Results by title
8642 books match the query '20th century' and 390 start with w
We Who Love to Be Astonished
Experimental Women's Writing and Performance PoeticsLaura Hinton
University of Alabama Press, 2001
The first critical volume devoted to the full range of women's postmodern works
We Who Love to Be Astonished collects a powerful group of previously unpublished essays to fill a gap in the critical evaluation of women's contributions to postmodern experimental writing. Contributors include Alan Golding, Aldon Nielsen, and Rachel Blau DuPlessis; discussions include analyses of the work of Kathleen Fraser, Harryette Mullen, and Kathy Acker, among others. The editors take as their title a line from the work of Lyn Hejinian, one of the most respected of innovative women poets writing today.
The volume is organized into four sections: the first two seek to identify, from two different angles, the ways women of different sociocultural backgrounds are exploring their relationships to their cultures' inherited traditions; the third section investigates the issue of visuality and the problems and challenges it creates; and the fourth section expands on the role of the body as material and performance.
The collection will breach a once irreconcilable divide between those who theorize about women's writing and those who focus on formalist practice. By embracing "astonishment" as the site of formalist-feminist investigation, the editors seek to show how form configures feminist thought, and, likewise, how feminist thought informs words and letters on a page. Students and scholars of avant-garde poetry, women's writing, and late-20th-century American literature will welcome this lively discussion.
We'll Always Have Paris
American Tourists in France since 1930Harvey Levenstein
University of Chicago Press, 2004
Harvey Levenstein takes us back to the 1930s, when, despite the Great Depression, France continued to be the stomping ground of the social elite of the eastern seaboard. After World War II, wealthy and famous Americans returned to the country in droves, helping to revive its old image as a wellspring of sophisticated and sybaritic pleasures. At the same time, though, thanks in large part to Communist and Gaullist campaigns against U.S. power, a growing sensitivity to French anti-Americanism began to color tourists' experiences there, strengthening the negative images of the French that were already embedded in American culture. But as the century drew on, the traditional positive images were revived, as many Americans again developed an appreciation for France's cuisine, art, and urban and rustic charms.
Levenstein, in his colorful, anecdotal style, digs into personal correspondence, journalism, and popular culture to shape a story of one nation's relationship to another, giving vivid play to Americans' changing response to such things as France's reputation for sexual freedom, haute cuisine, high fashion, and racial tolerance. He puts this tumultuous coupling of France and the United States in historical perspective, arguing that while some in Congress say we may no longer have french fries, others, like Humphrey Bogart in Casablanca, know they will always have Paris, and France, to enjoy and remember.
We're Going to Run This City
Winnipeg's Political Left after the General StrikeStefan Epp-Koop
University of Manitoba Press, 2015
We, Too, Are Americans
African American Women in Detroit and Richmond, 1940-54Megan Taylor Shockley
University of Illinois Press, 2003
As demands on them intensified, the women working to provide American troops with clothing, medical supplies, and other services became increasingly aware of their key role in the war effort. A considerable number of the African Americans among them began to use their indispensability to leverage demands for equal employment, welfare and citizenship benefits, fair treatment, good working conditions, and other considerations previously denied them.
Shockley shows that as these women strove to redefine citizenship, backing up their claims to equality with lawsuits, sit-ins, and other forms of activism, they were forging tools that civil rights activists would continue to use in the years to come.
We, the People
Politics of National Peculiarity in Southeastern EuropeDiana Mishkova
Central European University Press, 2009
We-Narratives
Collective Storytelling in Contemporary FictionNatalya Bekhta
The Ohio State University Press, 2020
Natalya Bekhta’s We-Narratives: Collective Storytelling in Contemporary Fiction analyzes a storytelling form shaped by the pronoun “we,” probing the tensions between individuality and collectivity in more recent narratives in English. Despite a growing interest in collective characters and the we-form in narratology and beyond, narrative theory has not yet done justice to the plural voice in fiction. In fact, the formulation of a poetics of collective expression needs clear theoretical conventions and a reassessment of established concepts in order to approach plural voices and agents on their own terms. We-Narratives addresses this demand by distinguishing between indicative and performative uses of the first-person plural pronoun in fiction and by identifying formal and rhetorical possibilities of stories told by group narrators.
What does it mean for a multitude to speak as one? How can a truly collective narrative voice be achieved or lost? What are its aesthetic and political repercussions? In order to tackle these questions, Bekhta reads a range of contemporary novels and short stories by Jeffrey Eugenides, Joshua Ferris, Toby Litt, Zakes Mda, Joyce Carol Oates, and Julie Otsuka. She also focuses on narrative innovation by Margaret Atwood, William Faulkner, and Susan Sontag. These narratives feature group protagonists and narrators and therefore offer insight into collective narrative discourse and focalization, construction of communal knowledge and unreliability. We-narrative, taken as a distinct storytelling form, illuminates fiction’s expressive potential and nuances models of narrative analysis.
Weak Planet
Literature and Assisted SurvivalWai Chee Dimock
University of Chicago Press, 2020
Drawing on Native American studies, disability studies, and environmental humanities, Dimock shows how hope can be found not in heroic statements but in incremental and unspectacular teamwork. Reversing the usual focus on hegemonic institutions, she highlights instead incomplete gestures given an afterlife with the help of others. She looks at Louise Erdrich’s and Sherman Alexie’s user-amended captivity narratives; nontragic sequels to Moby-Dick by C. L. R. James, Frank Stella, and Amitav Ghosh; induced forms of Irishness in Henry James, Colm Tóibín, W. B. Yeats, and Gish Jen; and the experimentations afforded by a blurry Islam in works by Henri Matisse, James Joyce, Ezra Pound, and Langston Hughes. Celebrating literature’s durability as an assisted outcome, Weak Planet gives us new ways to think about our collective future.
Weapons for Victory
The Hiroshima Decision Fifty Years LaterRobert James Maddox
University of Missouri Press, 2004
The highly acclaimed Weapons for Victory originally appeared in 1995, the fiftieth anniversary of the end of World War II. Now, in this paperback edition, Robert James Maddox provides a new introduction about the ongoing controversy related to the decision to bomb Hiroshima.
Wear Some Armor in Your Hair
Urban Renewal and the 1968 Democratic National Convention in Lincoln ParkBrian Mullgardt
Southern Illinois University Press, 2024
WINNER, 2025 Illinois State Historical Society Russell P. Strange Book of the Year Award!
Police brutality, gentrification, and grassroots activism in 1960s Chicago
In August of 1968, approximately 7,000 people protested the Vietnam War against the backdrop of the Democratic National Convention in Chicago. This highly televised event began peacefully but quickly turned into what was later termed a “police riot.” Brian Mullgardt’s investigation of this event and the preceding tensions shines a light on the ministers, Yippies, and community members who showed up and stood together against the brutality of the police. Charting a complex social history, Wear Some Armor in Your Hair brings together Chicago history, the 1960s, and urbanization, focusing not on the national leaders, but on the grassroots activists of the time.
Beginning in 1955, two competing visions of urban renewal existed, and the groups that propounded each clashed publicly, but peacefully. One group, linked to city hall, envisioned a future Lincoln Park that paid lip service to diversity but actually included very little. The other group, the North Side Cooperative Ministry, offered a different vision of Lincoln Park that was much more diverse in terms of class and race. When the Yippies announced anti-war protests for the summer of ‘68, the North Side Cooperative Ministry played an instrumental role. Ultimately, the violence of that week altered community relations and the forces of gentrification won out.
Mullgardt’s focus on the activists and community members of Lincoln Park, a neighborhood at the nexus of national trends, broadens the scope of understanding around a pivotal and monumental chapter of our history. The story of Lincoln Park, Chicago, is in many ways the story of 1960s activism writ small, and in other ways challenges us to view national trends differently.
Weavers of Dreams, Unite!
Actors' Unionism in Early Twentieth-Century AmericaSean P. Holmes
University of Illinois Press, 2013
Weeping in the Playtime of Others
America’s Incarcerated Children. 2nd edition.Written by Kenneth Wooden with a foreword by Kathleen M. Heide
The Ohio State University Press, 2000
Kenneth Wooden’s Weeping in the Playtime of Others—first published in 1976 and an enduring work of investigative journalism and criminology that was nominated for a Pulitzer Prize—exposes the harsh realities faced by children in the American juvenile justice system. Wooden’s extensive research and firsthand accounts highlight the systemic abuse, neglect, and violence that incarcerated youth endure. Investigative reporter Wooden journeyed across thirty states to document brutal conditions in juvenile detention centers and training schools. His work revealed in stark detail how these institutions regularly failed to provide the rehabilitation they promised, perpetuating cycles of violence and criminality, and presented a devastating picture of the detrimental effects on of solitary confinement, physical punishment, and inadequate educational and psychological support.
Wooden’s many case studies include that of a young Charles Manson, illustrating how early institutionalization can presage lifelong criminal behavior. Wooden also critiques the political and economic forces that sustain these abusive systems, calling for comprehensive reforms.
Weimar Under the Palms
Pacific Palisades, German Exiles, and the Invention of HollywoodThomas Blubacher
Brandeis University Press, 2025
In the early twentieth century, Pacific Palisades was home to America’s most modern film studio of the time as well as the proposed site of the world’s largest Christian center. But by the end of the 1920s, the Los Angeles neighborhood had become the refuge of the rich and beautiful as German and Austrian filmmakers, among them Salka and Berthold Viertel, settled there. They were soon followed by cultural and intellectual giants of the Weimar Republic who were fleeing Europe, such as Max Reinhardt, Hanns Eisler, or Max Horkheimer. These great minds turned Pacific Palisades into a “Weimar under the palm trees.” Though many were successful in exile—including Vicki Baum, Thomas Mann, and Lion Feuchtwanger—others felt as if they were in a “sun prison” far from home.
Recounting a story of glamor and great minds, Thomas Blubacher tells of the history of German-speaking exiles that is still alive there today, going on a foray through the film industry, taking us on a journey to this special place that was so recently devastated by fire. Many of the homes in this book have now gone, but Marta Feuchtwanger’s Villa Aurora and the Thomas Mann house still stand as a testament to luck, resilience, and history.
Weimar through the Lens of Gender
Prostitution Reform, Woman's Emancipation, and German Democracy, 1919-33Julia Roos
University of Michigan Press, 2010
"This book will make a valuable contribution to the field of German history, as well as the histories of gender and sexuality. The argument that Weimar feminism did bring about tangible gains for women needs to be made, and Roos has done so convincingly."
---Julia Sneeringer, Queens College
Until 1927, Germany had a system of state-regulated prostitution, under which only those prostitutes who submitted to regular health checks and numerous other restrictions on their personal freedom were tolerated by the police. Male clients of prostitutes were not subject to any controls. The decriminalization of prostitution in 1927 resulted from important postwar gains in women's rights; yet this change---while welcomed by feminists, Social Democrats, and liberals—also mobilized powerful conservative resistance. In the early 1930s, the right-wing backlash against liberal gender reforms like the 1927 prostitution law played a fateful role in the downfall of the Weimar Republic and the rise of Nazism.
Weimar through the Lens of Gender combines the political history of early twentieth-century Germany with analytical perspectives derived from the fields of gender studies and the history of sexuality. The book's argument will be of interest to a broad readership: specialists in the fields of gender studies and the history of sexuality, as well as historians and general readers interested in Weimar and Nazi Germany.
Julia Roos is Assistant Professor of History at Indiana University, Bloomington.
Jacket art: "Hamburg, vermutlich St. Pauli, 1920er–30er Jahre," photographer unknown, s/w-Fotografie. (Courtesy of the Museum für Hamburgische Geschichte.)
Weis WM.21 Sólyom
Edwin Hoogschagen
Amsterdam University Press, 2023
The Sólyom story starts in 1927, with the Fokker C.V, of which the Hungarian Royal Airforce had acquired 76, mostly built under license by Manfred Weiss (WM). WM improved the C.V, which resulted in the WM-16, with 18 built in two variants. This WM-16 paved the way for the WM-21, of which 128 examples were built.
Well Worth Saving
How the New Deal Safeguarded Home OwnershipPrice Fishback, Jonathan Rose, and Kenneth Snowden
University of Chicago Press, 2013
Well Worth Saving tells the story of the disastrous housing market during the Great Depression and the extent to which an immensely popular New Deal relief program, the Home Owners’ Loan Corporation (HOLC), was able to stem foreclosures by buying distressed mortgages from lenders and refinancing them. Drawing on historical records and modern statistical tools, Price Fishback, Jonathan Rose, and Kenneth Snowden investigate important unanswered questions to provide an unparalleled view of the mortgage loan industry throughout the 1920s and early ’30s. Combining this with the stories of those involved, the book offers a clear understanding of the HOLC within the context of the housing market in which it operated, including an examination of how the incentives and behaviors at play throughout the crisis influenced the effectiveness of policy.
More than eighty years after the start of the Great Depression, when politicians have called for similar programs to quell the current mortgage crisis, this accessible account of the Home Owners’ Loan Corporation holds invaluable lessons for our own time.
Well-Kept Ruins
Hélène Cixous
Seagull Books, 2022
In the Lower Saxony region of northwestern Germany sits the city of Osnabrück. This is where, in 1648, the Peace of Westphalia was signed, bringing the Thirty Years’ War and one of the most calamitous periods of European history to an end. But the city was later to witness another calamity.
Today, as one walks through Old Synagogue Street in a rich neighborhood of Osnabrück, one might miss noticing a pile of pale stones held together by chicken wire that sits between two fashionable homes. These are the well-kept ruins from behind which stares a gaping space—a place of memory and oblivion. Four polished plaques tell the tale of the horror-filled night of November 9, 1938—today known as Kristallnacht—when the synagogue that had stood on this spot was desecrated, looted, set on fire, and eventually demolished by Hitler’s forces. On the same day, ninety parishioners were imprisoned by the Gestapo and eventually sent to the Buchenwald concentration camp.
Osnabrück was also home to Eve Klein, a member of the city’s early-twentieth-century Jewish community and the mother of author Hélène Cixous. In Well-Kept Ruins, Cixous returns to the historic city in 2019 and reflects on the remains of the synagogue that “express the life lost, the life kept.” Walking the streets of the city, plumbing the depths of the past along with her own family’s history, looking deep into the future, and punctuating her poetic prose with haunting photographs, Cixous explores the ruins at the heart of humanity. Part memoir, part philosophical meditation, Well-Kept Ruins is a genre-defying and timely reflection of the contemporary human condition.
Welton Becket
Architecture, Innovation, and the Midcentury CityWim de Wit
J. Paul Getty Trust, The, 0
A compelling reassessment of Welton Becket shows how his buildings—and his business-savvy vision—left a lasting mark on the modern landscape.
Welton Becket (1902–1969) was one of the most prolific architects of postwar America—and one of its most overlooked. From the Capitol Records Building and the Los Angeles Music Center to hospitals, hotels, and corporate headquarters across the United States and abroad, Becket and his firm shaped the everyday landscape of modern life on a massive scale. This first comprehensive study of his career examines Becket’s client-centered approach, innovations in design and business, and lasting impact on urban development and midcentury modernism.
- Situates Welton Becket among leading architects and firms that defined postwar architecture, including Skidmore, Owings & Merrill and Eero Saarinen.
- Argues that Becket’s extraordinary success—and subsequent obscurity—were rooted in the same conviction: a building should reflect the client, not the architect.
- Offers fresh insight into collaborative design practices and architectural authorship in the mid-20th century.
This essential book on one of modern architecture's most quietly influential figures reshapes how we understand postwar design and the forces that built modern America.
Wendell Castle Remastered
Wendell Castle
The Artist Book Foundation, 2015
Wendell Castle (1932–2018), master furniture maker, designer, sculptor, and educator, was in the sixth decade of his extraordinary creativity when an emblematic exhibition of his signature works was mounted by the Museum of Art and Design in 2016. It blended the artist's seminal works with his latest collection, produced with digital technology. In part a self-reflection, this eponymous, full-color companion book examines some of Castle's historically representative works as well as significant contemporary furniture pieces, continuing his highly respected and acclaimed sculptural/functional dialogue. Castle, ever the innovator, was remarkable for his openness to new technologies; he not only embraced an initially complex practice but has "remastered" it. His vast oeuvre represents a prodigious lifework that began in 1958 and aligns with the development of the American art furniture movement.
The solo exhibition was a somewhat self-reflective examination of his early ground-breaking works that tested the boundaries of traditional furniture making by presenting his later innovations using new digital technologies such as 3D scanning and modeling, and computer-controlled milling—a digital "remastering" of his immense oeuvre. Unique perspectives on the master's work are presented by informative essays by authors well-versed on Castle's celebrated career.
West African Challenge To Empire
Culture and History in the Volta-Bani Anticolonial WarMahir Saul
Ohio University Press, 2002
West African Challenge to Empire examines the anticolonial war in the Volta and Bani region in 1915–16. It was the largest challenge that the French ever faced in their West African colonial empire, and one of the largest armed oppositions to colonialism anywhere in Africa. How such a movement could be organized in the face of European technological superiority despite the fact that this region is generally described as having consisted of rival villages and descent groups is a puzzle. In this jointly written book the two authors provide a detailed political and military history of this event based on archival research and ethnographic fieldwork. Using cultural and sociological analysis, it probes the origins of the movement, its internal organization, its strategy, and the reasons for its initial success and why it spread.
In 2001 the authors of West African Challenge to Empire were awarded the Amaury Talbot Prize for African Anthropology by the Royal Anthropological Institute.
West of Center
Art and the Counterculture Experiment in America, 1965–1977Elissa Auther
University of Minnesota Press, 2012
In the heady and hallucinogenic days of the 1960s and ’70s, a diverse range of artists and creative individuals based in the American West—from the Pacific coast to the Rocky Mountains and the Southwest—broke the barriers between art and lifestyle and embraced the new, hybrid sensibilities of the countercultural movement. Often created through radically collaborative artistic practices, such works as Paolo Soleri’s earth homes, the hand-built architecture of the Drop City and Libre communes, Yolanda López’s political posters, the multisensory movement workshops of Anna and Lawrence Halprin, and the immersive light shows and video-based work by the Ant Farm and Optic Nerve collectives were intended to generate new life patterns that pointed toward social and political emancipation.
In West of Center, Elissa Auther and Adam Lerner bring together a prominent group of scholars to elaborate the historical and artistic significance of these counterculture projects within the broader narrative of postwar American art, which skews heavily toward New York’s avant-garde art scene. This west of center countercultural movement has typically been associated with psychedelic art, but the contributors to this book understand this as only one dimension of the larger, artistically oriented, socially based phenomenon. At the same time, they reveal the disciplinary, geographic, and theoretical biases and assumptions that have led to the dismissal of countercultural practices in the history of art and visual culture, and they detail how this form of cultural and political activity found its place in the West.
A companion to an exhibition originating at the Museum of Contemporary Art Denver, this book illuminates how, in the western United States, the counterculture’s unique integration of art practices, political action, and collaborative life activities serves as a linchpin connecting postwar and contemporary artistic endeavors.
West of Sex
Making Mexican America, 1900-1930Pablo Mitchell
University of Chicago Press, 2012
Sex can be an oppressive force, a tool to shame, divide, and control a population. But it can also be a force for change, for the legal and physical challenge of inequity and injustice. In West of Sex, Pablo Mitchell uses court transcripts and criminal cases to provide the first coherent picture of Mexican-American sexuality at the turn of the twentieth century, and a truly revelatory look at sexual identity in the borderlands.
As Mexicans faced a rising tide of racial intolerance in the American West, some found cracks in the legal system that enabled them to assert their rights as full citizens, despite institutional hostility. In these chapters, Mitchell offers a rare glimpse into the inner workings of ethnicity and power in the United States, placing ordinary Mexican women and men at the center of the story of American sex, colonialism, and belonging.
Other chapters discuss topics like prostitution, same-sex intimacy, sexual violence, interracial romance, and marriage with an impressive level of detail and complexity. Written in vivid and accessible prose, West of Sex offers readers a new vision of sex and race in American history.
Westerns
Making the Man in Fiction and FilmLee Clark Mitchell
University of Chicago Press, 1996
Few genres are so closely identified with America as the Western. In this wide-ranging examination of the Western and its appeal, Lee Clark Mitchell ranges from the novels of James Fenimore Cooper to Louis L'Amour, and from classic films like Stagecoach to spaghetti Westerns like A Fistful of Dollar to show how Westerns helped assuage a series of crises in American culture. This landmark book shows that the Western owes its perennial appeal not to unchanging conventions but to the deftness with which it responds to the obsessions and fears of its audience. And no obsession, Lee Mitchell argues, has figured more prominently in the Western than what it means to be a man.
Westwater Lost and Found
Mike Milligan
Utah State University Press, 2004
What Adolescents Ought to Know
Sexual Health Texts in Early Twentieth-Century AmericaJennifer Burek Pierce
University of Massachusetts Press, 2011
In 1901, Dr. Alfred Fournier committed an act both simple and revolutionary: he wrote ForOur Sons, When They Turn 18, a sexual and reproductive health treatise based on his clinical work at a leading Paris hospital. If this booklet aided adolescent understanding of health, it also encouraged reformers around the world to publish. By 1913, countless works on venereal disease prevention were available to adolescents.
During this period, authors wrestled with how to make still-developing scientific information available to a reader also in the process of maturing. What would convince a young person to avoid acting on desire? What norms should be employed in these arguments, when social and legal precedents warned against committing ideas about sex to print? How, in other words, could information about sex be made both decent and compelling? Health reformers struggled with these challenges as doctors' ability to diagnose diseases such as syphilis outpaced the production of medicines that could restore health. In this context, information represented the best and truest prophylactic. When publications were successful, from the perspective of information dissemination, they were translated and distributed worldwide.
What Adolescents Ought to Know explores the evolution of these printed materials—from a single tract, written by a medical researcher and given free to anyone, to a thriving commercial enterprise. It tells the story of how sex education moved from private conversation to purchased text in early twentieth-century America.
What Became of Wystan?
Change and Continuity in Auden's PoetryAlan Jacobs
University of Arkansas Press, 1998
What Clever Friends
The Selected Letters of Jane Kenyon and Alice MattisonEdited by Chad Wriglesworth
University of Michigan Press, 2026
Witty, tender, and aware; tempestuous and lyrical, these letters trace the evolution of a deep and largely unknown friendship that situates Kenyon’s work within a collaborative environment of other poets and novelists who were committed to the flourishing of contemporary women’s writing. With more than 500 edited and annotated letters, a retrospective foreword written by Alice Mattison, and a scholarly introduction written by Chad Wriglesworth, What Clever Friends conveys a compelling story that will interest readers and writers.
What Do You Think, Mr. Ramirez?
The American Revolution in EducationGeoffrey Galt Harpham
University of Chicago Press, 2017
That, says Harpham, was the midcentury promise of American education, the deep current of commitment and aspiration that undergirded the educational system that was built in the postwar years, and is under extended assault today. The United States was founded, he argues, on the idea that interpreting its foundational documents was the highest calling of opinion, and for a brief moment at midcentury, the country turned to English teachers as the people best positioned to train students to thrive as interpreters—which is to say as citizens of a democracy. Tracing the roots of that belief in the humanities through American history, Harpham builds a strong case that, even in very different contemporary circumstances, the emphasis on social and cultural knowledge that animated the midcentury university is a resource that we can, and should, draw on today.
What Drowns the Flowers in Your Mouth
A Memoir of BrotherhoodRigoberto González
University of Wisconsin Press, 2018
Descending into a dark emotional space that compromises their mental and physical health, the brothers eventually find hope in aiding each other. This is an honest and revealing window into the complexities of Latino masculinity, the private lives of men, and the ways they build strength under the weight of grief, loss, and despair.
What Happened to Art Criticism?
James Elkins
Prickly Paradigm Press, 2003
"In What Happened to Art Criticism?, art historian James Elkins sounds the alarm about the perilous state of that craft, which he believes is 'In worldwide crisis . . . dissolving into the background clutter of ephemeral cultural criticism' even as more and more people are doing it. 'It's dying, but it's everywhere . . . massively produced, and massively ignored.' Those who pay attention to other sorts of criticism may recognize the problems Elkins describes: 'Local judgments are preferred to wider ones, and recently judgments themselves have even come to seem inappropriate. In their place critics proffer informal opinions or transitory thoughts, and they shy from strong commitments.' What he'd like to see more of: ambitious judgment, reflection about judgment itself, and 'criticism important enough to count as history, and vice versa.' Amen to that."—Jennifer Howard, Washington Post Book World
What Have They Built You to Do?
The Manchurian Candidate and Cold War AmericaMatthew Frye Jacobson
University of Minnesota Press, 2006
What History Tells
George L. Mosse and the Culture of Modern EuropeEdited by Stanley G. Payne, David J. Sorkin, and John S. Tortorice
University of Wisconsin Press, 2004
The contributors include Walter Laqueur, David Sabean, Johann Sommerville, Emilio Gentile, Roger Griffin, Saul Friedländer, Jay Winter, Rudy Koshar, Robert Nye, Janna Bourke, Shulamit Volkov, and Steven E. Aschheim.
What I Say
Innovative Poetry by Black Writers in AmericaAldon Lynn Nielsen
University of Alabama Press, 2015
The elder poets in this collection, such as Nathaniel Mackey, C. S. Giscombe, Will Alexander, and Ron Allen, came of age during and were powerfully influenced by the Black Arts Movement, and What I Say grounds the collection in its black modernist roots. In tracing the fascinating and unexpected paths of experimentation these poets explored, however, Nielsen and Ramey reveal the tight delineations of African American poetry that omitted noncanonical forms. This invigorating panoply of work, when restored, brings into focus the creatively elastic frontiers and multifaceted expressions of contemporary black poetry.
Several of the poets discussed in What I Say forged relationships with members of the L=A=N=G=U=A=G=E poetry movement and participated in the broader community of innovative poetry that emerged in the late 1970s and early 1980s and continues to exert a powerful influence today.
Each volume can stand on its own, and reading them in tandem will provide a clear vision of how innovative African American poetries have evolved across the twentieth century and into the twenty-first. What I Say is infinitely teachable, compelling, and rewarding. It will appeal to a broad readership of poets, poetics teachers, poetics scholars, students of African American literature in nonnarrative forms, Afro-futurism, and what lies between the modern and the contemporary in global and localized writing practices.
What Is A Poet?
Hank Lazer
University of Alabama Press, 1987
This book discusses the extent of distrust and the extent of the misunderstandings that exist in the poetry world.
What Is Africa to Me?
Fragments of a True-to-Life AutobiographyMaryse Condé
Seagull Books, 2017
What Is Africa to Me? traces the late 1950s to 1968, chronicling Condé’s life in Sékou Touré’s Guinea to her time in Kwame N’Krumah’s Ghana, where she rubbed shoulders with Malcolm X, Che Guevara, Julius Nyerere, and Maya Angelou. Accusations of subversive activity resulted in Condé’s deportation from Ghana. Settling down in Sénégal, Condé ended her African years with close friends in Dakar, including filmmakers, activists, and Haitian exiles, before putting down more permanent roots in Paris.
Condé’s story is more than one of political upheaval, however; it is also the story of a mother raising four children as she battles steep obstacles, of a Guadeloupean seeking her identity in Africa, and of a young woman searching for her freedom and vocation as a writer. What Is Africa to Me? is a searing portrait of a literary genius—it should not be missed.
What Is Fascism?
On the Institutionalization of IdeologyGeorge L. Mosse
University of Wisconsin Press, 2026
In 1963, nearly two decades after the end of the most destructive war in human history, George L. Mosse assembled a group of interdisciplinary scholars from diverse backgrounds to answer a seemingly simple question: What is fascism? The landmark seminar that followed, held at Stanford University, came to define the intellectual conversation about European fascism throughout the postwar era. Mosse strove to better understand the legacy of fascism by debating its origins—often contentiously—with the sharpest minds of his generation.
In this volume, which collects Mosse’s lectures as well as his peers’ responses, Mosse and his colleagues wrestle with fascism’s origins and impact. The straightforward question that launched the seminar quickly expands to deeper debates: What are the intellectual foundations of right-wing populist political movements? How had these particular movements risen to power so quickly and then left so much devastation in their wakes? Were charismatic leaders like Hitler and Mussolini driving forces or did the various incarnations of fascism throughout Europe and beyond constitute a broader “revolution”? What was the relationship of religious and cultural institutions to fascism’s rise and cataclysmic fall?
As the word “fascism” takes on new meaning in the twenty-first century, it is more urgent than ever to revisit the work of scholars who witnessed its birth—and its defeat. In the foreword, Stanley G. Payne situates the lively debate in its historical context, and in the critical introduction, James J. Sheehan shares his own memories of the seminar and reflects on how the experience drove Mosse’s later work.
What Kind of Island in What Kind of Sea?
Franz Fühmann
Lever Press, 2021
What Middletown Read
Print Culture in an American Small CityFrank Felsenstein
University of Massachusetts Press, 2015
The discovery of a large cache of circulation records from the Muncie, Indiana, Public Library in 2003 offers unprecedented detail about American reading behavior at the turn of the twentieth century. Frank Felsenstein and James J. Connolly have mined these records to produce an in-depth account of print culture in Muncie, the city featured in the famed “Middletown” studies conducted by Robert and Helen Lynd almost a century ago. Using the data assembled and made public through the What Middletown Read Database (www.bsu.edu/libraries/wmr), a celebrated new resource the authors helped launch, Felsenstein and Connolly analyze the borrowing choices and reading culture of social groups and individuals.
What Middletown Read is much more than a statistical study. Felsenstein and Connolly dig into diaries, meeting minutes, newspaper reports, and local histories to trace the library's development in relation to the city's cosmopolitan aspirations, to profile individual readers, and to explore such topics as the relationship between children's reading and their schooling and what books were discussed by local women's clubs. The authors situate borrowing patterns and reading behavior within the contexts of a rapidly growing, culturally ambitious small city, an evolving public library, an expanding market for print, and the broad social changes that accompanied industrialization in the United States. The result is a rich, revealing portrait of the place of reading in an emblematic American community.
What Soldiers Do
Sex and the American GI in World War II FranceMary Louise Roberts
University of Chicago Press, 2013
That’s not the picture of the Greatest Generation that we’ve been given, but it’s the one Mary Louise Roberts paints to devastating effect in What Soldiers Do. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread—and then exploited—the myth of French women as sexually experienced and available. The resulting chaos—ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease—horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty.
While never denying the achievement of D-Day, or the bravery of the soldiers who took part, What Soldiers Do reminds us that history is always more useful—and more interesting—when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it.
What Wildness Is This
Women Write about the SouthwestEdited by Susan Wittig Albert, Susan Hanson, Jan Epton Seale, and Paula Stallings Yost
University of Texas Press, 2007
Winner, WILLA Literary Award for Creative Nonfiction, 2008
How do women experience the vast, arid, rugged land of the American Southwest? The Story Circle Network, a national organization dedicated to helping women write about their lives, posed this question, and nearly three hundred women responded with original pieces of writing that told true and meaningful stories of their personal experiences of the land. From this deep reservoir of writing—as well as from previously published work by writers including Joy Harjo, Denise Chávez, Diane Ackerman, Naomi Shihab Nye, Leslie Marmon Silko, Gloria Anzaldua, Terry Tempest Williams, and Barbara Kingsolver—the editors of this book have drawn nearly a hundred pieces that witness both to the ever-changing, ever-mysterious life of the natural world and to the vivid, creative, evolving lives of women interacting with it.
Through prose, poetry, creative nonfiction, and memoir, the women in this anthology explore both the outer landscape of the Southwest and their own inner landscapes as women living on the land—the congruence of where they are and who they are. The editors have grouped the writings around eight evocative themes:
- The way we live on the land
- Our journeys through the land
- Nature in cities
- Nature at risk
- Nature that sustains us
- Our memories of the land
- Our kinship with the animal world
- What we leave on the land when we are gone
From the Gulf Coast of Texas to the Pacific Coast of California, and from the southern borderlands to the Great Plains and the Rocky Mountains, these intimate portraits of women's lives on the land powerfully demonstrate that nature writing is no longer the exclusive domain of men, that women bring unique and transformative perspectives to this genre.
What You See in the Dark
A NovelManuel Muñoz and Charles Taylor
Northwestern University Press, 2025
A doomed love story unfolds alongside the production of Psycho in 1950s Bakersfield, California
Muñoz’s debut novel tells the story of Teresa, an aspiring singer too far away from Los Angeles to share the city’s glamour. In Dan Watson, the most desirable man in town, she believes she has found someone to help her realize those dreams. But when a famous actress arrives from Hollywood with a legendary director in tow, local gossip about Teresa and Dan turns to speculation about the celebrity visitors there to work on what will become an iconic, groundbreaking film of madness and murder at a roadside motel: Alfred Hitchcock’s Psycho. Framed by a foreword from film critic Charles Taylor, Muñoz’s haunting tale reflects “the slow winding down of everything that once seemed certain.”
What's Fair on the Air?
Cold War Right-Wing Broadcasting and the Public InterestHeather Hendershot
University of Chicago Press, 2011
What's Nature Worth
Terre Satterfield
University of Utah Press, 2004
Wheeling's Polonia
Reconstructing Polish Community in a West Virginia Steel TownWilliam Hal Gorby
West Virginia University Press, 2020
Wheeling was a center of West Virginia’s labor movement, and Polish immigrants became a crucial element within the city’s active working-class culture. Arriving at what was also the center of the state’s Roman Catholic Diocese, Poles built religious and fraternal institutions to support new arrivals and to seek solace in times of economic strain and family hardship. The city’s history of crime and organized vice also affected new immigrants, who often lived in neighborhoods targeted for selective enforcement of Prohibition.
At once a deeply textured evocation of the city’s ethnic institutions and an engagement with larger questions about belonging, change, and justice, Wheeling’s Polonia is an inspiring account of a diverse working-class culture and the immigrants who built it.
When America Became Suburban
Robert A. Beauregard
University of Minnesota Press, 2006
When Buildings Speak
Architecture as Language in the Habsburg Empire and Its Aftermath, 1867-1933Anthony Alofsin
University of Chicago Press, 2006
“The book itself as a production is spectacular.”—David Dunster, Architectural Review
When Colombia Bled
A History of the Violencia in TolimaJames David Henderson
University of Alabama Press, 1985
A definitive account of the conflict that transformed twentieth-century Colombia.0false18 pt18 pt00falsefalsefalse
When Colombia Bled: A History of the Violencia in Tolima by James D. Henderson is a compelling and deeply researched examination of one of the most traumatic periods in modern Colombian history. Focusing on the department of Tolima, the book chronicles La Violencia, the undeclared civil war between Colombia's Liberal and Conservative parties that engulfed the nation from the late 1940s through the early 1960s. Through a richly detailed narrative, Henderson traces the political tensions, social divisions, and local rivalries that transformed regional disputes into a devastating cycle of violence affecting countless rural communities.
Drawing on extensive archival research, government records, contemporary accounts, and regional sources, Henderson reveals how national political struggles intersected with local circumstances to create a uniquely destructive conflict. The book explores the experiences of political leaders, campesinos, community activists, and ordinary citizens whose lives were shaped by insecurity, displacement, and armed confrontation. By focusing on Tolima, one of the regions most deeply affected by the conflict, Henderson offers a nuanced perspective on the broader forces that influenced Colombia's political development and social transformation.
Both an authoritative regional study and a major contribution to Latin American history, When Colombia Bled provides essential insight into the historical roots of political violence in Colombia and the enduring legacy of a conflict that helped shape the nation's modern identity.
When Cowboys Come Home
Veterans, Authenticity, and Manhood in Post–World War II AmericaAaron George
Rutgers University Press, 2024
When Democrats Won the Heartland
Progressive Populism in the Age of Reagan, 1978-1992Cory Haala
University of Illinois Press, 2026
This left-oriented movement resurrected the imagery and policies of twentieth-century radical parties like the Minnesota Farmer-Labor Party and Robert La Follette’s Wisconsin Idea. Delving into progressive populist ideas and tactics, Haala illuminates the work of the activists and politicians who led protests, founded a congressional caucus, and backed presidential campaigns that sought to advance their cause. Haala’s account moves from Iron Range union halls to Iowa farmhouses to South Dakota reservations to revise views of Democratic Party history, the Midwest’s political culture, and populism’s role in US politics.
A counter to established political narratives, When Democrats Won the Heartland takes readers into the history of an unexpected political moment.
When Good Men Do Nothing
The Assassination Of Albert PattersonAlan Grady
University of Alabama Press, 2003
A true crime classic, the definitive account of the notorious 1954 assassination of Alabama Attorney General Albert Patterson
On June 18, 1954, just a few weeks after being elected Alabama's Attorney General, Albert Patterson was assassinated outside his law office in Phenix City, Alabama. His campaign promised hope and inspired reform to law-abiding citizens of Phenix City, which was notorious for organized crime, prostitution, gambling, bootlegging, and political corruption. Patterson's stance on cleaning up Phenix City had been met with threats and intimidation. With millions of dollars in illegal income and hundreds of political and professional careers at stake, the motive for his killing seemed apparent. The primary investigation surrounding Patterson's shooting focused on who pulled the trigger.
Alan Grady has exhaustively mined the state's original murder case files; the papers of John Patterson, Albert's son; records from the Office of Alabama Attorney General (who directed the murder investigation); the case files of the Alabama Department of Toxicology and Criminal Investigation; National Guard reports; and more than 30 interviews with eyewitnesses and interested parties.
Grady takes a complex story of multiple dimensions—a large cast of judicial, criminal, and political players; a web of alliances and allegiances; and a knotted sequence of investigative revelations and dead ends—and transforms it into a readable, incisive analysis of the powers and loyalties that governed, and corrupted to the core, the body politic of the state. Readers will be enthralled and educated by this authoritative account of the most compelling crime drama in Alabama during the 20th century.
When Grandpa Delivered Babies and Other Ozarks Vignettes
Benjamin G. Rader
University of Illinois Press, 2024
An alluring blend of remembering and reflection, When Grandpa Delivered Babies and Other Ozarks Vignettes provides a vivid portrait of a fading time.