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16 books match the query 'At Home'

cover of At Home and Abroad: U.S. Labor Market Performance in International Perspective

At Home and Abroad

U.S. Labor Market Performance in International Perspective

Francine D. Blau

Russell Sage Foundation, 2002

Throughout the latter part of the 20th century, the U.S. labor market performed differently than the labor markets of the world's other advanced industrialized societies. In the early 1970s, the United States had higher unemployment rates than its Western European counterparts. But after two oil crises, rapid technological change, and globalization rocked the world's economies, unemployment fell in the United States, while increasing dramatically in other nations. At the same time, wage inequality widened more in the United States than in Europe. In At Home and Abroad, Cornell University economists Francine D. Blau and Lawrence M. Kahn examine the reasons for these striking dissimilarities between the United States and its economic allies. Comparing countries, the authors find that governments and unions play a far greater role in the labor market in Europe than they do in the United States. It is much more difficult to lay off workers in Europe than in the United States, unemployment insurance is more generous in Europe, and many fewer Americans than Europeans are covered by collective bargaining agreements. Interventionist labor market institutions in Europe compress wages, thus contributing to the lower levels of wage inequality in the European Union than in the United States. Using a unique blend of microeconomic and microeconomic analyses, the authors assess how these differences affect wage and unemployment levels. In a lucid narrative, they present ample evidence that, as upheavals shook the global economy, the flexible U.S. market let wages adjust so that jobs could be maintained, while more rigid European economies maintained wages at the cost of losing jobs. By helping readers understand the relationship between different economic responses and outcomes, At Home and Abroad makes an invaluable contribution to the continuing debate about the role institutions can and should play in creating jobs and maintaining living standards.
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cover of At Home in Diaspora: Black International Writing

At Home in Diaspora

Black International Writing

Wendy Walters

University of Minnesota Press, 2005

Although he never lived in Harlem, Chester Himes commented that he experienced “a sort of pure homesickness” while creating the Harlem-set detective novels from his self-imposed exile in Paris. Through writing, Himes constructed an imaginary home informed both by nostalgia for a community he never knew and a critique of the racism he left behind in the United States. Half a century later, Michelle Cliff wrote about her native Jamaica from the United States, articulating a positive Caribbean feminism that at the same time acknowledged Jamaica’s homophobia and color prejudice. 

In At Home in Diaspora, Wendy Walters investigates the work of Himes, Cliff, and three other twentieth-century black international writers—Caryl Phillips, Simon Njami, and Richard Wright—who have lived in and written from countries they do not call home. Unlike other authors in exile, those of the African diaspora are doubly displaced, first by the discrimination they faced at home and again by their life abroad. Throughout, Walters suggests that in the absence of a recoverable land of origin, the idea of diaspora comes to represent a home that is not singular or exclusionary. In this way, writing in exile is much more than a literary performance; it is a profound political act. 

Wendy W. Walters is assistant professor of literature at Emerson College.
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cover of At Home in Nature: Technology, Labor, and Critical Ecology in Modern China

At Home in Nature

Technology, Labor, and Critical Ecology in Modern China

Ban Wang, issue editor

Duke University Press, 2023

In this special supplement edited by Ban Wang, an ecocritical lens is used to examine anthropocentrism, technoscientific hubris, and ecologically destructive modes of production in modern China. Analyzing modern discourse, literature, film, and science fiction, Wang asserts that the domination of nature and labor under capitalism and technocrats is the culprit of ecological crises and human alienation. Alternatively, Wang argues, utopianisms of nonalienated labor keep alive the ideals of resonance between humans and Earth.
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cover of At Home in the Anthropocene

At Home in the Anthropocene

Amy D. Propen

The Ohio State University Press, 2022

At Home in the Anthropocene brings together a set of wildlife stories focused on the question of what counts as “home” in an age of climate crisis and upheaval. Through stories of mountain lions displaced by wildfires, encounters with black bears in areas of significant human use, wildlife rehabilitation practices, and of the creation of wildlife corridors, Amy D. Propen highlights posthuman interventions into the lives of these at-risk species, with a focus on how such interventions call into question ideas about coexisting with our vulnerable, more-than-human kin.

By employing the tenets of posthumanism, compassionate conservation, and entangled empathy—and making them accessible through storytelling and narrative—Propen offers new perspectives about how to more compassionately and productively understand ideas about home, connectivity, and coexistence across a range of places and ecosystems. Uniquely conceptualized to include narrative related to the Anthropause, as well as travel and nature writing amidst COVID-19, At Home in the Anthropocene engages with questions about home and belonging in generative ways that attempt to open up possibilities for sustainable futures in which we may productively coexist with our more-than-human kin.
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cover of At Home in the World

At Home in the World

Michael Jackson

Duke University Press, 1995

Ours is a century of uprootedness, with fewer and fewer people living out their lives where they are born. At such a time, in such a world, what does it mean to be "at home?" Perhaps among a nomadic people, for whom dwelling is not synonymous with being housed and settled, the search for an answer to this question might lead to a new way of thinking about home and homelessness, exile and belonging. At Home in the World is the story of just such a search. Intermittently over a period of three years Michael Jackson lived, worked, and traveled extensively in Central Australia. This book chronicles his experience among the Warlpiri of the Tanami Desert.
Something of a nomad himself, having lived in New Zealand, Sierra Leone, England, France, Australia, and the United States, Jackson is deft at capturing the ambiguities of home as a lived experience among the Warlpiri. Blending narrative ethnography, empirical research, philosophy, and poetry, he focuses on the existential meaning of being at home in the world. Here home becomes a metaphor for the intimate relationship between the part of the world a person calls "self" and the part of the world called "other." To speak of "at-homeness," Jackson suggests, implies that people everywhere try to strike a balance between closure and openness, between acting and being acted upon, between acquiescing in the given and choosing their own fate. His book is an exhilarating journey into this existential struggle, responsive at every turn to the political questions of equity and justice that such a struggle entails.
A moving depiction of an aboriginal culture at once at home and in exile, and a personal meditation on the practice of ethnography and the meaning of home in our increasingly rootless age, At Home in the World is a timely reflection on how, in defining home, we continue to define ourselves.
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cover of At Home with André and Simone Weil

At Home with André and Simone Weil

Sylvie Weil, translated from the French by Benjamin Ivry

Northwestern University Press, 2010

“It is quite incorrect to believe that the dead are gone forever and never return to speak to the living. They return to speak to the living all the time; indeed, it is their main activity.” Thus writes Sylvie Weil in this illuminating memoir, in which contemporary readers can hear the voices of her famed philosopher aunt Simone and mathematician father André.

Born into a freethinking Jewish family in France in 1909, Simone Weil was one of the twentieth century’s most original philosophers, influencing Albert Camus, T. S. Eliot, Simone de Beauvoir, Pope John XXIII, Czesław Miłosz, and Susan Sontag. She fought for workers’ rights and, later, the Spanish Republican cause. Before her death at age thirty-four, Simone Weil turned increasingly to mysticism and religion, especially Roman Catholicism, exploring themes of sacrifice, asceticism, and the virtues of manual labor. She never converted, however, and Sylvie Weil writes from a Jewish perspective, emphasizing Simone’s Jewish heritage.

Using previously unpublished family correspondence and conversations, Sylvie Weil paints the most vivid, private portrait of her aunt in print. The book illuminates Simone’s relationship with others, especially with her brother, André. Loving and unsparing, affectionate and incisive, At Home with André and Simone Weil is an insightful memoir about a family of intellectual luminaries.

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cover of At Home with the Holocaust: Postmemory, Domestic Space, and Second-Generation Holocaust Narratives

At Home with the Holocaust

Postmemory, Domestic Space, and Second-Generation Holocaust Narratives

Lucas F. W. Wilson

Rutgers University Press, 2025

At Home with the Holocaust examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors’ homes became extensions of their traumatized psyches that their children “inhabited.” Analyzing second- and third-generation Holocaust literature—such as Art Spiegelman's Maus, Jonathan Safran Foer's Everything Is Illuminated, Sonia Pilcer's The Holocaust Kid, and Elizabeth Rosner's The Speed of Light—as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors’ traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors’ children into the sites of their parents’ traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas.
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cover of At Home with the Sapa Inca: Architecture, Space, and Legacy at Chinchero

At Home with the Sapa Inca

Architecture, Space, and Legacy at Chinchero

By Stella Nair

University of Texas Press, 2015

By examining the stunning stone buildings and dynamic spaces of the royal estate of Chinchero, Nair brings to light the rich complexity of Inca architecture. This investigation ranges from the paradigms of Inca scholarship and a summary of Inca cultural practices to the key events of Topa Inca’s reign and the many individual elements of Chinchero’s extraordinary built environment.

What emerges are the subtle, often sophisticated ways in which the Inca manipulated space and architecture in order to impose their authority, identity, and agenda. The remains of grand buildings, as well as a series of deft architectural gestures in the landscape, reveal the unique places that were created within the royal estate and how one space deeply informed the other. These dynamic settings created private places for an aging ruler to spend time with a preferred wife and son, while also providing impressive spaces for imperial theatrics that reiterated the power of Topa Inca, the choice of his preferred heir, and the ruler’s close relationship with sacred forces.

This careful study of architectural details also exposes several false paradigms that have profoundly misguided how we understand Inca architecture, including the belief that it ended with the arrival of Spaniards in the Andes. Instead, Nair reveals how, amidst the entanglement and violence of the European encounter, an indigenous town emerged that was rooted in Inca ways of understanding space, place, and architecture and that paid homage to a landscape that defined home for Topa Inca.

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cover of At Home, At War: Domesticity and World War I in American Literature

At Home, At War

Domesticity and World War I in American Literature

Jennifer Haytock

The Ohio State University Press, 2003

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cover of At Home: Historic Houses of Central and Western Massachusetts

At Home

Historic Houses of Central and Western Massachusetts

Beth Luey

University of Massachusetts Press, 2019

With its rich history of prominent families, Massachusetts is home to some of the most historic residences in the country. In the central and western half of the Commonwealth, these include Edith Wharton's The Mount, the Salisbury Mansion in Worcester, Herman Melville's Arrowhead in Pittsfield, and the Dickinson Homestead and the Evergreens in Amherst.

In At Home: Historic Houses of Central and Western Massachusetts, Beth Luey examines the lives and homes of acclaimed poets and writers, slaves who won their freedom, Civil War ­enlistees, socialites, and leading merchants. Drawing on architectural and genealogical texts, wills, correspondence, and diaries, Luey situates the stories of these notable homes and the people who inhabited them in the context of broader economic, social, and political transformations. Filled with vivid details and fresh perspectives, each chapter is sure to inspire first-time visitors and seasoned travelers alike. All the homes are open to the public.
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cover of At Home: Historic Houses of Eastern Massachusetts

At Home

Historic Houses of Eastern Massachusetts

Beth Luey

University of Massachusetts Press, 2019

With its abundant history of prominent families, Massachusetts boasts some of the most historically rich residences in the country. In the eastern half of the Commonwealth, these include Presidents John and John Quincy Adams's home in Quincy, Bronson and Louisa May Alcott's Orchard House in Concord, the Charles Bulfinch—designed Harrison Gray Otis House in Boston, and Edward Gorey's Elephant House in Yarmouth Port.

In At Home: Historic Houses of Eastern Massachusetts, Beth Luey uses architectural and genealogical texts, wills, correspondences, and diaries to craft delightful narratives of these notable abodes and the people who variously built, acquired, or renovated them. Filled with vivid details and fresh perspectives that will surprise even the most knowledgeable aficionados, each chapter is short enough to serve as an introduction for a visit to its house. All the homes are open to the public.
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cover of Comrades in Health: U.S. Health Internationalists, Abroad and at Home

Comrades in Health

U.S. Health Internationalists, Abroad and at Home

Edited by Anne-Emanuelle Birn and Theodore M. Brown

Rutgers University Press, 0

Since the early twentieth century, politically engaged and socially committed U.S. health professionals have worked in solidarity with progressive movements around the world. Often with roots in social medicine, political activism, and international socialism, these doctors, nurses, and other health workers became comrades who joined forces with people struggling for social justice, equity, and the right to health.

Anne-Emanuelle Birn and Theodore M. Brown bring together a group of professionals and activists whose lives have been dedicated to health internationalism. By presenting a combination of historical accounts and first-hand reflections, this collection of essays aims to draw attention to the longstanding international activities of the American health left and the lessons they brought home. The involvement of these progressive U.S. health professionals is presented against the background of foreign and domestic policy, social movements, and global politics.
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cover of Holdfast: At Home in the Natural World

Holdfast

At Home in the Natural World

Kathleen Dean Moore

Oregon State University Press, 2013

Naturalist and philosopher Kathleen Dean Moore meditates on connection and separation in these twenty-one elegant, probing essays. Using the metaphor of holdfasts—the structures that attach seaweed to rocks with a grip strong enough to withstand winter gales—she examines our connections to our own bedrock.

“When people lock themselves in their houses at night and seal the windows shut to keep out storms, it is possible to forget, sometimes for years and years, that human beings are part of the natural world,” she writes. Holdfast passionately reclaims an awareness of the natural world, exploring the sense of belonging fostered by the communal howls of wolves; the inevitability of losing children to their own lives; the fear of bears and love of storms; the sublimity of life and longing in the creatures of the sea; her agonizing decision when facing her father’s bone-deep pain. As Moore travels philosophically and geographically—from Oregon’s shores to Alaska’s islands—she leaves no doubt of her virtuosity and range. 

The new afterword is an important statement on the new responsibilities of nature writers as the world faces the consequences of climate change. 

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cover of Homeless and at Home in America: Evidence for the Dignity of the Human Soul in Our Time and Place

Homeless and at Home in America

Evidence for the Dignity of the Human Soul in Our Time and Place

Peter Augustine Lawler

St. Augustine's Press, 2007

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cover of Prescription TV: Therapeutic Discourse in the Hospital and at Home

Prescription TV

Therapeutic Discourse in the Hospital and at Home

Joy V. Fuqua

Duke University Press, 2012

Tracing the history of television as a therapeutic device, Joy V. Fuqua describes how TVs came to make hospitals seem more like home and, later, "medicalized" the modern home. She examines the introduction of television into the private hospital room in the late 1940s and 1950s and then moves forward several decades to consider the direct-to-consumer prescription drug commercials legalized in 1997. Fuqua explains how, as hospital administrators and designers sought ways of making the hospital a more inviting, personalized space, TV sets came to figure in the architecture and layout of health care facilities. Television manufacturers seized on the idea of therapeutic TV, specifying in their promotional materials how TVs should be used in the hospital and positioned in relation to the viewer. With the debut of direct-to-consumer prescription drug advertising in the late 1990s, television assumed a much larger role in the medical marketplace. Taking a case-study approach, Fuqua uses her analysis of an ad campaign promoting Pfizer's Viagra to illustrate how television, and later the Internet, turned the modern home into a clearinghouse for medical information, redefined and redistributed medical expertise and authority, and, in the process, created the contemporary consumer-patient.
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cover of Shelter and Storm: At Home in the Driftless

Shelter and Storm

At Home in the Driftless

dean

University of Minnesota Press, 2025

Living mindfully with nature during a time of uncertainty

 

In the midst of the environmental crises of the early twenty-first century, Tamara Dean sought a way to live lightly on the planet. Her quest drew her to a landscape unlike any other: the Driftless area of Wisconsin, a region untouched by glaciers, marked by steep hills and deeply carved valleys, capped with forests and laced with cold, spring-fed streams. There, she confronted, in ways large and small, the challenges of meeting basic needs while facing the ravages of climate change—an experience at once soul-stirring and practical that she recounts in Shelter and Storm.

 

Dean’s boundless curiosity and gift for storytelling imbue these essays with urgency and a sense of adventure. She invites readers to share in her discoveries while hunting for water, learning that a persistent weed could be food, or burning a hayfield to recreate a prairie. Contending with the fallout of fires, floods, and tornadoes, she offers responses to natural disasters that reflect the importance of community, now and for generations to come. Whether tracking down a rare, blue-glowing firefly, engineering a beaver-friendly waterway to appease a dying neighbor, or building a house of earthen blocks, Dean unites personal experience with science and history, presenting a perspective as informative as it is compelling.

 

Keenly attentive to the stakes for our planet’s future—and the implications of extreme weather, shifting agricultural practices, and political divides—Shelter and Storm illuminates a thoughtful way forward for anyone concerned about climate change and its far-reaching consequences or for anyone searching, as Dean has, for a more sustainable way to live.

 

 

Retail e-book files for this title are screen-reader friendly.

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