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The Cuzco region of highland Peru was the heartland of the Inca empire, the largest native state to develop in the Americas. Archaeologists have studied Inca monumental architecture for more than a century, but it is only in recent decades that regional survey work has systematically sought to reconstruct patterns of settlement, subsistence, and social organization in the region. This monograph presents the results of regional surveys conducted (from 2000 to 2008) to the north and west of the city of Cuzco, a region of approximately 1200 square kilometers that was investigated using the same field methodology as other systematic surveys in the Cuzco region. The study region, referred to as Hanan Cuzco in this volume, encompasses considerable environmental variations, ranging from warm valley-bottom lands to snow-capped mountains. The chapters in this volume present settlement pattern data from all periods of pre-Columbian occupation—from the arrival of the first hunter-gatherers to the transformation of valley-bottom fields by the last Inca emperors. A chapter on the colonial period discusses how Spanish colonial practices transformed an imperial landscape into a peripheral one. Together, the chapters in this volume contribute to the archaeological understanding of several central issues in Andean prehistory.

It almost goes without saying that the rise in popularity of television has killed the audience for "serious" literature. This is such a given that reading Fitzpatrick's challenge to this notion can be very disconcerting, as she traces the ways in which a small cadre of writers of "serious" literature--DeLillo, Pynchon, and Franzen, for instance--have propagated this myth in order to set themselves up as the last bastions of good writing. Fitzpatrick first explores whether serious literature was ever as all-pervasive as critics of the television culture claim and then asks the obvious question: what, or who, exactly, are these guys defending good writing against?

Fitzpatrick examines the ways in which the anxiety about the supposed death of the novel is built on a myth of the novel's past ubiquity and its present displacement by television. She explores the ways in which this myth plays out in and around contemporary fiction and how it serves as a kind of unacknowledged discourse about race, class, and gender. The declaration constructs a minority status for the "white male author" who needs protecting from television's largely female and increasingly non-white audience. The novel, then, is transformed from a primary means of communication into an ancient, almost forgotten, and thus, treasured form reserved for the well-educated and well-to-do, and the men who practice it are exalted as the practitioners of an almost lost art.

Such positioning serves to further marginalize women writers and writers of color because it makes the novel, by definition, the preserve of the poor endangered white man. If the novel is only a product of a small group of white men, how can the contributions of women and writers of color be recognized? Instead, this positioning abandons women and people of color to television as a creative outlet, and in return, cedes television to them. Fitzpatrick argues that there's a level of unrecognized patronization in assuming that television serves no purpose but to provide dumb entertainment to bored women and others too stupid to understand novels. And, instead, she demonstrates the real positive effects of a televisual culture.

Then, based on the project's findings, Demarest presents interpretive reconstructions of the linked histories of the Pasion River kingdoms and correlates these interpretations with the variable evidence and culture-histories of other regions of the Classic Maya lowlands. He points out that only through linking such accurate regional culture-histories can we begin to understand the eighth- through tenth-century changes in Classic Maya civilization. The volume describes how the Petexbatun project addressed this challenge in its research design, structure, and large, multicentered zone of study. Building on the previous twenty years of Harvard research in adjacent zones, the Vanderbilt projects succeeded in reconstructing events and processes throughout the Pasion River Valley, the largest single inland trade route of the ancient Maya world.

In its conclusions, this first of the Petexbatun volumes of multidisciplinary studies, evidence, analyses, and interpretations, provides answers to some long-standing questions about the "Classic Maya collapse," as well as a new, preliminary culture-history of the abandonment, decline, or transformation of the Classic Maya kingdoms of the western Peten. It is an exciting preview and summary of a decade of evidence on the debate over the fate of the Classic Maya civilization, one of the great controversies in the history of Pre-Columbian archaeology. VIMA Series #1