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7 books match the query '1900 - 1930'

cover of Bergson and Russian Modernism: 1900-1930

Bergson and Russian Modernism

1900-1930

Hilary L. Fink

Northwestern University Press, 2012

Bergson and Russian Modernism provides a portrait of the early twentieth-century intersection of literature, philosophy, and art, showing how the Russian reception of Bergsonian philosophy helped to define Russian Modernism. By drawing on various works of Russian religious thought, Symbolism, Post-Symbolism, and the absurd, Fink examines Bergson's appeal to Russian modernists interested in breaking free of traditional concepts of time and space and in reclaiming the direct link with reality that had been broken by nineteenth-century rationalism and empiricism.
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cover of Chicago's North Michigan Avenue: Planning and Development, 1900-1930

Chicago's North Michigan Avenue

Planning and Development, 1900-1930

John W. Stamper

University of Chicago Press, 1991

Since its opening in the 1920s, Chicago's North Michigan Avenue has been one of the city's most prestigious commerical corridors, lined by some of its most architecturally distinctive business, residential, and hotel buildings. Planned by Daniel Burnham in 1909, the avenue became the principal connecting link between downtown and the wealthy, residential "Gold Coast" north of the Loop. Some thirty buildings were constructed along its path in the ten-year period before the Depression, an urban expansion comparable in significance to that of Pennsylvania and Park Avenues.

John W. Stamper traces the complex development of North Michigan Avenue from the 1880s to the 1920s building boom that solidified its character and economic base, describing the initiation of the planning process by private interests to its execution aided by the city's powerful condemnation and taxation proceedings. He focuses on individual buildings constructed on the avenue, including the Renaissance- and Gothic-inspired Wrigley Building, Tribune Tower, and Drake Hotel, and places them within the context of factors governing their construction—property ownership, financing, zoning laws, design theory, and advertising.

Stamper compares this stylistically diverse mixture of low- and high-rise structures with earlier, rejected planning proposals, all of which had prescribed a uniformly designed, European-like avenue of continuous cornice heights, consistent facade widths, and complementary stylistic features. He analyzes the drastically different character the avenue took by 1930, with high-rise towers reaching thirty stories and beyond, in terms of the clash among economic, political, and architectural interests. His argument—that the discrepancies between the rejected plans and reality illustrate the developers' choice of economic return on their investment over aesthetic community—is extended through to the present avenue and the virtual disregard of the urban qualities proposed at its inception. Generously illustrated, with an epilogue condensing the avenue's history between the end of World War II and the present, this is an exhaustive account of an important topic in the history of modern architecture and city planning.
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cover of Cinema and the Cosmopolitan City: Colonial Encounters in Shanghai, 1900–1930

Cinema and the Cosmopolitan City

Colonial Encounters in Shanghai, 1900–1930

Qiliang He

University of Michigan Press, 2027

In early twentieth-century Shanghai, cinema was more than entertainment—it reshaped the city itself. As movie theaters appealed to city dwellers of all backgrounds, colonial authorities struggled to manage this new public space and introduced new safety rules, censorship, and anti-crime measures. Movie theaters unintentionally brought the unofficial way of racial segregation to an end. Moreover, imported films, though emblematic of Western modernity, paradoxically eroded the myth of Western civilizational superiority. These films revealed social ills in Euro-American societies, exposed Hollywood’s racist depictions of Chinese people, and galvanized anti-imperialist and nationalist sentiments among local audiences.

Cinema and the Cosmopolitan City adopts a “cinema off-screen” approach—stitching together urban history and film studies and foregrounding circulation, consumption, and spatial practice. Qiliang He draws on municipal archives, police records, censorship reports, trade journals, film reviews, and news stories to reconstruct the regulatory regimes imposed by the Shanghai Municipal Council and Shanghai Municipal Police, which was targeting both Bolshevism and “immoral” content. This book reveals how cinema didn’t just reflect modern life—it actively changed urban governance, fueled anticolonial feelings, and linked cosmopolitan culture with rising nationalism in China.

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cover of Financial Missionaries to the World: The Politics and Culture of Dollar Diplomacy, 1900-1930

Financial Missionaries to the World

The Politics and Culture of Dollar Diplomacy, 1900-1930

Emily S. Rosenberg

Duke University Press, 2003

Financial Missionaries to the World establishes the broad scope and significance of "dollar diplomacy"—the use of international lending and advising—to early-twentieth-century U.S. foreign policy. Combining diplomatic, economic, and cultural history, the distinguished historian Emily S. Rosenberg shows how private bank loans were extended to leverage the acceptance of American financial advisers by foreign governments. In an analysis striking in its relevance to contemporary debates over international loans, she reveals how a practice initially justified as a progressive means to extend “civilization” by promoting economic stability and progress became embroiled in controversy. Vocal critics at home and abroad charged that American loans and financial oversight constituted a new imperialism that fostered exploitation of less powerful nations. By the mid-1920s, Rosenberg explains, even early supporters of dollar diplomacy worried that by facilitating excessive borrowing, the practice might induce the very instability and default that it supposedly worked against.

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cover of Mobility and the Small Town, 1900-1930

Mobility and the Small Town, 1900-1930

Norman T. Moline

University of Chicago Press, 1971

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cover of The Gospel of Progressivism: Moral Reform and Labor War in Colorado, 1900-1930

The Gospel of Progressivism

Moral Reform and Labor War in Colorado, 1900-1930

R. Todd Laugen

University Press of Colorado, 2010

Chronicling the negotiations of Progressive groups and the obstacles that constrained them, The Gospel of Progressivism details the fight against corporate and political corruption in Colorado during the early twentieth century. While the various groups differed in their specific agendas, Protestant reformers, labor organizers, activist women, and mediation experts struggled to defend the public against special-interest groups and their stranglehold on Colorado politics.

Sharing enemies like the party boss and corporate lobbyist who undermined honest and responsive government, Progressive leaders were determined to root out selfish political action with public exposure. Labor unions defied bosses and rallied for government protection of workers. Women's clubs appealed to other women as mothers, calling for social welfare, economic justice, and government responsiveness. Protestant church congregations formed a core of support for moral reform. Labor relations experts struggled to prevent the outbreak of violence through mediation between corporate employers and organized labor. Persevering through World War I, Colorado reformers faced their greatest challenge in the 1920s, when leaders of the Ku Klux Klan drew upon the rhetoric of Protestant Progressives and manipulated reform tools to strengthen their own political machine. Once in power, Klan legislators turned on Progressive leaders in the state government.

A story of promising alliances never fully realized, zealous crusaders who resisted compromise, and reforms with unexpected consequences, The Gospel of Progressivism will appeal to those interested in Progressive Era reform, Colorado history, labor relations, and women's activism.

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cover of West of Sex: Making Mexican America, 1900-1930

West of Sex

Making Mexican America, 1900-1930

Pablo Mitchell

University of Chicago Press, 2012

Sex can be an oppressive force, a tool to shame, divide, and control a population. But it can also be a force for change, for the legal and physical challenge of inequity and injustice. In West of Sex, Pablo Mitchell uses court transcripts and criminal cases to provide the first coherent picture of Mexican-American sexuality at the turn of the twentieth century, and a truly revelatory look at sexual identity in the borderlands.

As Mexicans faced a rising tide of racial intolerance in the American West, some found cracks in the legal system that enabled them to assert their rights as full citizens, despite institutional hostility. In these chapters, Mitchell offers a rare glimpse into the inner workings of ethnicity and power in the United States, placing ordinary Mexican women and men at the center of the story of American sex, colonialism, and belonging.

Other chapters discuss topics like prostitution, same-sex intimacy, sexual violence, interracial romance, and marriage with an impressive level of detail and complexity. Written in vivid and accessible prose, West of Sex offers readers a new vision of sex and race in American history.

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