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Behind the innocent face of Victorian fairy tales such as Through the Looking Glass or Mopsa the Fairy lurks the specter of an intense gender debate about the very nature of childhood. Offering brilliant rereadings of classics from the "Golden Age of Children's Literature" as well as literature commonly considered "grown-up," U. C. Knoepflmacher illuminates this debate, probing deeply into the relations between adults and children, adults and their own childhood selves, and the lives of beloved Victorian authors and their "children's tales." Ventures into Childland will delight and instruct all readers of children's classics, and will be essential reading for students of Victorian culture and gender studies.

"Ventures into Childland is acute, well written and stimulating. It also has a political purpose, to insist on the importance of protecting and nurturing children, imaginatively and physically."—Jan Marsh, Times Literary Supplement

"A provocative and interesting book about Victorian culture."—Library Journal

Indigenous women are rarely accounted for in world politics. Imagined as passive subjects at the margins of political decision-making, they often epitomize the antithesis of international relations. Yet from their positions of marginality they are shaping sovereignty.
 
In Vernacular Sovereignties, Manuela Lavinas Picq shows that Indigenous women have long been dynamic political actors who have partaken in international politics and have shaped state practices carrying different forms of resistance. Her research on Ecuador shows that although Kichwa women face overlapping oppressions from socioeconomic exclusions to sexual violence, they are achieving rights unparalleled in the world. They successfully advocated for women’s participation in the administration of Indigenous justice during the 2008 constitutional reform, creating the first constitution in Latin America to explicitly guarantee the rights of Indigenous women and the first constitution worldwide to require gender parity in the administration of justice.
 
Picq argues that Indigenous women are among the important forces reshaping states in Latin America. She offers empirical research that shows the significance of Indigenous women in international politics and the sophistication of their activism. Indigenous women strategically use international norms to shape legal authority locally, defying Western practices of authority as they build what the author calls vernacular sovereignties. Weaving feminist perspectives with Indigenous studies, this interdisciplinary work expands conceptual debates on state sovereignty.
 
Picq persuasively suggests that the invisibility of Indigenous women in high politics is more a consequence of our failure to recognize their agency than a result of their de facto absence. It is an invitation not merely to recognize their achievements but also to understand why they matter to world politics.

The subject of renewed interest among literary and cultural scholars, Vernon Lee wrote more than forty books, in a broad range of genres, including fiction, history, aesthetics, and travel literature. Early on, Lee established her reputation as a public critic whose unconventional viewpoints stood out among those of her contemporaries.

To feminist and cultural critics, she is a fascinating model of the independent female intellectual who, as Desmond MacCarthy once put it, provides a rare combination of intellectual curiosity and imaginative sensibility.

A startlingly original critical study, Vernon Lee adds new dimensions to the legacy of this woman of letters whose career spans the transition from the late Victorian to the modernist period. Zorn draws on archival materials to discuss Lee’s work in terms of British aestheticism and in the context of the Western European history of ideas.

Zorn contends that Lee’s fiction and nonfiction represent a literary position that bridges and surpasses both the Victorian sage and the modernist aesthetic critic.

Through Professor Zorn’s approach, which combines theoretical framings of texts in terms of recent feminist and cultural criticism with passages of close reading, Vernon Lee emerges as an influential figure in late-nineteenth-century British and continental European thinking on history, art, culture, and gender.

Even as feminism has become increasingly central to our ideas about institutions, relationships, and everyday life, the term used to diagnose the problem—“patriarchy”—is used so loosely that it has lost its meaning. In Vexy Thing Imani Perry resurrects patriarchy as a target of critique, recentering it to contemporary discussions of feminism through a social and literary analysis of cultural artifacts from the Enlightenment to the present. Drawing on a rich array of sources—from nineteenth-century slavery court cases and historical vignettes to writings by Toni Morrison and Audre Lorde and art by Kara Walker and Wangechi Mutu—Perry shows how the figure of the patriarch emerged as part and parcel of modernity, the nation-state, the Industrial Revolution, and globalization. She also outlines how digital media and technology, neoliberalism, and the security state continue to prop up patriarchy. By exploring the past and present of patriarchy in the world we have inherited and are building for the future, Perry exposes its mechanisms of domination as a necessary precursor to dismantling it.

Focusing on the historical and contemporary narration of the Partition of India, Violent Belongings examines transnational South Asian culture from 1947 onwards. Spanning the Indian subcontinent and its diasporas in the United Kingdom and the United States, it asks how postcolonial/diasporic literature (eg., Rushdie, Mistry, Sidwa and Lahiri), Bollywood film, personal testimonies and journalism represent the violence, migration and questions of national belonging unleashed by that pivotal event during which two million people died and sixteen million were displaced.

In addition to challenging the official narratives of independence and Partition, these narratives challenge our contemporary  understanding of gender and ethnicity in history and politics. Violent Belongings argues that both male and female bodies, and heterosexual coupledom, became symbols of the nation in public life.  In the newly independent Indian nation both men and women were transformed into ideal citizens or troubling bodies, immigrants or refugees, depending on whether they were ethnically Hindu, Muslim, Jewish or Sikh. The divisions set in motion during Partition continue into our own time and account for ethnic violence in South Asia.

Violent Encounters offers a powerful and original gendered history of colonial rule and warfare in Cameroon from the advent of German imperialism to the end of the First World War. Centering German Cameroon as an understudied but pivotal site of empire and global conflict, George N. Njung demonstrates that violence was a calculated instrument of colonial governance, which was systematically organized along racial and gendered lines to conquer territory, discipline African communities, and suppress resistance.

Drawing on extensive archival research in Africa and Europe, oral traditions, and interdisciplinary gender analysis, Njung reconstructs how empire and war were lived differently by African men and women. He shows that gender-based violence—especially sexual abuse—functioned as a deliberate political strategy embedded in military campaigns, forced labor regimes, and systems of punishment. African women bore disproportionate burdens at the intersection of gender, race, and militarization, even as they acted as resisters, mobilizers, and negotiators. African men, meanwhile, experienced forced recruitment, battlefield violence, and profound challenges to social authority under colonial rule.

Reinterpreting the First World War in Africa as an escalation rather than a rupture, Violent Encounters situates wartime atrocities, mass displacement, and one of the twentieth century’s earliest refugee crises within a longer continuum of imperial violence. By foregrounding gender, the book repositions Cameroon—and Africa more broadly—as central to understanding the global dynamics of empire, militarization, and resistance in the early twentieth century.

Around the turn of the twentieth century, Vienna and Berlin were centers of scientific knowledge, accompanied by a sense of triumphalism and confidence in progress. Yet they were also sites of fascination with urban decay, often focused on sexual and criminal deviants and the tales of violence surrounding them. Sensational media reports fed the prurient public’s hunger for stories from the criminal underworld: sadism, sexual murder, serial killings, accusations of Jewish ritual child murder—as well as male and female homosexuality.

In Violent Sensations, Scott Spector explores how the protagonists of these stories—people at society’s margins—were given new identities defined by the groundbreaking sciences of psychiatry, sexology, and criminology, and how this expert knowledge was then transmitted to an eager public by journalists covering court cases and police investigations. The book analyzes these sexual and criminal subjects on three levels: first, the expertise of scientists, doctors, lawyers, and scholars; second, the sensationalism of newspaper scandal and pulp fiction; and, third, the subjective ways that the figures themselves came to understand who they were. Throughout, Spector answers important questions about how fantasies of extreme depravity and bestiality figure into the central European self-image of cities as centers of progressive civilization, as well as the ways in which the sciences of social control emerged alongside the burgeoning emancipation of women and homosexuals.

Karl Ulrichs's studies of sexual diversity galvanized the burgeoning field of sexual science in the nineteenth century. But in the years since, his groundbreaking activism has overshadowed his scholarly achievements. Ulrichs publicly defied Prussian law to agitate for gay equality and marriage, and founded the world's first organization dedicated to the legal and social emancipation of homosexuals. Ralph M. Leck returns Ulrichs to his place as the inventor of the science of sexual heterogeneity. Leck's analysis situates sexual science in a context that includes politics, aesthetics, the languages of science, and the ethics of gender. Although he was the greatest nineteenth-century scholar of sexual heterogeneity, Ulrichs retained certain traditional conjectures about gender. Leck recognizes these subtleties and employs the analytical concepts of modernist vita sexualis and traditional psychopathia sexualis to articulate philosophical and cultural differences among sexologists. Original and audacious, Vita Sexualis uses a bedrock figure's scientific and political innovations to open new insights into the history of sexual science, legal systems, and Western amatory codes.

In 1978, amidst the aftermath of the Soweto Uprisings and after being held in detention without charge for over a year, a young black woman who had just turned eighteen stepped into the witness box at Kempton Park Circuit Court, northeast of Johannesburg. She was there to testify in the apartheid State’s case against eleven Soweto school student activists, on trial for sedition. She confirmed her name as Mary Masabata Loate. Loate would live with the consequences of this decision to talk for the rest of her short life.

Who spoke about the liberation struggle whilst it was ongoing? When did they speak and how? And what effects do the gendered history of speech and silence within anti-apartheid politics continue to have upon our knowledge of the past? Arguing that she is emblematic of the way gendered narratives of the struggle have been made, this book listens for the voice and silence of Masabata Loate and her contemporaries within political trials; newspapers; photography; human rights reportage; creative fiction, drama, poetry and song; autobiography and memoir; and oral histories. The result is an unconventional biography that sees this young woman as a shadow within the story of South Africa’s anti-apartheid liberation struggle.

This book concentrates on the gender gap in voting--the difference in the proportion of women and men voting for the same candidate. Evident in every presidential election since 1980, this polling phenomenon reached a high of 11 percentage points in the 1996 election. The contributors discuss the history, complexity, and ways of analyzing the gender gap; the gender gap in relation to partisanship; motherhood, ethnicity, and the impact of parental status on the gender gap; and the gender gap in races involving female candidates. Voting the Gender Gap analyzes trends in voting while probing how women's political empowerment and gender affect American politics and the electoral process.

Contributors are Susan J. Carroll, Erin Cassese, Cal Clark, Janet M. Clark, M. Margaret Conway, Kathleen A. Dolan, Laurel Elder, Kathleen A. Frankovic, Steven Greene, Leonie Huddy, Mary-Kate Lizotte, Barbara Norrander, Margie Omero, and Lois Duke Whitaker.