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Although George Eliot has long been described as “the novelist of the Midlands,” she often brought the outer reaches of the empire home in her work. Dark Smiles: Race and Desire in George Eliot studies Eliot’s problematic, career-long interest in representing racial and ethnic Otherness.

Placing Eliot’s diverse and wide-ranging treatment of Otherness in its contemporary context, Alicia Carroll argues that Eliot both engages and resists traditional racial and ethnic representations of Otherness. Carroll finds that Eliot, like other women writers of her time, often appropriates narratives of Otherness to explore issues silenced in mainstream Victorian culture, particularly the problem of the desirous woman. But if Otherness in Eliot’s century was usually gendered as woman and constructed as the object of white male desire, Eliot often seeks to subvert that vision. Professor Carroll demonstrates Eliot’s tendency to “exoticize” images of girlhood, vocation, and maternity in order to critique and explore gendered subjectivities. Indeed, the disruptive presence of a racial or ethnic outsider often fractures Eliot’s narratives of community, creating a powerful critique of home culture.

The consistent reliance of Eliot’s work upon racial and ethnic Otherness as a mode of cultural critique is explored here for the first time in its entirety.

Centers vegetal life as a force that disrupts the borders of race, gender, sexuality, and colonial power.

Although plants are the most abundant life form on earth, the environmental humanities have paid them scant attention until recently, even as new challenges, such as the COVID-19 pandemic, climate change, war, and the global rise of the right have piqued interest in plants as signs of life that challenge the Anthropocene and the logic of extraction. In Plants Beyond Borders, Courtney B. Ryan and Alicia Carroll have marshalled a range of innovative contributions that focus on vegetal borderlands—or spaces in which plant and human life overlap—where vegetal life exceeds and uproots human borders. Containing perspectives from English, landscape architecture, Native American studies, performing arts, and more, Plants Beyond Borders foregrounds Indigenous sovereignty and plant knowledge; explores the shared transmutability of plants and trans, queer, and pregnant bodies; and investigates phytographia, or plant writing, as plants thinking beyond borders. No matter the objective, the essays in this interdisciplinary collection center vegetal life, considering how agentic plants not only rupture myths of settler colonialism, gender, and sexuality but also inscribe themselves and us in the world.

Contributors:
Cinthya Ammerman Muñoz, Alicia Carroll, Gwendolyn Cohen, Isaac Cohen, Xinyue Fu, Patrícia de Nóbrega Gomes, Katie Hogan, Kaley Makino, Melissa Parrish, MacKenzie Patterson, Courtney B. Ryan, John Charles Ryan, Saghar Safaeyan, Jeannette Schollaert, Kathryn Van Wert, Christina Welch