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PEN/Hemingway Award for Debut Novel 2025, Longlist
A Vulture Best Book of 2024

In December 2018, we meet Rudy Coyle, a bar owner’s son from Flushing, Queens, in the throes of a major quarter-life crisis. Cut out of the family business, he gets a Hail Mary job as a night doorman in a storied Park Avenue apartment building, where he comes under the wing of the family in 4E, the Cohens.

Jacob “Jake” Cohen, the fast-talking patriarch, is one of a generation of financiers who made hundreds of millions of dollars in the cutthroat taxi medallion industry in the early 2000s, largely by preying on the hopes and dreams of impoverished immigrant drivers. As Jake tries to stop the bleed from the debt crisis now plaguing his company, clawing back his assets from an increasingly dangerous coterie of Russian American associates, Rudy gets promoted from doorman to errand boy to bodyguard to something like Jake’s right-hand man.

By turns a gripping portrait of corruption and a tender family dramedy, Atta Boy combines the urban cool of Richard Price with the glossy, uptown charm of Taffy Brodesser-Akner. Here is a novel richly attuned to its time and place, but with something for everyone—high-wire prose and a story wedding ripped from the headlines, social realism with the warmth, angst, and humor of its indelible voices.
 

Macelle Mahala’s rich study of contemporary African American theater institutions reveals how they reflect and shape the histories and cultural realities of their cities. Arguing that the community in which a play is staged is as important to the work’s meaning as the script or set, Mahala focuses on four cities’ “arts ecologies” to shed new light on the unique relationship between performance and place: Cleveland, home to the oldest continuously operating Black theater in the country; Pittsburgh, birthplace of the legendary playwright August Wilson; San Francisco, a metropolis currently experiencing displacement of its Black population; and Atlanta, a city with forty years of progressive Black leadership and reverse migration.
 
Black Theater, City Life looks at Karamu House Theatre, the August Wilson African American Cultural Center, Pittsburgh Playwrights’ Theatre Company, the Lorraine Hansberry Theatre, the African American Shakespeare Company, the Atlanta Black Theatre Festival, and Kenny Leon’s True Colors Theatre Company to demonstrate how each organization articulates the cultural specificities, sociopolitical realities, and histories of African Americans. These companies have faced challenges that mirror the larger racial and economic disparities in arts funding and social practice in America, while their achievements exemplify such institutions’ vital role in enacting an artistic practice that reflects the cultural backgrounds of their local communities. Timely, significant, and deeply researched, this book spotlights the artistic and civic import of Black theaters in American cities.

In this unconventional tale of Las Vegas during the two delirious boom decades before the bust of the Great Recession, failed actor “C. D.” Reinhart, who has launched a new career in hotel marketing, is gradually losing his moral and existential compass. Working on The Strip during an era when Sin City’s population growth was outpacing any other place in America, C. D. climbs the industry ladder while modeling himself after a Pyramid Resorts top executive, Lance Sheperd. C. D.’s professional choices lead him down a tumultuous road, as Sheperd, a complex and, at times, visionary figure, pilots his ventures through the tangled wheeling and dealing of finance and corporate politics straight into catastrophe.

As the story progresses, C. D. comes to understand how his personal losses and the losses of his cohort of hard driving executives on the make—especially the tragic life of his work partner, Greta Olsson, the only woman to break through into their male dominated world—are a result of the make-believe environment he has helped to create, a world where representation replaces reality. Hoping to piece together his faltering marriage and family relationships, C. D. must find a new path as he struggles to hold onto his dreams.

In this fictionalized version of the city of glittering lights, author Douglas Unger pits the ideologies of marketing and consumerism in the casino economy of America against the erosion of individual and humane values that success in that world demands. Unger reveals the hard truth that Las Vegas, a blue-collar town considered by many to be “the most honest city,” can be a temple for self-deceptions, emblematic of a service economy that knows the price of everything and too often the value of little else. Dream City becomes both a love song and an elegy for Las Vegas that sets it apart from any other literary novel previously written about this global entertainment attraction that in so many ways represents postmodern America. Sooner or later, the challenge that faces everyone is to discover what matters most, and to learn how to bet on the better angels of our natures.  

Welcome to Las Vegas. Hope you like it here. You aren’t leaving.

It’s a Las Vegas of outcasts, outsiders, obsessives, and oddballs—a place seen through the eyes of those who call it home in Extinction Studies.

In these stories, a young genius from a troubled home becomes obsessed with solving an infamous atomic-era murder. Twin brothers exploring subterranean tunnels beneath the Strip encounter a stranger who claims he can show them the future. A nonverbal boy devises a daring scheme to revive his punch-drunk prizefighter father’s fading glory. And in the title story, a teenager struggling in the aftermath of a traumatic event finds healing in B monster movies and a TV host who’s a cross between Dracula and Elvis.

Shane Joaquin Jimenez’s short stories deliver you far beyond the glitz and neon of the Strip. Across ten haunting tales, Jimenez takes a whirlwind tour of dark stage magic, macabre murder, moonlit desert graves, and the city’s unknown, unlucky underdogs fighting to the bitter end, no matter the odds.

Told with brutal honesty that is at turns uncanny and unsettling, nightmarish and psychedelic, exhilarating and moving, Extinction Studies uncovers the ineradicable hope at the heart of the strange neon city, shining out in the middle of nowhere.

A riveting story about parenthood, substance abuse, and the strength it takes to come back from our mistakes

Foster care is a disaster in Rockford, Illinois. Meredith, a social worker and single mom, is stretched beyond thin but determined to protect her kids: not only her son, but those on her caseload too. When the stress of the job has her breaking her sobriety, the foundations of her life begin to tremble. After drinking too much, she makes a mistake that puts her preschooler in jeopardy, and Meredith finds herself in a situation that mirrors her clients’ as she loses custody of her son. In her fight to get him back, Meredith experiences the system from the outside—while still working for the kids inside of it. Set over the course of a year, this riveting documentary-esque novel is told from multiple perspectives, including those of case workers, birth parents, foster parents, and foster children. Written with the working-class humor and heart that defines the Midwest, How We See the Gray is a story about mistakes, second chances, and trying to do better in a system that seems doomed to fail.
 

Reaching across miles and memory to deconstruct the American Dream in the Midwest Rust Belt

Arjan, a teen refugee from postcommunist Albania, and Jess, a Midwestern high schooler, strike up an unlikely friendship working a seasonal job on a farm in Michigan. Now in their thirties, the two have taken different paths—he chasing the American Dream with a running rotation of day-labor gigs, and she living on the road and off the grid, trying to escape the very same ideal. When Jess lands in Hamtramck, just a few miles from her suburban Detroit upbringing after years wandering, they find themselves trudging the same unplowed sidewalks, spinning loads at the same laundromat, and picking the same jukebox songs at the local dive. Both are haunted by the ghosts of childhood traumas, a chorus of the collective unconscious that takes us from the Albanian coast to the Rust Belt heartland. So near one another and yet so far apart, they must reach across miles and memories to discover that the most important voice in our heads is our own. 

In his early thirties, Kurt Endlicher has finally settled down, with a steady job as a teacher and a small flat to call his own. But the walls are thin, and he and his neighbors can overhear every cough, footstep, and toilet flush. Initially annoyed by the intimacy, he gradually learns to appreciate the value of community and discovers the key to his own happiness.

Overheard is set in Vienna in the mid-2010s, a time of significant social change and political conflict, with tens of thousands of Middle Eastern refugees arriving and protests taking place over a café’s expulsion of two women who greeted each other with a kiss. Kurt is gay, but his best friend is not. He’s a sympathetic listener, leading him—and the reader—to revisit and reevaluate assumptions.

Originally published as Tür an Tür, Dominik Barta’s novel is a page-turner filled with humor, insight, and a suspenseful plot. Overheard combines visions of an idealized past and a longed-for future to create a present that we all want to inhabit.

A visionary and profound new collection from innovative author Elizabeth Crane

Throughout her body of work, Elizabeth Crane’s literary vision has always been singular and innovative, twisting form and bending reality into new universes. Her latest collection, That May Not Mean What You Think, explores themes of aging and youth, gender and discrimination, and sex and love. In “Training Module,” Crane takes the structure and protocol of workplace harassment prevention training and turns it on its head; “The Box” tells the story of a woman trying to recover from divorce with the help of a literal unicorn; and “The Youngs” follows a group of teenagers experiencing loss for the first time, clinging to the belief that they’ll live forever. Across these delightfully weird and disarmingly truthful stories, American culture is refracted through humor and heart, asking readers to consider their complicity and to imagine new possibilities of participating in a better future.
 

In The Luck of the Fall, characters get lost; they fall, but the falls shape their lives in ways that might even be called “lucky”—if luck is defined as survival, despite the scars left behind. They take consolation in their lack of prizes, in the clarity of their failures, while approaching the future with gallows humor and faith in cynicism. Some stories read like dramatic monologues in the longer play of lives along Eight Mile Road on the edge of Detroit, a landmark location throughout Daniels’s six other fiction collections. Among the looming hulks of abandoned factories, near-nihilistic lives struggle in the absence of the comforting shadows those factories provided. Some keep score, some don’t, as they search for validation, however brief, before the curtain comes down and anonymity returns. COVID shows up with its masked consequences, along with addiction, divorce, unwanted pregnancy, and mental illness. None of these characters fit in, but all are trying to keep from being squeezed out entirely. In The Luck of the Fall, the logic of the heart wins out, even as the characters are picking up the pieces of their broken lives, looking for something shiny called hope.