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Pieter Spierenburg narrates two sensational murder cases among intimates in eighteenth-century Amsterdam. The cases recounted here both resulted from fatal attraction. They represented the darker side of the eighteenth-century revolution in love. This period witnessed great cultural changes affecting personal relationships and emotions. The new ideal of love demanded that couples spend much of their time together and explore each other’s feelings. But this new ideal was meant for married and engaged couples only; for others it meant disaster. Love gone wrong was the theme of the sentimental novels of the age, but it also happened to real people, with fatal consequences.

Written in Blood traces the lives and ultimate fate of Nathaniel Donker, who, together with the help of his mistress, brutally murders and dismembers the wife. The second tale focuses on J. B. F. van Gogh, who falls in love with a prostitute; she later rejects him and, when a letter written with his own blood fails to change her mind, he stabs her to death in a fit of passionate rage.

In Written in Blood, the reader gets two stories for the price of one. And, whereas earlier microhistories have been situated in a village or a small town, the scene here is Amsterdam and its canals. Spierenburg reveals in detail what concepts like honor and gender roles came down to in individual lives. He also shows that these murders produced a strange mixture of modern romantic feelings and traditional notions of honor and shame.

In 1955, following the devastation of the Korean War, Bertha and Harry Holt made headlines for adopting eight Korean children. Driven by evangelical convictions and emboldened by a special act of Congress, the couple founded the Holt Adoption Program, which would facilitate the migration of tens of thousands of Korean children to the United States over the following decades.

The Sueppels were among the families profoundly shaped by the legacy of the Holt Adoption Program. To their suburban Iowa City community, Steven and Sheryl Sueppel were kind and charitable, humble yet magnetic—seemingly ideal candidates to adopt. But in 2008, when Steven found himself facing federal embezzlement and money laundering charges, he murdered Sheryl and their adopted children before ending his own life.

Paige Towers traces the interwoven histories of the Holts and the Sueppels, exploring the deeper, often hidden complexities of intercountry adoption: the ethical gray zones, the influences of religion and race, and the global inequalities that made such large-scale child migration possible. Meticulously researched and sensitive with its storytelling, What They Stole examines how good intentions can coexist with systemic harm—and how the consequences of systems like the Holts’ can reverberate across generations.

A true crime classic, the definitive account of the notorious 1954 assassination of Alabama Attorney General Albert Patterson

On June 18, 1954, just a few weeks after being elected Alabama's Attorney General, Albert Patterson was assassinated outside his law office in Phenix City, Alabama.  His campaign promised hope and inspired reform to law-abiding citizens of Phenix City, which was notorious for organized crime, prostitution, gambling, bootlegging, and political corruption. Patterson's stance on cleaning up Phenix City had been met with threats and intimidation.  With millions of dollars in illegal income and hundreds of political and professional careers at stake, the motive for his killing seemed apparent.  The primary investigation surrounding Patterson's shooting focused on who pulled the trigger.

Alan Grady has exhaustively mined the state's original murder case files; the papers of John Patterson, Albert's son; records from the Office of Alabama Attorney General (who directed the murder investigation); the case files of the Alabama Department of Toxicology and Criminal Investigation; National Guard reports; and more than 30 interviews with eyewitnesses and interested parties.

Grady takes a complex story of multiple dimensions—a large cast of judicial, criminal, and political players; a web of alliances and allegiances; and a knotted sequence of investigative revelations and dead ends—and transforms it into a readable, incisive analysis of the powers and loyalties that governed, and corrupted to the core, the body politic of the state. Readers will be enthralled and educated by this authoritative account of the most compelling crime drama in Alabama during the 20th century.
 

A bold firsthand account of the circumstances surrounding the notorious Bali “Suitcase Murder” and the human cost of overlooking child-to-parent violence and abuse

On August 12, 2014, the body of 62-year-old Sheila von Wiese-Mack—the wealthy Oak Park, Illinois, widow of famed composer James L. Mack—was found stuffed inside a suitcase in the trunk of a taxi in Bali. Back in the Midwest, listening to the radio, Sgt. Rasul Freelain of the Oak Park Police Department pulled his car over to absorb the unthinkable news. Amid his shock, one coherent thought surfaced: “Heather did this.” 

Freelain had met the Macks more than three years earlier, when Sheila first reached out to the police for help with her increasingly volatile daughter. Although Heather Mack was just a teenager, she had already displayed a disturbing pattern of escalating violence. Freelain did everything he could to intervene. But as the abuse worsened, he found himself sidelined by a justice system unprepared to deal with child-to-parent violence and abuse (CPVA).

In this gripping and empathetic memoir, Freelain traces the Mack family’s descent from privilege to tragedy, bringing overdue attention to CPVA as a critical yet overlooked public health crisis. He recounts the glamorous but troubled world of the Macks—the parties, the talent, the dysfunction—and his efforts to support both mother and daughter. With rare insight into the web of trauma, race, wealth, and grief that surrounded them, he shows how the system failed them both—and how, even after Sheila’s death, he remained committed to seeking justice and change.

When Lambs Become Wolves moves beyond sensational headlines to examine the roots of one of America’s most hidden forms of domestic violence. While media coverage fixated on the exotic setting and shocking brutality of the crime, along with the growing notoriety of the teenage killer, Freelain urges readers—and institutions in law enforcement, child welfare, and mental health—to focus instead on those harmed. Sheila was more than a victim; she was a sharp, compassionate, creative woman who loved her daughter to the very end. Through meticulous research and raw personal reflection, Freelain explores how abuse cycles form, how institutions look away, and what it means to try—and fail—to protect someone in crisis.

This memoir, with a foreword by Sheila’s brother William Wiese, is a call to action, offering a rare blend of true crime, compassion, and advocacy. This deeply human account of a police officer caught in an impossible situation shows the price of ignoring the violence that starts at home.

Moving backwards from the murders thirty-one men committed, through their adult lives, relationship histories, and their childhoods, David Adams sought to understand what motivated these men to kill. The patterns he found reveal that the murders were neither impulsive crimes of passion nor were they indiscriminate. Why Do They Kill? is the first book to profile different types of wife killers, and to examine the courtship patterns of abusive men. The author shows that wife murders are not, for the most part, "crimes of passion," but culminations of lifelong predisposing factors of the men who murder, and that many elements of their crimes are foretold by their past behavior in intimate relationships.

Key turning points of these relationships include the first emergence of the man's violence, his blaming of the victim, her attempts to resist, his escalation, her attempts to end the relationship, and his punishment for her defiance. Critical perspective on the men's accounts comes from interviews with victims of attempted homicide (standing in for the murder victims) who survived shootings, stabbings, and strangulation. These women detail their partner's escalating patterns of child abuse, sexual violence, terroristic threats, and stalking. The section on help-seeking patterns of victims helps to dispel notions of learned helplessness among victims.

Moving backwards from the murders thirty-one men committed, through their adult lives, relationship histories, and their childhoods, David Adams sought to understand what motivated these men to kill. The patterns he found reveal that the murders were neither impulsive crimes of passion nor were they indiscriminate. Why Do They Kill? is the first book to profile different types of wife killers, and to examine the courtship patterns of abusive men. The author shows that wife murders are not, for the most part, "crimes of passion," but culminations of lifelong predisposing factors of the men who murder, and that many elements of their crimes are foretold by their past behavior in intimate relationships.

Key turning points of these relationships include the first emergence of the man's violence, his blaming of the victim, her attempts to resist, his escalation, her attempts to end the relationship, and his punishment for her defiance. Critical perspective on the men's accounts comes from interviews with victims of attempted homicide (standing in for the murder victims) who survived shootings, stabbings, and strangulation. These women detail their partner's escalating patterns of child abuse, sexual violence, terroristic threats, and stalking. The section on help-seeking patterns of victims helps to dispel notions of learned helplessness among victims.