365 books match the query 'Correspondence' and 23 start with w

cover of Walt Whitman: The Correspondence, Volume VII

Walt Whitman

The Correspondence, Volume VII

Ted Genoways

University of Iowa Press, 2005

In 1961 the first volume of Edwin Haviland Miller’s The Correspondence was published in the newly established series the Collected Writings of Walt Whitman. Miller proceeded to publish five additional volumes of Whitman letters, and other leading scholars, including Roger Asselineau, compiled accompanying volumes of prose, poems, and daybooks. Yet by the late 1980s, the Whitman Collected Writings project was hopelessly scattered, fragmented, and incomplete.

Now, more than forty years after the inaugural volume’s original publication, Ted Genoways brings scholars the latest volume in Walt Whitman: The Correspondence. Incorporating all of the letters Miller had collected before his death in 2001 and combining them with more than a hundred previously unknown letters he himself gathered, Genoways’s volume is a perfect accompaniment to Miller’s original work.

Among the more than one hundred fifty letters collected in this volume are numerous correspondences concerning Whitman’s Civil War years, including a letter sending John Hay, the personal secretary to Abraham Lincoln, a manuscript copy of “O Captain, My Captain!” Additional letters address various aspects of the production of Leaves of Grass, the most notable being an extensive correspondence surrounding the Deathbed Edition, gathered by Whitman’s friend Horace Traubel, and reproduced here for the first time. Most significantly, this volume at last incorporates Whitman’s early letters to Abraham Paul Leech, first published by Arthur Golden in American Literature in 1986. The revelations contained in these letters must be considered among the most important discoveries about Whitman’s life made during the last half of the twentieth century.

Regardless of whether their significance is great or small, immediate or long-term, each new piece of Whitman’s correspondence returns us to a particular moment in his life and suggests the limitless directions that remain for Whitman scholarship.
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cover of Wanted—Correspondence: Women’s Letters to a Union Soldier

Wanted—Correspondence

Women’s Letters to a Union Soldier

Nancy L. Rhoades

Ohio University Press, 2009

A unique collection of more than 150 letters written to an Ohio serviceman during the American Civil War that offers glimpses of women’s lives as they waited, worked, and wrote from the Ohio home front. The letters reveal fascinating details of the lives of mostly young, single women—friends, acquaintances, love interests, and strangers who responded to one Union soldier’s advertisement for correspondents. Almost all of the women who responded to Lieutenant Edwin Lewis Lybarger’s lonely-hearts newspaper advertisement lived in Ohio and supported the Union. Lybarger carried the collection of letters throughout three years of military service, preserved them through his life, and left them to be discovered in an attic trunk more than a century after Lee’s surrender.

Women’s letter writing functioned as a form of “war work” that bolstered the spirits of enlisted men and “kinship work” that helped forge romantic relationships and sustain community bonds across the miles. While men’s letters and diaries abound in Civil War history, less readily available are comprehensive collections of letters from middle-class and rural women that survived the weathering of marches, camp life, and battles to emerge unscathed from men’s knapsacks at war’s end.

The collection is accompanied by a detailed editorial introduction that highlights significant themes in the letters. Together, they contribute to the still-unfolding historical knowledge concerning Northern women’s lives and experiences during this significant period in American history.

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cover of Wartime Washington: The Civil War Letters of Elizabeth Blair Lee

Wartime Washington

The Civil War Letters of Elizabeth Blair Lee

Edited by Virginia Jeans Laas

University of Illinois Press, 1991

Elizabeth Blair Lee was raised in Washington's political circles, and her husband, Samuel Phillips Lee, third cousin to Robert E. Lee, commanded the North Atlantic Blockading Squadron during the Civil War. When they married, Elizabeth promised to write every day they were apart. Of the hundreds of letters with which she kept her promise, Virginia Jeans Laas has edited a choice selection that illuminates the functioning of a nineteenth-century family and the Mrs. Lee's unique perspective on the political and military affairs of the nation's beleaguered capital.
 
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cover of Washakie Letters Of Willie Ottogary

Washakie Letters Of Willie Ottogary

Matthew Kreitzer

Utah State University Press, 2000

Writings by American Indians from the early twentieth century or earlier are rare. Willie Ottogary's letters have the distinction of being firsthand reports of an Indian community's ongoing social life by a community member and leader. The Northwestern Shoshone residing at the Washakie colony in northern Utah descended from survivors of the Bear River Massacre. Most had converted to the Mormon Church and remained in northern Utah rather than moving to a federal Indian reservation. For over twenty years, local newspapers in Utah and southern Idaho regularly published letters from Ottogary reporting happenings-personal milestones and health crises, comings and goings, social events, economic conditions and activities, efforts at political redress-at Washakie and other Shoshone communities in the intermountain West.

Matthew Kreitzer compiled and edited the letters of Ottogary and added historical commentary and appendices, biographical data on individuals Ottogary mentioned, and eighty-five rare historical photographs. Written in a vernacular English and printed unedited in the newspapers, the letters describe a society in cultural transition and present Ottogary's distinctively Shoshone point of view on anything affecting his people. Thus, they provide an unusual picture of Shoshone life through a critical period, a time when many Indian communities reached a historical nadir. While the letters unflinchingly report the many difficulties and challenges the Shoshone faced, they portray a vital and dynamic society, whose members led full lives and actively pursued their own interests. Ottogary lobbied constantly for Shoshone rights, forging alliances with Shoshone throughout the region, visiting Washington D.C., advocating legislation, and participating in Goshute-Western Shoshone draft resistance during World War I.

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cover of We All Must Be Crasy: The Correspondence of Sarah Peterson Lund to Her Missionary Husband, 1872–1894

We All Must Be Crasy

The Correspondence of Sarah Peterson Lund to Her Missionary Husband, 1872–1894

Jennifer L. Lund and Elizabeth Oberdick Anderson

University of Utah Press, 2026

A rare firsthand account of LDS mission history through the voice of a woman providing crucial support from home

While Latter-day Saint missionary work has been extensively studied, the experiences of the wives left behind remain relatively absent from the scholarship. We All Must Be Crasy helps fill this gap, offering a glimpse into the lived experiences of Mormon women and families during the late nineteenth century.

Through more than one hundred candid letters to her missionary husband, Sarah (Sanie) Peterson Lund reveals the private costs of missionization: strained marriages, economic hardship, shifting gender roles, and the constant need for community support. Sanie’s correspondence conveys her frustrations, anxieties, and fears alongside her pride in her children, devotion to her family, and longing for her absent husband. Her letters also show daily life in Ephraim, Utah: town gossip, vulnerabilities and ethnic tensions among residents, and reflections on plural marriage. This collection illuminates experiences only previously sketched in broad strokes, enriching our understanding of women, faith, and community in the American West.
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cover of Welcome the Hour of Conflict: William Cowan McClellan and the 9th Alabama

Welcome the Hour of Conflict

William Cowan McClellan and the 9th Alabama

William Cowan McClellan, edited by John C. Carter

University of Alabama Press, 2007

Vivid and lively letters from a young Confederate in Lee’s Army

In the Spring of 1861, a 22-year-old Alabamian did what many of his friends and colleagues were doing—he joined the Confederate Army as a volunteer. The first of his family to enlist, William Cowan McClellan, who served as a private in the 9th Alabama Infantry regiment, wrote hundreds of letters throughout the war, often penning for friends who could not write home for themselves. In the letters collected in John C. Carter’s volume, this young soldier comments on his feelings toward his commanding officers, his attitude toward military discipline and camp life, his disdain for the western Confederate armies, and his hopes and fears for the future of the Confederacy.
 
McClellan’s letters also contain vivid descriptions of camp life, battles, marches, picket duty, and sickness and disease in the army. The correspondence between McClellan and his family dealt with separation due to war as well as with other wartime difficulties such as food shortages, invasion, and occupation. The letters also show the rise and fall of morale on both the home front and on the battlefield, and how they were closely intertwined.
 
Remarkable for their humor, literacy, and matter-of-fact banter, the letters reveal the attitude a common soldier in the Army of Northern Virginia had toward the day-to-day activity and progression of the war. John C. Carter includes helpful appendixes that list the letters chronologically and offer the regimental roster, casualty/enlistment totals, assignments, and McClellan’s personal military record.
 

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cover of When This Evil War is Over: The Correspondence of the Francis Family

When This Evil War is Over

The Correspondence of the Francis Family

James P. Pate

University of Alabama Press, 2006

A collection of Civil War correspondence exchanged between members of the James Carrington Francis family of Jacksonville, Calhoun County, Alabama

Six of the seven Francis brothers served in the Confederate army, as did their uncle, four servants, and other kinsmen, and all twelve members of the immediate family of Dr. James Carrington Francis and Amy Ingram Francis—as well as several members of their extended family—are represented in this volume. While the letters refer to the war and the brothers’ military service, they also shed light on this family’s struggle to survive the profound cultural, economic, and political upheaval that ensued.
 
In addition to the correspondence itself, the editor includes a thoroughly researched  introduction that provides an overview of the Francis family history before, during, and after the war, which sheds light on the historical context in which the letters were written. Also included are endnotes that document and elucidate figures and events that receive passing reference in the letters, a genealogical chart of the Francis family, and photographs of each family member.  The editor includes maps of the Virginia, Georgia, and Carolinas settings, which allow the reader to follow the progress of Francis family members during the Civil War campaigns in which they participated.
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cover of Where the Wild Grape Grows: Selected Writings, 1930–1950

Where the Wild Grape Grows

Selected Writings, 1930–1950

Dorothy West. Edited by Cynthia Davis and Verner D. Mitchell

University of Massachusetts Press, 2026

When Where the Wild Grape Grows was published in 2005 by the University of Massachusetts Press, it was the first book-length critical study of Dorothy West. Since then, the publication of more volumes on West and her circle testify to popular and academic interest in under-represented artists of the Harlem Renaissance, many of whom appeared first in West’s literary magazine, Challenge (1934-1937). Challenge included poems by West’s cousin Helene Johnson as well as by her friends Lucia Mae Pitts, Waring Cuney, Pauli Murray, Grace Walker, Mae Cowdery, Marcia Prendergast, and Bessie Calhoun Bird. West also published work by her romantic partner Marian Minus and by Juanita DeShields (the first Black Canadian graduate of McGill University) and the Trinidadian author Alfred Mendes. She included artwork by Mildred Jones and journalism by Eslanda Robeson and Dorothy Peterson. In addition to her editorial activities, West corresponded with important African American musicians including Maud Cuney Hare, Alberta Hunter, and Henry T. Burleigh, and with sculptors Augusta Savage and Richmond Barthé. Just as West mentored others, she was encouraged by such academic luminaries as Columbia Professors Blanche Colton Williams and Dorothy Scarborough, and by the controversial novelist Erskine Caldwell.

The new Introduction to Wild Grape will include fresh research on these individuals, many of whom formed part of West’s social and artistic circle. Lucia Pitts, for example, was a poet who served in the famous WAC (Women’s Army Corps) 6888th Battalion. The work of Marian Minus and Mae Cowdery has received critical attention recently and they also merit closer investigation. The Boston writer and musicologist Maud Cuney Hare was an artistic mentor to West; her cousin Waring Cuney was a close friend: both will receive more attention in the paperback edition. The artist Mildred Jones accompanied West and twenty other young African Americans to Russia in 1932 as participants in an ultimately aborted propaganda film on race relations in America; Jones studied with the important Russian Modernist painter Aleksandr Deyneka.

The original edition of Wild Grape cites two stories about West’s Russian experiences (penned under the pseudonym Mary Christopher in 1934), “Room in Red Square” and “Russian Correspondence,” but the volume does not include the actual stories. The stories are interesting because they shed light on West’s unrequited romance with Langston Hughes and her relationships with other members of the group, and they offer a unique perspective on daily life in the U.S.S.R. Both stories will be published in the new edition, along with a detailed discussion of new research about West’s visit to Russia.

A third uncollected story, “Cook” (1934), written by West under the pseudonym Jane Isaac will also be included. This story is extremely important to West’s oeuvre and her artistic development; it includes characters, themes, tropes, and plot lines that she expanded and developed in her two novels, The Living Is Easy (1948) and The Wedding (1995).

Since 2005, new material has been added to the West archive in Harvard’s Schlesinger Library. The section of Wild Grape devoted to West’s correspondence will include additional unpublished letters which underscore West’s dedication to African American art and culture.

The book includes the Benson-West family tree in Appendix II. Several scholars have expressed appreciation for this information which has not been published elsewhere; the chart will be updated to include the birth of several of West’s descendants.

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cover of Whispers of Cruel Wrongs: The Correspondence of Louisa Jacobs and Her Circle, 1879-1911

Whispers of Cruel Wrongs

The Correspondence of Louisa Jacobs and Her Circle, 1879-1911

Edited by Mary Maillard

University of Wisconsin Press, 2020

Louisa Jacobs was the daughter of Harriet Jacobs, author of the famous autobiography Incidents in the Life of a Slave Girl. That work included a heartbreaking account of Harriet parting with six-year-old Louisa, taken away to the North by her white father. Now, rediscovered letters reveal the lives of Louisa and her circle and shed light on Harriet's old age.

New voices call out from the lost world of nineteenth-century African American women in this annotated correspondence. Unidentified for nearly one hundred years, over seventy rare letters from Louisa Jacobs, Annie Purvis, and Charlotte Forten to their friend Eugenie Webb disclose the lives of these educated, resourceful women. Jacobs taught at Howard University, ran her own small business, advocated for civil rights, cared for her ailing mother, and worked for two federal agencies. Purvis, Forten, and Webb were descendants of some of Philadelphia's earliest free black abolitionist families. Sustained by friendship and faith, these women created warm and sympathetic relationships, despite difficult family obligations and the racist strife that marked the post-Reconstruction era in Washington, Philadelphia, and New Jersey.
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cover of Widows by the Thousand: The Civil War Correspondence of Theophilus and Harriet Perry, 1862–1864

Widows by the Thousand

The Civil War Correspondence of Theophilus and Harriet Perry, 1862–1864

M. Jane Johansson

University of Arkansas Press, 2000

This collection of letters written between Theophilus and Harriet Perry during the Civil War provides an intimate, firsthand account of the effect of the war on one young couple. Perry was an officer with the 28th Texas Cavalry, a unit that campaigned in Arkansas and Louisiana as part of the division known as “Walker’s Greyhounds.” His letters describe his service in a highly literate style that is unusual for Confederate accounts. He documents a number of important events, including his experiences as a detached officer in Arkansas in the winter of 1862–63, the attempt to relieve the siege of Vicksburg, mutiny in his regiment, and the Red River campaign, just before he was killed in the battle of Pleasant Hill. Harriet’s writings allow the reader to witness the everyday life of an upper-class woman enduring home front deprivations, facing the hardships and fears of childbearing and childrearing alone, and coping with other challenges resulting from her husband’s absence.
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cover of William Faulkner: Self-Presentation and Performance

William Faulkner

Self-Presentation and Performance

By James G. Watson

University of Texas Press, 2000

In his life and writings, William Faulkner continually created and "performed" selves. Even in letters, he often played a part—gentleman dandy, soldier, farmer—while in his fictions these and other personae are counterpoised against one another to create a world of controlled chaos, made in Faulkner's own protean image and reflective of his own multiple sense of self.

In this groundbreaking book, James Watson draws on the entire Faulkner canon, including letters and photographs, to decipher the complicated ways in which Faulkner put himself forth as the artist he felt himself to be through written performances and displays based on the life he actually lived and the ones he imagined living. The topics Watson treats include the overtly performative aspects of The Sound and the Fury, self-presentation and performance in private records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie his fictions' recurring motifs of marriages and fatherhood, Faulkner's readings of Melville, Hawthorne, and Thoreau and the problematics of authorial sovereignty, his artist-as-God creation of a fictional cosmos, and the epistolary relationships with women that lie in the correspondence behind Requiem for a Nun.

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cover of William Goyen: Selected Letters from a Writer’s Life

William Goyen

Selected Letters from a Writer’s Life

By William Goyen

University of Texas Press, 1995

Proclaimed "one of the great American writers of short fiction" by the New York Times Book Review, William Goyen (1915-1983) had a quintessentially American literary career, in which national recognition came only after years of struggle to find his authentic voice, his audience, and an artistic milieu in which to create. These letters, which span the years 1937 to 1983, offer a compelling testament to what it means to be a writer in America.

A prolific correspondent, Goyen wrote regularly to friends, family, editors, and other writers. Among the letters selected here are those to such major literary figures as W. H. Auden, Archibald MacLeish, Joyce Carol Oates, William Inge, Elia Kazan, Elizabeth Spencer, and Katherine Anne Porter.

These letters constitute a virtual autobiography, as well as a fascinating introduction to Goyen's work. They add an important chapter to the study of American and Texas literature of the twentieth century.

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cover of Wings of Gold: An Account of Naval Aviation Training in World War II, The Correspondence of Aviation Cadet/Ensign Robert R. Rea

Wings of Gold

An Account of Naval Aviation Training in World War II, The Correspondence of Aviation Cadet/Ensign Robert R. Rea

Wesley Phillips Newton

University of Alabama Press, 1987

Wings of Gold makes a unique contribution to the history of naval aviation. The book sets out the day-to-day experiences and reactions of a cadet who went through the aviation training program at its peak during World War II. An emphasis on training is missing in almost all books dealing with that conflict; in this book, it is the focus. In contrast with official histories, this is an account of how training did occur, rather than how it was intended to occur. It chronicles failures as well as successes, frustrations and achievements. Beginning with a comprehensive introduction to the history of naval aviation training, the authors recount the personal experiences of an individual cadet preparing for war, based on wartime letters written by cadet Rea to his family. The letters are open and candid, and they provide an insider’s look at the conditions and nature of the Naval Aviation Training Program in the 1940s.
 
Millions of Americans underwent military training during World War II, and contemporary historians and readers have begun to recognize the significance and value of primary sources related not only to combat but also to training and preparedness.
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cover of With Lincoln in the White House: Letters, Memoranda, and other Writings of John G. Nicolay, 1860-1865

With Lincoln in the White House

Letters, Memoranda, and other Writings of John G. Nicolay, 1860-1865

Edited by Michael Burlingame

Southern Illinois University Press, 2000

From the time of Lincoln’s nomination for the presidency until his assassination, John G. Nicolay served as the Civil War president’s chief personal secretary. Nicolay became an intimate of Lincoln and probably knew him as well as anyone outside his own family. Unlike John Hay, his subordinate, Nicolay kept no diary, but he did write several memoranda recording his chief’s conversation that shed direct light on Lincoln. In his many letters to Hay, to his fiancée, Therena Bates, and to others, Nicolay often describes the mood at the White House as well as events there. He also expresses opinions that were almost certainly shaped by the president

For this volume, Michael Burlingame includes all of Nicolay’s memoranda of conversations, all of the journal entries describing Lincoln’s activities, and excerpts from most of the nearly three hundred letters Nicolay wrote to Therena Bates between 1860 and 1865. He includes letters and portions of letters that describe Lincoln or the mood at the White House or that give Nicolay’s personal opinions. He also includes letters written by Nicolay while on troubleshooting missions for the president.

An impoverished youth, Nicolay was an unlikely candidate for the important position he held during the Civil War. It was only over the strong objections of some powerful people that he became Lincoln’s private secretary after Lincoln’s nomination for the presidency in 1860. Prominent Chicago Republican Herman Kreismann found the appointment of a man so lacking in savoir faire

“ridiculous.” Henry Martin Smith, city editor of the Chicago Tribune, called Nicolay’s appointment a national loss. Henry C.Whitney was surprised that the president would appoint a “nobody.”

Lacking charm, Nicolay became known at the White House as the “bulldog in the ante-room” with a disposition “sour and crusty.” California journalist Noah Brooks deemed Nicolay a “grim Cerberus of Teutonic descent who guards the last door which opens into the awful presence.” Yet in some ways he was perfectly suited for the difficult job. William O. Stoddard, noting that Nicolay was not popular and could “say 'no'about as disagreeably as any man I ever knew,” still granted that Nicolay served Lincoln well because he was devoted and incorruptible. Stoddard concluded that Nicolay “deserves the thanks of all who loved Mr. Lincoln.”

For his part, Nicolay said he derived his greatest satisfaction “from having enjoyed the privilege and honor of being Mr. Lincoln’s intimate and official private secretary, and of earning his cordial friendship and perfect trust.”

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cover of Wm & H'ry: Literature, Love, and the Letters between Wiliam and Henry James

Wm & H'ry

Literature, Love, and the Letters between Wiliam and Henry James

J. C. Hallman

University of Iowa Press, 2013

Readers generally know only one of the two famous James brothers. Literary types know Henry James; psychologists, philosophers, and religion scholars know William James. In reality, the brothers’ minds were inseparable, as the more than eight hundred letters they wrote to each other reveal. In this book, J. C. Hallman mines the letters for mutual affection and influence, painting a moving portrait of a relationship between two extraordinary men. Deeply intimate, sometimes antagonistic, rife with wit, and on the cutting edge of art and science, the letters portray the brothers’ relationship and measure the manner in which their dialogue helped shape, through the influence of their literary and intellectual output, the philosophy, science, and literature of the century that followed.

William and Henry James served as each other’s muse and critic. For instance, the event of the death of Mrs. Sands illustrates what H’ry never stated: even if the “matter” of his fiction was light, the minds behind it lived and died as though it was very heavy indeed. He seemed to best understand this himself only after Wm fully fleshed out his system. “I can’t now explain save by the very fact of the spell itself . . . that [Pragmatism] cast upon me,” H’ry wrote in 1907. “All my life I have . . . unconsciously pragmatised.”

Wm was never able to be quite so gracious in return. In 1868, he lashed out at the “every day” elements of two of H’ry’s early stories, and then explained: “I have uttered this long rigmarole in a dogmatic manner, as one speaks, to himself, but of course you will use it merely as a mass to react against in your own way, so that it may serve you some good purpose.” He believed he was doing H’ry a service as he criticized a growing tendency toward “over-refinement” or “curliness” of style. “I think it ought to be of use to you,” he wrote in 1872, “to have any detailed criticism fm even a wrong judge, and you don’t get much fm. any one else.” For the most part, H’ry agreed. “I hope you will continue to give me, when you can, your free impression of my performance. It is a great thing to have some one write to one of one’s things as if one were a 3d person & you are the only individual who will do this.” 
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cover of Woman in the Wilderness: Letters of Harriet Wood Wheeler, Missonary Wife, 1832-1892

Woman in the Wilderness

Letters of Harriet Wood Wheeler, Missonary Wife, 1832-1892

Nancy Bunge

Michigan State University Press, 2010

Woman in the Wilderness is a collection of letters written between 1832 and 1892 to and by an American woman, Harriet Wood Wheeler.
     Harriet's letters reveal her experiences with actors and institutions that played pivotal roles in the history of American women: the nascent literate female work force at the mills in Lowell, Massachusetts; the Ipswich Female Seminary, which was one of the first schools for women teachers; women's associations, especially in churches; and the close and enduring ties that characterized women's relationships in the late nineteenth century.
     Harriet's letters also provide an intimate view of the relationships between American Indians and Euro-Americans in the Great Lakes region, where she settled with her Christian missionary husband.
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cover of Women Lawyers and the Origins of Professional Identity in America: The Letters of the Equity Club, 1886 to 1890

Women Lawyers and the Origins of Professional Identity in America

The Letters of the Equity Club, 1886 to 1890

Virginia G. Drachman

University of Michigan Press, 1993

The first women lawyers in America, like many of their twentieth-century counterparts, had to reconcile the traditional roles assigned to women with their roles as lawyers. In 1886, a group of women students and recent alumnae of the University of Michigan Law School founded the Equity Club, a correspondence club for women lawyers and law students across the country who were trying to overcome geographic isolation. The Equity Club became the first organization in the United States to forge professional links between women lawyers, and its founding marks the origins of a collective identity among these new professionals. The letters reprinted in Women Lawyers and the Origins of Professional Identity in America reveal the challenges the first women lawyers faced and reflect the diverse opinions they held on the common issues confronting them. Some contended that women should be lawyers on the same terms as men, while others argued that they could bring something special to the profession—like morality, purity, ethics, and humanity—in contrast to the purely business and commercial qualities of law as practiced by men. The discovery and publication of these letters fill a void in the documentary history of the legal profession and the history of women in America. The introductory essay and the biographical information provided about the lives of the members of the Equity Club help to place the letters in the larger contexts of those histories. Women Lawyers and the Origins of Professional Identity in America will prove enlightening to practicing lawyers, who will find that even a hundred years later, many of the letters have remarkable relevance. Scholars and students in women's history, American studies, sociology, and legal history will also find it a valuable resource.
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cover of Women Political Prisoners in Germany: Narratives of Self and Captivity, 1915-91

Women Political Prisoners in Germany

Narratives of Self and Captivity, 1915-91

Kim Richmond

University of London Press, 2016

One of the few major enquiries into women’s narratives of political incarceration, this volume examines first-person accounts written against a backdrop of momentous historical events in twentieth-century Germany. Rosa Luxemburg’s prison letters are the starting point for the study, which explores the ways in which writing is used as a response to incarceration: how does the writer ‘perform’ femininity within the de-feminizing context of prison? How does she negotiate a self-representation as a ‘good’ woman? Central to this investigation is an awareness of the role of language as a means of empowerment within the disempowering environment of prison. As a key female political figure in twentieth-century Germany, Luxemburg wrote letters from prison that encapsulate prevalent notions about womanhood, prison, and political engagement that are perceptible in the subsequent texts of the study. The diaries of Luise Rinser and Lore Wolf from National Socialist prisons show, in different ways, how the writer uses language to ‘survive’ prison, whilst Margret Bechler’s and Elisabeth Graul’s retrospective accounts of GDR incarceration give insight into the elastic concept of both the political prisoner and the ‘good’ woman. All narratives provide examples of the role of language in resisting an imposed identity as ‘prisoner’, ‘criminal’, and object of the prison system. Kim Richmond completed her PhD at the University of Edinburgh and is now an Associate Lecturer in Languages at the Open University.
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cover of Women's Letters from Ancient Egypt, 300 BC-AD 800

Women's Letters from Ancient Egypt, 300 BC-AD 800

Roger S. Bagnall and Raffaella Cribiore

University of Michigan Press, 2015

When historians study the women of Egyptian, Greek, and Roman antiquity, they are generally dependent on ancient literature written by men. But women themselves did write and dictate. And only in their own private letters can we discover unmediated expression of their authentic experiences.

More than three hundred letters written in Greek and Egyptian by women in Egypt in the millennium from Alexander the Great to the Arab conquest survive on papyrus and pottery. These letters were written by women from various walks of life and shed light on critical social aspects of life in Egypt after the pharaohs. Roger S. Bagnall and Raffaella Cribiore collect the best preserved of these letters in translation and set them in their paleographic, linguistic, social, and economic contexts. As a result, Women's Letters from Ancient Egypt, 300 BC-AD 800, provides a sense that these women's habits, interests, and means of expression were a product more of their social and economic standing than of specifically gender-related concerns or behavior.

Women's Letters from Ancient Egypt, 300 BC-AD 800, takes the reader through theoretical discussions about the handwriting and language of the letters, the education and culture of the writers, and the writers' everyday concerns and occupations, as well as comparing these letters to similar letters from later historical periods. For each letter, discussion focuses on handwriting, language, and content; in addition, numerous illustrations help the reader to see the variety of handwritings. Most of this material has never been available in English translation before, and the letters have never previously been considered as a single body of material.
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cover of Women, Work, and Worship in Lincoln's Country: The Dumville Family Letters

Women, Work, and Worship in Lincoln's Country

The Dumville Family Letters

Edited by Anne M. Heinz and John P. Heinz

University of Illinois Press, 2016

The Dumville family settled in central Illinois during an era of division and dramatic change. Arguments over slavery raged. Railroads and circuit-riding preachers brought the wider world to the prairie. Irish and German immigrants flooded towns and churches. Anne M. Heinz and John P. Heinz draw from an extraordinary archive at the Abraham Lincoln Presidential Library and Museum to reveal how Ann Dumville and her daughters Jemima, Hephzibah, and Elizabeth lived these times. The letters tell the story of Ann, expelled from her Methodist church for her unshakable abolitionist beliefs; the serious and religious Jemima, a schoolteacher who started each school day with prayer; Elizabeth, enduring hard work as a farmer's wife, far away from the others; and Hephzibah, observing human folly and her own marriage prospects with the same wicked wit. Though separated by circumstances, the Dumvilles deeply engaged one another with their differing views on Methodism, politics, education, technological innovation, and relationships with employers. At the same time, the letters offer a rarely seen look at antebellum working women confronting privation, scarce opportunities, and the horrors of civil war with unwavering courage and faith.
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cover of Writing Home: A Quaker Immigrant on the Ohio Frontier; the Letters of Emma Botham Alderson

Writing Home

A Quaker Immigrant on the Ohio Frontier; the Letters of Emma Botham Alderson

Donald Ingram Ulin

Bucknell University Press, 2020

Writing Home offers readers a firsthand account of the life of Emma Alderson, an otherwise unexceptional English immigrant on the Ohio frontier in mid-nineteenth-century America, who documented the five years preceding her death with astonishing detail and insight. Her convictions as a Quaker offer unique perspectives on racism, slavery, and abolition; the impending war with Mexico; presidential elections; various religious and utopian movements; and the practices of everyday life in a young country.

Introductions and notes situate the letters in relation to their critical, biographical, literary, and historical contexts. Editor Donald Ulin discusses the relationship between Alderson’s letters and her sister Mary Howitt’s Our Cousins in Ohio (1849), a remarkable instance of transatlantic literary collaboration.

Writing Home offers an unparalleled opportunity for studying immigrant correspondence due to Alderson’s unusually well-documented literary and religious affiliations. The notes and introductions provide background on nearly all the places, individuals, and events mentioned in the letters.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Writing for Their Lives: Death Row USA

Writing for Their Lives

Death Row USA

Edited by Marie Mulvey-Roberts. Foreword by Jan Arriens

University of Illinois Press, 2007

Going well beyond graphic descriptions of death row's madness and suicide-inducing realities, Writing for Their Lives offers powerful, compassionate, and harrowing accounts of prisoners rediscovering the value of life from within the brutality and boredom of the row. Editor Marie Mulvey-Roberts brings together the writings of prisoners (many of whom are also prize-winning authors) and the words of those who work in the field of capital punishment, whose roles have included defense attorney, prison psychiatrist, chaplain and warden, spiritual advisor, abolitionist and executioner, as well as a Nobel Prize nominee and a murder victim family member. The material is presented through articles, journal extracts, letters, short stories, and poems.

Exposing little-known facts about the five modes of execution practiced in the United States today, Writing for Their Lives documents the progress of life on death row from a capital trial to execution and beyond, through the testimony of the prisoners themselves as well as those who watch, listen, and write to them. What emerges are stories of the survival of the human spirit under even the most unimaginable circumstances, and the ways in which some prisoners find penitence and peace in the most unlikely surroundings. In spite of the uniformity of their prison life and its nearly inevitable conclusion, prisoners able to read and write letters are shown to retain and develop their individuality and humanity as their letters become poems and stories.

Writing for Their Lives serves ultimately as an affirmation of the value of life and provides bountiful evidence that when a state executes a prisoner, it takes a life that still had something to give.

This edition features an introduction by the editor as well as a foreword by Jan Arriens. Dr. Mulvey-Roberts will be donating her profits from the sale of this volume to the legal charity Amicus, which assists in capital defense in the United States."

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cover of Writing in Time: Emily Dickinson's Master Hours

Writing in Time

Emily Dickinson's Master Hours

Marta L. Werner

Amherst College Press, 2021

Winner of the 2023 Richard J. Finneran Award for the best book about editorial theory or practice.

For more than half a century, the story of Emily Dickinson’s “Master” documents has been the largely biographical tale of three letters to an unidentified individual. Writing in Time seeks to tell a different story—the story of the documents themselves. Rather than presenting the “Master” documents as quarantined from Dickinson’s larger scene of textual production, Marta Werner’s innovative new edition proposes reading them next to Dickinson’s other major textual experiment in the years between ca. 1858–1861: the Fascicles. In both, Dickinson can be seen testing the limits of address and genre in order to escape bibliographical determination and the very coordinates of “mastery” itself. A major event in Dickinson scholarship, Writing in Time: Emily Dickinson’s Master Hours proposes new constellations of Dickinson’s work as well as exciting new methodologies for textual scholarship as an act of “intimate editorial investigation.”
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