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David Robertson charts W. C. Handy’s rise from a rural-Alabama childhood in the last decades of the nineteenth century to his emergence as one of the most celebrated songwriters of the twentieth century. The child of former slaves, Handy was first inspired by spirituals and folk songs, and his passion for music pushed him to leave home as a teenager, despite opposition from his preacher father. Handy soon found his way to St. Louis, where he spent a winter sleeping on cobblestone docks before lucking into a job with an Indiana brass band. It was in a minstrel show, playing to racially mixed audiences across the country, that he got his first real exposure as a professional musician, but it was in Memphis, where he settled in 1905, that he hit his full stride as a composer. At once a testament to the power of song and a chronicle of race and black music in America, W. C. Handy’s life story is in many ways the story of the birth of our country’s indigenous culture—and a riveting must read for anyone interested in the history of American music.

From Carole Simmons Oles comes a new modern poetry biography, this one based on the life of American sculptor Harriet Hosmer (1830–1908). After an exceptional apprenticeship in Rome, Hosmer opened a studio there where she was associated with Nathaniel Hawthorne, Henry James, and the Brownings. Though some of her work survives today, much of it has disappeared. Oles rediscovers Hosmer’s life in Waking Stone. This is a dialogue, an exploration of what Oles calls their “parallel universes.” In beautiful and affecting lyric and narrative poems, some in Hosmer’s voice, some in her own, Oles bends time and circumstances to reveal the essential kinship between two women artists. Oles keeps readers moving through Hosmer’s story, with its flashes of delight, anger, mischief, and triumph, as well as through Oles’s life and time, speaking imaginatively to young women about cutting themselves with razor blades, and to older women about suffering disfiguring treatments for breast cancer.

Now in paper.

At the young age of just 15, Wanda Gág received her dying father's last wish that she take up his dream of becoming a successful artist: "What papa couldn't do, Wanda would have to finish." Wanda assumed the role of head of the household and became the sole means of support for her sick mother and six siblings. Although times were tough, Wanda persevered and eventually became a celebrated artist and author living in New York City.

Karen Nelson Hoyle tells the story of Wanda Gág's eccentric life as a children's book author and traces the significant contributions she made to the genre. Drawn from extensive research of the artist's personal and professional papers and correspondence with friends and contemporaries, Hoyle presents a rich portrait of a gifted artist.

For the Yaka of Southwestern Zaire, infertility is a tear in the fabric of life, and the Khita fertility ritual is a trusted way of reweaving the damaged strands. In Weaving the Threads of Life Rene Devisch offers an extended analysis of the Khita cult, which leads to an original account of the workings of ritual healing.

Drawing on many years among urban and rural Yaka, Devisch analyzes their understanding of existence as a fabric of firmly but delicately interwoven threads of nature, body, and society. The fertility healing ritual calls forth forces, feelings, and meanings that allow women to rejoin themselves to the complex pattern of social and cosmic life. These elaborate rites—whether simulating mortal agony and rebirth, gestation and delivery, or flowering and decay; using music and dance, steambath or massage, dream messages or scarification—are not based on symbols of traditional beliefs. Rather, Devisch shows, the rites themselves generate forces and meaning, creating and shaping the cosmic, physical, and social world of their participants.

In contrast to current theoretical methods such as postmodern or symbolical interpretation, Devisch's praxiological approach is unique in also using phenomenological insights into the intent and results of anthropological fieldwork. This innovative work will have ramifications beyond African studies, reaching into the anthropology of medicine and the body, comparative religious history, and women's studies.

To go by today’s critics of the news media—who have created a virtual cottage industry—American journalism has reached a nadir. Yet with all its well-documented faults, journalism is vital to the health of our democracy, the glue of information that holds this complex nation together. This book shows the most important roles that journalism plays in the world’s oldest democracy. Two seasoned educators and practitioners of journalism have assembled a team of writers who look beyond the critics to show that there is much to be praised about the state of American journalism today.

            Journalism tells us most of what we know about the world beyond our own experience by going where its audience cannot or will not. It keeps watch on the government and other powerful institutions, exposes wrongdoing and injustice, and shares the endless fascinations of everyday life. Through stories of real people, this book forcefully argues that American journalism is better than its critics admit and a force for good in the lives of both individuals and the nation. Like the exemplary journalism it describes, it offers dozens of instances that show how good journalistic practices enrich the daily lives of citizens and enable them to play their own roles in the democracy.

            These essays offer a multifaceted view of the press, tracing the development of free expression through American history and showing how the principles of journalism that we take for granted are playing a revolutionary role in emerging democracies. They report the results of a unique national survey—undertaken for this book—revealing how Americans really view and use the press, and cite the successes of good reporting, from hometown newspapers to NPR. They show how investigative journalism and computer-assisted reporting unearth important truths and even create new knowledge and suggest how citizens can demand the good journalism they need.

            What good is journalism? This book spells out the answer through a conversation about journalism and democracy that offers both an antidote to the recent storm of ideologically based criticism of “liberal media” and a demonstration of the true worth of an institution essential to the protection of freedom. It provides today’s readers—and tomorrow’s journalists—a fresh perspective on the press to remind us where we would be without it.

In 1910, when Olaf F. Larson was born to tenant livestock and tobacco farmers in Rock County, Wisconsin, the original barn still stood on the property. It was filled with artifacts of an earlier time—an ox yoke, a grain cradle, a scythe used to cut hay by hand. But Larson came of age in a brave new world of modern inventions—tractors, trucks, combines, airplanes—that would change farming and rural life forever.

A pathbreaking contribution to Latin American testimonial literature, When a Flower Is Reborn is activist Rosa Isolde Reuque Paillalef’s chronicle of her leadership within the Mapuche indigenous rights movement in Chile. Part personal reflection and part political autobiography, it is also the story of Reuque’s rediscovery of her own Mapuche identity through her political and human rights activism over the past quarter century. The questions posed to Reuque by her editor and translator, the distinguished historian Florencia Mallon, are included in the text, revealing both a lively exchange between two feminist intellectuals and much about the crafting of the testimonial itself. In addition, several conversations involving Reuque’s family members provide a counterpoint to her story, illustrating the variety of ways identity is created and understood.

A leading activist during the Pinochet dictatorship, Reuque—a woman, a Catholic, and a Christian Democrat—often felt like an outsider within the male-dominated, leftist Mapuche movement. This sense of herself as both participant and observer allows for Reuque’s trenchant, yet empathetic, critique of the Mapuche ethnic movement and of the policies regarding indigenous people implemented by Chile’s post-authoritarian government. After the 1990 transition to democratic rule, Reuque collaborated with the government in the creation of the Indigenous Development Corporation (CONADI) and the passage of the Indigenous Law of 1993. At the same time, her deepening critiques of sexism in Chilean society in general, and the Mapuche movement in particular, inspired her to found the first Mapuche feminist organization and participate in the 1996 International Women’s Conference in Beijing. Critical of the democratic government’s inability to effectively address indigenous demands, Reuque reflects on the history of Mapuche activism, including its disarray in the early 1990s and resurgence toward the end of the decade, and relates her hopes for the future.

An important reinvention of the testimonial genre for Latin America’s post-authoritarian, post-revolutionary era, When a Flower Is Reborn will appeal to those interested in Latin America, race and ethnicity, indigenous people’s movements, women and gender, and oral history and ethnography.

Few American writers were as concerned with their public image as was Walt Whitman. He praised his own work in unsigned reviews; he included engravings or photographs of himself in numerous editions of his work; and he assisted in the writing of two biographies of himself. Whitman was also written about extensively by others throughout his lifetime. Whitman in His Own Time is a collection of these contemporary accounts of the "good gray poet."

The interviews with and recollections of Whitman collected by Joel Myerson represent a wide spectrum of accounts—visitors from America and abroad; newspaper interviewers; Whitman's doctor and nurse during his final illness; his literary executors; a student from his early schoolteaching days; and such well-known authors as Bronson Alcott, John Burroughs, and Henry David Thoreau. The selections also paint a well-rounded picture of Whitman, from his early days as a schoolteacher to the moment of his death, and demonstrate a varying range of attitudes toward the poet. Yet throughout the entire collection, Whitman himself holds center stage, and he is seen as vividly today as he was over one hundred years ago. Myerson's introduction to this expanded edition places these accounts of Whitman within the context of the time and discusses new scholarship on Whitman's life.

As grandson of oil tycoon John D. Rockefeller Sr. and son of philanthropist John D. Jr., Winthrop Rockefeller was born into one of the most affluent and influential families in the world. But he was a nonconformist and often felt isolated from the rest of his family. Still, he amazed many when he left the New York elite for a farm in rural Arkansas, where he would ultimately serve two terms as governor and create a philanthropic legacy all his own. In Winthrop Rockefeller, Philanthropist, John L. Ward draws from his years as Rockefeller’s speech writer and campaign advisor to create a remarkably readable and comprehensive narrative. Ward provides valuable insights into Rockefeller’s complicated relationships with his father and brothers and convincingly argues that Rockefeller’s extraordinarily innovative approach to philanthropy changed the way Arkansas was viewed by its citizens and by the rest of the world. This book is a must-read for anyone interested in twentieth-century philanthropy.

Wisconsin Chippewa Myths & Tales, originally published in 1977, was the first collection of Chippewa folklore to provide a comparative and sociological context for the tales.  These  myths and tales were recorded between 1941 and 1944 by four young field workers who later became prominent anthropologists: Joseph B. Casagrande, Ernestine Friedl, Robert E. Ritzenthaler, and Victor Barnouw himself.  The tales—which include stories of tricksters, animals, magical powers, and cannibal ice-giants—were told primarily by five members of the Lac Court Oreilles and Lac du Flambeau bands of Chippewa: John Mink, Prosper Guibord, Delia Oshogay, Tom Badger, and Julia Badger.  Wisconsin Chippewa Myths & Tales  is read as much for its fascinating stories as for its scholarship.

Rolling green hills dotted with Holstein cows, red barns, and blue silos. The Great Lakes ports at Superior, Ashland, and Kenosha. A Polish wedding dance or a German biergarten in Milwaukee. The dappled quiet of the Chequamagon forest. A weatherbeaten but tidy town hall at the intersection of two county trunk highways. Ojibwa families gathering wild rice into canoes. The boat ride through the Dells. The upland ridges of the Driftless Area, falling away into hidden valleys. . . .
    These are images of Wisconsin's land and life, images that evoke a strong sense of place. This book, Wisconsin Land and Life, is an exploration of place, a series of original essays by Wisconsin geographers that offers an introduction to the state's natural environment, the historical processes of its human habitation, and the ways that nature and people interact to create distinct regional landscapes. To read it is to come away with a sweeping view of Wisconsin's geography and history: the glaciers that carved lakes and moraines; the soils and climate that fostered the prairies and great northern pine forests; the early Native Americans who began to shape the landscape and who established forest trails and river portages; the successive waves of Europeans who came to trade in furs, mine for lead and iron, cut the white pines, establish farms, work in the lumber and paper mills, and transform spent wheatfields into pasture for dairy cattle.
    Readers will learn, too, about the platting and naming of Wisconsin's towns, the establishment of county and township governments, the growth of urban neighborhoods and parishes, the role of rivers, railroads, and religion in shaping the state's growth, and the controversial reforestation of the cutover lands that eventually transformed hardscrabble farms and swamps into a sportsman's paradise.
    Abundantly illustrated with photos and maps, this book will richly reward anyone who wishes to learn more about the land and life of the place we know as Wisconsin.

In 1867, German immigrant Paul Seifert settled in the Driftless Area of southwestern Wisconsin and began capturing the distinctive farms and landscapes of his new home in vivid, detailed watercolors. Today, these paintings are coveted by American folk art collectors across the country, but Seifert’s life remains shrouded in mystery.

In this first book written about Paul Seifert, author Joe Kapler examines the life of this enigmatic artist and provides context for his extraordinary art. The book features high-quality reproductions of twenty-two Seifert watercolors (more than half of which have never been published) and many close-ups of his characteristic details, from horses and hay wagons to dogs and dinner bells. Part art history treatment, part coffee table book, part research memoir, and part love letter to the Driftless Area, Wisconsin in Watercolor shines a long-awaited light on Seifert and the land he so carefully rendered over a hundred years ago.

"With All Deliberate Speed is just wonderful. It gives the reader fascinating insights into the Roosevelt era, the Supreme Court, the Justice Department. It is funny, and endearingly human. Three cheers!"
-Anthony Lewis, New York Times columnist, and Pulitzer Prize-winning
author of Gideon's Trumpet

"The fascinating, eloquent, and skillfully edited oral memoir of a distinguished public servant, who was at the epicenter of major legal controversies that his memoir illuminates. A major contribution to modern American legal history."
-Richard A. Posner

"With All Deliberate Speed provides an insider's rich account, spanning over thirty years, of the inner workings of the Supreme Court, the Solicitor General's Office and the Federal Trade Commission that anyone seriously interested in a frank behind-the-scenes view of the federal government should find exceptionally provocative and intriguing"
-Drew Days III, Alfred M. Rankin Professor of Law, Yale University, and former Solicitor General of the United States, 1993-96


From a modest childhood in Patterson, N. J., Philip Elman rose to become clerk for the great Supreme Court Justice Felix Frankfurter, and then to a position in the U.S. Solicitor General's Office. As a member of that office, Philip Elman had an exceptional vantage point on one of the most momentous cases in U.S. Supreme Court history: Brown v. Board of Education.

In this oral history memoir of Elman's life, With All Deliberate Speed, author Norman I. Silber reveals the maneuvering that led to the Court's overturning the doctrine of "separate but equal." Working behind the scenes, it was Justice Department attorney Elman who came up with the concept of gradual integration-an idea that worked its way into the final decision as the famous phrase "with all deliberate speed." Though this expression angered those pressing for immediate desegregation, Elman claims that it unified a divided Court, thus enabling them to stand together against the evil of segregation.

With All Deliberate Speed records a decisive moment in Supreme Court history, but it is also Philip Elman's unforgettable oral memoir-the story of his entire career in government service, including his work with Attorney General Robert F. Kennedy as commissioner of the FTC, and his role in founding the modern consumer protection movement, which includes the antismoking campaign that put the Surgeon General's warning on cigarette packs.

At once rich historical testimony and a gripping read, With All Deliberate Speed offers a rarely glimpsed insider's understanding of the politics of the American legal system.

What if you got a call from Lyndon Johnson to be in Washington DC tomorrow to take a trip around the world? If you are twenty-four-year-old broadcast journalist Neal Spelce, you buckle up. A two-week diplomatic dream trip turned into a lifelong rollercoaster ride. Spelce began his career as a part-time journalist in the LBJ family-owned Austin TV station in 1956, which vaulted him into a lifetime of memorable experiences with Johnson and many icons of the twentieth century. From his live reporting during the UT Tower shooting tragedy to his lifelong association with LBJ, Spelce found himself behind the scenes in many of the twentieth century’s crucial moments. The Austin-based journalist shares candid moments with LBJ and five other US presidents, including a rare interview with father and son presidents George Bush while the three were cramped together in a small bass boat on a Texas lake. During his lengthy media career, Spelce saw Austin grow from a college town to a thriving city. Along the way he interacted with Texas legends such as Darrell Royal, Willie Nelson, Dan Rather, and more, all part of entertaining stories that he tells, as LBJ liked to say, “with the bark off.”

The Mississippi River occupies a sacred place in American culture and mythology. Often called The Father of Rivers, it winds through American life in equal measure as a symbol and as a topographic feature. To the people who know it best, the river is life and a livelihood. River boatmen working the wide Mississippi are never far from land. Even in the dark, they can smell plants and animals and hear people on the banks and wharves.

Bonnie Stepenoff takes readers on a cruise through history, showing how workers from St. Louis to Memphis changed the river and were in turn changed by it. Each chapter of this fast-moving narrative focuses on representative workers: captains and pilots, gamblers and musicians, cooks and craftsmen. Readers will find workers who are themselves part of the country’s mythology from Mark Twain and anti-slavery crusader William Wells Brown to musicians Fate Marable and Louis Armstrong.

A diverse group of writers and scholars follow the lead of noted folklorist Barre Toelken and consider, from the inside, the ways in which varied cultures in the American West understand and express their relations to the world around them. As Barre Toelken puts it in The Dynamics of Folklore, "'Worldview' refers to the manner in which a culture sees and expresses its relation to the world around it." In Worldviews and the American West, seventeen notable authors and scholars, employing diverse approaches and styles, apply Toelken's ideas about worldview to the American West. While the contributors represent a range of voices, methods, and visions, they are integrated through their focus on the theme of worldview in one region. Worldviews and the American West includes essays by Margaret K. Brady, Hal Cannon, Nora Marks Dauenhauer and Richard Dauenhauer, James S. Griffith, Barry Lopez, Robert McCarl, Elliott Oring, Twilo Scofield, Steve Siporin, Kim Stafford, C. W. Sullivan III, Jeannie B. Thomas, George Venn, George B. Wasson, and William A. Wilson. Each of the authors in this collection attempts to get inside one or more of the worldviews of the many cultures that have come to share and interpret the American West. The result is a lively mix of styles and voices as the authors' own worldviews interact with the multiple perspectives of the diverse peoples (and, in Barry Lopez's "The Language of Animals," other species) of the West. This diversity matches the geography of the region they all call home and gives varied life and meaning to its physical and cultural landscape.

Worldwide Laws of Life is full of wisdom drawn from the major sacred Scriptures of the world and various schools of philosophical thought, as well as from scientists, artists, historians, and others. Its aim is to assist people of all ages to learn more about the universal truths of life that transcend modern times or particular cultures.

 

Using the influential and field-changing Writing Culture as a point of departure, the thirteen essays in Writing Culture and the Life of Anthropology address anthropology's past, present, and future.  The contributors, all leading figures in anthropology today, reflect back on the "writing culture" movement of the 1980s, consider its influences on ethnographic research and writing, and debate what counts as ethnography in a post-Writing Culture era. They address questions of ethnographic method, new forms the presentation of research might take, and the anthropologist's role. Exploring themes such as late industrialism, precarity, violence, science and technology, globalization, and the non-human world, this book is essential reading for those looking to understand the current state of anthropology and its possibilities going forward.

Contributors. Anne Allison, James Clifford, Michael M.J. Fischer, Kim Fortun, Richard Handler, John L. Jackson, Jr., George E. Marcus, Charles Piot, Hugh Raffles, Danilyn Rutherford, Orin Starn, Kathleen Stewart, Michael Taussig, Kamala Visweswaran

Philip Caputo, Larry Heinemann, Tim O'Brien, and Robert Olen Butler: four young midwestern Americans coming of age during the 1960s who faced a difficult personal decision—whether or not to fight in Vietnam. Each chose to participate. After coming home, these four veterans became prizewinning authors telling the war stories and life stories of soldiers and civilians. The four extended conversations included in Writing Vietnam, Writing Life feature revealing personal stories alongside candid assessments of each author's distinct roles as son, soldier, writer, and teacher of creative writing.

As Tobey Herzog's thoughtful interviews reveal, these soldier-authors have diverse upbringings, values, interests, writing careers, life experiences, and literary voices. They hold wide-ranging views on, among other things, fatherhood, war, the military, religion, the creative process, the current state of the world, and the nature of both physical and moral courage. For each author, the conversation and richly annotated chronology provide an overview of the writer's life, the intersection of memory and imagination in his writing, and the path of his literary career. Together, these four life stories also offer mini-tableaux of the fascinating and troubling time of 1960s and 1970s America. Above all, the conversations reveal that each author is linked forever to the Vietnam War, the country of Vietnam, and its people.