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11 books match the query 'Borges'

cover of Borges and Europe Revisited

Borges and Europe Revisited

Edited by Evelyn Fishburn

University of London Press, 1998

This compilation of essays takes a fresh look at Borges's work. A wide variety of topics, ranging from the European avant-garde to the impact of European science upon Argentine literature, is discussed from a mutiplicity of angles - the only unifying factor being the year 1996, when nearly all the essays were written. Most of them were presented as papers at a one-day conference held at the Institute of Romance Studies, in conjunction with the Institute of Latin American Studies. The purpose was to re-examine the work of Borges in the wake of the great changes in reading that 'theory' had brought about and which Borges had somehow foreshadowed, though of course not systematised. Contributors Include: Daniel Balderston, University of Iowa; Malcolm Bowie, University of Oxford; Gabriel Josipovici, University of Sussex; Bernard McGuirk, University of Nottingham; Sylvia Molloy, New York University; Eduardo L. Ortiz, Imperial College; William Rowe, Birkbeck College, London; Jason Wilson, University College, London.
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cover of Borges and His Fiction: A Guide to His Mind and Art

Borges and His Fiction

A Guide to His Mind and Art

By Gene H. Bell-Villada

University of Texas Press, 2000

From reviews of the first edition:

"A compulsively readable account of the life and works of our greatest...writer of fantasy. With a keen appreciation of Borges himself and a pleasant disregard for the critical clichés, Bell-Villada tells us all we really want to know about the modern master-from pronouncing his name to understanding the stories." —New York Daily News

"Of the scores of Borges studies by now published in English, Bell-Villada's excellent book stands out as one of the freshest and most generally helpful.... Lay readers and specialists alike will find his book a valuable and highly readable companion to Ficciones and El Aleph." —Choice

Since its first publication in 1981, Borges and His Fiction has introduced the life and works of this Argentinian master-writer to an entire generation of students, high school and college teachers, and general readers. Responding to a steady demand for an updated edition, Gene H. Bell-Villada has significantly revised and expanded the book to incorporate new information that has become available since Borges' death in 1986. In particular, he offers a more complete look at Borges and Peronism and Borges' personal experiences of love and mysticism, as well as revised interpretations of some of Borges' stories. As before, the book is divided into three sections that examine Borges' life, his stories in Ficciones and El Aleph, and his place in world literature.

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cover of Borges and Kafka, Bolaño and Bloom: Latin American Authors and the Western Canon

Borges and Kafka, Bolaño and Bloom

Latin American Authors and the Western Canon

Juan E. De Castro

Vanderbilt University Press, 2022

At a time in which many in the United States see Spanish America as a distinct and, for some, threatening culture clearly differentiated from that of Europe and the US, it may be of use to look at the works of some of the most representative and celebrated writers from the region to see how they imagined their relationship to Western culture and literature. In fact, while authors across stylistic and political divides—like Gabriela Mistral, Jorge Luis Borges, or Gabriel García Márquez—see their work as being framed within the confines of a globalized Western literary tradition, their relationship, rather than epigonal, is often subversive.

Borges and Kafka, Bolaño and Bloom is a parsing not simply of these authors' reactions to a canon, but of the notion of canon writ large and the inequities and erasures therein. It concludes with a look at the testimonial and autobiographical writings of Rigoberta Menchú and Lurgio Gavilán, who arguably represent the trajectory of Indigenous testimonial and autobiographical writing during the last forty years, noting how their texts represent alternative ways of relating to national and, on occasion, Western cultures. This study is a new attempt to map writers' diverse ways of thinking about locality and universality from within and without what is known as the canon.
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cover of Borges in Sicily: Journey with a Blind Guide

Borges in Sicily

Journey with a Blind Guide

Alejandro Luque

Haus Publishing, 2017

When Alejandro Luque receives a book of photographs taken in Sicily by the Argentinian writer, essayist, and poet Luis Borges, he decides to trace the writer’s journey, setting off with a group of friends on his own Sicilian odyssey. Meticulously identifying the location of each photograph, Luque uses Borges’s pictures to imagine the range of emotions that the renowned writer felt as he experienced the same views. As his hunt for the locations of the original photographs unfolds, Luque chronicles the ways in which he begins to fall in love with both the island itself and with his friend, Ro.

This winding journey features literati both past and present, indigenous and foreign. These characters live alongside Luque’s own comments and observations in a narrative that is rich in historical and personal detail. The writer who inspired this great journey, Borges himself, becomes a character in this narrative that is infused with extracts and reflections from his essays and poetry. Borges in Sicily acts as a travel diary, a guide to the most fascinating places in Sicily, a recounting of Borges’s journey around the island, and a deeply poetic story of Luque’s own adventures. The book also includes twenty-three photographs from the renowned Magnum photographer Ferdinando Scianna, and it won the 1st Premio International del Libros de Viajes.
 
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cover of Borges: An Introduction

Borges

An Introduction

Julio Premat

Vanderbilt University Press, 2021

This book, available for the first time in English, offers a thorough introductory reading of Jorge Luis Borges, one of the most remarkable and influential writers of the twentieth century. Julio Premat, a specialist in the field of Borges studies, presents the main questions posed by Borges's often paradoxical writing, and leads the novice through the complexity and breadth of Borges's vast literary production.

Originally published in French by an Argentine ex-pat living in Paris, Borges includes the Argentine specificities of Borges’s work—specificities that are often unrecognized or glossed over in Anglophone readings.

This book is a boon for university students of philosophy and literature, teachers and researchers in these fields who are looking to better understand this complex author, and anyone interested in the advanced study of literature. Somewhere between a guidebook and an exhaustive work of advanced research, Borges is the ultimate stepping-stone into the deeper Borgesian world.
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cover of Fiction Refracts Science: Modernist Writers from Proust to Borges

Fiction Refracts Science

Modernist Writers from Proust to Borges

Allen Thiher

University of Missouri Press, 2005

In Fiction Refracts Science, Allen Thiher demonstrates that major modernists, in their concern with the sciences, were strongly influenced by them. He argues that there are direct relations between science and the formal shape of fiction developed by some of the most important modernists. Especially relevant for his arguments are modern cosmology and quantum mechanics, as well as examples from mathematics, biology, and medicine.
            Thiher begins his study by examining the question about the two cultures—scientific and humanistic—that is often invoked in discussions of their relationship. He outlines the essential context for understanding how science was perceived by modernist novelists. This background included Pascalian and Newtonian cosmology, Darwinism, and the questions of epistemology ushered in by relativity theory and quantum mechanics. He then devotes a chapter each to Musil, Proust, Kafka, and Joyce in which he focuses on epistemology and on ideas about law in science and literature.
            Thiher goes on to describe the subsequent development of modernist fiction. He proposes that, after Joyce, thought experiments dominated the relations between science and later modernist fiction, as exemplified by Woolf, Faulkner, and Borges. In conclusion Thiher addresses the ongoing development of these experiments in postmodern fiction and discusses the fortunes of positivism in postmodern fiction.
            Written in a clear and accessible style, Fiction Refracts Science will be of interest to specialists in literary modernism, science studies, and the history of science, as well as to scientists themselves.
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cover of Gombrowicz, Borges, and the Fictional Cosmos

Gombrowicz, Borges, and the Fictional Cosmos

Max Ubelaker Andrade

Bucknell University Press, 2027

Polish author Witold Gombrowicz’s famously chaotic masterpiece, Cosmos, was profoundly influenced by Jorge Luis Borges—particularly by three key stories from Ficciones. Drawing on evidence that Gombrowicz read Ficciones in 1960, as well as handwritten marginalia in Gombrowicz’s copy of Adolfo Bioy Casares’s La invención de Morel, this groundbreaking study argues that Cosmos responded to Borges’s literary transformations of cartography, mathematical combinatorics, and Miguel de Cervantes’s Don Quijote. Along the way, it introduces the concept of “immaterial bibliography” to analyze imaginary texts appearing in literary works. Finally, it examines the tension between Borges’s explicit racism and the ethical and aesthetic vision suggested by his fiction, revealing how rumor, rebellion, and literary inheritance shaped Gombrowicz’s reading of Borges, which in turn influenced the composition of his prizewinning last novel. 

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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cover of Invisible Work: Borges and Translation

Invisible Work

Borges and Translation

Efrain Kristal

Vanderbilt University Press, 2002

It is well known that Jorge Luis Borges was a translator, but this has been considered a curious minor aspect of his literary achievement. Few have been aware of the number of texts he translated, the importance he attached to this activity, or the extent to which the translated works inform his own stories and poems.

Between the age of ten, when he translated Oscar Wilde, and the end of his life, when he prepared a Spanish version of the Prose Edda , Borges transformed the work of Poe, Kafka, Hesse, Kipling, Melville, Gide, Faulkner, Whitman, Woolf, Chesterton, and many others. In a multitude of essays, lectures, and interviews Borges analyzed the versions of others and developed an engaging view about translation. He held that a translation can improve an original, that contradictory renderings of the same work can be equally valid, and that an original can be unfaithful to a translation.

Borges's bold habits as translator and his views on translation had a decisive impact on his creative process. Translation is also a recurrent motif in Borges's stories. In "The Immortal," for example, a character who has lived for many centuries regains knowledge of poems he had authored, and almost forgotten, by way of modern translations. Many of Borges's fictions include actual or imagined translations, and some of his most important characters are translators. In "Pierre Menard, author of the Quixote," Borges's character is a respected Symbolist poet, but also a translator, and the narrator insists that Menard's masterpiece-his "invisible work"-adds unsuspected layers of meaning to Cervantes's Don Quixote. George Steiner cites this short story as "the most acute, most concentrated commentary anyone has offered on the business of translation."

In an age where many discussions of translation revolve around the dichotomy faithful/unfaithful, this book will surprise and delight even Borges's closest readers and critics.

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cover of Out of Context: Historical Reference and the Representation of Reality in Borges

Out of Context

Historical Reference and the Representation of Reality in Borges

Daniel Balderston

Duke University Press, 1993

In Jorge Luis Borges's finely wrought, fantastic stories, so filigreed with strange allusions, critics have consistently found little to relate to the external world, to history--in short, to reality. Out of Context corrects this shortsighted view and reveals the very real basis of the Argentine master's purported "irreality." By providing the historical context for some of the writer's best-loved and least understood works, this study also gives us a new sense of Borges's place within the context of contemporary literature.
Through a detailed examination of seven stories, Daniel Balderston shows how Borges's historical and political references, so often misread as part of a literary game, actually open up a much more complex reality than the one made explicit to the reader. Working in tension with the fantastic aspects of Borges' work, these precise references to realities outside the text illuminate relations between literature and history as well as the author's particular understanding of both. In Borges's perspective as it is revealed here, history emerges as an "other" only partially recoverable in narrative form. From what can be recovered, Balderston is able to clarify Borges's position on historical episodes and trends such as colonialism, the Peronist movement, "Western culture," militarism, and the Spanish invasion of the Americas.
Informed by a wide reading of history, a sympathetic use of critical theory, and a deep understanding of Borges's work, this iconoclastic study provides a radical new approach to one of the most celebrated and—until now—hermetic authors of our time.
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cover of Signs of Borges

Signs of Borges

Sylvia Molloy

Duke University Press, 1994

Available for the first time in English, Signs of Borges is widely regarded as the best single book on the work of Jorge Luis Borges. With a critical sensibility informed by Barthes, Lacan, Foucault, Blanchot, and the entire body of Borges scholarship, Sylvia Molloy explores the problem of meaning in Borges's work by remaining true to the uncanniness that is its foundation.
Borges's sustained practice of the uncanny gives rise in his texts to endless tensions between illusion and meaning, and to the competing desires for fragmentation, dispersal, and stability. Molloy traces the movement of Borges's own writing by repeatedly spanning the boundaries of genre and cutting across the conventional separations of narrative, lyric and essay, fact and fiction. Rather than seeking to resolve the tensions and conflicts, she preserves and develops them, thereby maintaining the potential of these texts to disturb. At the site of these tensions, Molloy locates the play between meaning and meaninglessness that occurs in Borges's texts. From this vantage point his strategies of deception, recourse to simulacra, inquisitorial urge to unsettle binarism, and distrust of the permanent--all that makes Borges Borges--are examined with unmatched skill and acuity.
Elegantly written and translated, Signs of Borges presents a remarkable and dynamic view of one of the most international and compelling writers of this century. It will be of great interest to all students of twentieth-century literature, particularly to students of Latin American literature.
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cover of Writing in Dante's Cult of Truth: From Borges to Bocaccio

Writing in Dante's Cult of Truth

From Borges to Bocaccio

María Rosa Menocal

Duke University Press, 1991

Using the works of Dante as its critical focus, María Rosa Menocal’s original and imaginative study examines questions of truth, ideology, and reality in poetry as they occur in a series of texts and in the relationship between those texts across time. In each case, Menocal raises theoretical issues of critical importance to contemporary debates regarding the structure of literary relations.
Beginning with a reading of La vita nuova and the Commedia, this literary history of poetic literary histories explores the Dantean poetic experience as it has been limited and rewritten by later poets, particularly Petrarch, Boccaccio, Borges, Pound, Eliot, and the all but forgotten Silvio Pellico, author of Le mie prigioni. By blending discussions of Dante’s own marriage of literature and literary history with those investigations into the imitative qualities of later works, Writing in Dante’s Cult of Truth presents an intertextual literary history, one which seeks to maintain the uncanniness of literature, while imagining history to be neither linear nor clearly distinguishable from literature itself.
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