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The first monograph on Will Barnet in nearly 40 years, this title reflect's the artist's unique interpretation of the world's evolving genres.

Will Barnet’s artistic career as a painter and printmaker spanned nearly eight decades of continuous creativity. Few artists, other than perhaps Picasso or Monet, can claim such an extended period of uninterrupted and innovative art making. From the darkness of the Great Depression to the opening decade of the twenty-first century, his oeuvre reflects his unique interpretation of the art world’s evolving genres: Social Realism, Modernism, Abstract Expressionism, and ultimately representational Minimalism with the human figure as his primary subject.

This book is the first comprehensive monograph on Will Barnet in nearly 40 years. With scholarly essays by the four distinguished authors, an extensive plate section, a comprehensive chronology, lists of awards and exhibitions, and a detailed bibliography, this monograph is a thorough presentation of Barnet's iconic images and consistently evolving style while celebrating his unquenchable joie de vivre.

Barnet was devoted to making art every day and worked diligently even at the very end of his life. "The Old Masters are still alive after 400 years, and that's what I want to be," he once said. "At the age of 10 or 12, I discovered that being an artist would give me an ability to create something which would live on after death." Live on it does; in addition to his acclaimed body of work, he influenced a broad spectrum of artists such as Jackson Pollock, Mark Rothko, James Rosenquist, Cy Twombly, and Ethel Fisher.

Will Clayton left his mark on world commerce through the development of Anderson, Clayton & Co., the world's largest cotton marketing firm; he made an equally important impress on international economics and politics through special and vital service in the State Department during three crucial years of world history.

The politico-economic philosophy that Will Clayton developed as cotton merchant to the world provided the basis for his distinguished service as Assistant Secretary of State and as Undersecretary of State for Economic Affairs and influenced the course of international events far more than is generally realized.

"When the full story of the genesis of the Marshall Plan is told, it will become evident that the inspiration was Will Clayton's; which means he will have a firm niche in history, for this, if for nothing else," wrote John Dalgleish in Everybody's Weekly (London) in 1947. Dalgleish's opinion is supported by documentary evidence and the statements of others whose views are given in this short biography.

The principal events in Will Clayton's background that shaped his character and developed his personal philosophy are here portrayed by one who had a unique opportunity to view her subject at close range during the main periods of his careers in government and business. In this brief biography, his eldest daughter, Ellen Clayton Garwood, intimately but objectively traces the evolution of Clayton's realistic internationalism. The effectiveness of his governmental service in a fast-shrinking world had its roots in his early struggles in international cotton marketing. His marked ability to gain the support of Congress for government proposals—extension of the Reciprocal Trade Agreements Act, the British Loan, the Marshall Plan—is foreshadowed in his triumphant defense of his own business before a Senate investigating committee in the early twentieth century, and by his championship of Southern delivery on futures contracts on the New York Cotton Exchange.

But the story is not all one of success. Will Clayton wanted more than anything to see his country assume membership in an International Trade Organization, for the charter of which he had worked so hard. His disappointment here—partially offset by the success of the General Agreement on Tariffs and Trade—finds counterpart throughout these pages in the obstacles he had to overcome in his development as a human being.

And human being he emerges—son, husband, and father; businessman and statesman—whose measure, with its shadow and its highlights, should serve as strong encouragement for those who would serve their country and their world with equally intelligent devotion.

This book, therefore, brings a note of definite optimism. Will Clayton started out as a poor boy among the bewildered people of the reconstructed South. He emerged a statesman who drew out of still worse confusion in the world a program of hopeful and uplifting clarity. His own words, in a cable from Geneva, August 15, 1947, describe the challenge he met—a challenge that recurs in different form today: "A great opportunity to help Europe lift herself permanently out of a morass of bilateralism and restrictionism has floated in to us on a floodtide of destruction. If we fail to seize this opportunity now it will probably never return except possibly after a third World War."

During thirty years of literary collecting, Louis Daniel Brodsky has acquired some of the most important source materials on the life and work of William Faulkner anywhere available. Indeed, the Brodsky Collection, now owned by Southeast Missouri State University, has been characterized by Robert Penn Warren as "stupendous." In William Faulkner, Life Glimpses, Brodsky mines this storehouse of previously unpublished material, using interviews, letters, speeches, movie scripts, and notes to enrich our understanding of this well-known Southern writer. The result is a highly readable biography that is thematic and episodic rather than chronological in its organization.

Building on specific documents in the collection, Brodsky opens new windows on the parallel development of Faulkner's literary career and personal life. New material on the early poems ''Elder Watson in Heaven" and "Pregnancy" gives insight into Faulkner's developing literary and personal aesthetics during the 1920s and 1930s.

Faulkner's metamorphosis from self-doubting, isolated artist to confident public spokesman during the 1940s and 1950s forms the central core of the study. Through previously unavailable screenplays written for Warner Bros. during World War II and an interview with Faulkner's fellow screenwriter Albert I. "Buzz" Bezzerides, Brodsky charts the decline in Faulkner's literary output and his corresponding discovery of a public voice. He shows how Faulkner's astonishingly positive 1950 Nobel Prize acceptance speech was not a sudden about-face from the bleak outlook that had produced The Sound and the Fury. Rather, Faulkner's years in Hollywood showed him that words, even screenplays, could shape the way people think and react. Faulkner's lifelong quest for a "manly" role ended, Brodsky declares, when he took up the mantle of public spokesmanship.

In the final chapter, a revealing interview with Faulkner's granddaughter, Victoria Fielden Johnson, paints an insider's portrait of life at the Faulkner home, Rowan Oak. A copy of Faulkner's recipe for curing pork, included in the appendix, emphasizes his longterm struggle to produce fine literature while supplying the everyday needs of a large family.

These and other materials, previously unavailable to scholars and the reading public, will broaden and enrich our understanding of one of America's most celebrated writers.

William Gilpin (1815–1894) has been called “America’s first geopolitician.” Regarded today as both scientist and quack, Gilpin was in his own time a recognized authority whose maps were accepted by Congress as the most accurate available, and his description of trails and land in the West were read by pioneer and scientist alike as inspiration and guide.

His writings first introduced to the American public the treasures of the Great Plains (to Gilpin probably belongs the credit for introducing this well-known term) and the mountain plateaus of the Rockies. He advertised the future of the lush valleys of Oregon and the mineral riches that, he was sure, the American West contained.

Gilpin was a cultured, educated man; his studies and his hours of lonely observation on many trips across the American prairies had resulted in the theory—in part true, in part fallacious—about the importance of the Mississippi Valley to world trade and world peace. To his contemporaries and a few later historians he was “a man of rare genius and advanced thought, a prophet and pioneer of civilization,” “one of the wonderful and gifted men of the age, and to him are the citizens of the Republic, in general, and the West, in particular, immeasurably indebted.”

In this biography Thomas L. Karnes traces the life of William Gilpin from the quiet comfort of his wealthy Quaker boyhood home through an exciting and turbulent career as Indian fighter, pioneer, newspaper editor, explorer, land promoter, and first governor of Colorado Territory. But throughout his varied career there was one task to which Gilpin was always devoted: he was a publicizer of the West, first in letters to family and friends; then in newspaper articles, books, and speeches; and finally in reports that became part of the Congressional Record and that influenced the actions of Presidents.

Catherine Parsons Smith’s biography tracks the composer's interrelated careers in popular and concert music. Still’s artistic journey took him from conservatory study with George W. Chadwick to collaborating with Langston Hughes, working as a commercial arranger and composer on Broadway and radio, arranging for artists like Sophie Tucker and Artie Shaw, and serving as the recording director for the first Black-owned record label. But despite his prolific production and multidimensional talents, Still endured financial struggles and declining attention to his work.

This biography of a distinguished historian and man of letters is the first study of William Hickling Prescott (1796–1859) to be written by a historian who has worked with the very themes explored by Prescott. And it is the first to treat him not only as creative historian but also as family man, as traveler and clubman, as investor and humanitarian, and as private citizen with strong political preferences.

Prescott the socialite and Prescott the introvert writer emerge in the round as the magnificent amateur who helped establish canons that have enriched American historical scholarship ever since. Blending history and literature, his multivolume works won Prescott the first significant international reputation to be accorded to an American historian.

Working despite persistent obstacles of health and against a penchant for society and leisure that was always part of his personality, Prescott came to be considered the finest interpreter of the Hispanic world produced by the Anglo-Saxon world. His Conquest of Mexico and Conquest of Peru were pronounced classics.

C. Harvey Gardiner takes the reader back to the nineteenth century in style and in subject to present William Hickling Prescott, gentleman and scholar, firmly fixed in relationship to his community and his times. But Gardiner's Victorian stance and respect for nineteenth-century historiography do not prevent his presenting Prescott as a whole man, viewed in retrospect, stripped of myth, and evaluated for moderns.

Colonial expert and pamphleteer William Knox has received attention in virtually every major study of the American Revolution, yet this is the first biography of Knox ever written.

Knox is best known as undersecretary of state in the American Department of the British government from 1770 to 1782. A prolific and candid commentator, he also made a reputation as a pamphleteer, defending the imperial cause during the decade preceding the Revolution. It had been his experience as provost marshal in Georgia from 1757 to 1762 that convinced Knox of the danger to the empire of the growing "democratic" forces in the American colonies.

While numerous historical works have focused on this or that aspect of Knox's career and thought, such treatment has produced at best a jigsaw portrait. Bellot's comprehensive narrative reveals Knox as a person—one whose Calvinist heritage and Scots-Irish upbringing profoundly influenced his view of empire—and as a historical actor and witness. Here is a look at the events of the revolutionary period through the eyes of a British bureaucrat who had a significant role in both the formation and the execution of British policy. This perspective also provides an excellent case study of the operation of the eighteenth-century British bureaucracy.

Born in 1899, Dawson studied at the Tuskegee Institute in Alabama. He worked as a church, jazz, and orchestral musician in Kansas City and Chicago in the 1920s while continuing his education as a composer. He then joined the Tuskegee faculty, where for 25 years he led the Tuskegee Institute Choir to national prominence through performances of spirituals at the opening of Radio City Music Hall, on radio and television, and at the White House. The Philadelphia Orchestra conducted by Leopold Stokowski premiered Dawson’s Negro Folk Symphony in 1934.

Engaging and long overdue, William L. Dawson celebrates a pioneering Black composer whose contributions to African American music, history, and education inspire performers and audiences to this day.

William S. Burroughs's fiction and essays are legendary, but his influence on music's counterculture has been less well documented—until now. Examining how one of America's most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the Cult of Rock 'n' Roll reveals the transformations in music history that can be traced to Burroughs.

A heroin addict and a gay man, Burroughs rose to notoriety outside the conventional literary world; his masterpiece, Naked Lunch, was banned on the grounds of obscenity, but its nonlinear structure was just as daring as its content. Casey Rae brings to life Burroughs's parallel rise to fame among daring musicians of the 1960s, '70s, and '80s, when it became a rite of passage to hang out with the author or to experiment with his cut-up techniques for producing revolutionary lyrics (as the Beatles and Radiohead did). Whether they tell of him exploring the occult with David Bowie, providing Lou Reed with gritty depictions of street life, or counseling Patti Smith about coping with fame, the stories of Burroughs's backstage impact will transform the way you see America's cultural revolution—and the way you hear its music.

From the Kansas outdoors to Oregon classrooms, William Stafford (1914–1993) led a vibrantly original life navigated with ambition and mission. In poetry crafted in everyday language, a conversational tone, and richly accessible introspection, he invited readers to question and explore nature, humanity, and the American West. After he won the National Book Award in poetry and the Shelley Memorial Award from the Poetry Society of America and served as the Consultant in Poetry to the Library of Congress (a role known today as US Poet Laureate), his talent became recognized around the world. The accolades and achievements continued, including Stafford later spending fifteen years as the Poet Laureate of Oregon. 

A character shaped by duty, adventure, a sharp sense of humor, and a strong moral compass, Stafford remains a beloved American poet. In William Stafford: The Shadow Poet, the first comprehensive biography, Steve Paul shares fascinating stories and frequently surprising accounts of Stafford’s life and work. The book traces Stafford from his humble origins through periods of social courage, the complications of his wartime alternative service, dedication to writing, and family tragedy. It explores how his pacifist world views and eco-consciousness continue to inspire those returning to his work or discovering it for the first time. Paul uncovers various layers of the poet’s life—through his philosophy, friends, family, teaching, and writing—and contemplates how Stafford’s metaphoric shadows, found frequently in his poems, figure into his life and career.

In his forty years on the federal bench in Texas, William Wayne Justice has been a formidable force for change. His rulings have prompted significant institutional reforms in education, prisons, and racial relations, to name only a few areas of society in Texas and beyond that have been affected by Justice's work. For his labors, Judge Justice has received numerous awards, including the Outstanding Federal Trial Judge Award, the Thurgood Marshall Award from the Section on Individual Rights and Responsibilities of the American Bar Association, and the Morris Dees Justice Award from the University of Alabama School of Law.

This paperback reprint of William Wayne Justice chronicles his judicial career and the decisions he reached. It includes a new epilogue that describes Justice's move to Austin as a judge on senior status yet with a full caseload, tracks the long-running institutional reform cases to their conclusion, and examines the legacy of this remarkable and controversial jurist.

2008 — Robert Peterson Recognition Award

Willie Wells was arguably the best shortstop of his generation. As Monte Irvin, a teammate and fellow Hall of Fame player, writes in his foreword, "Wells really could do it all. He was one of the slickest fielding shortstops ever to come along. He had speed on the bases. He hit with power and consistency. He was among the most durable players I've ever known." Yet few people have heard of the feisty ballplayer nicknamed "El Diablo." Willie Wells was black, and he played long before Jackie Robinson broke baseball's color barrier. Bob Luke has sifted through the spotty statistics, interviewed Negro League players and historians, and combed the yellowed letters and newspaper accounts of Wells's life to draw the most complete portrait yet of an important baseball player.

Wells's baseball career lasted thirty years and included seasons in Cuba, Puerto Rico, Mexico, and Canada. He played against white all-stars as well as Negro League greats Satchel Paige, Josh Gibson, and Buck O'Neill, among others. He was beaned so many times that he became the first modern player to wear a batting helmet.

As an older player and coach, he mentored some of the first black major leaguers, including Jackie Robinson and Don Newcombe. Willie Wells truly deserved his induction into the Baseball Hall of Fame, but Bob Luke details how the lingering effects of segregation hindered black players, including those better known than Wells, long after the policy officially ended. Fortunately, Willie Wells had the talent and tenacity to take on anything—from segregation to inside fastballs—life threw at him. No wonder he needed a helmet.

Winifred Sanford is generally regarded by critics as one of the best and most important early twentieth-century Texas women writers, despite publishing only a handful of short stories before slipping into relative obscurity. First championed by her mentor, H. L. Mencken, and published in his magazine, The American Mercury, many of Sanford’s stories were set during the Texas oil boom of the 1920s and 1930s and offer a unique perspective on life in the boomtowns during that period. Four of her stories were included in The Best American Short Stories of 1926.

Questioning the sudden end to Sanford’s writing career, Wiesepape, a leading literary historian of Texas women writers, delved into the author’s previously unexamined private papers and emerged with an insightful and revealing study that sheds light on both Sanford’s abbreviated career and the domestic lives of women at the time. The first in-depth account of Sanford’s life and work, Wiesepape’s biography discusses Sanford’s fiction through the lens of the sociohistorical contexts that shaped and inspired it. In addition, Wiesepape has included two previously unpublished stories as well as eighteen previously unpublished letters to Sanford from Mencken.

Winifred Sanford is an illuminating biography of one of the state’s unsung literary jewels and an important and much-needed addition to the often overlooked field of Texas women’s writing.

Winner, 2024 J. G. Ragsdale Book Award, Arkansas Historical Association

Winner, 2024 Booker Worthen Literary Prize

In 1982, Tony Earl stormed into the Wisconsin governorship with a sweeping victory, rallying blue-collar Democrats around a progressive political platform. Four years later, observers were stunned when he was soundly defeated by conservative Republican Tommy Thompson—not because of any failure as governor, but because, as Dave Cieslewicz notes, the Democratic Party and American politics had undergone a dramatic transformation.

Wisconsin Watershed traces Earl’s journey from Michigan’s Upper Peninsula and the U.S. Navy, through his years in Wisconsin politics and his single, controversial term as Wisconsin’s governor. Earl tackled acid rain, comparable worth, AIDS policy, and tax reform with equal force; he kept American Motors in the state and pulled Wisconsin from a fiscal crisis. Yet voters could not connect his name with his accomplishments. The progressivism that energized new constituencies also alienated the working-class Catholics who had formed the Democratic Party’s backbone. “It’s not the taxes,” one legislator explained. “It’s the desks”—the name for Earl’s symbolic offices to advocate for Native Americans, African Americans, and women.

Earl refused negative campaigning, and he believed that good policy would ultimately prove good politics. His defeat marked the beginning of the end of an era of civility. Through Earl’s story, we witness the Democratic Party’s evolution from New Deal coalition to the emergence of a modern campaign culture that values image and anger over good governance.

“For generations, my family has had the great privilege of serving the people of Wisconsin. In Wisconsin for Kennedy, B.J. Hollars performs his own act of service, recounting the riveting and untold story of Wisconsin’s politically perilous 1960 primary. A poignant contribution to political history that reads like a page-turner.” 
—Former Wisconsin Governor James Doyle Jr. 


"A hopeful quality . . . pervades Wisconsin for Kennedy, written about a time and place when politics was conducted in a less severe and divisive way than it is now. Hollars further succeeds in showing how political history is made by a wide range of citizens. Wisconsinites, Midwesterners, and indeed Americans of all political persuasions can be grateful to B.J. Hollars for these important reminders." 
— Middle West Review 

Women who were sixty or older at the turn of the twenty-first century have lived through some of recent history's most momentous moments—and yet these women often believe that their personal lives and stories are insignificant, not worthy of being recorded for future generations. To change that perception and capture some of these life stories before they are lost, the Story Circle Network, a national organization dedicated to helping women write about their lives, developed the Older Women's Legacy (OWL) Circle Memoir Workshops. During the first two years of the project (1998-2000), nearly 500 older women participated in workshops that offered them the opportunity and encouragement to reflect on and create written records of their lives.

With Courage and Common Sense presents an extensive selection of memoirs from the OWL Circle project. Organized thematically, they describe women's experiences of identity, place, work, family life, love and marriage, loss and healing, adventures great and small, major historical events, and legacies to keep and pass along. Taken as a whole, the memoirs chronicle far-reaching changes in the ways that women participated in the world during the twentieth century. They show how women learned to surmount obstacles, to courageously make the most of the opportunities that came their way, and to move quietly and wisely beyond the limits that were imposed upon them.