcosm of the larger achievements and tragedies of Austrian political and scientific life in the late nineteenth and early twentieth centuries. 

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cover of Viking Weapons and Combat Techniques

Viking Weapons and Combat Techniques

William R. Short

Westholme Publishing, 2009

A History of the Arms, Armor, and Individual Fighting Strategies of Medieval Europe’s Most Feared Warriors
A source of enduring fascination, the Vikings are the most famous raiders of medieval Europe. Despite the exciting and compelling descriptions in the Icelandic sagas and other contemporary accounts that have fueled this interest, we know comparatively little about Viking age arms and armor as compared to weapons from other historical periods. We know even less about how the weapons were used. While the sagas provide few specific combat details, the stories are invaluable. They were written by authors familiar with the use of weapons for an audience that, likewise, knew how to use them. Critically, the sagas describe how these weapons were wielded not by kings or gods, but by ordinary men, as part of their everyday lives. Viking Weapons and Combat Techniques provides an introduction to the arms and armor of the people who lived in Northern Europe during the Viking age, roughly the years 793–1066. Using a variety of available sources, including medieval martial arts treatises, and copiously illustrated with images of historical artifacts, battle sites, and demonstrations of modern replicas of Viking weapons, the author and his colleagues at Hurstwic (a Viking-age living history organization) and at the Higgins Armory Sword Guild have reconstructed the combat techniques of the Viking age and what is known about the defensive and offensive weapons of the time in general. Throughout, the author corrects some popular misconceptions about Viking warriors and warfare, such as the belief that their combat techniques were crude and blunt rather than sophisticated. In addition, the book provides an overview of Viking history and culture, focusing on the importance of weapons to the society as well as the Vikings’ lasting impact on Europe through their expeditions of trade and exploration.
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cover of Vikings across the Atlantic: Emigration and the Building of a Greater Norway, 1860-1945

Vikings across the Atlantic

Emigration and the Building of a Greater Norway, 1860-1945

Daron W. Olson

University of Minnesota Press, 2013

Around the year 1000 a Viking ship landed on the Atlantic coast of what would one day be North America. Nearly a millennium later, on June 7, 1945, Norway’s King Haakon VII returned from exile under guard of the American Ninety-ninth—or “Viking”—Battalion. In Vikings across the Atlantic, Daron W. Olson reveals how these two moments form narrative poles for the vision of a Greater Norway that expanded the boundaries of the Norwegian nation.

Looking at matters of religion, literature, media, and ethnicity, Olson explores how Norwegian Americans’ myths about themselves changed over time in relation to a broader Anglo-American culture, while at the same time influencing and being influenced by the burgeoning national culture of their homeland. Beginning in the 1920s, homeland Norwegian identity-makers framed the concept of the Greater Norway, which viewed the Norwegian nation as having two halves: Norwegians who resided in the homeland and those who had emigrated from Norway, especially those in America. Far from being merely symbolic, this idea, Olson shows, was actually tested by the ordeal of World War II, when Norwegians the world over demonstrated their willingness to sacrifice and even die for the Greater Norway.

In its transnational approach, Olson’s book brings a new perspective to immigrant studies and theories of nationalism; Vikings across the Atlantic depicts the nation as a larger community in which membership is constructed or imagined, a status of belonging defined not by physical proximity but through qualities such as culture and shared traditions.

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cover of Vincent's Arles: As It Is and as It Was

Vincent's Arles

As It Is and as It Was

Linda Seidel

University of Chicago Press, 2023

A vivid tour of the town of Arles, guided by one of its most famous visitors: Vincent van Gogh.
 
Once admired as “a little Rome” on the banks of the Rhône, the town of Arles in the south of France had been a place of significance long before the painter Vincent van Gogh arrived in February of 1888. Aware of Arles’s history as a haven for poets, van Gogh spent an intense fifteen months there, scouring the city’s streets and surroundings in search of subjects to paint when he wasn’t thinking about other places or lamenting his woeful circumstances.
 
In Vincent’s Arles, Linda Seidel serves as a guide to the mysterious and culturally rich town of Arles, taking us to the places immortalized by van Gogh and cherished by innumerable visitors and pilgrims. Drawing on her extensive expertise on the region and the medieval world, Seidel presents Arles then and now as seen by a walker, visiting sites old and new. Roman, Romanesque, and contemporary structures come alive with the help of the letters the artist wrote while in Arles. The result is the perfect blend of history, art, and travel, a chance to visit a lost past and its lingering, often beautiful, traces in the present.
 
 
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cover of Vintage Advertising: An A to Z

Vintage Advertising

An A to Z

Julie Anne Lambert

Bodleian Library Publishing, 2020

Taking readers on a journey through the colorful history of advertising, this book showcases one of the most important and extensive collections of printed ephemera in the world to uncover rarely-seen examples of ads, posters, and handbills. How did the advertisers of the past sell electric corsets, carbolic smoke balls, or the first televisions? Which celebrities endorsed which products? How did innovations in printing techniques and design play a part in the evolution of advertising? What can these items tell us about class, transport, war, and even the royal family?

Richly illustrated with over one hundred images from the Bodleian Library’s John Johnson Collection, Vintage Advertising: An A to Z takes a fresh look at historical advertising through a series of thematic and chronological juxtapositions, with topics arranged alphabetically from Art to Zeitgeist to provide striking, often unexpected, insights into changing culture, politics, and technology. Topics include new fashion trends such as patterned hosiery and the advertisement of new medical treatments, tonics, and devices. These advertisements shed new light on social issues such as the changing roles of women and the rising middle class. Highlighting how nineteenth- and early twentieth-century advertisements often capture the spirit of their age, each page is a rich repository of information, a new piece of the jigsaw puzzle of the past.
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cover of Violence and Miracle in the Fourteenth Century: Private Grief and Public Salvation

Violence and Miracle in the Fourteenth Century

Private Grief and Public Salvation

Michael E. Goodich

University of Chicago Press, 1995

As war, pestilence, and famine spread through Europe in the Middle Ages, so did reports of miracles, of hopeless victims wondrously saved from disaster. These "rescue miracles," recorded by over one hundred fourteenth-century cults, are the basis of Michael Goodich's account of the miraculous in everyday medieval life.

Rescue miracles offer a wide range of voices rarely heard in medieval history, from women and children to peasants and urban artisans. They tell of salvation not just from the ravages of nature and war, but from the vagaries of a violent society—crime, unfair judicial practices, domestic squabbles, and communal or factional conflict. The stories speak to a collapse of confidence in decaying institutions, from the law to the market to feudal authority. Particularly, the miraculous escapes documented during the Hundred Years' War, the Italian communal wars, and other conflicts are vivid testimony to the end of aristocratic warfare and the growing victimization of noncombatants.

Miracles, Goodich finds, represent the transcendent and unifying force of faith in a time of widespread distress and the hopeless conditions endured by the common people of the Middle Ages. Just as the lives of the saints, once dismissed as church propaganda, have become valuable to historians, so have rescue miracles, as evidence of an underlying medieval mentalite. This work expands our knowledge of that state of mind and the grim conditions that colored and shaped it.
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Violence and the Medieval Clergy

Gerhard Jaritz

Central European University Press, 2012

Violence was omnipresent in medieval society and affected all areas of life and the members of all social strata. Surviving sources deal regularly with any issues of violent actions, signs and results of violence, violent people and coping with violence. In such evidence, also the members of the clergy played an important role – as writers about violence and critics of it, but also as perpetrators, victims, and witnesses.
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cover of Violent Intermediaries: African Soldiers, Conquest, and Everyday Colonialism in German East Africa

Violent Intermediaries

African Soldiers, Conquest, and Everyday Colonialism in German East Africa

Michelle R. Moyd

Ohio University Press, 2014

The askari, African soldiers recruited in the 1890s to fill the ranks of the German East African colonial army, occupy a unique space at the intersection of East African history, German colonial history, and military history.

Lauded by Germans for their loyalty during the East Africa campaign of World War I, but reviled by Tanzanians for the violence they committed during the making of the colonial state between 1890 and 1918, the askari have been poorly understood as historical agents. Violent Intermediaries situates them in their everyday household, community, military, and constabulary roles, as men who helped make colonialism in German East Africa.

By linking microhistories with wider nineteenth-century African historical processes, Michelle Moyd shows how as soldiers and colonial intermediaries, the askari built the colonial state while simultaneously carving out paths to respectability, becoming men of influence within their local contexts.

Through its focus on the making of empire from the ground up, Violent Intermediaries offers a fresh perspective on African colonial troops as state-making agents and critiques the mythologies surrounding the askari by focusing on the nature of colonial violence.

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cover of Violent Sensations: Sex, Crime, and Utopia in Vienna and Berlin, 1860-1914

Violent Sensations

Sex, Crime, and Utopia in Vienna and Berlin, 1860-1914

Scott Spector

University of Chicago Press, 2016

Around the turn of the twentieth century, Vienna and Berlin were centers of scientific knowledge, accompanied by a sense of triumphalism and confidence in progress. Yet they were also sites of fascination with urban decay, often focused on sexual and criminal deviants and the tales of violence surrounding them. Sensational media reports fed the prurient public’s hunger for stories from the criminal underworld: sadism, sexual murder, serial killings, accusations of Jewish ritual child murder—as well as male and female homosexuality.

In Violent Sensations, Scott Spector explores how the protagonists of these stories—people at society’s margins—were given new identities defined by the groundbreaking sciences of psychiatry, sexology, and criminology, and how this expert knowledge was then transmitted to an eager public by journalists covering court cases and police investigations. The book analyzes these sexual and criminal subjects on three levels: first, the expertise of scientists, doctors, lawyers, and scholars; second, the sensationalism of newspaper scandal and pulp fiction; and, third, the subjective ways that the figures themselves came to understand who they were. Throughout, Spector answers important questions about how fantasies of extreme depravity and bestiality figure into the central European self-image of cities as centers of progressive civilization, as well as the ways in which the sciences of social control emerged alongside the burgeoning emancipation of women and homosexuals.
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cover of Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment

Visible Empire

Botanical Expeditions and Visual Culture in the Hispanic Enlightenment

Daniela Bleichmar

University of Chicago Press, 2012

Between 1777 and 1816, botanical expeditions crisscrossed the vast Spanish empire in an ambitious project to survey the flora of much of the Americas, the Caribbean, and the Philippines. While these voyages produced written texts and compiled collections of specimens, they dedicated an overwhelming proportion of their resources and energy to the creation of visual materials. European and American naturalists and artists collaborated to manufacture a staggering total of more than 12,000 botanical illustrations. Yet these images have remained largely overlooked—until now.

In this lavishly illustrated volume, Daniela Bleichmar gives this archive its due, finding in these botanical images a window into the worlds of Enlightenment science, visual culture, and empire. Through innovative interdisciplinary scholarship that bridges the histories of science, visual culture, and the Hispanic world, Bleichmar uses these images to trace two related histories: the little-known history of scientific expeditions in the Hispanic Enlightenment and the history of visual evidence in both science and administration in the early modern Spanish empire. As Bleichmar shows, in the Spanish empire visual epistemology operated not only in scientific contexts but also as part of an imperial apparatus that had a long-established tradition of deploying visual evidence for administrative purposes.

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cover of Vision and Violence

Vision and Violence

Arthur P. Mendel

University of Michigan Press, 1999

Vision and Violence argues that throughout Western history, the Apocalypse has changed nothing but its guise--from God to Reason, to History, and then to Nature--all the while holding us rapt with its prophecy of universal devastation. While in Judaism and Christianity it inspires efforts to uplift societies spiritually, the apocalyptic fantasy serves in secular thought--as in today's environmental movement--to bring about much-needed policy reforms.
Much of the book is devoted to an examination of the persistence of the apocalyptic heritage from ancient Greek and Hebrew civilizations, through the religious revivals of the Middle Ages and the Enlightenment belief in progress, to its importance in Hegelian and Bolshevik thought, and finally to its expression today in the resurgence of religious fundamentalism in Judaism, Christianity, and Islam.
Mendel concludes his remarkable book with an appeal for the more modest and humane philosophy of the "repair of the world," which, he argues, is central to biblical teaching.
The late Arthur P. Mendel was Professor of History, University of Michigan, specializing in Russian intellectual history. His first book, Dilemmas of Progress in Tsarist Russia: Legal Marxism and Legal Populism, established him as one of the outstanding historians of his generation. Richard Landes is co-founder, with Stephen O'Leary, of the Center for Millennial Studies. He is also Associate Professor of History, Boston University, and author of Relics, Apocalypse, and the Deceits of History: Ademar of Chabannes, 989-1034.
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cover of Visions and Victims: Art Melodrama in the Films of Carl Th. Dreyer

Visions and Victims

Art Melodrama in the Films of Carl Th. Dreyer

Amanda Doxtater

University of Wisconsin Press, 2024

Danish film director Carl Th. Dreyer, one of the twentieth century’s most famous filmmakers, is best known for his masterpiece, The Passion of Joan of Arc, and his midcentury classics, Day of Wrath and Ordet. Both viewers and scholars largely leave his early work, for Nordisk Film, on the shelf, dismissing it as immature melodramatic fare produced for a company known for superficial, popular entertainment. In the received historiography, Dreyer broke with Nordisk in the pursuit of developing his film as a high art, eventually succeeding on the world stage as an auteur and eschewing melodrama in favor of austere art film.

Amanda Doxtater offers a necessary corrective to this narrative of his bifurcated career. Close readings of Dreyer’s Nordisk films alongside his mature work reveal a stylistic throughline Doxtater terms “art melodrama,” a form combining the ambiguity, stylization, and consciousness of art cinema with the heightened emotional expressivity and dramatic embodiments characteristic of melodrama. She argues that Dreyer’s major artistic concerns known from his later work—pathos, authenticity, the embodiment of psychological duress, and so on—find their first expression in his Nordisk melodramas, complicating our understanding not only of his later films but also of his early works, and even our understanding of the melodramatic mode in general. Indeed, extending well beyond the career of a singular director, this book challenges assumptions about the relationship between “low-brow” melodrama and “high-brow” art cinema.
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cover of Visions of Loveliness: Great Flower Breeders of the Past

Visions of Loveliness

Great Flower Breeders of the Past

Judith M. Taylor

Ohio University Press, 2014

Gardeners of today take for granted the many varieties of geraniums, narcissi, marigolds, roses, and other beloved flowers for their gardens. Few give any thought at all to how this incredible abundance came to be or to the people who spent a good part of their lives creating it. These breeders once had prosperous businesses and were important figures in their communities but are only memories now. They also could be cranky and quirky.

In the eighteenth and nineteenth centuries, new and exotic species were arriving in Europe and the United States from all over the world, and these plants often captured the imaginations of the unlikeliest of men, from aristocratic collectors to gruff gardeners who hardly thought of themselves as artists. But whatever their backgrounds, they all shared a quality of mind that led them to ask “What if?” and to use their imagination and skills to answer that question themselves. The newest rose from China was small and light pink, but what if it were larger and came in more colors? Lilac was very nice in its way, but what if its blossoms were double and frilly?

While there are many books about plant collectors and explorers, there are none about plant breeders. Drawing from libraries, archives, and the recollections of family members, horticultural historian Judith M. Taylor traces the lives of prominent cultivators in the context of the scientific discoveries and changing tastes of their times. Visions of Loveliness is international in scope, profiling plant breeders from many countries—for example, China and the former East Germany—whose work may be unknown to the Anglophone reader.

In addition to chronicling the lives of breeders, the author also includes chapters on the history behind the plants by genus, from shrubs and flowering trees to herbaceous plants.

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cover of Visions of Queer Martyrdom from John Henry Newman to Derek Jarman

Visions of Queer Martyrdom from John Henry Newman to Derek Jarman

Dominic Janes

University of Chicago Press, 2015

With all the heated debates around religion and homosexuality today, it might be hard to see the two as anything but antagonistic. But in this book, Dominic Janes reveals the opposite: Catholic forms of Christianity, he explains, played a key role in the evolution of the culture and visual expression of homosexuality and male same-sex desire in the nineteenth and twentieth centuries. He explores this relationship through the idea of queer martyrdom—closeted queer servitude to Christ—a concept that allowed a certain degree of latitude for the development of same-sex desire.
            Janes finds the beginnings of queer martyrdom in the nineteenth-century Church of England and the controversies over Cardinal John Henry Newman’s sexuality. He then considers how liturgical expression of queer desire in the Victorian Eucharist provided inspiration for artists looking to communicate their own feelings of sexual deviance. After looking at Victorian monasteries as queer families, he analyzes how the Biblical story of David and Jonathan could be used to create forms of same-sex partnerships. Finally, he delves into how artists and writers employed ecclesiastical material culture to further queer self-expression, concluding with studies of Oscar Wilde and Derek Jarman that illustrate both the limitations and ongoing significance of Christianity as an inspiration for expressions of homoerotic desire.
Providing historical context to help us reevaluate the current furor over homosexuality in the Church, this fascinating book brings to light the myriad ways that modern churches and openly gay men and women can learn from the wealth of each other’s cultural and spiritual experience.
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cover of Visions of Science: Books and Readers at the Dawn of the Victorian Age

Visions of Science

Books and Readers at the Dawn of the Victorian Age

James A. Secord

University of Chicago Press, 2015

The first half of the nineteenth century witnessed an extraordinary transformation in British political, literary, and intellectual life. There was widespread social unrest, and debates raged regarding education, the lives of the working class, and the new industrial, machine-governed world. At the same time, modern science emerged in Europe in more or less its current form, as new disciplines and revolutionary concepts, including evolution and the vastness of geologic time, began to take shape.        
           
In Visions of Science, James A. Secord offers a new way to capture this unique moment of change. He explores seven key books—among them Charles Babbage’s Reflections on the Decline of Science, Charles Lyell’s Principles ofGeology, Mary Somerville’s Connexion of the Physical Sciences, and Thomas Carlyle’s Sartor Resartus—and shows how literature that reflects on the wider meaning of science can be revelatory when granted the kind of close reading usually reserved for fiction and poetry. These books considered the meanings of science and its place in modern life, looking to the future, coordinating and connecting the sciences, and forging knowledge that would be appropriate for the new age. Their aim was often philosophical, but Secord shows it was just as often imaginative, projective, and practical: to suggest not only how to think about the natural world but also to indicate modes of action and potential consequences in an era of unparalleled change.            
           
Visions of Science opens our eyes to how genteel ladies, working men, and the literary elite responded to these remarkable works. It reveals the importance of understanding the physical qualities of books and the key role of printers and publishers, from factories pouring out cheap compendia to fashionable publishing houses in London’s West End. Secord’s vivid account takes us to the heart of an information revolution that was to have profound consequences for the making of the modern world.
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cover of Visions of Sodom: Religion, Homoerotic Desire, and the End of the World in England, c. 1550-1850

Visions of Sodom

Religion, Homoerotic Desire, and the End of the World in England, c. 1550-1850

H. G. Cocks

University of Chicago Press, 2017

The book of Genesis records the fiery fate of Sodom and Gomorrah—a storm of fire and brimstone was sent from heaven and, for the wickedness of the people, God destroyed the cities “and all the plains, and all the inhabitants of the cities, and that which grew upon the ground.” According to many Protestant theologians and commentators, one of the Sodomites’ many crimes was homoerotic excess.

In Visions of Sodom, H. G. Cocks examines the many different ways in which the story of Sodom’s destruction provided a template for understanding homoerotic desire and behaviour in Britain between the Reformation and the nineteenth century. Sodom was not only a marker of sexual sins, but also the epitome of false—usually Catholic—religion, an exemplar of the iniquitous city, a foreshadowing of the world’s fiery end, an epitome of divine and earthly punishment, and an actual place that could be searched for and discovered. Visions of Sodom investigates each of these ways of reading Sodom’s annihilation in the three hundred years after the Reformation. The centrality of scripture to Protestant faith meant that Sodom’s demise provided a powerful origin myth of homoerotic desire and sexual excess, one that persisted across centuries, and retains an apocalyptic echo in the religious fundamentalism of our own time.
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cover of Visualizing Empire: Africa, Europe, and the Politics of Representation

Visualizing Empire

Africa, Europe, and the Politics of Representation

Rebecca Peabody

J. Paul Getty Trust, The, 2021

An exploration of how an official French visual culture normalized France’s colonial project and exposed citizens and subjects to racialized ideas of life in the empire.

By the end of World War I, having fortified its colonial holdings in the Caribbean, Latin America, Africa, the Indian Ocean, and Asia, France had expanded its dominion to the four corners of the earth. This volume examines how an official French visual culture normalized the country’s colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. Essays analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France’s colonies across the seas.
 
These studies draw from the rich documents and media—photographs, albums, postcards, maps, posters, advertisements, and children’s games—related to the nineteenth- and twentieth-century French empire that are held in the Getty Research Institute’s Association Connaissance de l’histoire de l’Afrique contemporaine (ACHAC) collections. ACHAC is a consortium of scholars and researchers devoted to exploring and promoting discussions of race, iconography, and the colonial and postcolonial periods of Africa and Europe.

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cover of Vital Minimum: Need, Science, and Politics in Modern France

Vital Minimum

Need, Science, and Politics in Modern France

Dana Simmons

University of Chicago Press, 2015

What constitutes a need? Who gets to decide what people do or do not need? In modern France, scientists, both amateur and professional, were engaged in defining and measuring human needs. These scientists did not trust in a providential economy to distribute the fruits of labor and uphold the social order. Rather, they believed that social organization should be actively directed according to scientific principles. They grounded their study of human needs on quantifiable foundations: agricultural and physiological experiments, demographic studies, and statistics.

The result was the concept of the "vital minimum"--the living wage, a measure of physical and social needs. In this book, Dana Simmons traces the history of this concept, revealing the intersections between technologies of measurement, such as calorimeters and social surveys, and technologies of wages and welfare, such as minimum wages, poor aid, and welfare programs. In looking at how we define and measure need, Vital Minimum raises profound questions about the authority of nature and the nature of inequality.
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Vittorio Orlando

Italy

Spencer Di Scala

Haus Publishing, 2009

The Italian premier Vittorio Orlando came to Paris as one of the 'Big Four', yet in April 1919 walked out in one of the most dramatic crises of the Peace Conferences. Orlando's failure to win for Italy the territories she felt were owed to her was to have far-reaching consequences for both Italy and Europe as a whole. Italy in 1918 was in an ambivalent position: at the outbreak of war the country had been part of the Triple Alliance with Germany and Austria-Hungary, but had stayed neutral until joining the Allies in 1915 on the promise of territorial rewards. The war was a near-disaster for the Italians, culminating in the collapse of their armies at Caporetto in 1917. It was this crisis that brought Orlando to power, and he did much to restore the situation, but the Italians looked to Versailles to compensate them for the terrible losses they had suffered. In this book, the clash between Italy's territorial demands in the Balkans, which had been guaranteed by the Allies in 1915 and earned through her losses in the War, with the new Wilsonian doctrine of open diplomacy and national self-determination is detailed, and it traces the effects the failure of Orlando's delegation to satisfy their people's demands which directly to the rise of Fascism and to Mussolini's policies in the 1930s as he sought to obtain what Italy had been denied at Versailles.
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Voices in the Shadows

Women and Verbal Art in Serbia and Bosnia

Celia Hawkesworth

Central European University Press, 2000

Women are conspicuously absent from traditional cultural histories of south-east Europe. This book addresses that imbalance by describing the contribution of women to literary culture in the Orthodox/ Ottoman areas of Serbia and Bosnia.

The first complete literary history in relation to women's writing in south-east Europe. The author provides a broad chronological account of this contribution, dividing the book into two main parts; the earlier period up until the eighteenth century concentrates on the projections of gender through the medium of oral tradition and the lives of a handful of educated women in medieval Serbia and the few works of literature they left. Hawkesworth also looks at the written literature produced by women, first in the mid-nineteenth century and then at the turn of the century. The second part focuses on the trials and tribulations that affected feminism and women's literature throughout the twentieth century. The author finishes by highlighting the new women's movement, 1975-1990, a great period for women in Yugoslavia which created a stimulating atmosphere for outstanding pieces of women's journalism, prose and verse, culminating in the creation of new women's studies courses in many universities.

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cover of Voices of the Diaspora: Jewish Women Writing in Contemporary Europe

Voices of the Diaspora

Jewish Women Writing in Contemporary Europe

Thomas Nolden

Northwestern University Press, 2005

Voices of the Diaspora offers, for the first time, representative works by major Jewish women writers from Austria, England, France, Germany, Italy, the Netherlands, Spain, and Russia. These stories and essays, written over the last twenty-five years, speak to the challenges confronting the post-Shoah generations of Jews living in Europe: a need to commemorate the lives extinguished in the camps; a desire to repair a ruptured culture; and a determination to reclaim a Jewish identity resistant to assimilation and the threats of anti-Semitism.

At the same time, these writers address themes specific to their national contexts. Berlin-born Barbara Honigmann questions the possibility of Jewish life in the country responsible for the "final solution." Maghreb-born Marlène Amar and Reina Roffé address the experiences of displacement and emancipation as Sephardic women in Western, post-colonial societies. Clara Sereni describes how Jews in post-Fascist Italy reemerged with a self-assertiveness that troubled a society that had found comfort in amnesia. Ludmila Ulitskaya portrays a Jewish girlhood on the eve of Stalin's death empowered by the religious traditions of Jewish resistance.

From the unique perspective of women's literary voices, this volume reveals to English-speaking readers the extraordinary vivacity and diversity of European Jewry, and introduces them to a new generation of women writers.
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Voting for Hitler and Stalin

Elections under 20th Century Dictatorships

Edited by Ralph Jessen and Hedwig Richter

Campus Verlag, 2011

Dictatorships throughout the twentieth century—including Mussolini’s Italy, the Third Reich, the Soviet Union, Poland, and East Germany—held elections. But were they more than rituals of participation without the slightest effect on the distribution of power? Why did political regimes radically opposed to liberal democracy feel the need to imitate their enemies? Offering significant insights into absolutist state governance, Voting for Hitler and Stalin thoroughly investigates the remarkable, paradoxical phenomenon of dictatorial elections, revealing the many ways they transcended mere propaganda.
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cover of Vulgar Marxism: Revolutionary Politics and the Dilemmas of Worker Education, 1891–1931

Vulgar Marxism

Revolutionary Politics and the Dilemmas of Worker Education, 1891–1931

Edward Baring

University of Chicago Press, 2025

Offers a transformative reading of the Marxist tradition by uncovering its connections to the institutions and practices of worker education.
 
For the past hundred years, “vulgar Marxism” has been the go-to insult among socialist and communist intellectuals, a shorthand for the ways Marxist theory could go wrong. But why would thinkers advocating for working-class emancipation use “vulgarity” as an epithet?
 
In Vulgar Marxism, Edward Baring seeks an answer by delving into debates over Marxism in the first decades of the twentieth century. He shows that this common phrase wasn’t aimed primarily at popular understandings of Marx. Rather, it was used to attack intellectuals for failing to teach Marx’s theory to the working masses correctly. His history of “vulgar Marxism” homes in on the project of mass worker education at a time when the project was both widely pursued and fiercely contested.
 
Worker education offered a mechanism through which Marxist theory was meant to promote large-scale social and political change, and it drew on a massive infrastructure of schools, publishing houses, and educational bureaus that stretched across Europe and reached millions. By centering this project, Baring radically recasts the history of Marxism from the Second International to World War II. He challenges classic oppositions between “economistic” and “cultural” versions of Marxism; rereads many of the most significant Marxist theorists of the time, including Karl Kautsky, Rosa Luxemburg, Georg Lukács, and Antonio Gramsci; and offers new resources for understanding how Marxist ideas transformed as they traveled around Europe and then spread throughout the world.
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