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This is the first substantial commentary on Clouds since Dover’s 1968 edition. Intended for intermediate Greek students at undergraduate and graduate levels, the commentary pays careful attention to the basic characteristics of ancient Greek syntax, as well as to how Greek words are formed and can be analyzed.  It offers robust staging notes, information about daily life in late 5th-century Athens, and constant reference to the rhetorical and dramatic strategies of the text. Full support is offered for those interested in the metrical structure of the songs, but in a way that allows instructors to leave such issues aside, should they choose to do so. The first and second appendices offer a basic means of entry into the rich but complex world of the comic fragments. An English-language bibliography is provided. The edition will interest professional classicists of all sorts seeking an accessible introduction to one of Aristophanes’ greatest plays, to philosophers concerned with Socrates and the sophistic movement, and to theater professionals who wish to stage the play.

Vision limited, sounds muffled. Tiny water droplets reflect light back to its source and make it difficult to locate the origin of sounds: this is fog. In Chakad Ojani’s ethnography, this atmospheric phenomenon plays a pivotal role.

Drawing on long-term ethnographic research on engagements with fog in Lima and coastal Peru, Harvesting the Clouds examines how local NGO workers and fog oasis conservationists sought to utilize coastal fog as a water source. NGO workers installed fog catchers in informal or recently formalized neighborhoods where state infrastructure was absent, while conservationists harnessed ground-touching clouds in order to prevent informal urbanization. As they set out to capture ground-touching clouds to pursue their distinct goals, these collectives became entrapped by activities, demands, and expectations that they had not foreseen. The book frames these relationships as ecologies of capture: emergent webs of relationships held together by conflicting aims and expectations, the possibilities and limitations of fog capture, and the material qualities of fog itself. 

Harvesting the Clouds argues that capture is always only partially successful, but by virtue of this partiality, it becomes productive of social relations—an understanding that the author extends to anthropological inquiry itself as an exercise in the productive impossibility of ethnographic entrapment.

Lightning through the Clouds is the first English-language life-and-times biography of ‘Izz al-Din al-Qassam, a preeminent figure who helped to reshape the political and religious landscape of the region. A Syrian-born, Egyptian-educated cleric, he went from the battlefields of World War I to join the anticolonialist fight against the French in Syria. Sentenced to be executed by the French military, he managed to escape to Palestine, where he became an increasingly popular presence, moved by the plight of the poor and disenfranchised. Outraged by British rule and the encroachment of Zionism, he formed a secret society to resist the colonization of Palestine first by the British and then by Jewish immigrants from Europe, once again taking up arms and advocating for a moral, political, and military jihad as the only solution. His death at the hands of Palestine Police in 1935 drew thousands to his funeral and sparked the 1936–1939 Arab Revolt.

His influence continues to be felt in the region; for example, the military wing of the Palestinian Hamas organization is named the ‘Izz al-Din al-Qassam Brigades. Al-Qassam is either revered or reviled, depending on the observers’ perspective, but he is without doubt a fascinating and historically significant individual whose influence on the past, and our present, makes this examination of his life both important and timely.

While many baby boomers are downsizing to a simpler retirement lifestyle, photographer and writer Judy Blankenship and her husband Michael Jenkins took a more challenging leap in deciding to build a house on the side of a mountain in southern Ecuador. They now live half the year in Cañar, an indigenous community they came to know in the early nineties when Blankenship taught photography there. They are the only extranjeros (outsiders) in this homely, chilly town at 10,100 feet, where every afternoon a spectacular mass of clouds rolls up from the river valley below and envelopes the town.

In this absorbing memoir, Blankenship tells the interwoven stories of building their house in the clouds and strengthening their ties to the community. Although she and Michael had spent considerable time in Cañar before deciding to move there, they still had much to learn about local customs as they navigated the process of building a house with traditional materials using a local architect and craftspeople. Likewise, fulfilling their obligations as neighbors in a community based on reciprocity presented its own challenges and rewards. Blankenship writes vividly of the rituals of births, baptisms, marriages, festival days, and deaths that counterpoint her and Michael’s solitary pursuits of reading, writing, listening to opera, playing chess, and cooking. Their story will appeal to anyone contemplating a second life, as well as those seeking a deeper understanding of daily life in the developing world.

Approachable translations and discussions of Lucian that reveal his world-building, world-bending, and multiversal thinking. 

Lucian of Samosata was ahead of his time. A rhetorician and writer active in the second century CE, he was one of the earliest known worldbuilders and science-fiction enthusiasts. Popular and prolific in antiquity—more than eighty texts attributed to him have come down to us today, including satires, dialogues, and part of a fictional work called True History—Lucian crafted astonishing tales that unfold on the surface of the moon or other planets, high above in Earth’s atmosphere, or through the eyes of underworld inhabitants or other entities who view mortal humans as otherworldly beings.

Ideal for readers interested in science fiction, fantasy, and mythology, this accessible collection offers a guided journey through Lucian’s many worlds. Bringing together fresh vernacular translations of eight works with substantial discussion, this selection showcases Lucian as a proto-multiversal thinker, presenting multiform narratives that herald developments in modern genres ranging from literature and film to gaming and fan fiction. Translator and editor Cynthia Polsley introduces each with a short excerpt from another piece of classical literature, showing how other ancient authors—including Homer, Ovid, and Vergil—influenced Lucian’s literary landscapes or were inspired by him in turn.

Hidden high in the Sierra de Guatemala mountain range of northeastern Mexico in the state of Tamaulipas is the northernmost tropical cloud forest of the Western Hemisphere. Within its humid oak-sweetgum woodlands, tropical and temperate species of plants and animals mingle in rare diversity, creating a mecca for birders and other naturalists.

Fred and Marie Webster first visited Rancho del Cielo, cloud forest home of Canadian immigrant Frank Harrison, in 1964, drawn by the opportunity to see such exotic birds as tinamous, trogons, motmots, and woodcreepers only 500 miles from their Austin, Texas, home. In this book, they recount their many adventures as researchers and tour leaders from their base at Rancho del Cielo, interweaving their reminiscences with a history of the region and of the struggle by friends from both sides of the border to have some 360,000 acres of the mountain declared an area protected from exploitation—El Cielo Biosphere Reserve. Their firsthand reporting, enlivened with vivid tales of the people, land, and birds of El Cielo, adds an engagingly personal chapter to the story of conservation in Mexico.