Results by title

3 books match the query 'Antigone'

cover of Antigone

Antigone

Sophocles; A verse translation by David Mulroy, with introduction and notes

University of Wisconsin Press, 2013

Sophocles’ Antigone ranks with his Oedipus Rex as one of world literature’s most compelling dramas. The action is taut, and the characters embody universal tensions: the conflict of youth with age, male with female, the state with the family. Plot and character come wrapped in exquisite language. Antagonists trade polished speeches, sardonic jibes and epigrammatic truisms and break into song at the height of passion.
    David Mulroy’s translation of Antigone faithfully reproduces the literal meaning of Sophocles’ words while also reflecting his verbal pyrotechnics. Using fluid iambic pentameters for the spoken passages and rhyming stanzas for the songs, it is true to the letter and the spirit of the great Greek original.
[more]
cover of Antigone

Antigone

Sophocles

University of Chicago Press, 2013

A stand-alone edition of Sophocles’s Antigone taken from Chicago’s renowned translations of the Greek tragedies.
 
Drawn from the authoritative third edition of the University of Chicago Press’s Complete Greek Tragedies series, this stand-alone edition of Elizabeth Wyckoff’s elegant rendition of Antigone reminds readers why it endures as one of the most widely read and admired of Sophocles’s plays. Though the story unfolds in the aftermath of Oedipus the King, Antigone was the first of the Theban Plays written by Sophocles.
 
Mark Griffith and Glenn W. Most’s introduction to the story of one woman’s brave resistance in the face of unfathomable loss provides essential information about the play’s first production, plot, and reception in antiquity.
 
[more]
cover of Antigone as Political Philosophy

Antigone as Political Philosophy

Gregor Moder, Tanja Dominko

Northwestern University Press, 2026

Offering a new perspective on Sophocles’s Antigone as a model for reimagining humanity’s future—and its end

Why read Antigone today? The premise of this accessible, essayistic work is that humanity finds itself at a crossroads, where it must reinvent itself or perish—a condition similar to Antigone’s own. Rereading Antigone via Hegel’s engagement with the text can help us understand what it means for a human age to come to an end: that is, to think of our age as an episode whose collapse is also an engine of historical change.

Gregor Moder argues that the task of humanity today may not be to defend the minimal remnants of our civilization but to say farewell to it—to give it a proper burial. As Moder explicates, the central problem of this foundational tragedy lies in the positions of brother and sister, man and woman, representing human and divine law and the institutions of the state and the family. Through a fresh reading of both Sophocles’s play and Hegel’s productive reworking of the Greek myth, Moder’s analysis shows that sometimes the only way through deep social contradictions is in unraveling the framework that has constructed them.
 

[more]