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3 books match the query 'Chávez-Silverman, Susana'

cover of Heartthrob: Del Balboa Cafe al Apartheid and Back

Heartthrob

Del Balboa Cafe al Apartheid and Back

Susana Chávez-Silverman

University of Wisconsin Press, 2019

On a wintry Thursday night in San Francisco, Susana Chávez-Silverman catches her first glimpse of a handsome stranger through the window as he passes the infamous Balboa Cafe. She knows immediately he is the man of her dreams. His eyes meet hers, he turns and enters the bar . . .
Their attraction was intense, but the social and political climate of South Africa, still in the grip of apartheid, threatened to tear them apart. Describing the vicissitudes of the Latina migratory experience, Chávez-Silverman struggles to overcome the hostility of a place that is so unwelcoming to nonwhite persons and outsiders.
Heartthrob, a love story for the ages, implores us to consider how things could have been. In these romantic crónicas based on detailed diary entries and confessional letters to family and friends, Chávez-Silverman weaves together English and Spanish to lay bare the raw intensity and true fragility of love. Anyone who has wondered about the-one-that-got-away or sought out the true meaning of happily-ever-after will be enraptured by this intimate exploration of love, loss, and regret.
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cover of Killer Crónicas: Bilingual Memories

Killer Crónicas

Bilingual Memories

Susana Chavez-Silverman

University of Wisconsin Press, 2004

A woman living and communicating in multiple lands, Susana Chávez-Silverman conveys her cultural and linguistic displacement in humorous, bittersweet, and even tangible ways in this truly bilingual literary work. These meditative and lyrical pieces combine poignant personal confession, detailed daily observation, and a memorializing drive that shifts across time and among geocultural spaces. The author’s inventive and flamboyant use of Spanglish, a hybrid English-Spanish idiom, and her adaptation of the confessional "crónica" make this memoir compelling and powerful. Killer Crónicas confirms that there is no Latina voice quite like that of Susana Chávez-Silverman.

Includes a chapter that was awarded first prize in El Andar magazine’s Chicano Literary Excellence Contest in the category of personal memoir.
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cover of Scenes from la Cuenca de Los Angeles y otros Natural Disasters

Scenes from la Cuenca de Los Angeles y otros Natural Disasters

Susana Chávez-Silverman

University of Wisconsin Press, 2010

This is a rarity in contemporary writing, a truly bilingual enterprise, as in Susana Chávez-Silverman’s previous memoir, Killer Crónicas. Chávez-Silverman switches between English and Spanish, creating alinguistic mestizaje that is still a surprise encounter in the world of letters today, and the author forms one of a small but growing band of writers to embrace bilingualism as a literary force. Also like Killer Crónicas, each chapter in Scenes from la Cuenca de Los Angeles is a “crónica,” a vignette that began as intimate diary entries and e-mails and letters to lovers, friends, and ghosts from the past. These episodic chapters follow the Chávez-Silverman’s personal history, from California to South Africa and Australia and back, from unfathomable loss to deeply felt joy. Readers drawn into this witty book will confront their own conceptions of boundaries, borders, languages, memories, and spaces.
 
Honorable Mention, Best Biography in Spanish or Bilingual, International Latino Book Awards
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