46 books match the query 'Beauty'
Petr Chalupský
Karolinum Press, 2016
Photographs by Peter Goin, Essays by Peter Friederici
University of Arizona Press, 2016
Dana Steward
University of Arkansas Press, 2002
Edited by Martin F. Manalansan IV, Robert Diaz, and Roland B. Tolentino
Temple University Press, 2023
Beauty and Brutality provides an exciting, original, and critical encounter with this labyrinthine city’s imagined and material landscape. The authors and contributors investigate the “messy, fleshy, recalcitrant, mercurial, and immeasurable qualities of the city,” examining its urban space and smell: how it is represented in films, literature, music, and urban streetart; how it has endured the politics of colonialism, U.S. imperialism, neoliberalism, and globalization; as well as how its queer citizens engage with digital media platforms to communicate and connect with each other.
The first volume to offer a cultural and urban studies approach to Manila, Beauty and Brutality considers the tensions of the Filipino diaspora as they migrate and “re-turn,” as well as the citizens’ responses to the Marcos (and post-Marcos) dictatorship, President Duterte’s authoritarianism, and “Drug War.” Essays also map out of geographies of repression and resistance in the urban war of classes, genders and sexualities, ethnicities and races, and generations, along with the violence of urban life and growth. Ultimately, Beauty and Brutality frames Manila as a vibrant and ever-evolving metropolis that, even in the face of its difficulties, instills hope.
Contributors: Paul Michael Leonardo Atienza, Christine Bacareza Balance, Vanessa Banta, Rosa Cordillera A. Castillo, Roland Sintos Coloma, Gary C. Devilles, Faith R. Kares, John B. Labella, Raffy Lerma, Bliss Cua Lim, Ferdinand M. Lopez, Paul Nadal, Jema M. Pamintuan, Oscar Tantoco Serquiña, Jr., Louise Jashil R. Sonido, and the editors.
Michael Taussig
University of Chicago Press, 2012
Beauty and the Beast begins with the question: Is beauty destined to end in tragedy? Drawing on extensive fieldwork in Colombia, Michael Taussig scrutinizes the anxious, audacious, and sometimes destructive attempts people make to transform their bodies through cosmetic surgery and liposuction. He balances an examination of surgeries meant to enhance an individual’s beauty with an often overlooked counterpart, surgeries performed—often on high profile criminals—to disguise one’s identity. Situating this globally shared phenomenon within the economic, cultural, and political history of Colombia, Taussig links the country’s long civil war and its bodily mutilation and torture to the beauty industry at large, sketching Colombia as a country whose high aesthetic stakes make it a stage where some of the most important and problematic ideas about the body are played out.
Central to Taussig’s examination is George Bataille’s notion of depense, or “wasting.” While depense is often used as a critique, Taussig also looks at the exuberance such squandering creates and its position as a driving economic force. Depense, he argues, is precisely what these procedures are all about, and the beast on the other side of beauty should not be dismissed as simple recompense. At once theoretical and colloquial, public and intimate, Beauty and the Beast is a true-to-place ethnography—written in Taussig’s trademark voice—that tells a thickly layered but always accessible story about the lengths to which people will go to be physically remade.

Elisabetta Girelli
Intellect Books, 2009
Scholarly interest in issues of national identity and representation has been increasing for years, and cinema is a major resource for that work, as it allows for cross-cultural dialogue and the portrayal of different layers of representation and cultural stereotypes. Beauty and the Beast takes a look at the depictions of Italy and the Italians in British cinema.
Elisabetta Girelli draws upon cultural and social history to assess the ongoing representation of “Italianness” in British film, and its crucial role in defining and challenging British national identity. Girelli provides an original survey of archival material such as World War II footage, and an analysis of significant British films like Summer Madness and A Room With A View. Drawing on British literary and filmic tradition to analyze the rise of specific images of the Italian other, Beauty and the Beast is a noteworthy and unique contribution to film and cultural studies.
Gabrielle-Suzanne Barbot de Villeneuve
Iter Press, 2020
Richard J. Bautch
SBL Press, 2013
Rachel E. Walker
University of Chicago Press, 2023

Rachel E. Walker
University of Chicago Press, 2023
Alice M. Ramos
Catholic University of America Press, 2021
Christopher V. Mirus
Catholic University of America Press, 2022
Jean Sénac
Michigan State University Press, 2016
Laurie Greene
Rutgers University Press, 2021
Alice M. Ramos
Catholic University of America Press, 2012
Thuy Linh Nguyen Tu
Duke University Press, 2021

Edited by Efrat Tseëlon
Intellect Books, 2014
Vanita Reddy
Temple University Press, 2015
Robert Hariman
University of Chicago Press, 2027
A bold invitation to learn sustainability from the aesthetic forms that pattern our world.
If we are to survive the ecological crisis, we must develop a new orientation to the world that draws us into better relationships with nature and one another. Robert Hariman believes that, as a first step, we must cultivate a renewed appreciation for the beauty at the center of reality. We must learn again, he argues, to see forms: the rhythms, shapes, and textures that evoke connection and pleasure. To that end, Formal Objects applies literary, philosophical, and art historical concepts to reimagine an often-ignored theory called formalism. This perspective is developed through visual motifs that are found in nature and the decorative arts, and it invites us to become attuned to rich patterns of reciprocity. Once we recognize the beauty in the world, we can move in step with its abundance to design more just and sustainable communities.
John Poch
St. Augustine's Press, 2021
Rooks, Noliwe M
Rutgers University Press, 1996
Martha Bayles
University of Chicago Press, 1996

Sydney Lea
Four Way Books, 2013
Ramin Jahanbegloo
Gingko, 2026
Ramin Jahanbegloo turns to ancient philosophy as an antidote to contemporary authoritarianism in Iran.
From the rule of Cyrus the Great to the present day, Iran has been plagued by a recurrent syndrome of tyranny. For Ramin Jahanbegloo, the cure for this persistent cycle lies in a reengagement with the idea of a beautiful society. He presents beauty as an antidote to authoritarianism and as a methodology of freedom: one first taught by the philosophers of ancient Greece, who bound beauty and goodness together in the principle of kalokagathia, and later revived by the German Enlightenment.
A work of hope and faith in the people of Iran, this provocative and timely intervention from the author of The Idea of Persia turns to the past in order to imagine a way forward. Drawing on Hegel, Schiller, Arendt, Camus, and more, Jahanbegloo lays out a vision of how Iran and Iranians might come to live in beautiful freedom.
Kim Brandt
Duke University Press, 2007
Natasha Varner
University of Arizona Press, 2020
Megan Poole
University of Chicago Press, 2025
By Erynn Masi de Casanova
University of Texas Press, 2011
Globalization and economic restructuring have decimated formal jobs in developing countries, pushing many women into informal employment such as direct selling of cosmetics, perfume, and other personal care products as a way to "make up the difference" between household income and expenses. In Ecuador, with its persistent economic crisis and few opportunities for financially and personally rewarding work, women increasingly choose direct selling as a way to earn income by activating their social networks. While few women earn the cars and trips that are iconic prizes in the direct selling organization, many use direct selling as part of a set of household survival strategies.
In this first in-depth study of a cosmetics direct selling organization in Latin America, Erynn Masi de Casanova explores women's identities as workers, including their juggling of paid work and domestic responsibilities, their ideas about professional appearance, and their strategies for collecting money from customers. Focusing on women who work for the country's leading direct selling organization, she offers fascinating portraits of the everyday lives of women selling personal care products in Ecuador's largest city, Guayaquil. Addressing gender relations (including a look at men's direct and indirect involvement), the importance of image, and the social and economic context of direct selling, Casanova challenges assumptions that this kind of flexible employment resolves women's work/home conflicts and offers an important new perspective on women's work in developing countries.
Larisa Grollemond
J. Paul Getty Trust, The, 0
Dispelling myths of a dirty, superstitious Middle Ages, this entertaining volume explores medieval approaches to health and wellness.
Often maligned as an era of darkness and superstition, the Middle Ages in Europe have been stereotyped as lacking standards for basic hygiene, or, at the very least, for having a laughably simplistic approach to self-care and medicine. With wit and expert analysis, medievalist Larisa Grollemond explores everyday practices and beliefs of medieval life. She uncovers a world as nuanced and self-aware as our own while playfully connecting traditions from the Middle Ages to modern wellness culture.
If you think the Middle Ages were primitive and unsophisticated, this book will change your mind. With Medieval Wellness, you’ll discover a world of care, curiosity, and complexity that will feel familiar to your own.
By Michael Edward Stanfield
University of Texas Press, 2013
All societies around the world and through time value beauty highly. Tracing the evolutions of the Colombian standards of beauty since 1845, Michael Edward Stanfield explores their significance to and symbiotic relationship with violence and inequality in the country. Arguing that beauty holds not only social power but also economic and political power, he positions it as a pacific and inclusive influence in a country “ripped apart by violence, private armies, seizures of land, and abuse of governmental authority, one hoping that female beauty could save it from the ravages of the male beast.” One specific means of obscuring those harsh realities is the beauty pageant, of which Colombia has over 300 per year. Stanfield investigates the ways in which these pageants reveal the effects of European modernity and notions of ethnicity on Colombian women, and how beauty for Colombians has become an external representation of order and morality that can counter the pathological effects of violence, inequality, and exclusion in their country.
Albert Hofstadter and Richard Kuhns
University of Chicago Press, 1964
John G. Trapani Jr.
Catholic University of America Press, 2011
Alexander Edmonds
Duke University Press, 2010
Walter Benn Michaels
University of Chicago Press, 2015
Michael Hau
University of Chicago Press, 2003
Tulasi Srinivas
Duke University Press, 2025
Dave Hickey
University of Chicago Press, 2009
The Invisible Dragon made a lot of noise for a little book When it was originally published in 1993 it was championed by artists for its forceful call for a reconsideration of beauty—and savaged by more theoretically oriented critics who dismissed the very concept of beauty as naive, igniting a debate that has shown no sign of flagging.
With this revised and expanded edition, Hickey is back to fan the flames. More manifesto than polite discussion, more call to action than criticism, The Invisible Dragon aims squarely at the hyper-institutionalism that, in Hickey’s view, denies the real pleasures that draw us to art in the first place. Deploying the artworks of Warhol, Raphael, Caravaggio, and Mapplethorpe and the writings of Ruskin, Shakespeare, Deleuze, and Foucault, Hickey takes on museum culture, arid academicism, sclerotic politics, and more—all in the service of making readers rethink the nature of art. A new introduction provides a context for earlier essays—what Hickey calls his "intellectual temper tantrums." A new essay, "American Beauty," concludes the volume with a historical argument that is a rousing paean to the inherently democratic nature of attention to beauty.
Written with a verve that is all too rare in serious criticism, this expanded and refurbished edition of The Invisible Dragon will be sure to captivate a new generation of readers, provoking the passionate reactions that are the hallmark of great criticism.
Naama Harel
Rutgers University Press, 2026
Ellen Meloy
University of Arizona Press, 1999
Mimi Thi Nguyen
Duke University Press, 2024
Susan Ossman
Duke University Press, 2002
James Holt McGavran, Jr.
University of Iowa Press, 2012
S. Chandrasekhar
University of Chicago Press, 1987
Mary Lee Fulkerson
University of Nevada Press, 1995
Weavers of Tradition and Beauty presents new information on contemporary Native American basketry of the Great Basin, largely from the viewpoint of the weavers themselves. In collecting their stories, Kathleen Curtis and Mary Lee Fulkerson traveled throughout Nevada, never dreaming their odyssey over back-roads and to reservations would stretch into years. Finding a deep connection to the people of the sage, the authors accompanied the weavers as they gathered and prepared their special willow, dyed the bracken fern root, and wove their baskets. Baskets—and the people who weave them—have always been revered and honored by Native Americans. Fulkerson and Curtis depict, in text and full color and black and white photographs, how their art prevails—even over adverse environmental, social, and economic conditions. Today, contemporary weavers continue their work by creating baskets in the manner of their ancestors. Teaching their children and grandchildren how to weave baskets, these artisans carry on a long and strong tradition. By documenting the basketry of Nevada's native people, the authors make a significant contribution in preserving this ancient and beautiful craft. Foreword by Catherine S. Fowler.
Jay Youngdahl
Utah State University Press, 2011
For over one hundred years, Navajos have gone to work in significant numbers on Southwestern railroads. As they took on the arduous work of laying and anchoring tracks, they turned to traditional religion to anchor their lives.
Jay Youngdahl, an attorney who has represented Navajo workers in claims with their railroad employers since 1992 and who more recently earned a master's in divinity from Harvard, has used oral history and archival research to write a cultural history of Navajos' work on the railroad and the roles their religious traditions play in their lives of hard labor away from home.
Grace Beardsley in collaboration with Carla M. Sinopoli
University of Michigan Press, 2005