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Through an ethnographic study inside Japan’s Buddhist goods industry, this book establishes a method for understanding change in death ritual through attention to the dynamic lifecourse of necromaterials.
 
Deep in the Fukuyama mountainside, “the grave of the graves” (o-haka no haka) houses acres of unwanted headstones—the material remains of Japan’s discarded death rites. In the past, the Japanese dead became venerated ancestors through sustained ritual offerings at graves and at butsudan, Buddhist altars installed inside the home. But in twenty-first-century Japan, this intergenerational system of care is rapidly collapsing.

In noisy carpentry studios, flashy funeral-goods showrooms, neglected cemeteries, and cramped kitchens where women prepare memorial feasts, Hannah Gould analyzes the lifecycle of butsudan, illuminating how they are made, circulate through religious and funerary economies, mediate intimate exchanges between the living and the dead, and—as the population ages, families disperse, and fewer homes have space for large lacquer cabinets—eventually fall into disuse. What happens, she asks, when a funerary technology becomes obsolete? And what will take its place? Gould examines new products better suited to urban apartments: miniature urns and sleek altars inspired by Scandinavian design, even reliquary jewelry. She visits an automated columbarium and considers new ritual practices that embrace impermanence. At an industry expo, she takes on the role of “demonstration corpse.” Throughout, Gould invites us to rethink memorialization and describes a distinct form of Japanese necrosociality, one based on material exchanges that seek to both nurture the dead and disentangle them from the world of the living.

Haunted by the past, ordinary Okinawans struggle to live with the unbearable legacies of war, Japanese nationalism, and American imperialism. They are caught up in a web of people and practices—living and dead, visible and immaterial—that exert powerful forces often beyond their control. In When the Bones Speak, Christopher T. Nelson examines the myriad ways contemporary Okinawans experience, remember, and contest sacrifice. He attends to the voices of those who find their vocation in service to others, from shamans, fortune tellers, laborers, and artists to dead soldiers, war survivors, antiwar activists, and Christian missionaries. Nelson shows how the memories of past sacrifices, atrocities, and exploitation as well as residual trauma shape modern life in Okinawa and the possibility and hope for creative action grounded in the everyday. Offering new understandings of colonial transformation, wartime violence, and military occupation, Nelson writes from the intersection of temporalities and possibilities, where the hard finality of the past may be broken open to reveal a “not yet” that has always remained just beyond reach.