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What Clever Friends, edited by Chad Wriglesworth, is a selection of engaging, frank letters between poet Jane Kenyon and fiction writer Alice Mattison. Ranging from their first meeting in 1979 to Kenyon’s death in 1995, this fifteen-year conversation between close friends reveals their experiences pursuing writing while living out the responsibilities of ordinary life. Writing to each other often, they help each other, confide in each other, and argue through the strains of rejection and acceptance, good reviews and bad, periods in which writing comes easily or when it does not. Over time, both writers emerged from obscurity to gain award-winning recognition as prominent voices in their respective genres.

Witty, tender, and aware; tempestuous and lyrical, these letters trace the evolution of a deep and largely unknown friendship that situates Kenyon’s work within a collaborative environment of other poets and novelists who were committed to the flourishing of contemporary women’s writing. With more than 500 edited and annotated letters, a retrospective foreword written by Alice Mattison, and a scholarly introduction written by Chad Wriglesworth, What Clever Friends conveys a compelling story that will interest readers and writers.

“I am scared most to death every battle we have, but I don't think you need be afraid of my sneaking away unhurt.” Thus wrote Adjutant Charles Harvey Brewster of the 10th Massachusetts to his sister Martha in 1864, in one of over 200 letters he would pen during his four years of service.

Born and raised in Northampton, Massachusetts, Brewster was a twenty-seven-year-old store clerk when he enlisted in Company C of the 10th Massachusetts Volunteers in April 1861. During the next three and a half years he fought in many of the major battles of the Virginia campaigns—Fair Oaks, the Seven Days, Chancellorsville, Gettysburg, the Wilderness, the “Bloody Angle” at Spotsylvania—rising through the ranks to become second lieutenant and later adjutant of his regiment. His letters, most of which were written to his mother and two sisters, record not only the horrors he witnessed on the battlefield, but also his inner struggle with his own values, convictions, and sense of manhood.

In a thoughtful and illuminating introductory essay, David W. Blight explores the evolution of Brewster's understanding of the terrible conflict in which he was engaged. Blight shows how Brewster's attitudes toward race and slavery gradually changed, in part as a result of his contact with escaped slaves and his experience recruiting black troops. He also examines the shift in Brewster's conception of courage, as the realities of war collided with the romantic ideals he had previously embraced. This recently discovered and exceptionally literate collection of 137 letters chronicles the experiences of an ordinary Union soldier caught up in extraordinary events. At times naive and sentimental, at times mature and realistic, Brewster's correspondence not only provides remarkable insight into the meaning of the Civil War for the average Yankee, but also testifies to the persistent power of war to attract and repel the human imagination.

Besides the groundbreaking novels and stories that brought him fame, William Faulkner throughout his life wrote letters—to his publisher, his lovers, his family, and his friends. In this first major study of epistolarity in Faulkner's work, James G. Watson examines Faulkner's personal correspondence as a unique second canon of writing, separate from his literary canon with its many fictional letters but developing along parallel lines. By describing the similarity of forms and conventions in Faulkner's personal and fictional correspondence, Watson clearly demonstrates that Faulkner's personal experience as a writer of letters significantly shaped his imaginative work early and late.

Letters are always about themselves; they re-create a world between the sender and the receiver. In this illuminating study, Faulkner's personal letters are treated as a form of reflexive writing: first-person narratives in which Sender self-consciously portrays Self to a specific Receiver, likewise portrayed in the letter-text. This duality of actual experience and imaginative re-creation measures the personal distances between the life of the writer and the written self-image. It reveals that letters are at once fragments of autobiography and fictions of self.

Such "laws of letters" apply equally to the letters that appear throughout Faulkner's novels and stories. The twenty-one letters and telegrams in The Sound and the Fury, for example, portray character, propel plot, and convey important themes of failed communication and broken identity. From Soldiers' Pay to his last work, Faulkner's carefully lettered canon of fiction is dramatic evidence of his understanding of epistolarity and of the extent to which he adapted letters, including some of his own, to shape his fictional world.

Proclaimed "one of the great American writers of short fiction" by the New York Times Book Review, William Goyen (1915-1983) had a quintessentially American literary career, in which national recognition came only after years of struggle to find his authentic voice, his audience, and an artistic milieu in which to create. These letters, which span the years 1937 to 1983, offer a compelling testament to what it means to be a writer in America.

A prolific correspondent, Goyen wrote regularly to friends, family, editors, and other writers. Among the letters selected here are those to such major literary figures as W. H. Auden, Archibald MacLeish, Joyce Carol Oates, William Inge, Elia Kazan, Elizabeth Spencer, and Katherine Anne Porter.

These letters constitute a virtual autobiography, as well as a fascinating introduction to Goyen's work. They add an important chapter to the study of American and Texas literature of the twentieth century.

Writing Home offers readers a firsthand account of the life of Emma Alderson, an otherwise unexceptional English immigrant on the Ohio frontier in mid-nineteenth-century America, who documented the five years preceding her death with astonishing detail and insight. Her convictions as a Quaker offer unique perspectives on racism, slavery, and abolition; the impending war with Mexico; presidential elections; various religious and utopian movements; and the practices of everyday life in a young country.

Introductions and notes situate the letters in relation to their critical, biographical, literary, and historical contexts. Editor Donald Ulin discusses the relationship between Alderson’s letters and her sister Mary Howitt’s Our Cousins in Ohio (1849), a remarkable instance of transatlantic literary collaboration.

Writing Home offers an unparalleled opportunity for studying immigrant correspondence due to Alderson’s unusually well-documented literary and religious affiliations. The notes and introductions provide background on nearly all the places, individuals, and events mentioned in the letters.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.