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As China’s global influence continues to rise, its capital, Beijing, has become increasingly important—and a popular tourist destination, greeting close to five million international visitors each year. An Armchair Traveller’s History of Beijing presents the capital from its earliest beginnings as a prehistoric campsite for Peking Man through its fluctuating fortunes under a dozen dynasties.

Home to capitals of several states over time, the site of modern Beijing has been ruled by Mongolian chiefs and the glorious Ming emperors, whose tombs can still be found on its outskirts. Through Beijing, we can experience Chinese history itself, including its more famous residents—including Khubilai Khan, Mulan, and Marco Polo. Special emphasis is placed on Beijing’s precarious heritage in the twenty-first century, as modern construction wipes out much of the old city to make way for homes for twenty million people.

This book also offers detailed information on sites of tourist interest, including the pros and cons of different sections of the Great Wall and the best ways to see the Forbidden City and the fast-disappearing relics of the city’s Manchu and Maoist eras. A chapter on food and drink examines not only local delicacies, but the many other Chinese dishes that form part of Beijing’s rich dining traditions. With its blend of rich history and expert tips, An Armchair Traveller’s History of Beijing is an essential introduction to one of the world’s most remarkable cities.
 

Escaping his ghosts, AIDS widower David Masiello accepts a one-year position at a Western medical clinic in Beijing. Lonely but excited, he sets out to explore the city—both its bustling street life and its clandestine gay subculture.
    David chronicles his adventures in China as he wrestles with cultural dislocation, loneliness, and sexual and spiritual longing. After a series of both comic and poignant encounters with gay Chinese men, he meets Bosheng, a handsome young artist. Though the attraction is strong, a difficult courtship ensues, during which Bosheng returns to his ancestral village to marry the girl his parents have chosen for him. Eventually, and quite unexpectedly, David and Bosheng reconnect and share an idyllic spring together. As the year ends, David must decide whether to say goodbye or face the uncertainties of a long-distance relationship.
    Gambone’s novel is peopled with a host of wonderfully memorable characters: Owen, David’s forthright best friend back home; Auntie Chen, the clinic’s office mom, who wants to fix David up with a girlfriend; Stewart, David’s Beijing roommate, a graduate student doing research on Peking opera; Jiantao and Guoyang, two lovers who lecture David on the fleeting quality of American romance; and Tyson, the Australian doctor with a Chinese girlfriend, who hopes to teach David that love doesn’t need any explanations or justifications.

As we approach the sixtieth anniversary of China’s 1959 invasion of Tibet—and the subsequent creation of the Tibetan exile community—the question of the diaspora’s survival looms large. Beijing’s foreign policy has grown more adventurous, particularly since the post-Olympic expansion of 2008. As the pressure mounts, Tibetan refugee families that have made their homes outside China—in the mountains of Nepal, the jungles of India, or the cold concrete houses high above the Dalai Lama’s monastery in Dharamsala—are migrating once again. Blessings from Beijing untangles the chains that tie Tibetans to China and examines the political, social, and economic pressures that are threatening to destroy Tibet’s refugee communities. Journalist Greg Bruno has spent nearly two decades living and working in Tibetan areas. Bruno journeys to the front lines of this fight: to the high Himalayas of Nepal, where Chinese agents pay off Nepali villagers to inform on Tibetan asylum seekers; to the monasteries of southern India, where pro-China monks wish the Dalai Lama dead; to Asia’s meditation caves, where lost souls ponder the fine line between love and war; and to the streets of New York City, where the next generation of refugees strategizes about how to survive China’s relentless assault. But Bruno’s reporting does not stop at well-worn tales of Chinese meddling and political intervention. It goes beyond them—and within them—to explore how China’s strategy is changing the Tibetan exile community forever.

During the lead-up to the 2008 Beijing Olympics, the censorious attitude that characterized China's post-1989 official response to contemporary art gave way to a new market-driven, culture industry valuation of art. Experimental artists who once struggled against state regulation of artistic expression found themselves being courted to advance China's international image. In Experimental Beijing Sasha Su-Ling Welland examines the interlocking power dynamics in this transformational moment and rapid rise of Chinese contemporary art into a global phenomenon. Drawing on ethnographic fieldwork and experience as a videographer and curator, Welland analyzes encounters between artists, curators, officials, and urban planners as they negotiated the social role of art and built new cultural institutions. Focusing on the contradictions and exclusions that emerged, Welland traces the complex gender politics involved and shows that feminist forms of art practice hold the potential to reshape consciousness, produce a nonnormative history of Chinese contemporary art, and imagine other, more just worlds.

What happens to pregnant women when the largest country in the world implements a global health policy aimed at reorganizing hospitals and re- training health care workers to promote breastfeeding? Since 1992, the Chinese government has led the world in reorganizing more than 7,000 hospitals into “Baby- Friendly” hospitals. The initiative’s goal, overseen by UNICEF and the World Health Organization, is to promote the practice of breastfeeding by reorganizing hospital routines, spaces, and knowledge in maternity wards and obstetrics clinics. At the same time, China’s hospitals in the mid- 1990s operated as sites where the effects of economic reform and capitalism increasingly blurred the boundaries between state imperatives to produce healthy future citizens and the flexibility accorded individuals through their participation in an emerging consumer culture.

Formulas for Motherhood follows a group of women over eighteen months as they visited a Beijing Baby- Friendly Hospital over the course of their pregnancies and throughout their postpartum recoveries. The book shows how the space of the hospital operates as a microcosm of the larger social, political, and economic forces that urban Chinese women navigate in the process of becoming a mother. Relations between biomedical practices, heightened expectations of femininity and sexuality demanded by a consumer culture, alongside international and national agendas to promote maternal and child health, reveal new agents of maternal governance emerging at the very moment China’s economy heats up. This ethnography provides insight into how women’s creative pragmatism in a rapidly changing society leads to their views and decisions about motherhood.

For two and a half years (1937-1939), Captain John Seymour Letcher commanded a company of the U.S. Embassy Marine Guard in Peking. During that time, he wrote a series of letters to his parents in Virginia describing the life of a Westerner in the former imperial city. During that same time, China was invaded by Japan.

Captain Letcher describes the flavor of life in pre-Communist China — the food, servants, cold Peking winters and torrid summers, hunting, and excursions to the major tourist sites.

But his letters also tell of the Japanese slaughter of Chinese troops in the opening days of the Sino-Japanese War. He wrote about life in a city under Japanese occupation and the stirring story of the Chinese guerrillas rebounding from devastating defeat.

These letters and accompanying introduction, preface, and notes, draw attention to the Western experience in a place and time largely overlooked by military historians and modern China specialists.

In 1949, Beijing still retained nearly all of its time-honored character and magnificence. But when Chairman Mao rejected the proposal to build a new capital for the People's Republic of China and decided to stay in the ancient city, he initiated a long struggle to transform Beijing into a shining beacon of socialism. So began the remaking of the city into a modern metropolis rife with monuments, public squares, exhibition halls, and government offices.

Wu Hung grew up in Beijing and experienced much of the city's makeover firsthand. In this lavishly illustrated work, he offers a vivid, often personal account of the struggle over Beijing's reinvention, drawing particular attention to Tiananmen Square—the most sacred space in the People's Republic of China. Remaking Beijing considers the square's transformation from a restricted imperial domain into a public arena for political expression, from an epic symbol of socialism into a holy relic of the Maoist regime, and from an official and monumental complex into a site for unofficial and antigovernment demonstrations.

Wu Hung also explores how Tiananmen Square has become a touchstone for official art in modern China—as the site for Mao's monumental portrait, as the location of museums narrating revolutionary history, and as the grounds for extravagant National Day parades celebrating the revolutionary masses. He then shows how in recent years the square has inspired artists working without state sponsorship to create paintings, photographs, and even performances that reflect the spirit of the 1989 uprisings and pose a forceful challenge to official artworks and the sociopolitical system that supports them.

Remaking Beijing will reward anyone interested in modern Chinese history, society, and art, or, more generally, in how urban renewal becomes intertwined with cultural and national politics.

While urban preservation is almost as old as cities themselves, it has become increasingly controversial in modern cities. In this book, Yue Zhang presents a cross-national comparative analysis of the politics of urban preservation. Based on comprehensive archival research and more than two hundred in-depth interviews in Beijing, Chicago, and Paris, Zhang finds that urban preservation provides a tool for diverse political and social actors to frame their propositions and advance their favored courses of action.

In cities from West to East, divergent political and economic interests have caused urban preservation to become contested. Exploring three of the world’s great cities, Zhang deftly navigates readers through each case study, illustrating the complexities of the politics of urban preservation in each city. In Beijing, urban preservation was integral to promoting economic growth and enhancing the city’s image during the lead-up to the 2008 Olympics; in Chicago, it is used to increase property values and revitalize neighborhoods; and in Paris, it offers a channel for national and municipal governments to compete for control over urban space.

Although urban preservation serves various purposes in these cities, Zhang explains how different types of political fragmentation have affected the implementation of preservation initiatives in predictable ways, thus generating distinct patterns of urban preservation. A comparative urban politics study of unusual breadth, The Fragmented Politics of Urban Preservation gives us insight into the complex policy process of urban preservation through which political institutions are intertwined with interests and inclinations, fundamentally shaping the direction of urban development, the physical forms of cities, and the lives of citizens.

When a Chinese American intelligence officer at the US Embassy in Beijing intercepts complex coded messages, the race is on to decipher their meaning. When she finally succeeds in decoding them, the messages seem to indicate a targeted assault on the Japanese financial market. Puzzled, the officer digs deeper and uncovers more intrigue—a large, state-owned Chinese company, which has recently discovered oil in Benin seems to be involved, and. . . what’s this about a kidnapping?

As the complex plot to bring down a major financial institution unfolds at a rapid pace, American and Japanese officials scramble to prevent a crisis with international implications. Set against the backdrop of the political and financial practices of Japan, China, and the US, The Shanghai Intrigue brings with it murder, betrayal, romance, even a natural disaster, as the plot races to a most unpredictable outcome. The book’s breakneck speed and thrilling twists and turns will leave readers spellbound from the first page.

 

Confronting big questions about the definition of art, the ownership of an image, and the meaning of originality and imitation, Wong describes an art world in which idealistic migrant workers, lofty propaganda makers, savvy dealers, and international artists make up a global supply chain of art and creativity. She examines how Berlin-based conceptual artist Christian Jankowski, who collaborated with Dafen’s painters to reimagine the Dafen Art Museum, unwittingly appropriated the work of a Hong Kong-based photographer Michael Wolf. She recounts how Liu Ding, a Beijing-based conceptual artist, asked Dafen “assembly-line” painters to perform at the Guangzhou Triennial, neatly styling himself into a Dafen boss. Taking the Shenzhen-based photojournalist Yu Haibo’s award-winning photograph from the Amsterdam's World Press Photo organization, she finds and meets the Dafen painter pictured in it and traces his paintings back to an unlikely place in Amsterdam. Through such cases, Wong shows how Dafen’s painters force us to reexamine our preconceptions about creativity, and the role of Chinese workers in redefining global art.

 

Providing a valuable account of art practices in an ascendant China, Van Gogh on Demand is a rich and detailed look at the implications of a world that can offer countless copies of everything that has ever been called “art.”

The title of Li Yu’s film Lost in Beijing evokes the experience of many first-time visitors to China’s bustling capital. The city’s sprawling structure and rapid redevelopment—embodied by the high-rise apartments taking over historic districts—render Beijing’s streets hard to navigate and its culture is just as difficult to penetrate. World Film Locations: Beijing is a revealing and engrossing introduction to both.

 

In a series of spotlight essays and illustrated scene reviews, a cast of seasoned scholars and fresh new voices explore the vast range of films—encompassing drama, madcap comedy, martial arts escapism, and magical realism—that have been set in Beijing. Unveiling a city of hidden courtyards, looming skyscrapers, and traditional Hutong neighborhoods, these contributors depict a distinctive urban culture that reflects the conflict and tumult of a nation in transition. With considerations of everything from the back streets of Beijing Bicycle to the forbidden palace of The Last Emperor to the tourist park of The World, this volume is a definitive cinematic guide to an ever-changing and endlessly fascinating capital city.