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"Extraordinary memoir. . . . His story will break your heart."—El Palacio

"This story was fascinating. . . . One worth the telling and one which will stay with the reader."—American Desert Magazine

"Recommended."—Choice

In this gracefully written memoir, Margaret Jones Bolsterli recounts her experiences as a lively, observant girl coming of age on an Arkansas cotton farm during the 1930s and 1940s. The Mississippi River's broad, flat floodplain provides the setting for her vivid strokes of memory and history each portraying key elements of the "southern sensibility." Bolsterli's themes include the southerner's strong sense of place, the penchant for stories rather than true dialog, a caste system based on formality and race, the underlying current of violence, and the repressive function of evangelical religion. She also examines manners, the patriarchal family structure, the "southern belle" concept, and the persistence of the memory of the Civil War. A fascinating chapter on food indicates how African and European customs are melded in southern cuisine to include chicken, pork, "cracklin' bread," gravy and biscuits, field peas, turnip greens, butter beans, devil's food cake, and dill pickles. Comparable to Shirley Abbott's Womenfolks, Born in the Delta is a valuable resource for those interested in southern history and culture, as well as readers who just enjoy a good story, well-told.

Scores of birthplace monuments and historic childhood homes dot the American landscape. These special places, many dating to the early years of the last century, have enshrined nativity alongside patriotism and valor among the key pillars of the nation's popular historical imagination. The essays in this volume suggest that the way Americans have celebrated famous births reflects evolving expectations of citizenship as well as a willingness to edit the past when those hopes go unfulfilled. The contributors also demonstrate that the reinvention of origin myths at birthplace monuments still factors in American political culture and the search for meaning in an ever-shifting global order.

Beyond asking why it is that Americans care about birthplaces and how they choose which ones to commemorate, Born in the U.S.A. offers insights from historians, curators, interpretive specialists, and others whose experience speaks directly to the challenges of managing historical sites. Each essay points to new ways of telling old stories at these mainstays of American memory. The case of the modern house museum receives special attention in a provocative concluding essay by Patricia West.

In addition to West and the editor, contributors include Christine Arato, Dan Currie, Keith A. Erekson, David Glassberg, Anna Thompson Hajdik, Zachary J. Lechner, Paul Lewis, Hilary Iris Lowe, Cynthia Miller, Laura Lawfer Orr, Robert Paynter, Angela Phelps, and Paul Reber.

This collection of essays interrogates the most contested social, political, and aesthetic concept in Chicana/o cultural studies—resistance.

If Chicana/o culture was born of resistance amid assimilation and nationalistic forces, how has it evolved into the twenty-first century? This groundbreaking volume redresses the central idea of resistance in Chicana/o visual cultural expression through nine clustered discussions, each coordinating scholarly, critical, curatorial, and historical contextualizations alongside artist statements and interviews. Landmark artistic works—illustrations, paintings, sculpture, photography, film, and television—anchor each section. Contributors include David Avalos, Mel Casas, Ester Hernández, Nicholas Herrera, Luis Jiménez, Ellen Landis, Yolanda López, Richard Lou, Delilah Montoya, Laura Pérez, Lourdes Portillo, Luis Tapia, Chuy Treviño, Willie Varela, Kathy Vargas, René Yañez, Yvonne Yarbro-Bejarano, and more. Cara a cara, face-to-face, encounters across the collection reveal the varied richness of resistant strategies, movidas, as they position crucial terms of debate surrounding resistance, including subversion, oppression, affirmation, and identification.

The essays in the collection represent a wide array of perspectives on Chicana/o visual culture. Editors Scott L. Baugh and Víctor A. Sorell have curated a dialog among the many voices, creating an important new volume that redefines the role of resistance in Chicana/o visual arts and cultural expression.

For centuries, sled dogs pulled the people of northern climates over otherwise impassable distances of snow and ice, guiding them home through trackless wilderness. These burly, strong dogs were the lifeblood of the northern winter world. Today, from races like the famed Iditarod and the John Beargrease Sled Dog Marathon to sled dog tours, people from all climates are rediscovering the joy of this dog-powered sport. Born to Pull is a celebration of sled dogs who love to run in cold and snowy Minnesota, including lively stories from veteran mushers, insider information on dog care and training, and breathtaking watercolor illustrations that make the dogs come to life on the page.

A must for flower and art lovers, Born in the Spring is a unique collection of line drawings and magnificent watercolors of spring wildflowers. All of the drawings and paintings were done from living plants, in minute detail, with complete botanical accuracy. There are over 90 illustrations, 46 of which are in full color. The text accompanying each plate enables the reader to easily locate the flower in its natural setting. The text also includes the origins of the common and botanical names, and bits of history and lore connected with the flowers. Some are hardy aliens that have come from all over the world, while others are fragile natives described by the earliest settlers; some are now becoming rare.