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4 books match the query '1868-1912'

cover of Civilization and Monsters: Spirits of Modernity in Meiji Japan

Civilization and Monsters

Spirits of Modernity in Meiji Japan

Gerald Figal

Duke University Press, 2000

Monsters, ghosts, the supernatural, the fantastic, the mysterious. These are not usually considered the “stuff” of modernism. More often they are regarded as inconsequential to the study of the modern, or, at best, seen as representative of traditional beliefs that are overcome and left behind in the transformation toward modernity. In Civilization and Monsters Gerald Figal asserts that discourse on the fantastic was at the heart of the historical configuration of Japanese modernity—that the representation of the magical and mysterious played an integral part in the production of modernity beginning in Meiji Japan (1868–1912).
After discussing the role of the fantastic in everyday Japan at the eve of the Meiji period, Figal draws new connections between folklorists, writers, educators, state ideologues, and policymakers, all of whom crossed paths in a contest over supernatural terrain. He shows the ways in which a determined Meiji state was engaged in a battle to suppress, denigrate, manipulate, or reincorporate folk belief as part of an effort toward the consolidation of a modern national culture. Modern medicine and education, functioning as a means for the state to exercise its power, redefined folk practices as a source of evil. Diverse local spirits were supplanted by a new Japanese Spirit, embodied by the newly constituted emperor, the supernatural source of the nation’s strength. The monsters of folklore were identified, catalogued, and characterized according to a new regime of modern reason. But whether engaged to support state power and forge a national citizenry or to critique the arbitrary nature of that power, the fantastic, as Figal maintains, is the constant condition of Japanese modernity in all its contradictions. Furthermore, he argues, modernity in general is born of fantasy in ways that have scarcely been recognized.
Bringing unexplored and provocative new ideas to the Japan specialist, Civilization and Monsters will also appeal to readers concerned with issues of modernity in general.
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cover of Essays on the Modern Japanese Church: Christianity in Meiji Japan

Essays on the Modern Japanese Church

Christianity in Meiji Japan

Yamaji Aizan; Translated by Graham Squires, with Introductory Essays by Graham Squires and A. Hamish Ion

University of Michigan Press, 2000

Essays on the Modern Japanese Church (Gendai Nihon kyokai shiron), published in 1906, was the first Japanese-language history of Christianity in Meiji Japan. Yamaji Aizan’s firsthand account describes the reintroduction of Christianity to Japan—its development, rapid expansion, and decline—and its place in the social, political, and intellectual life of the Meiji period. Yamaji’s overall argument is that Christianity played a crucial role in shaping the growth and development of modern Japan.
Yamaji was a strong opponent of the government-sponsored “emperor-system ideology,” and through his historical writing he tried to show how Japan had a tradition of tolerance and openness at a time when government-sponsored intellectuals were arguing for greater conformity and submissiveness to the state on the basis of Japanese “national character.”
Essays is important not only in terms of religious history but also because it highlights broad trends in the history of Meiji Japan. Introductory chapters explore the significance of the work in terms of the life and thought of its author and its influence on subsequent interpretations of Meiji Christianity.
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cover of Poison Woman: Figuring Female Transgression in Modern Japanese Culture

Poison Woman

Figuring Female Transgression in Modern Japanese Culture

Christine L. Marran

University of Minnesota Press, 2007

Based on the lives and crimes of no less than twenty real women, dokufu (poison women) narratives emerged as a powerful presence in Japan during the 1870s. During this tumultuous time, as the nation moved from feudalism to oligarchic government, such accounts articulated the politics and position of underclass women, sexual morality, and female suffrage. Over the next century, the figure of the oversexed female criminal, usually guilty of robbery or murder, became ubiquitous in modern Japanese culture.

In Poison Woman, Christine L. Marran investigates this powerful icon, its shifting meanings, and its influence on defining women’s sexuality and place in Japan. She begins by considering Meiji gesaku literature, in which female criminality was often medically defined and marginalized as abnormal. She describes the small newspapers (koshinbun) that originally reported on poison women, establishing journalistic and legal conventions for future fiction about them. She examines zange, or confessional narratives, of female and male ex-convicts from the turn of the century, then reveals how medical and psychoanalytical literature of the 1920s and 1930s offered contradictory explanations of the female criminal as an everywoman or a historical victim of social circumstances and the press. She concludes by exploring postwar pulp fiction (kasutori), film and underground theater of the 1970s, and the feminist writer Tomioka Taeko’s take on the transgressive woman.

Persistent stories about poison women illustrate how a few violent acts by women were transformed into myriad ideological, social, and moral tales that deployed notions of female sexual desire and womanhood. Bringing together literary criticism, the history of science, media theory, and gender and sexuality studies, Poison Woman delves into genre and gender in ways that implicate both in projects of nation-building.

Christine L. Marran is associate professor of Japanese literature and cultural studies at the University of Minnesota.

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cover of Rutgers Meets Japan: A Trans-Pacific Network of the Late Nineteenth Century

Rutgers Meets Japan

A Trans-Pacific Network of the Late Nineteenth Century

Haruko Wakabayashi

Rutgers University Press, 2026

In 1867 Kusakabe Taro, a young samurai from Fukui, Japan, began studying at Rutgers as its first foreign student. Three years later, in 1870, his former tutor, friend, and Rutgers graduate, William Elliot Griffis, left for Japan to teach English and Science for three and a half years. The year 2020 marked the 150th anniversary of two landmark events in the history of the Rutgers-Japan relationship: the untimely death of Kusakabe only weeks before his graduation, and his friend Griffis’ departure to Japan. 

Griffis and Kusakabe were only a small piece of a vast transnational network of leading modernizers of Japan in the 1860s and 70s. The Japanese students in New Brunswick were young and innovative men of samurai and aristocratic lineage, who were sent by reform-minded leaders of Japan, which was undergoing a dramatic transformation. They came to New Brunswick seeking Western knowledge that was much needed for the modernization of a newly forming nation. New Brunswick became the hub of a network of Japanese nationals that extended to the major cities of New York, Philadelphia, and Boston, and from there to the smaller towns of New England. Once in New Brunswick, these Japanese students were embraced by Protestant ministers, educators, and missionaries—both men and women—whose network encompassed Rutgers College and the neighboring New Brunswick Theological Seminary, and which stretched to Dutch Reformed parishes throughout the Eastern seaboard, and westward as far as the Dutch enclave of Holland, Michigan. Meanwhile, the American teachers and missionaries who left for Japan became part of a network of reformist leaders and Japanese returnees that extended to schools, colleges, and missions in Japan, and formed the foundations of Japan’s modern educational system. Through contributions from scholars and archivists in the U.S., Canada, and Japan, Rutgers Meets Japan aims to reconstruct the early Rutgers-Japan connections and examine the role and impact of this transnational network on Japan and the U.S. in the late nineteenth century.
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