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1107 books match the query 'Memoirs' and 58 start with w

cover of Womenfolks: Growing Up Down South

Womenfolks

Growing Up Down South

Shirley Abbott

University of Arkansas Press, 2017

A classic that has been in print since its first publication in 1983, Womenfolks is both a personal memoir and a meditation on the often pernicious mythologies of southern cultural history. Shirley Abbott gives us the gritty, independent women of the backwoods, the South’s true heroines, whose hardscrabble world is one of red dirt and hard work—a far cry from the hoopskirts and magnolias of southern lore. As honest, vibrant, and remarkable as the women whose stories illuminate these pages, Womenfolks draws a vivid portrait of a rural culture beset by poverty and sustained by deeply rooted traditions. In her new preface to this edition, Abbott assesses what has changed—and what may never change—about the burdens of southern history and expresses her hope that the better angels of our nature may prevail in our still-new century.
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cover of Worthy: A Memoir

Worthy

A Memoir

Denice Turner

University of Nevada Press, 2015

Worthy is a memoir of loss and the search for acceptance. Raised in a Mormon household, Denice Turner strives to find her place in the Church, longing to be worthy of her mother’s love. When her mother dies in a suspicious house fire, Turner is forced to face the problems with the stories she inherited. Contemplating the price of worthiness, Turner grapples with the mystery of her mother’s death, seeking to understand her mother’s battle with chronic pain.

The story unfolds as Turner confronts a history that includes a Greek grandfather whose up-from-the-bootstraps legacy refuses to die, the ghosts of two suicidal uncles, and a Mormon shrink who claims to see her dead relatives. In the end, this is a memoir not just about loss, but about all of the fragile human bonds that are broken in pursuit of perfection.

Wry and extraordinarily candid, Worthy will appeal to readers interested in the dynamics of family heritage, Mormon doctrine, and the subtle corrosive costs of shame.
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cover of Writing BLUE HIGHWAYS: The Story of How a Book Happened

Writing BLUE HIGHWAYS

The Story of How a Book Happened

Willliam Least Heat-Moon

University of Missouri Press, 2023

Winner, Distinguished Literary Achievement, Missouri Humanities Council, 2015

The story behind the writing of the best-selling Blue Highways is as fascinating as the epic trip itself. More than thirty years after his 14,000-mile, 38-state journey, William Least Heat-Moon reflects on the four years he spent capturing the lessons of the road trip on paper—the stops and starts in his composition process, the numerous drafts and painstaking revisions, the depressing string of rejections by publishers, the strains on his personal relationships, and many other aspects of the toil that went into writing his first book. Along the way, he traces the hard lessons learned and offers guidance to aspiring and experienced writers alike. Far from being a technical manual, Writing Blue Highways: The Story of How a Book Happenedis an adventure story of its own, a journey of “exploration into the myriad routes of heart and mind that led to the making of a book from the first sorry and now vanished paragraph to the last words that came not from a graphite pencil but from a letterpress in Tennessee.”

Readers will not find a collection of abstract formulations and rules for writing; rather, this book gracefully incorporates examples from Heat-Moon’s own experience. As he explains, “This story might be termed an inadvertent autobiography written not by the traveler who took Ghost Dancing in 1978 over the byroads of America but by a man only listening to him. That blue-roadman hasn’t been seen in more than a third of a century, and over the last many weeks as I sketched in these pages, I’ve regretted his inevitable departure.” Filtered as the struggles of the “blue-roadman” are through the awareness of someone more than thirty years older with a half dozen subsequent books to his credit, the story of how his first book “happened” is all the more resonant for readers who may not themselves be writers but who are interested in the tricky balance of intuitive creation and self-discipline required for any artistic endeavor.

 
 
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cover of Writing Beat and Other Occasions of Literary Mayhem

Writing Beat and Other Occasions of Literary Mayhem

John Tytell

Vanderbilt University Press, 2014

The story and history of the Beats couldn't be found in the traditional libraries or archives of academic research. For preeminent historian of Beat culture John Tytell, it had to be found in the bars, towns, roads, and hangouts of these writers and figures. And as Writing Beat demonstrates, the same techniques apply to new and future writers.

Approaching the history of post-war twentieth century American literature, and in particular the Beat literary movement of Kerouac, Ginsberg, Burroughs, and others, Tytell finds himself uniquely positioned as an eyewitness to many of these stories. In this book, he shares his insight with the reader. As he interviewed, drank, traveled, and survived countless moments with some of these literary legends, Tytell discovered much about the craft of nonfiction, biography, and the nature of history. Writing Beat demonstrates, through Tytell's growth as a professor and historian of the Beats, lessons learned and hazards encountered for those aspiring to become writers themselves.

As we approach the sixtieth anniversary of Allen Ginsberg's Howl, Writing Beat reminds us writers do not spring to life fully formed, and the struggle to get to literature can be a blast.
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cover of Writing Desire: Sixty Years of Gay Autobiography

Writing Desire

Sixty Years of Gay Autobiography

Bertram J. Cohler

University of Wisconsin Press, 2007

     Exploring nearly sixty years of memoir and autobiography, Writing Desire examines the changing identity of gay men writing within a historical context. Distinguished scholar and psychoanalyst Bertram J. Cohler has carefully selected a diverse group of ten men, including historians, activists, journalists, poets, performance artists, and bloggers, whose life writing evokes the evolution of gay life in twentieth-century America. 
     By contrasting the personal experience of these disparate writers, Cohler illustrates the social transformations that these men helped shape. Among Cohler's diverse subjects is Alan Helms, whose journey from Indiana to New York's gay society represents the passage of men who came of age in the 1950s and 1960s, when homosexuality was considered a hidden "disease." The liberating effects of Stonewall's aftermath are chronicled in the life of Arnie Kantrowitz, the prototypical activist for gay rights in the 1970s and the founder the Gay and Lesbian Alliance against Defamation. The artistic works of Tim Miller and Mark Doty evoke loss and shock during of the early stages of the AIDS epidemic in the 1980s. Cohler rounds out this collective group portrait by looking at the newest generation of writers in the Internet age via the blog of BrYaN, who did the previously unthinkable: he "outed" himself to millions of people. 
     A compelling mix of social history and personal biography, Writing Desire distills the experience of three generations of gay America.
 
 
Finalist, LGBT Studies, Lambda Literary Foundation
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cover of Writing Home: A Literacy Autobiography

Writing Home

A Literacy Autobiography

Eli Goldblatt

Southern Illinois University Press, 2012

In this engrossing memoir, poet and literacy scholar Eli Goldblatt shares the intimate ways reading and writing influenced the first thirty years of his life—in the classroom but mostly outside it. Writing Home: A Literacy Autobiography traces Goldblatt’s search for home and his growing recognition that only through his writing life can he fully contextualize the world he inhabits.
 
Goldblatt connects his educational journey as a poet and a teacher to his conception of literacy, and assesses his intellectual, emotional, and political development through undergraduate and postgraduate experiences alongside the social imperatives of the era. He explores his decision to leave medical school after he realized that he could not compartmentalize work and creative life or follow in his surgeon father’s footsteps. A brief first marriage rearranged his understanding of gender and sexuality, and a job teaching in an innercity school initiated him into racial politics. Literacy became a dramatic social reality when he witnessed the start of the national literacy campaign in postrevolutionary Nicaragua and spent two months finding his bearings while writing poetry in Mexico City.
Goldblatt presents a thoughtful and exquisitely crafted narrative of his life to illustrate that literacy exists at the intersection of individual and social life and is practiced in relationship to others. While the concept of literacy autobiography is a common assignment in undergraduate and graduate writing courses, few books model the exercise. Writing Home helps fill that void and, with Goldblatt’s emphasis on “out of school” literacy, fosters an understanding of literacy as a social practice.  
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cover of Writing Resistance: Revolutionary Memoirs of Shlissel´burg Prison, 1884-1906

Writing Resistance

Revolutionary Memoirs of Shlissel´burg Prison, 1884-1906

Sarah J. Young

University College London, 2021

The first extended study in English of the revolutionary memoirs from Shlissel’burg Fortress.

In 1884, sixty-eight prisoners convicted of terrorism and revolutionary activity were transferred to a new maximum-security prison at Shlissel´burg Fortress near St. Petersburg. Inhuman conditions in the prison caused severe mental and physical deterioration among the prisoners, and over half died. However, the survivors fought back to reform the prison and improve the inmates’ living conditions. Their memoirs enshrined their experience in revolutionary mythology and served as an indictment of the Tsarist autocracy’s loss of moral authority. This book features three of these memoirs—translated into English for the first time—as well as an introductory essay that analyzes the memoirs’ construction of a collective narrative of resilience, resistance, and renewal. The first extended study of these memoirs in English, this book uncovers an important episode in the history of political imprisonment. It will be of interest to scholars and students of the Russian revolution, carceral history, penal practice and behaviors, and prison and life writing.
 
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cover of Written in the Sky: Lessons of a Southern Daughter

Written in the Sky

Lessons of a Southern Daughter

Patricia Foster

University of Alabama Press, 2023

"A powerful, often heart-wrenching collection of essays tackling the history of the American South."  —Kirkus Reviews
 
In Written in the Sky: Lessons of a Southern Daughter, Patricia Foster presents a double portrait of place and family, a book of deeply personal essays that interrogate the legacy of racial tensions in the South, the constriction of caste and gender, and the ways race, class, and white privilege are entwined in her family story. After interviewing girls at Booker T. Washington High School in Tuskegee, Alabama, visiting the National Memorial for Peace and Justice in Montgomery, Alabama, and exploring Africatown in Plateau, Alabama, Patricia Foster was moved to reflect on the racial scars and crossroads in her southern past as well as to reckon with the intimate places of her own wounding and grief.

The story of place, she discovers, emerges not only from family histories and cultural traditions but also from wrestling with a culture’s irreconcilable ideas: the hard push to determine what matters. What matters to her are the shadow stories beneath our mythologies, the complicated and radiant narratives that must be excavated and reckoned with, stories that have no neat or binary resolution, stories full of luminous moments and riveting facts, and stories where the secrets hide. Written in the Sky presents the best of nonfiction storytelling: searingly honest portraits, dramatic encounters, and lyrical narratives that will interest teachers and students as well as social justice advocates, policymakers, and readers compelled by stories of awakening and the white-hot beauty of language.
 
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