54 books match the query 'Islamic Studies' and 2 start with v

cover of Vernacular Religion in the Iranian Diaspora: Women and Islam in Tehrangeles

Vernacular Religion in the Iranian Diaspora

Women and Islam in Tehrangeles

Afsane Rezaei

University of Wisconsin Press, 2026

With nearly half a million Iranian Americans living in and around Los Angeles, Southern California is home to more Iranians than anywhere outside Iran itself. Although many community members identify as secular, stereotypes characterize Iranian Americans, like other populations from Muslim-majority countries, as pejoratively religious and culturally suspect. For Iranian American women who do practice Islam, navigating their religious, ethnic, and political identities, on both personal and communal levels, is complex and fraught, influenced not only by racialized discourses but also by intra-community narratives that equate Islamic practice with the authoritarian state in Iran.

Folklorist Afsane Rezaei applies theories of vernacular religion to explore how these women shape their religious identities in this particularly delicate diasporic context, how they engage with external imaginaries in their practices and narratives, and how they develop a sense of agency over their religious identification. For many, Islamic religiosity in the diaspora is an integrated and embodied aspect of folklife, closely tied to the sense of self, social networks, and communal identity, and is negotiated and reimagined in everyday, improvised, and sometimes contradictory ways. Rezaei’s detailed, respectful ethnography reaches beyond the binary of piety and resistance and offers new and nuanced understandings of Iranian American lived religion.

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cover of Voice in the Drum: Music, Language, and Emotion in Islamicate South Asia

Voice in the Drum

Music, Language, and Emotion in Islamicate South Asia

Richard Wolf

University of Illinois Press, 2017

Based on extensive research in India and Pakistan, this new study examines the ways drumming and voices interconnect over vast areas of South Asia and considers what it means for instruments to be voice-like and carry textual messages in particular contexts. Richard K. Wolf employs a hybrid, novelistic form of presentation in which the fictional protagonist Muharram Ali, a man obsessed with finding music he believes will dissolve religious and political barriers, interacts with Wolf's field consultants, to communicate ethnographic and historical realities that transcend the local details of any one person's life. The result is a daring narrative that follows Muharram Ali on a journey that explores how the themes of South Asian Muslims and their neighbors coming together, moving apart, and relating to God and spiritual intermediaries resonate across ritual and expressive forms such as drumming and dancing.
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