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89 books match the query 'Invention' and 2 start with w
Weimar Under the Palms
Pacific Palisades, German Exiles, and the Invention of HollywoodThomas Blubacher
Brandeis University Press, 2025
In the early twentieth century, Pacific Palisades was home to America’s most modern film studio of the time as well as the proposed site of the world’s largest Christian center. But by the end of the 1920s, the Los Angeles neighborhood had become the refuge of the rich and beautiful as German and Austrian filmmakers, among them Salka and Berthold Viertel, settled there. They were soon followed by cultural and intellectual giants of the Weimar Republic who were fleeing Europe, such as Max Reinhardt, Hanns Eisler, or Max Horkheimer. These great minds turned Pacific Palisades into a “Weimar under the palm trees.” Though many were successful in exile—including Vicki Baum, Thomas Mann, and Lion Feuchtwanger—others felt as if they were in a “sun prison” far from home.
Recounting a story of glamor and great minds, Thomas Blubacher tells of the history of German-speaking exiles that is still alive there today, going on a foray through the film industry, taking us on a journey to this special place that was so recently devastated by fire. Many of the homes in this book have now gone, but Marta Feuchtwanger’s Villa Aurora and the Thomas Mann house still stand as a testament to luck, resilience, and history.
Writing an Icon
Celebrity Culture and the Invention of Anaïs NinAnita Jarczok
Ohio University Press, 2017
Anaïs Nin, the diarist, novelist, and provocateur, occupied a singular space in twentieth-century culture, not only as a literary figure and voice of female sexual liberation but as a celebrity and symbol of shifting social mores in postwar America. Before Madonna and her many imitators, there was Nin; yet, until now, there has been no major study of Nin as a celebrity figure.
In Writing an Icon, Anita Jarczok reveals how Nin carefully crafted her literary and public personae, which she rewrote and restyled to suit her needs and desires. When the first volume of her diary was published in 1966, Nin became a celebrity, notorious beyond the artistic and literary circles in which she previously had operated. Jarczok examines the ways in which the American media appropriated and deconstructed Nin and analyzes the influence of Nin’s guiding hand in their construction of her public persona.
The key to understanding Nin’s celebrity in its shifting forms, Jarczok contends, is the Diary itself, the principal vehicle through which her image has been mediated. Combining the perspectives of narrative and cultural studies, Jarczok traces the trajectory of Nin’s celebrity, the reception of her writings. The result is an innovative investigation of the dynamic relationships of Nin’s writing, identity, public image, and consumer culture.