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38 books match the query 'Civilization, Western'

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A Catalogue of the Pre-1500 Western Manuscript Books at the Newberry Library

Paul Saenger

University of Chicago Press, 1989

The Newberry Library in Chicago possesses one of the most distinguished collections of medieval and Renaissance manuscript books in North America. Based on two major private collections of the late nineteenth century—those of Henry Probasco and Edward E. Ayer—and scrupulously added to in this century, the holdings include late medieval bibles and breviaries, books of hours and books of homilies, and seminal texts on astronomy.

Some of the books, such as those from the libraries of Philip the Good and Anne of Brittany, are beautifully illuminated. But the collection also includes an unusual array of "typical" medieval books, chosen not for their beauty but for their paleographical, codicological, and textual interest. Such codices include an eleventh-century Carthusian monk, and numerous books of hours adapted for feminine use. Paul Saenger has painstakingly identified the text, illumination, physical structure, and provenance for each of the more than 200 books in the collection to provide an exemplary guide to literate culture in the late Middle Ages.

This catalogue, carefully researched and handsomely illustrated, will be an invaluable resource for historians, art historians, paleographers, bibliographers, and collectors.

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A Global Enlightenment

Western Progress and Chinese Science

Alexander Statman

University of Chicago Press, 2023

A revisionist history of the idea of progress reveals an unknown story about European engagement with Chinese science.

The Enlightenment gave rise not only to new ideas of progress but consequential debates about them. Did distant times and places have anything to teach the here and now? Voltaire could believe that they did; Hegel was convinced that they did not. Early philosophes praised Chinese philosophy as an enduring model of reason. Later philosophes rejected it as stuck in the past. Seeking to vindicate ancient knowledge, a group of French statesmen and savants began a conversation with the last great scholar of the Jesuit mission to China. Together, they drew from Chinese learning to challenge the emerging concept of Western advancement.

A Global Enlightenment traces this overlooked exchange between China and the West to make compelling claims about the history of progress, notions of European exceptionalism, and European engagement with Chinese science. To tell this story, Alexander Statman focuses on a group of thinkers he terms “orphans of the Enlightenment,” intellectuals who embraced many of their contemporaries’ ideals but valued ancient wisdom. They studied astronomical records, gas balloons, electrical machines, yin-yang cosmology, animal magnetism, and Daoist medicine. And their inquiries helped establish a new approach to the global history of science.

Rich with new archival research and fascinating anecdotes, A Global Enlightenment deconstructs two common assumptions about the early to late modern period. Though historians have held that the idea of a mysterious and inscrutable East was inherent in Enlightenment progress theory, Statman argues that it was the orphans of the Enlightenment who put it there: by identifying China as a source of ancient wisdom, they turned it into a foil for scientific development. But while historical consensus supposes that non-Western ideas were banished from European thought over the course of the Enlightenment, Statman finds that Europeans became more interested in Chinese science—as a precursor, then as an antithesis, and finally as an alternative to modernity.

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Art, Politics, and Development

Philipp H Lepenies

Temple University Press, 2013

In his groundbreaking study, Art, Politics and Development, Philipp Lepenies contributes to the ongoing controversy about why the track record of development aid is so dismal. He asserts that development aid policies are grounded in a specific way of literally looking at the world. This “worldview” is the result of a mental conditioning that began with the invention of linear perspective in Renaissance art. It not only triggered the emergence of modern science and brought forth our Western notion of progress, but ultimately, development as well.

Art, Politics, and Development examines this process by pulling from a range of disciplines, including art history, philosophy, literature, and social science. Lepenies not only explains the shortcomings of modern aid in a novel fashion, he also proposes how aid could be done differently.

In the series Politics, History and Social Change, edited by John C. Torpey

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Becoming What We Are

Classical and Christian Readings of Modernity

Jude P. Dougherty

Catholic University of America Press, 2023

Becoming What We Are is a collection of essays and reviews written in the last decade by the late Jude Dougherty, which covey a perspective on contemporary events and literature, written from a classical and Christian perspective. These essays convey a worldview much in need of restating when, according to Dougherty, Western society seems to have lost its bearings, in its legislative assemblies and in its judicial systems as well. Dougherty writes as a philosopher, specifically as one who has devoted most of his life to the study of metaphysics. In these pages Dougherty examines the Jacobians, the empirical world of Hume, Locke and Hobbes, and Kant, the metaphysics of Plato, Aristotle, the Stoics and Aquinas that opens one to God and provides on with a moral compass, and critiques the work of Karl Marx, Sigmund Freud and John Dewey. Becoming What We Are spends some time inquiring into the character of a few great men viz. George Washington, Charles De Gaulle and Moses Maimonides. Dougherty draws upon and shows respect for numerous contemporary authors who are engaged in research and analysis similar to his. The intent is, with the aid of others to restate some ancient but neglected truths. But more than that to show that true science is possible, that nature and human nature yield to human enquiry, that science is not to be confused with description and prediction.

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Beyond Geography

The Western Spirit Against the Wilderness

Frederick Turner

Rutgers University Press, 1992

First published in 1980, Beyond Geography continues to influence and impress its readers. This new edition, prepared for the Columbus quincentennial, includes a new introduction by T. H. Watkins and a new preface by the author. As the public debates Columbus's legacy, it is important for us to learn of the spiritual background of European domination of the Americas, for the Europeans who conquered the Americas substituted history for myth as a way of understanding life.

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Beyond Man

Race, Coloniality, and Philosophy of Religion

Yountae An and Eleanor Craig, editors

Duke University Press, 2021

Beyond Man reimagines the meaning and potential of a philosophy of religion that better attends to the inextricable links among religion, racism, and colonialism. An Yountae, Eleanor Craig, and the contributors reckon with the colonial and racial implications of the field's history by staging a conversation with Black, Indigenous, and decolonial studies. In their introduction, An and Craig point out that European-descended Christianity has historically defined itself by its relation to the other while paradoxically claiming to represent and speak to humanity in its totality. The topics include secularism, the Eucharist's relation to Blackness, and sixteenth-century Brazilian cannibalism rituals as well as an analysis of how Mircea Eliade's conception of the sacred underwrites settler colonial projects and imaginaries. Throughout, the contributors also highlight the theorizing of Afro-Caribbean thinkers such as Sylvia Wynter, C. L. R. James, Frantz Fanon, and Aimé Césaire whose work disrupts the normative Western categories of religion and philosophy.

Contributors. An Yountae, Ellen Armour, J. Kameron Carter, Eleanor Craig, Amy Hollywood, Vincent Lloyd, Filipe Maia, Mayra Rivera, Devin Singh, Joseph R. Winters

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Christopher Dawson

A Cultural Mind in the Age of the Great War

Joseph T. Stuart

Catholic University of America Press, 2022

The English historian Christopher Dawson (1889-1970) was the first Catholic Studies professor at Harvard University and has been described as one of the foremost Catholic thinkers of modern times. His focus on culture prefigured its importance in Catholicism since Vatican Council II and in the rise of mainstream cultural history in the late twentieth century. How did Dawson think about culture and why does it matter? Joseph T. Stuart argues that through Dawson’s study of world cultures, he acquired a “cultural mind” by which he attempted to integrate knowledge according to four implicit rules: intellectual architecture, boundary thinking, intellectual asceticism, and intellectual bridges. Dawson’s multilayered approach to culture, instantiating John Henry Newman’s philosophical habit of mind, is key to his work and its relevance. By it, he responded to the cultural fragmentation he sensed after the Great War (1914-1918). Stuart supports these claims by demonstrating how Dawson formed his cultural mind practicing an interdisciplinary science of culture involving anthropology, sociology, history, and comparative religion. Stuart shows how Dawson applied his cultural thinking to problems in politics and education. This book establishes how Dawson’s simple definition of culture as a “common way of life” reconciles intellectualist and behavioral approaches to culture. In addition, Dawson’s cultural mind provides a synthesis helpful for recognizing the importance of Christian culture in education. It demonstrates principles which construct a more meaningful cultural history. Anyone interested in the idea of culture, the connection of religion to the social sciences, Catholic Studies, or Dawson studies will find this book an engaging and insightful intellectual history.

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Civilizing the Enemy

German Reconstruction and the Invention of the West

Patrick Thaddeus Jackson

University of Michigan Press, 2006

For the past century, politicians have claimed that "Western Civilization" epitomizes democratic values and international stability. But who is a member of "Western Civilization"? Germany, for example, was a sworn enemy of the United States and much of Western Europe in the first part of the twentieth century, but emerged as a staunch Western ally after World War II.

By examining German reconstruction under the Marshall Plan, author Patrick Jackson shows how the rhetorical invention of a West that included Germany was critical to the emergence of the postwar world order. Civilizing the Enemy convincingly describes how concepts are strategically shaped and given weight in modern international relations, by expertly dissecting the history of "the West" and demonstrating its puzzling persistence in the face of contradictory realities.

"By revisiting the early Cold War by means of some carefully conducted intellectual history, Patrick Jackson expertly dissects the post-1945 meanings of "the West" for Europe's emergent political imaginary. West German reconstruction, the foundation of NATO, and the idealizing of 'Western civilization' all appear in fascinating new light."
--Geoff Eley, University of Michigan

"Western civilization is not given but politically made. In this theoretically sophisticated and politically nuanced book, Patrick Jackson argues that Germany's reintegration into a Western community of nations was greatly facilitated by civilizational discourse. It established a compelling political logic that guided the victorious Allies in their occupation policy. This book is very topical as it engages critically very different, and less successful, contemporary theoretical constructions and political deployments of civilizational discourse."
--Peter J. Katzenstein, Cornell University

"What sets Patrick Jackson's book apart is his attention, on the one hand, to philosophical issues behind the kinds of theoretical claims he makes and, on the other hand, to the methodological implications that follow from those claims. Few scholars are willing and able to do both, and even fewer are as successful as he is in carrying it off. Patrick Jackson is a systematic thinker in a field where theory is all the rage but systematic thinking is in short supply."
--Nicholas Onuf, Florida International University

Patrick Thaddeus Jackson is Assistant Professor of International Relations in American University's School of International Service.

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Constructing the Pluriverse

The Geopolitics of Knowledge

Bernd Reiter, editor

Duke University Press, 2018

The contributors to Constructing the Pluriverse critique the hegemony of the postcolonial Western tradition and its claims to universality by offering a set of “pluriversal” approaches to understanding the coexisting epistemologies and practices of the different worlds and problems we inhabit and encounter. Moving beyond critiques of colonialism, the contributors rethink the relationship between knowledge and power, offering new perspectives on development, democracy, and ideology while providing diverse methodologies for non-Western thought and practice that range from feminist approaches to scientific research to ways of knowing expressed through West African oral traditions. In combination, these wide-ranging approaches and understandings form a new analytical toolbox for those seeking creative solutions for dismantling Westernization throughout the world.

Contributors. Zaid Ahmad, Manuela Boatcă, Hans-Jürgen Burchardt, Raewyn Connell, Arturo Escobar, Sandra Harding, Ehsan Kashfi, Venu Mehta, Walter D. Mignolo, Ulrich Oslender, Issiaka Ouattara, Bernd Reiter, Manu Samnotra, Catherine E. Walsh, Aram Ziai

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Crossing Cultures

Essays in the Displacement of Western Civilization

Daniel Segal

University of Arizona Press, 1992

Through re-examination of colonial and post-colonial encounters, this collection of essays makes a strategic intervention into the current debate over the study of "Western Civilization." Together they question whether, at least since Columbus, "the West" has existed independent of its relations with those deemed Other.

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Fears and Symbols

An Introduction to the Study of Western Civilization

Elemér Hankiss

Central European University Press, 2001

This is a serious scholarly work that is, at the same time, somewhat unorthodox. On the one hand, it elaborates a systematic theory of civilization. It surveys the major theories of civilization and develops a new hypothesis, according to which existential fear has been a major factor in the generation of human culture. The author argues that in order to mitigate this fear and anxiety, human beings and communities have surrounded themselves not only with the walls of their houses and cities, with tools and weapons, laws and institutions, but also with protective spheres of symbols: myths and religions, values and belief systems, ideas and scientific theories, moral and practical rules of behavior, and a multitude of everyday rituals and trivialities. In a word, with the brilliant construct: civilization.

It is, on the other hand, an unorthodox book in that it studies an unusually wide range of examples and shows that the struggle for safety and freedom, for a meaningful life and human dignity, is present not only in the great symbolic systems of humankind but also in the most trivial of everyday activities and aspects of human existence; in tragedies as well as jokes, in the sacred as well as the profane, in the symbolism of medieval cathedrals as well as in that of contemporary shopping malls, in the great drama of Sin and Salvation as well as in the trivial mythology of perfumes. Ultimately, our trivialities are not trivial at all.

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Grafting Helen

The Abduction of the Classical Past

Matthew Gumpert

University of Wisconsin Press, 2001

History is a love story: a tale of desire and jealousy, abandonment and fidelity, abduction and theft, rupture and reconciliation. This contention is central to Grafting Helen, Matthew Gumpert's original and dazzling meditation on Helen of Troy as a crucial anchor for much of Western thought and literature.
Grafting Helen looks at "classicism"—the privileged rhetorical language for describing cultural origins in the West—as a protracted form of cultural embezzlement. No coin in the realm has been more valuable, more circulated, more coveted, or more counterfeited than the one that bears the face of Helen of Troy. Gumpert uncovers Helen as the emblem for the past as something to be stolen, appropriated, imitated, extorted, and coveted once again.
Tracing the figure of Helen from its classical origins through the Middle Ages, the French Renaissance, and the modern era, Gumpert suggests that the relation of current Western culture to the past is not like the act of coveting; it is the act of coveting, he argues, for it relies on the same strategies, the same defenses, the same denials, and the same delusions.

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History of Western Civilization

A Handbook

William H. McNeill

University of Chicago Press, 1986

A compact yet thorough one-volume narrative of the entire history of the development of Western civilization

With this book, renowned historian William H. McNeil provides a brilliant narrative chronology of the development of Western civilization, representing its sociopolitical as well as cultural aspects. Sweeping in its coverage but careful in its attention to detail, and up to date with the latest scholarship History of Western Civlization is the perfect introduction to the subject for general readers and students alike.

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Love and Friendship in the Western Tradition

From Plato to Postmodernity

James McEvoy

Catholic University of America Press, 2023

Love and Friendship in the Western Tradition comprises a collection of essays written over a 25 year period by the late Rev. Professor James McEvoy on the theme of friendship. The book traces the genesis and development of philosophical treatments of friendship from Greek philosophy, through the Middle Ages, to modern and postmodern philosophy. The collection’s three major concerns are: (1) the history of philosophical discussions of friendship; (2) the role of friendship in the cultivation of the philosophical life; (3) the marginalization of friendship as a theme for philosophical reflection and practice in the modern period. As the author was primarily a medievalist, a great deal of the focus of the essays is on the development of the theme of friendship in the Middle Ages (in the thought of Augustine, Aquinas, Aelred of Rievaulx, Henry of Ghent, Robert Grosseteste, etc.). However, this focus, while a value in itself, also serves to connect philosophical perspectives on friendship from before and after the middle ages. It connects to the time before inasmuch as much of the work done on friendship in the Middle Ages is anchored in interpretations of Aristotle and Plato, and it connects to the time after by providing a counterpoint to the modern paradigm of what constitutes the philosophical life. The collection combines historical with thematic approaches to scholarship on this issue and is one of the only books of its kind to do so. It is, perhaps, unique in its historical sweep and will prove to be a canonical source for further research on this topic.

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L’Écologique de l’Histoire

Valentin Husson

Diaphanes, 2020

Il y a plaisir à saluer l‘arrivée d’un philosophe tout neuf qui soudain bondit dans le cortège dionysiaque. Plus on est de fous, plus on pense, le proverbe dit vrai et notre temps de misère a plus que besoin de se refaire – s’il se peut – une vigueur spéculative. Il y a plus que du plaisir, une vraie jubilation lorsque le tout neuf philosophe affirme une pensée de la jouissance, de l’abondance et de la dépense au sens de Bataille (ici toujours discrètement mais efficacement présent). Une pensée énergique au sens le plus – oserais-je dire « vitalisant » du terme. L’energeia n’a-t-elle de sens que depuis l’être ? N’y a-t-il pas une autre énergie à penser ? Une énergie non pas de l’être, ni relative à celle extraite de la nature pour des fins productives et économiques, mais une énergie excédentaire, une sorte de « dépense improductive » (Bataille) de la vie ? Une énergie qui serait le luxe biologique du vivant. Ce luxe biologique, Valentin Husson le pense comme – on ne peut plus dire « ontologique » – comme existence en un sens qui se dérobe à Heidegger et à son « sens de l’être » pour affirmer un avoir à être selon lequel l’être se dissipe au-delà de toute consistance tandis que l’avoir à prend toute l’énergie d’une vie en débordante envie d’elle-même. Jean-Luc Nancy

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Making England Western

Occidentalism, Race, and Imperial Culture

Saree Makdisi

University of Chicago Press, 2013

The central argument of Edward Said’s Orientalism is that the relationship between Britain and its colonies was primarily oppositional, based on contrasts between conquest abroad and domestic order at home. Saree Makdisi directly challenges that premise in Making England Western, identifying the convergence between the British Empire’s civilizing mission abroad and a parallel mission within England itself, and pointing to Romanticism as one of the key sites of resistance to the imperial culture in Britain after 1815.

Makdisi argues that there existed places and populations in both England and the colonies that were thought of in similar terms—for example, there were sites in England that might as well have been Arabia, and English people to whom the idea of the freeborn Englishman did not extend. The boundaries between “us” and “them” began to take form during the Romantic period, when England became a desirable Occidental space, connected with but superior to distant lands. Delving into the works of Wordsworth, Austen, Byron, Dickens, and others to trace an arc of celebration, ambivalence, and criticism influenced by these imperial dynamics, Makdisi demonstrates the extent to which Romanticism offered both hopes for and warnings against future developments in Occidentalism. Revealing that Romanticism provided a way to resist imperial logic about improvement and moral virtue, Making England Western is an exciting contribution to the study of both British literature and colonialism.

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Negritude Women

T. Denean Sharpley-Whiting

University of Minnesota Press, 2002

Rediscovers the crucial role that women played in the influential Negritude movement.

The Negritude movement, which signaled the awakening of a pan-African consciousness among black French intellectuals, has been understood almost exclusively in terms of the contributions of its male founders: Aimé Césaire, Léopold Sédar Senghor, and Léon G. Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by the women who were not merely integral to the success of the movement, but often in its vanguard.

Through such disparate tactics as Lacascade’s use of Creole expressions in her French prose writings, the literary salon and journal founded by the Martinique-born Nardal sisters, and Roussy-Césaire’s revolutionary blend of surrealism and Negritude in the pages of Tropiques, the journal she founded with her husband, these four remarkable women made vital contributions. In exploring their influence on the development of themes central to Negritude-black humanism, the affirmation of black peoples and their cultures, and the rehabilitation of Africa-Sharpley-Whiting provides the movement’s first genuinely inclusive history.

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Postcolonial Imperialism

Critique of the Society of Dazzlements

Joseph Tonda. Translated by Cheryl Smeall

Duke University Press, 2026

Postcolonial Imperialism considers the inability to distinguish between reality and fiction as a key condition of contemporary life. If postcolonial theory has highlighted how white colonizers created images of racialized Others which project their own self-hatred or disavowal, Joseph Tonda here shows how these images have in turn colonized Western imaginaries. He argues that the Global North’s obsession with its own phantoms takes a newly powerful form in the dazzling images of postcolonial screens. With examples ranging from Nicki Minaj to Osama Bin Laden and child soldier Johnny Mad Dog, Tonda reflects on power by analyzing the dazzlements of both Central Africa and the West, showing how African life prefigures Western experiences. Translated from its original French, Postcolonial Imperialism is a prescient critique of authoritarian attempts to enforce alternate realities, and of the many ways screens can distort our vision.

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Postmodernism and the Other

New Imperialism of Western Culture

Ziauddin Sardar

Pluto Press, 1997

This controversial work examines postmodernism from a non-Western perspective, and exposes its claims as a sham. Sardar makes a systematic assessment of the salient spheres of postmodernism - from philosophy and architecture, to film, music and new age religions - and reveals that, contrary to commonly-held notions, postmodernism operates to further marginalise the reality of the non-West and confound its aspirations.

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Racial Blackness and the Discontinuity of Western Modernity

Edited by Justin A. Joyce, Dwight A. McBride, and John Carlos Rowe

University of Illinois Press, 2013

The unfinished manuscript of literary and cultural theorist Lindon Barrett, this study offers a genealogy of how the development of racial blackness within the mercantile capitalist system of Euro-American colonial imperialism was constitutive of Western modernity. Masterfully connecting historical systems of racial slavery to post-Enlightenment modernity, this pathbreaking publication shows how Western modernity depended on a particular conception of racism contested by African American writers and intellectuals from the eighteenth century to the Harlem Renaissance.

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Selected Writings on Visual Arts and Culture

Detour to the Imaginary

Stuart Hall. Edited by Gilane Tawadros

Duke University Press, 2024

Stuart Hall’s work on culture, politics, race, and media is familiar to readers throughout the world. Equally important was his decades-long commitment to visual art. As the first collection to bring together Hall’s work on the visual, this volume assembles two dozen of Hall’s essays, lectures, reviews, catalog texts, and conversations on art, film, and photography. Providing rare insights into Hall’s engagement with the “radically different” intellectual and aesthetic space of the visual imaginary, these works articulate the importance of the visual as a site of contestation at the same time as it is a space in which Black artists and filmmakers reframe questions about diaspora, identity, and globalization. Selected Writings on Visual Arts and Culture demonstrates the breadth and range of Hall’s thinking on art, film, photography, archives, and museums. In so doing, it enables us to arrive at radical and innovative ways of understanding the world.

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Shots in the Dark

Japan, Zen, and the West

Shoji Yamada

University of Chicago Press, 2009

In the years after World War II, Westerners and Japanese alike elevated Zen to the quintessence of spirituality in Japan. Pursuing the sources of Zen as a Japanese ideal, Shoji Yamada uncovers the surprising role of two cultural touchstones: Eugen Herrigel’s Zen in the Art of Archery and the Ryoanji dry-landscape rock garden. Yamada shows how both became facile conduits for exporting and importing Japanese culture.

First published in German in 1948 and translated into Japanese in 1956, Herrigel’s book popularized ideas of Zen both in the West and in Japan. Yamada traces the prewar history of Japanese archery, reveals how Herrigel mistakenly came to understand it as a traditional practice, and explains why the Japanese themselves embraced his interpretation as spiritual discipline. Turning to Ryoanji, Yamada argues that this epitome of Zen in fact bears little relation to Buddhism and is best understood in relation to Chinese myth. For much of its modern history, Ryoanji was a weedy, neglected plot; only after its allegorical role in a 1949 Ozu film was it popularly linked to Zen. Westerners have had a part in redefining Ryoanji, but as in the case of archery, Yamada’s interest is primarily in how the Japanese themselves have invested this cultural site with new value through a spurious association with Zen.

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Stanzas

Word and Phantasm in Western Culture

Georgio Agamben

University of Minnesota Press, 1992

Stanzas is a fascinating blend of philology, medieval physics and psychology, the psychoanalysis of toys, and contemporary linguistics and philosophy. In this unique work, Giorgio Agamben attempts to reconfigure the epistemological foundation of Western culture. He rereads Freud and Saussure to discover the impossibility of metalanguage and of synthesis that could be reflected in the transparency of signs. There is no "superior language" that can read the obscure scenes of the unconscious, and the "symbol" is always the return of the repressed in an improper signifier. This impossibility leads Agamben to the problem of representation. He argues that because language is the locus of the production and storage of phantasms, all real objects are fractured by phantasmic itineraries that in turn divide poetry and philosophy, joy and knowledge. Giorgio Agamben teaches philosophy at the CollÃ¨ge International de Philosophie in Paris and at the University of Macerata in Italy. He is the author of Language and Death (1991), The Coming Community (1993), and Means without End (2000).

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The Cultural Turn in Late Ancient Studies

Gender, Asceticism, and Historiography

Dale B. Martin and Patricia Cox Miller, eds.

Duke University Press, 2005

The essays in this provocative collection exemplify the innovations that have characterized the relatively new field of late ancient studies. Focused on civilizations clustered mainly around the Mediterranean and covering the period between roughly 100 and 700 CE, scholars in this field have brought history and cultural studies to bear on theology and religious studies. They have adopted the methods of the social sciences and humanities—particularly those of sociology, cultural anthropology, and literary criticism. By emphasizing cultural and social history and considerations of gender and sexuality, scholars of late antiquity have revealed the late ancient world as far more varied than had previously been imagined.

The contributors investigate three key concerns of late ancient studies: gender, asceticism, and historiography. They consider Macrina’s scar, Mary’s voice, and the harlot’s body as well as Augustine, Jovinian, Gregory of Nazianzus, Julian, and Ephrem the Syrian. Whether examining how animal bodies figured as a means for understanding human passion and sexuality in the monastic communities of Egypt and Palestine or meditating on the almost modern epistemological crisis faced by Theodoret in attempting to overcome the barriers between the self and the wider world, these essays highlight emerging theoretical and critical developments in the field.

Contributors. Daniel Boyarin, David Brakke, Virginia Burrus, Averil Cameron, Susanna Elm, James E. Goehring, Susan Ashbrook Harvey, David G. Hunter, Blake Leyerle, Dale B. Martin, Patricia Cox Miller, Philip Rousseau, Teresa M. Shaw, Maureen A. Tilley, Dennis E. Trout, Mark Vessey

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The Darker Side of Western Modernity

Global Futures, Decolonial Options

Walter D. Mignolo

Duke University Press, 2011

During the Renaissance and the Enlightenment, coloniality emerged as a new structure of power as Europeans colonized the Americas and built on the ideas of Western civilization and modernity as the endpoints of historical time and Europe as the center of the world. Walter D. Mignolo argues that coloniality is the darker side of Western modernity, a complex matrix of power that has been created and controlled by Western men and institutions from the Renaissance, when it was driven by Christian theology, through the late twentieth century and the dictates of neoliberalism. This cycle of coloniality is coming to an end. Two main forces are challenging Western leadership in the early twenty-first century. One of these, “dewesternization,” is an irreversible shift to the East in struggles over knowledge, economics, and politics. The second force is “decoloniality.” Mignolo explains that decoloniality requires delinking from the colonial matrix of power underlying Western modernity to imagine and build global futures in which human beings and the natural world are no longer exploited in the relentless quest for wealth accumulation.

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The Educated Mind

How Cognitive Tools Shape Our Understanding

Kieran Egan

University of Chicago Press, 1997

The Educated Mind offers a bold and revitalizing new vision for today's uncertain educational system. Kieran Egan reconceives education, taking into account how we learn. He proposes the use of particular "intellectual tools"—such as language or literacy—that shape how we make sense of the world. These mediating tools generate successive kinds of understanding: somatic, mythic, romantic, philosophical, and ironic. Egan's account concludes with practical proposals for how teaching and curriculum can be changed to reflect the way children learn.

"A carefully argued and readable book. . . . Egan proposes a radical change of approach for the whole process of education. . . . There is much in this book to interest and excite those who discuss, research or deliver education."—Ann Fullick, New Scientist

"A compelling vision for today's uncertain educational system."—Library Journal

"Almost anyone involved at any level or in any part of the education system will find this a fascinating book to read."—Dr. Richard Fox, British Journal of Educational Psychology

"A fascinating and provocative study of cultural and linguistic history, and of how various kinds of understanding that can be distinguished in that history are recapitulated in the developing minds of children."—Jonty Driver, New York Times Book Review

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The Ever-Present Origin

Part One: Foundations Of The Aperspectival World

Jean Gebser

Ohio University Press, 1986

This English translation of Gebser’s major work, Ursprung und Gegenwart (Stuttgart, Deutsche Verlag, 1966), offers certain fundamental insights which should be beneficial to any sensitive scientist and makes it available to the English-speaking world for the recognition it deserves.

“The path which led Gebser to his new and universal perception of the world is, briefly, as follows. In the wake of materialism and social change, man had been described in the early years of our century as the “dead end” of nature. Freud had redefined culture as illness—a result of drive sublimation; Klages had called the spirit (and he was surely speaking of the hypertrophied intellect) the “adversary of the soul,” propounding a return to a life like that of the Pelasgi, the aboriginal inhabitants of Greece; and Spengler had declared the “Demise of the West” during the years following World War I. The consequences of such pessimism continued to proliferate long after its foundations had been superseded.

It was with these foundations—the natural sciences—that Gebser began. As early as Planck it was known that matter was not at all what materialists had believed it to be, and since 1943 Gebser has repeatedly emphasized that the so-called crisis of Western culture was in fact an essential restructuration.…

Gebser has noted two results that are of particular significance: first, the abandonment of materialistic determinism, of a one-sided mechanistic-causal mode of thought; and second, a manifest “urgency of attempts to discover a universal way of observing things, and to overcome the inner division of contemporary man who, as a result of his one-sided rational orientation, thinks only in dualisms.”

Against this background of recent discoveries and conclusions in the natural sciences Gebser discerned the outlines of a potential human universality. He also sensed the necessity to go beyond the confines of this first treatise so as to include the humanities (such as political economics and sociology) as well as the arts in a discussion along similar lines. This was the point of departure of The Ever-Present Origin.

From In memoriam Jean Gebser by Jean Keckeis

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The Fortunes of Permanence

Culture and Anarchy in an Age of Amnesia

Roger Kimball

St. Augustine's Press, 2022

“Cultural instructions.” Everyone who has handled a package of seedlings has encountered that enigmatic advisory. This much water and that much sun, certain tips about fertilizer, soil, and drainage. Planting one sort of flower nearby keeps the bugs away but proximity to another sort makes bad things happen. Young shoots might need stakes, and watch out for beetles, weeds, and unseasonable frosts. It’s a complicated business.

But at least since Cicero introduced the term cultura animi (“cultivation of the mind or spirit”), such “cultural instructions” have applied as much to the realm of civilization as to horticulture. In this wide-ranging investigation into the vicissitudes of culture in the twenty-first century, the distinguished critic Roger Kimball traces the deep filiations between cultivation as a spiritual enterprise and the prerequisites of political freedom. Drawing on figures as various as James Burnham, Richard Weaver, G. K. Chesterton, Rudyard Kipling, John Buchan, Friedrich von Hayek, and Leszek Kolakowski, Kimball traces the interconnections between what he calls the fortunes of permanence and such ambassadors of anarchy as relativism, multiculturalism, and the socialist-utopian imperative.

With his signature blend of wit and erudition, Kimball deftly draws on the resources of art, literature, and political philosophy to illuminate some of the wrong turns and dead ends our culture has recently pursued, while also outlining some of the simple if overlooked alternatives to the various tyrannies masquerading as liberation we have again and again fallen prey to. This rich, rewarding, and intelligent volume bristles with insights into what the nineteenth-century novelist Anthony Trollope called “The Way We Live Now.”

Partly an exercise in cultural pathology, The Fortunes of Permanence is also a forward-looking effort of cultural recuperation. It promises to be essential reading for anyone concerned about the direction of Western culture in an age of anti-Western animus and destructive multicultural fantasy.

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