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When longtime author Robert Root moves to a small town in southeast Wisconsin, he gets to know his new home by walking the same terrain traveled by three Wisconsin luminaries who were deeply rooted in place—John Muir, Aldo Leopold, and August Derleth. Root walks with Muir at John Muir State Natural Area, with Leopold at the Shack, and with Derleth in Sac Prairie; closer to home, he traverses the Ice Age Trail, often guided by such figures as pioneering scientist Increase Lapham. Along the way, Root investigates the changes to the natural landscape over nearly two centuries, and he chronicles his own transition from someone on unfamiliar terrain to someone secure on his home ground.In prose that is at turns introspective and haunting, Walking Home Ground inspires us to see history’s echo all around us: the parking lot that once was forest; the city that once was glacier. "Perhaps this book is an invitation to walk home ground," Root tells us. "Perhaps, too, it’s a time capsule, a message in a bottle from someone given to looking over his shoulder even as he tries to examine the ground beneath his feet."

Walking Towards Walden is an exploration of the sense of place, what it means, how it developed, and why it matters. Based on an eighteenth-century literary device in which a group of friends undertake a walking tour and discuss a certain subject, this wide-ranging story emerges from the author’s fifteen-mile bushwhack through woods, backyards, and marshes—from a hilltop in Westford, Massachusetts, to the town of Concord, Massachusetts—trespassing all along the way. A mock epic, complete with encounters with armed mercenaries and vicious dogs, the book covers all the aspects of place—art, literature, myth, and even music.

Does today’s visitor trekking Yosemite National Park find it much different from what John Muir encountered a century ago? Thomas and Geraldine Vale retrace Muir’s path, based upon journal descriptions of his activities and experiences during his first summer in the Sierra Nevada Mountains. From the foothills through Yosemite Valley and on up to the Tuolumne Meadows, the Vales follow the present roads and trails that crossed Muir’s route, imagining his reaction to the landscape while reflecting on the natural world in both his time and ours.
     Illustrated with drawings by John Muir and drawings and photos by the Vales, Walking with Muir across Yosemite emphasizes that current visitors to Yosemite—indeed to any national park—can still experience the solitude, wildness, and romanticism of nature. They believe, however, that this modern exploration would benefit from a national parks policy that actively promotes nature study and encourages a more profound interaction between humans and the natural world.

Based on either written or oral interviews with a dozen prominent environmental writers, What’s Nature Worth? explores how the art of storytelling might bring new perspectives and insights to economic and policy discussions regarding the "value" of nature and the environment. The diverse points of view explored, and the writers’ insistence on careful interpretation, demonstrate that environmental values are complex, rich, and deeply felt—far more so than mainstream economic methodology would have us believe. There is general consensus among the contributors that the narrative form allows for an exploration of the richness of what it means to "value" nature without being preachy or didactic. Following interviews with the twelve authors, examples of their work demonstrate how indirect expressions of value, in the words of Allison Hawthorne Deming, have an "emotional hue" that can replenish the energy depleted by the coldness of cost-benefit arguments.

Life in the desert is a waiting game: waiting for rain. And in a year of drought, the stakes are especially high.

John Alcock knows the Sonoran Desert better than just about anyone else, and in this book he tracks the changes he observes in plant and animal life over the course of a drought year. Combining scientific knowledge with years of exploring the desert, he describes the variety of ways in which the wait for rain takes place—and what happens when it finally comes.

The desert is a land of five seasons, featuring two summers—hot, dry months followed by monsoon—and Alcock looks at the changes that take place in an entire desert community over the course of all five. He describes what he finds on hikes in the Usery Mountains near Phoenix, where he has studied desert life over three decades and where frequent visits have enabled him to notice effects of seasonal variation that might escape a casual glance.

Blending a personal perspective with field observation, Alcock shows how desert ecology depends entirely on rainfall. He touches on a wide range of topics concerning the desert’s natural history, noting the response of saguaro flowers to heat and the habits of predators, whether soaring red-tailed hawk or tiny horned lizard. He also describes unusual aspects of insects that few desert hikers will have noticed, such as the disruptive color pattern of certain grasshoppers that is more effective than most camouflage.

When the Rains Come is brimming with new insights into the desert, from the mating behaviors of insects to urban sprawl, and features photographs that document changes in the landscape as drought years come and go. It brings us the desert in the harshest of times—and shows that it is still teeming with life.

This rare find--a journal of a young backwoods woman--provides a unique picture of rural life in southwestern Alabama early in the 20th century.

"I am a little Alabama girl living on the frontier where the wild animals is plentiful," wrote May Jordan in 1912. During the hunting season her father traveled Washington County buying furs, and May--already 23--accompanied him on two of these trips, cooking meals, helping out with the business, and recording their experiences.

May's diary of these trips from December 1912 to March 1914 describes the routine of the fur trade and provides a vivid portrait of wilderness travel and social customs. Through May's eyes, readers can experience the sights and sounds of pine forests and swamps, the difficulty of wading through waist-deep mud, and the neighborliness of the people living in this isolated area. May also shares both the solace of religious faith and her love of laughter as reflected in the jokes she records.

Elisa Moore Baldwin provides an introduction that traces Jordan family history and describes economic, social, and political conditions during the period. Baldwin also includes annotations based on court records, census rolls, and other primary sources and photographs of many of the characters in May's narrative to provide a vivid picture of the times. Because few first-person accounts exist of the life of poor whites, this diary will be invaluable to students of southern and women's history; no comparable work exists for this part of Alabama during this era. May's journal takes us to another world and teaches us about the lively human spirit in the face of hardship and loneliness.
 

In these times of technological innovation and fast-paced electronic communication, we often take nature for granted—or even consider it a hindrance to our human endeavors. In Whispers and Shadows: A Naturalist’s Memoir, Jerry Apps explores such topics as the human need for wilderness, rediscovering a sense of wonder, and his father’s advice to “listen for the whispers” and “look in the shadows” to learn nature’s deepest lessons.
 
Combining his signature lively storytelling and careful observations of nature, Apps draws on a lifetime of experiences, from his earliest years growing up on a central Wisconsin farm to his current ventures as gardener, tree farmer, and steward of wetlands, prairies, and endangered Karner blue butterflies. He also takes inspiration from the writings of Aldo Leopold, Annie Dillard, Henry David Thoreau, Sigurd Olson, Ralph Waldo Emerson, John Muir, Barbara Kingsolver, Wendell Berry, Richard Louv, and Rachel Carson. With these eloquent essays, Jerry Apps reminds us to slow down, turn off technology, and allow our senses to reconnect us to the natural world. For it is there, he writes, that “I am able to return to a feeling I had when I was a child, a feeling of having room to stretch my arms without interfering with another person, a feeling of being a small part of something much larger than I was, and I marvel at the idea.”

With a wicked eye for absurdities, Gordon MacCreagh recounts his adventures with eight "Eminent Scientificos" as they set out to explore the Amazon in 1923 without any idea of what lies ahead of them: rapids, malaria, monkey stew, and "dangerous savages." A combination of Twain's The Innocents Abroad and a cautionary tale for explorers, this is one of the most honest accounts ever written of a scientific expedition.

During the past two centuries, these rivers changed dramatically, mostly due to human interaction. Crops replaced native vegetation; excess snowmelt and rainfall carried fertilizers and pesticides into streams; and levees, dams, and drainage altered distribution. These changes cascaded through networks, starting in small headwater tributaries, and reduced the ability of rivers to supply the clean water, fertile soil, and natural habitats they had provided for centuries. Understanding how these rivers, and rivers in general, function and how these functions have been altered over time will allow us to find innovative approaches to restoring river ecosystems.

The environmental changes in the South Platte and the Illinois reflect the relentless efforts by humans to control the distribution of water: to enhance surface water in the arid western prairie and to limit the spread of floods and drain the wetlands along the rivers in the water-abundant east. Wide Rivers Crossed looks at these historical changes and discusses opportunities for much-needed protection and restoration for the future.

In the evocative words of one of America’s best-loved nature writers, Wilderness Days brings together the essence of the magnificent wilderness with which he so deeply identifies. Sigurd F. Olson collects from his writings those moments that most vividly depict the turn of the seasons in the great woodlands and waters of the legendary Quetico–Superior region overlapping the Ontario–Minnesota border.

Lively, readable nature writing. As she details several treks through the beautiful, rocky canyons, [Zwinger's] feel for the animals and plants native to this arid region enhances the precise sketches which punctuate the text. Readers interested in ancient Indian cultures of the Southwest will also find fascinating reading, as Zwinger describes their campsites and lifestyles. —Library Journal

Hit the trail for a dramatic look at Wisconsin’s geologic past.

The impressive bluffs, valleys, waterfalls, and lakes of Wisconsin’s state parks provide more than beautiful scenery and recreational opportunities. They are windows into the distant past, offering clues to the dramatic events that have shaped the land over billions of years. 

Author and former DNR journalist Scott Spoolman takes readers with him to twenty-eight parks, forests, and natural areas where evidence of the state’s striking geologic and natural history are on display. In an accessible storytelling style, Spoolman sheds light on the volcanoes that poured deep layers of lava rock over a vast area in the northwest, the glacial masses that flattened and molded the landscape of northern and eastern Wisconsin, mountain ranges that rose up and wore away over hundreds of millions of years, and many other bedrock-shaping phenomena. These stories connect geologic processes to the current landscape, as well as to the evolution of flora and fauna and development of human settlement and activities, for a deeper understanding of our state’s natural history.

The book includes a selection of detailed trail guides for each park, which hikers can take with them on the trail to view evidence of Wisconsin’s geologic and natural history for themselves.

The interactions between apex predators and their prey are some of the most awesome and meaningful in nature—displays of strength, endurance, and a deep coevolutionary history. And there is perhaps no apex predator more impressive and important in its hunting—or more infamous, more misjudged—than the wolf. Because of wolves’ habitat, speed, and general success at evading humans, researchers have faced great obstacles in studying their natural hunting behaviors. The first book to focus explicitly on wolf hunting of wild prey, Wolves on the Hunt seeks to fill these gaps in our knowledge and understanding.

Combining behavioral data, thousands of hours of original field observations, research in the literature, a wealth of illustrations, and—in the e-book edition and online—video segments from cinematographer Robert K. Landis, the authors create a compelling and complex picture of these hunters. The wolf is indeed an adept killer, able to take down prey much larger than itself. While adapted to hunt primarily hoofed animals, a wolf—or especially a pack of wolves—can kill individuals of just about any species. But even as wolves help drive the underlying rhythms of the ecosystems they inhabit, their evolutionary prowess comes at a cost: wolves spend one-third of their time hunting—the most time consuming of all wolf activities—and success at the hunt only comes through traveling long distances, persisting in the face of regular failure, detecting and taking advantage of deficiencies in the physical condition of individual prey, and through ceaseless trial and error, all while risking injury or death.  

By describing and analyzing the behaviors wolves use to hunt and kill various wild prey—including deer, moose, caribou, elk, Dall sheep, mountain goats, bison, musk oxen, arctic hares, beavers, and others—Wolves on the Hunt provides a revelatory portrait of one of nature’s greatest hunters.

The Boundary Waters region of Minnesota and Ontario is a vast wilderness of quiet beauty, visited and loved by many, but home to only a rugged few. In 1928, Justine Kerfoot arrived, a Northwestern University graduate student headed for medical school until her family lost both their Illinois homes in the stock market crash. Thrust into year-round life at her mother's fledgling summer resort, Justine was confronted with learning survival in the frigid north woods, a challenge she met with extraordinary verve and recounts with great candor and humor in this remarkable book. As she relates her lessons from the Canadian Indians across the lake-how to paddle a canoe, hunt moose, drive a dog team, and stay warm at minus 40 degrees-Kerfoot gives us a rich sense of the world of the Indians and fur trappers. Telling the story of settlement in this rough resort area fifty miles from a town, she describes the effects of depression and forest fires and the struggles for modernization in the wild. Kerfoot has paddled all the lakes and streams in this border country, and she knows them well. Her lyrical descriptions of wildlife and seasonal environments express the deep reverence for nature that has become her way of life. In a final chapter, she reflects on the impact of restricted wilderness status on the region-called the Boundary Waters Canoe Area Wilderness since 1978-and on her own convictions about people living in the wild.

Situated at the intersection of ecocriticism, affect studies, and Romantic studies, this collection breaks new ground on the role of emotions in Western environmentalism. Recent scholarship highlights how traffic between Romantic-era literature and science helped to catalyze Green Romanticism. Closer to our own moment, the affective turn reflects similar cross-disciplinary collaboration, as many scholars now see the physiological phenomenon of affect as a force central to how we develop conscious attitudes and commitments. Together, these trends offer suggestive insights for the study of Green Romanticism.

Woven Shades of Green is an annotated selection of literature by authors who focus on the natural world and the beauty of Ireland. It begins with the Irish monks and their largely anonymous nature poetry, written at a time when Ireland was heavily forested. A section follows devoted to the changing Irish landscape, through both deforestation and famine, including the nature poetry of William Allingham, and James Clarence Mangan, essays from Thomas Gainford and William Thackerary, and novel excerpts from William Carleton and Emily Lawless. The anthology then turns to the nature literature of the Irish Literary Revival, including Yeats and Synge, and an excerpt from George Moore’s novel The Lake. Part four shifts to modern Irish nature poetry, beginning with Patrick Kavanaugh, and continuing with the poetry of Seamus Heaney, Eavan Boland, and others. Finally, the anthology concludes with a section on various Irish naturalist writers, and the unique prose and philosophical nature writing of John Moriarty, followed by a comprehensive list of environmental organizations in Ireland, which seek to preserve the natural beauty of this unique country.    

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

When and where did science begin? Historians have offered different answers to these questions, some pointing to Babylonian observational astronomy, some to the speculations of natural philosophers of ancient Greece. Others have opted for early modern Europe, which saw the triumph of Copernicanism and the birth of experimental science, while yet another view is that the appearance of science was postponed until the nineteenth century.

Rather than posit a modern definition of science and search for evidence of it in the past, the contributors to Wrestling with Nature examine how students of nature themselves, in various cultures and periods of history, have understood and represented their work. The aim of each chapter is to explain the content, goals, methods, practices, and institutions associated with the investigation of nature and to articulate the strengths, limitations, and boundaries of these efforts from the perspective of the researchers themselves. With contributions from experts representing different historical periods and different disciplinary specializations, this volume offers a fresh perspective on the history of science and on what it meant, in other times and places, to wrestle with nature.

Writing Natural History is the edited record of four public dialogues held at the University of Utah in 1988 between eminent writers in the fields of natural history. In these interchanges the writers discussed their traditions, perspectives, values, purposes, techniques, and personal insights. Their conversations, like their work, link the sciences with the humanities in surprising ways, enhancing our understanding and appreciation of both. This volume maintains the vitality of the spoken dialogues and conveys a lively sense of each speaker’s concern with the processes of the natural world and our human position in it.

Half of the authors began as professionals in the natural sciences before becoming recognized for their literary skills; the other half are established writers whose works reflect their vital human affinity with and respect for nature. Writing Natural History will appeal to all readers involved in conservation, nature study, creative writing, environmental issues, the natural sciences, the outdoors, and the ecological politics of Earth.

Authors dialogues feature Barry Lopez and Edward O. Wilson, Robert Finch and Terry Tempest Williams, Gary Paul Nabhan and Ann Zwinger, Paul Brooks and Edward Lueders.