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In the early 1960s, whenever the Today Show discussed integration,WLBT-TV, the NBC affiliate in Jackson, Mississippi, cut away to local news after announcing that the Today Show content was “network news . . . represent[ing] the views of the northern press.” This was only one part of a larger effort by WLBT and other local stations to keep African Americans and integrationists off Jackson’s television screens. Watching Jim Crow presents the vivid story of the successful struggles of African Americans to achieve representation in the tv programming of Jackson, a city many considered one of the strongest bastions of Jim Crow segregation. Steven D. Classen provides a detailed social history of media activism and communications policy during the civil rights era. He focuses on the years between 1955—when Medgar Evers and the NAACP began urging the two local stations, WLBT and WJTV, to stop censoring African Americans and discussions of integration—and 1969, when the U.S. Court of Appeals issued a landmark decision denying WLBT renewal of its operating license.

During the 1990s, Classen conducted extensive interviews with more than two dozen African Americans living in Jackson, several of whom, decades earlier, had fought to integrate television programming. He draws on these interviews not only to illuminate their perceptions—of the civil rights movement, what they accomplished, and the present as compared with the past—but also to reveal the inadequate representation of their viewpoints in the legal proceedings surrounding WLBT’s licensing. The story told in Watching Jim Crow has significant implications today, not least because the Telecommunications Act of 1996 effectively undid many of the hard-won reforms achieved by activists—including those whose stories Classen relates here.

When officials of the U.S. Department of Justice came in 1961 to Panola County in the Mississippi delta, they found a closed society in which race relations had not altered significantly since Reconstruction. Much has changed, however, in Mississippi in the past three decades, as Frederick Wirt demonstrates in "We Ain’t What We Was," a remarkable look inside the New South. In this follow-up to his highly praised 1970 study of Panola County, The Politics of Southern Equality, Wirt shows how the implementation of civil rights law over the past quarter-century has altered racial reality that in turn altered white perceptions, and thus behavior and attitudes in a section of the country where segregation and prejudice had been most thoroughly entrenched.
Wirt uses multiple indicators—interviews with leaders, attitude tests of children, content analysis of newspapers, school records, and voting and job data—to record what has changed in the Deep South as a result of the 60s revolution in civil rights. Although racism continues to exist in Panola, Wirt maintains that the current generation of southerners is sharply distinguished from its predecessors, and he effectively documents the transformations in individuals and institutions. In a time of increasing popular challenges to the use of law in support of civil liberties, or the place of the federal government to effect necessary social change, this book testifies to the great changes, both public and personal, that were brought about by the strong implementation of civil rights law over thirty years ago. "We Ain’t What We Was" shows that adaptation to change was not overnight, not final, but gradual and always persistent.

The Mississippi River occupies a sacred place in American culture and mythology. Often called The Father of Rivers, it winds through American life in equal measure as a symbol and as a topographic feature. To the people who know it best, the river is life and a livelihood. River boatmen working the wide Mississippi are never far from land. Even in the dark, they can smell plants and animals and hear people on the banks and wharves.

Bonnie Stepenoff takes readers on a cruise through history, showing how workers from St. Louis to Memphis changed the river and were in turn changed by it. Each chapter of this fast-moving narrative focuses on representative workers: captains and pilots, gamblers and musicians, cooks and craftsmen. Readers will find workers who are themselves part of the country’s mythology from Mark Twain and anti-slavery crusader William Wells Brown to musicians Fate Marable and Louis Armstrong.