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17 books match the query 'Atomic bomb'

cover of Children of the Atomic Bomb: An American Physician’s Memoir of Nagasaki, Hiroshima, and the Marshall Islands

Children of the Atomic Bomb

An American Physician’s Memoir of Nagasaki, Hiroshima, and the Marshall Islands

James N. Yamazaki and Louis B. Fleming

Duke University Press, 1995

Despite familiar images of the dropping of the atomic bomb on Japan and the controversy over its fiftieth anniversary, the human impact of those horrific events often seems lost to view. In this uncommon memoir, Dr. James N. Yamazaki tells us in personal and moving terms of the human toll of nuclear warfare and the specific vulnerability of children to the effects of these weapons. Giving voice to the brutal ironies of racial and cultural conflict, of war and sacrifice, his story creates an inspiring and humbling portrait of events whose lessons remain difficult and troubling fifty years later.
Children of the Atomic Bomb is Dr. Yamazaki’s account of a lifelong effort to understand and document the impact of nuclear explosions on children, particularly the children conceived but not yet born at the time of the explosions. Assigned in 1949 as Physician-in-Charge of the United States Atomic Bomb Casualty Commission in Nagasaki, Yamazaki had served as a combat surgeon at the Battle of the Bulge where he had been captured and held as a prisoner of war by the Germans. In Japan he was confronted with violence of another dimension—the devastating impact of a nuclear blast and the particularly insidious effects of radiation on children.
Yamazaki’s story is also one of striking juxtapositions, an account of a Japanese-American’s encounter with racism, the story of a man who fought for his country while his parents were interned in a concentration camp in Arkansas. Once the object of discrimination at home, Yamazaki paradoxically found himself in Japan for the first time as an American, part of the Allied occupation forces, and again an outsider. This experience resonates through his work with the children of Nagasaki and Hiroshima and with the Marshallese people who bore the brunt of America’s postwar testing of nuclear weapons in the Pacific.
Recalling a career that has spanned five decades, Dr. Yamazaki chronicles the discoveries that helped chart the dangers of nuclear radiation and presents powerful observations of both the medical and social effects of the bomb. He offers an indelible picture of human tragedy, a tale of unimaginable suffering, and a dedication to healing that is ultimately an unwavering, impassioned plea for peace.
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cover of Culture Shock and Japanese-American Relations: Historical Essays

Culture Shock and Japanese-American Relations

Historical Essays

Sadao Asada

University of Missouri Press, 2007

Ever since Commodore Perry sailed into Uraga Channel, relations between the United States and Japan have been characterized by culture shock. Now a distinguished Japanese historian critically analyzes contemporary thought, public opinion, and behavior in the two countries over the course of the twentieth century, offering a binational perspective on culture shock as it has affected their relations.

            In these essays, Sadao Asada examines the historical interaction between these two countries from 1890 to 2006, focusing on naval strategy, transpacific racism, and the atomic bomb controversy. For each topic, he offers a rigorous analysis of both American and Japanese perceptions, showing how cultural relations and the interchange of ideas have been complex—and occasionally destructive.

            Culture Shock and Japanese-American Relations contains insightful essays on the influence of Alfred Mahan on the Japanese navy and on American images of Japan during the 1920s. Other essays consider the progressive breakdown of relations between the two countries and the origins of the Pacific War from the viewpoint of the Japanese navy, then tackle the ultimate shock of the atomic bomb and Japan’s surrender, tracing changing perceptions of the decision to use the bomb on both sides of the Pacific over the course of sixty years. In discussing these subjects, Asada draws on Japanese sources largely inaccessible to Western scholars to provide a host of eye-opening insights for non-Japanese readers.

            After studying in America for nine years and receiving degrees from both Carleton College and Yale University, Asada returned to Japan to face his own reverse culture shock. His insights raise important questions of why people on opposite sides of the Pacific see things differently and adapt their perceptions to different purposes. This book marks a major effort toward reconstructing and understanding the conflicted course of Japanese-American relations during the first half of the twentieth century.

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cover of Folding Paper Cranes: An Atomic Memoir

Folding Paper Cranes

An Atomic Memoir

Leonard Bird

University of Utah Press, 2005

 Between 1951 and 1962 the Atomic Energy Commission triggered some one hundred atmospheric detonations of nuclear weapons at the Nevada Test Site. U.S. military troops who participated in these tests were exposed to high doses of radiation. Among them was a young Marine named Leonard Bird. In Folding Paper Cranes Bird juxtaposes his devastating experience of those atomic exercises with three visits over his lifetime—one in the 1950s before his Nevada assignment, one in 1981, and one in the early 1990s—to the International Park for World Peace in Hiroshima.

Among the monuments to tragedy and hope in Hiroshima’s Peace Park stands a statue of Sadako Sasaki holding a crane in her outstretched arms. Sadako was two years old when the atomic bomb was dropped on her city; she was diagnosed with leukemia ten years later. According to popular Japanese belief, folding a thousand paper cranes brings good fortune. Sadako spent the last months of her young life folding hundreds of paper cranes. She folded 644 before she died.

As he journeys from the Geiger counters, radioactive dust, and mushroom clouds of the Nevada desert to the bronze and ivory memorials for the dead in Japan, Bird—himself a survivor of radiation-induced cancer—seeks to make peace with his past and with a future shadowed by nuclear proliferation. His paper cranes are the poetry and prose of this haunting memoir.
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cover of Oppenheimer Is Watching Me: A Memoir

Oppenheimer Is Watching Me

A Memoir

Jeff Porter

University of Iowa Press, 2007

When he discovers that his father worked on missiles for a defense contractor, Jeff Porter is inspired to revisit America’s atomic past and our fallen heroes, in particular J. Robert Oppenheimer, the father of the atomic bomb. The result, Oppenheimer Is Watching Me, takes readers back to the cold war, when men in lab coats toyed with the properties of matter and fears of national security troubled our sleep. With an eye for strange symmetries, Porter traces how one panicky moment shaped the lives of a generation.
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cover of Oppenheimer: The Tragic Intellect

Oppenheimer

The Tragic Intellect

Charles Thorpe

University of Chicago Press, 2007

At a time when the Manhattan Project was synonymous with large-scale science, physicist J. Robert Oppenheimer (1904–67) represented the new sociocultural power of the American intellectual. Catapulted to fame as director of the Los Alamos atomic weapons laboratory, Oppenheimer occupied a key position in the compact between science and the state that developed out of World War II. By tracing the making—and unmaking—of Oppenheimer’s wartime and postwar scientific identity, Charles Thorpe illustrates the struggles over the role of the scientist in relation to nuclear weapons, the state, and culture.
 
A stylish intellectual biography, Oppenheimer maps out changes in the roles of scientists and intellectuals in twentieth-century America, ultimately revealing transformations in Oppenheimer’s persona that coincided with changing attitudes toward science in society.
 
“This is an outstandingly well-researched book, a pleasure to read and distinguished by the high quality of its observations and judgments. It will be of special interest to scholars of modern history, but non-specialist readers will enjoy the clarity that Thorpe brings to common misunderstandings about his subject.”—Graham Farmelo, Times Higher Education Supplement
 
“A fascinating new perspective. . . . Thorpe’s book provides the best perspective yet for understanding Oppenheimer’s Los Alamos years, which were critical, after all, not only to his life but, for better or worse, the history of mankind.”—Catherine Westfall, Nature
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cover of Principles of American Nuclear Chemistry: A Novel

Principles of American Nuclear Chemistry

A Novel

Thomas McMahon

University of Chicago Press, 1970

What was life like for the scientists working at Los Alamos? Thomas McMahon imagines this life through the wide eyes of young Tim MacLaurin, the thirteen-year-old son of an MIT physicist who, inspired by a young woman named Maryann, worked on the project. Filled with the sensuous excitement of scientific discovery and the outrageous behavior of people pushed beyond their limits, Principles of American Nuclear Chemistry is a beautifully written coming-of-age story that explores the mysterious connections between love and work, inspiration and history.
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cover of Reckoning Day: Race, Place, and the Atom Bomb in Postwar America

Reckoning Day

Race, Place, and the Atom Bomb in Postwar America

Jacqueline Foertsch

Vanderbilt University Press, 2013

Too often lost in our understanding of the American Cold War crisis, with its nuclear brinkmanship and global political chess game, is the simultaneous crisis on the nation's racial front. Reckoning Day is the first book to examine the relationship of African Americans to the atom bomb in postwar America. It tells the wide-ranging story of African Americans' response to the atomic threat in the postwar period. It examines the anti-nuclear writing and activism of major figures such as W.E.B. Du Bois, Dr. Martin Luther King Jr., and Lorraine Hansberry as well as the placement (or absence) of black characters in white-authored doomsday fiction and nonfiction. Author Jacqueline Foertsch analyzes the work of African American thinkers, activists, writers, journalists, filmmakers, and musical performers in the "atomic" decades of 1945 to 1965 and beyond. Her book tells the dynamic story of commitment and interdependence, as these major figures spoke with force and eloquence for nuclear disarmament, just as they argued unstintingly for racial equality on numerous other occasions.

Foertsch also examines the location of African American characters in novels, science fiction, and survivalist nonfiction such as government-sponsored forecasts regarding post-nuclear survival. In these, black characters are often displaced or absented entirely: in doomsday narratives they are excluded from executive decision-making and the stories' often triumphant conclusions; in the nonfiction, they are rarely envisioned amongst the "typical American" survivors charged with rebuilding US society. Throughout Reckoning Day, issues of placement and positioning provide the conceptual framework: abandoned at "ground zero" (America's inner cities) during the height of the atomic threat, African Americans were figured in white-authored survival fiction as compliant servants aiding white victory over atomic adversity, while as historical figures they were often perceived as "elsewhere" (indifferent) to the atomic threat. In fact, African Americans' "position" on the bomb was rarely one of silence or indifference. Ranging from appreciation to disdain to vigorous opposition, atomic-era African Americans developed diverse and meaningful positions on the bomb and made essential contributions to a remarkably American dialogue.
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cover of The Contours of America’s Cold War

The Contours of America’s Cold War

Matthew Farish

University of Minnesota Press, 2010

In The Contours of America's Cold War, Matthew Farish explores new ways of conceptualizing space as part of post-World War II American militarism. He demonstrates how the social sciences were militarized in the early Cold War period, producing spatial knowledge that was of immediate use to the state as it sought to expand its reach across the globe.

Geographic knowledge generated for the Cold War was a form of power, Farish argues, and it was given an urgency in the panels, advisory boards, and study groups established to address the challenges of an atomic world. He investigates how the scales of the city, the continent, the region, the globe, and, by extension, outer space, were brought together as strategic spaces, categories that provided a cartographic orientation for the Cold War and influenced military deployments, diplomacy, espionage, and finance.

Farish analyzes the surprising range of knowledge production involved in the project of claiming and classifying American space. Backed by military and intelligence funding, physicists and policy makers, soldiers and social scientists came together to study and shape the United States and its place in a divided world.
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cover of The Dragon's Tail: Americans Face the Atomic Age

The Dragon's Tail

Americans Face the Atomic Age

Robert A. Jacobs

University of Massachusetts Press, 2010

When President Harry Truman introduced the atomic bomb to the world in 1945, he described it as a God-given harnessing of “the basic power of the universe.” Six days later a New York Times editorial framed the dilemma of the new Atomic Age for its readers: “Here the long pilgrimage of man on Earth turns towards darkness or towards light.” American nuclear scientists, aware of the dangers their work involved, referred to one of their most critical experiments as “tickling the dragon's tail.”

Even after Hiroshima and Nagasaki, most Americans may not have been sure what an atomic bomb was or how it worked. But they did sense that it had fundamentally changed the future of the human race. In this book, Robert Jacobs analyzes the early impact of nuclear weapons on American culture and society. He does so by examining a broad range of stories, or “nuclear narratives,” that sought to come to grips with the implications of the bomb's unprecedented and almost unimaginable power. 

Beginning with what he calls the “primary nuclear narrative,” which depicted atomic power as a critical agent of social change that would either destroy the world or transform it for the better, Jacobs explores a variety of common themes and images related to the destructive power of the bomb, the effects of radiation, and ways of surviving nuclear war. He looks at civil defense pamphlets, magazines, novels, and films to recover the stories the U.S. government told its citizens and soldiers as well as those presented in popular culture. 

According to Jacobs, this early period of Cold War nuclear culture—from 1945 to the banning of above-ground testing in 1963—was distinctive for two reasons: not only did atmospheric testing make Americans keenly aware of the presence of nuclear weapons in their lives, but radioactive fallout from the tests also made these weapons a serious threat to public health, separate from yet directly linked to the danger of nuclear war.

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cover of The Greatest Scientific Gamble: A Story of Impossible Odds, Rival Scientists, and the Atomic Bomb

The Greatest Scientific Gamble

A Story of Impossible Odds, Rival Scientists, and the Atomic Bomb

Michael Joseloff

Michigan State University Press, 2026

During World War II, a group of physicists who had once been close friends found themselves on opposite sides of a deadly race. German scientist Werner Heisenberg and American physicists Robert Oppenheimer, Enrico Fermi, and Sam Goudsmit were all leading figures in nuclear research. But after the attack on Pearl Harbor, their shared passion for science turned into a high-stakes competition to build the world’s first atomic bomb—a weapon that could determine the outcome of the war. Heisenberg had a two-year head start, and the possibility that Nazi Germany might beat the Allies to the bomb terrified American scientists. The Manhattan Project, led by U.S. Army General Leslie Groves, became a massive effort to catch up. Fear of Heisenberg haunted Manhattan Project scientists. At one point, Groves even approved plans to bomb Heisenberg’s lab and assassinate him to stop Germany’s progress. Meanwhile, Sam Goudsmit led a secret military unit tasked with tracking down Heisenberg and uncovering the truth about the Nazi nuclear program. What they found would surprise everyone. The Greatest Scientific Gamble tells the dramatic and little-known story of how personal relationships, wartime fear, and scientific ambition collided in the race to unlock the power of the atom.

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cover of The Meanings of J. Robert Oppenheimer

The Meanings of J. Robert Oppenheimer

Lindsey Michael Banco

University of Iowa Press, 2016

He called the first atomic bomb “technically sweet,” yet as he watched its brilliant light explode over the New Mexico desert in 1945 in advance of the black horrors of Hiroshima and Nagasaki, he also thought of the line from the Hindu epic The Bhagavad Gita: “I am become Death, the destroyer of worlds.” Physicist J. Robert Oppenheimer, the scientific director of the Manhattan Project, the single most recognizable face of the atomic bomb, and a man whose name has become almost synonymous with Cold War American nuclear science, was and still is a conflicted, controversial figure who has come to represent an equally ambivalent technology.

The Meanings of J. Robert Oppenheimer examines how he has been represented over the past seven decades in biographies, histories, fiction, comics, photographs, film, television, documentaries, theater, and museums. Lindsey Michael Banco gathers an unprecedented group of cultural texts and seeks to understand the multiple meanings Oppenheimer has held in American popular culture since 1945. He traces the ways these representations of Oppenheimer have influenced public understanding of the atomic bomb, technology, physics, the figure of the scientist, the role of science in war, and even what it means to pursue knowledge of the world around us. Questioning and unpacking both how and why Oppenheimer is depicted as he is across time and genre, this book is broad in scope, profound in detail, and offers unique insights into the rise of nuclear culture and how we think about the relationship between history, imagination, science, and nuclear weapons today. 
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cover of The Night of the Physicists: Operation Epsilon: Heisenberg, Hahn, Weizsäcker and the German Bomb

The Night of the Physicists

Operation Epsilon: Heisenberg, Hahn, Weizsäcker and the German Bomb

Richard von Schirach

Haus Publishing, 2015

In the spring of 1945 the Allies arrested the physicists they believed had worked on the German nuclear programme. Interned in an English country house owned by MI6, their conversations were secretly recorded. Operation Epsilon sought to determine how close Nazi Germany had come to building an atomic bomb. It was in this quiet setting – Farm Hall, near Cambridge – that the interned physicists first heard of the attack on Hiroshima. Aside from changing the course of history, that night was also one of great shock and personal defeat for the physicists – they were under the assumption that they alone had discovered nuclear fission. This is the story of Nazi Germany’s hunt for a nuclear bomb. It is a tale of the genius and guilt of lauded, respected scientists.
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cover of The Nuclear Muse: Literature, Physics, and the First Atomic Bombs

The Nuclear Muse

Literature, Physics, and the First Atomic Bombs

John Canaday

University of Wisconsin Press, 2000

John Canaday analyzes a variety of texts produced by physicists before, during, and after the Second World War, including Niels Bohr’s "The Quantum Postulate"; the Blegdamsvej Faust, a parody of Goethe’s Faust that cast physicists as its principle characters; The Los Alamos Primer, the technical lectures used for training at Los Alamos; scientists’ descriptions of their work and of the Trinity test; and Leo Szilard’s post-war novella, The Voice of the Dolphins.
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cover of Truman and the Hiroshima Cult

Truman and the Hiroshima Cult

Robert P. Newman

Michigan State University Press, 1995

The United States dropped atomic bombs on Japan in 1945 to end World War II as quickly and with as few casualties as possible. That is the compelling and elegantly simple argument Newman puts forward in his new study of World War II's end, Truman and the Hiroshima Cult. According to Newman: (1) The U.S. Strategic Bombing Survey conclusions that Japan was ready to surrender without "the Bomb" are fraudulent; (2) America’s "unconditional surrender" doctrine did not significantly prolong the war; and (3) President Harry S. Truman’s decision to use atomic weapons on Japanese cities was not a "racist act," nor was it a calculated political maneuver to threaten Joseph Stalin’s Eastern hegemony. Simply stated, Newman argues that Truman made a sensible military decision. As commander in chief, he was concerned with ending a devastating and costly war as quickly as possible and with saving millions of lives. 
     Yet, Newman goes further in his discussion, seeking the reasons why so much hostility has been generated by what happened in the skies over Hiroshima and Nagasaki in early August, 1945. The source of discontent, he concludes, is a "cult" that has grown up in the United States since the 1960s. It was weaned on the disillusionment spawned by concerns about a military industrial complex, American duplicity and failure in the Vietnam War, and a mistrust of government following Watergate. The cult has a shrine, a holy day, a distinctive rhetoric of victimization, various items of scripture, and, in Japan, support from a powerful Marxist constituency. "As with other cults, it is ahistorical," Newman declares. "Its devotees elevate fugitive and unrepresentative events to cosmic status. And most of all, they believe." Newman’s analysis goes to the heart of the process by which scholars interpret historical events and raises disturbing issues about the way historians select and distort evidence about the past to suit special political agendas.

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cover of Violence and Peace: From the Atomic Bomb to Ethnic Cleansing

Violence and Peace

From the Atomic Bomb to Ethnic Cleansing

Pierre Hassner

Central European University Press, 1997

Building a bridge between political philosophy and the analysis of current affairs, as well as between the author's personal experience and the collective dramas of the twentieth century, Pierre Hassner stresses two major features of our time: the decline of interstate war as a realistic prospect, and the increase in domestic and transnational violence.
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cover of Weapons for Victory: The Hiroshima Decision Fifty Years Later

Weapons for Victory

The Hiroshima Decision Fifty Years Later

Robert James Maddox

University of Missouri Press, 2004

The highly acclaimed Weapons for Victory originally appeared in 1995, the fiftieth anniversary of the end of World War II. Now, in this paperback edition, Robert James Maddox provides a new introduction about the ongoing controversy related to the decision to bomb Hiroshima.

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cover of Writing Ground Zero: Japanese Literature and the Atomic Bomb

Writing Ground Zero

Japanese Literature and the Atomic Bomb

John Whittier Treat

University of Chicago Press, 1994

From Einstein and Truman to Sartre and Derrida, many have declared the atomic bombing of Hiroshima and Nagasaki to be decisive events in human history. None, however, have more acutely understood or perceptively critiqued the consequences of nuclear war than Japanese writers. In this first complete study of the nuclear theme in Japanese intellectual and artistic life, John Whittier Treat shows how much we have to learn from Japanese writers and artists about the substance and meaning of the nuclear age.

Treat recounts the controversial history of Japanese public discourse around Hiroshima and Nagasaki—a discourse alternatively celebrated and censored—from August 6, 1945, to the present day. He includes works from the earliest survivor writers, including Hara Tamiki and Ota Yoko, to such important Japanese intellectuals today as Oe Kenzaburo and Oda Makoto. Treat argues that the insights of Japanese writers into the lessons of modern atrocity share much in common with those of Holocaust writers in Europe and the practitioners of recent poststructuralist nuclear criticism in America. In chapters that take up writers as diverse as Hiroshima poets, Tokyo critics, and Nagasaki women novelists, he explores the implications of these works for critical, literary, and cultural theory.

Treat summarizes the Japanese contribution to such ongoing international debates as the crisis of modern ethics, the relationship of experience to memory, and the possibility of writing history. This Japanese perspective, Treat shows, both confirms and amends many of the assertions made in the West on the shift that the death camps and nuclear weapons have jointly signaled for the modern world and for the future.

Writing Ground Zero will be read not only by students of Japan, but by all readers concerned with the fate of culture after the fact of nuclear war in our time.
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