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Becoming the Story examines the transformation of war reporting in the decade after 9/11. Lindsay Palmer delves into times when print or television correspondents themselves received intense public scrutiny because of an incident associated with the work of war reporting. Such instances include Daniel Pearl’s kidnapping and murder; Bob Woodruff’s near-fatal injury in Iraq; the expulsions of Maziar Bahari and Nazila Fathi from Iran in 2009; the sexual assault of Lara Logan; and Marie Colvin’s 2012 death in Syria. Merging analysis with in-depth interviews of Woodruff and others, Palmer shows what these events say about how post-9/11 conflicts transformed the day-to-day labor of reporting. But they also illuminate how journalists’ work became entangled with issues ranging from digitization processes to unprecedented hostility from all sides to the political logic of the War on Terror.

Using composite digital photography, self-taught artist Bertrand Meniel incorporates more detail into each of his cityscapes than any other Photorealist to date.

Photorealism is a genre of painting that developed in the United States and Europe using high-resolution photography as its primary source material. Embracing digital photography perhaps more than any other artist working in this genre, Bertrand Meniel is able to incorporate an astonishing amount of detail into his renderings of cityscapes in New York City, Miami, and Paris. Using a variety of photographs of his chosen subject, he manipulates an image to perfection, focusing simultaneously on the foreground and background by combining hundreds of shots on a computer screen.

His choice to depict iconic American scenes in his paintings, particularly those associated with the “American Way of Life,” reflects not just a technical mastery of Photorealism but a deep emotional connection to the culture that captivated him during his youth. His unique perspective, influenced by French artistic traditions and shaped by exposure to American pop culture, allows him to capture in his art the essence of what may be best described as the “New York State of Mind."

Joko Widodo—popularly called Jokowi—ruled Indonesia for a decade, from 2014 to 2024. The world’s fourth-largest nation and third-largest democracy, Indonesia had embarked on a messy democratic transition in the late 1990s, with the country’s ethnic and religious heterogeneity posing significant challenges to governance. Initially seen as a reformer who might challenge oligarchic structures, Jokowi was slowly but steadily seen as himself being a threat to democracy. By the time Jokowi wrapped up his presidency, he had achieved the highest approval ratings among Indonesia’s post-authoritarian presidents—and became the president with the tightest grip over Indonesia’s political elite.

Based on exclusive interviews with Jokowi and many of Indonesia’s top leaders, Ruling Indonesia shows Jokowi as a president obsessively preoccupied with his economic development agenda, subordinating all other aspects of governance to this goal. His focused approach delivered economic successes and unprecedented popularity, but also seriously undermined the health of Indonesia’s democratic institutions. Offering a holistic appraisal of his decade in office, Marcus Mietzner analyzes Jokowi’s domestic record in the context of his attempts to position Indonesia more favorably in the international competition for power and resources. Crucially, his obsession to push Indonesia closer to industrialized status while neglecting democratic development represented the ambitions and trials of many Global South leaders who are trying to juggle economic development, growing Sino-American tensions around the world, and concerns for democratic rights. As such, this book provides valuable insights into how the great power rivalry of the 21st century and the global recession of democracy are playing out in central arenas of the Global South.

The first in-depth analysis of the films of Alexander Payne through the lenses of authorship, tourism, and leisure.

With the films Election, About Schmidt, Sideways, Nebraska, and The Holdovers, Alexander Payne has carved out an unusual role in American cinema as a bankable auteur. There is something about Payne’s neurotics and searchers, his working stiffs and disillusioned idealists—something funny, moving, and filled with insight.

Jason Sperb dissects Payne’s oeuvre, focusing on the director’s penchant for travel narratives. Payne’s films usually center on male protagonists discontent with the emotional and material realities of the day-to-day and seeking satisfaction in some literal or metaphorical elsewhere. But their attempts to escape wind up perpetuating, rather than alleviating, the imbalance between labor and leisure that structures modern life. In this sense, Sperb argues, Payne’s characters are akin to tourists, searching for fleeting glimpses of the fulfillment they dream about. Examining themes of masculinity, nostalgia, whiteness, and class, The Stranger from Omaha is the first auteur study devoted to Payne’s delicately balanced cinematic world. An outsider even in his own heartland, Payne proves to be an artist working at a clarifying remove—a witness to the American condition, observing from just enough distance.

Compared with Iraq, Afghanistan and Kosovo, the recent western intervention in Sierra Leone has been largely forgotten. When the State Fails rectifies this, providing a comprehensive and critical analysis of the intervention.

The civil war in Sierra Leone began in 1991 and was declared officially over in 2002 after UK, UN and regional African military intervention. Some claimed it as a case of successful humanitarian intervention. The authors in this collection provide an informed analysis of the impact of the intervention on democracy, development and society in Sierra Leone. The authors take a particularly critical view of the imposition of neoliberalism after the conflict.

As NATO intervention in Libya shows the continued use of external force in internal conflicts, When the State Fails is a timely book for all students and scholars interested in Africa and the question of ‘humanitarian intervention’.

"This is about a society of isolates who all communicate with one another from terminal sites. This is about being disembodied, distanced, distinct, and that sort of boundary-thing. It is not about being present. It is not about being there. It is not about a shared history, or a shared meal, or a shared story, or any kind of mutuality. It is about contact between virtual strangers. . . . It happens when you feel that you are so alone that you need anybody to talk to—anybody at all—because you believe that your connections have failed you. This kind of connection leaves you cold and dead inside, because it lacks history and a language of belonging."

In this daring, postmodern autobiography, S. Paige Baty recounts her search for love and community on the Internet. Taking Jack Kerouac's On the Road as a point of departure, Baty describes both an actual road trip to meet the object of an e-mail romance and the cyber-search for connection that draws so many people into the matrix of the Internet. Writing in a bold, experimental style that freely mixes e-mails, poems, fragments of quotations, and puns into expository text, she convincingly links e-mail trouble with "female trouble" in the displacement of embodied love and accountable human relationships to opaque screens and alienated identities. Her book stands as a vivid feminist critique of our culture's love affair with technology and its dehumanizing effect on personal relationships.