80 books match the query 'Composition and exercises' and 9 start with a

cover of A Sourcebook for Classical Rhetoric

A Sourcebook for Classical Rhetoric

John Tomarchio

Catholic University of America Press, 2023

This Sourcebook is intended for students of liberal arts and great books. It treats such books as primary sources for inquiring into the nature of human speech because they clarify the terms and stakes of perennial questions thinking human beings ask themselves about persuasive speaking. By crystallizing viable claims about the nature of what we confront in politics and society—live claims for us to confront in our own, with the stakes of that confrontation being live as well—they originate a dialectic with one another and with us their readers. Cicero called rhetoric a liberal art necessary for every citizen of a free republic. In the polities of ancient Greece and Rome, rhetoric was politically potent because oratory was the regular means of political decision. Words were decisive, often a matter of life and death, not merely for individuals but for peoples. In human milieux where human speech is so politically decisive, reflection upon its nature became keen. The selections of this sourcebook have been arranged in three sequences. The first two sequences comprise philosophical dialogues on the ends of rhetoric. Selections from Plato’s Gorgias, Phaedrus, and Apology examine the rhetorician or teacher of rhetoric, and then Cicero’s De oratore offers us a dialectic among practitioners about its practice. The philosophical dialogues on the art’s intended ends and causative effects provide the theoretical and ethical context for examining its means. These philosophical dialogues are thus propaedeutic to the third sequence, which focusses on the art itself with selections from Aristotle’s treatise On Rhetoric, paired with orations from Thucydides’ History of the Peloponnesian War.
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cover of A Sourcebook for English Lyric Poetry

A Sourcebook for English Lyric Poetry

John Tomarchio

Catholic University of America Press, 2023

This Sourcebook is not a survey of English lyric poems but rather a florilegium. It singles out great poems of the last five centuries worthy of study in liberal education—in Great Books programs, Core curricula, and the Humanities generally. The poems were selected not as representative of the author’s time or oeuvre, but rather as addressed to the reader and the reader’s time by virtue of their representing the nature of things. That is what makes a poem great and worthy of inquiry, in John Tomarchio’s judgement. The capacities, needs, and interests of students of such great poetry were the principles of selection. To arrange the great poems selected Tomarchio looked to their meters as a formal measure intrinsic to them, rather than to epochal divisions. The paradigmatic example of this is the classical English sonnet. Many an English poet has submitted themselves to the self-discipline of this poetic form born in the classical period of English poetry in Tudor England. But what of such historical context? When Robert Frost chooses to write a sonnet in the 20th century, why associate it more with the free verse of e.e. cummings than of the quincentenary sonnet tradition his chosen form invokes for context? The Sourcebook arranges poems according to five such metrical modes, however along with an Index by poet as well . Tomarchio’s enumeration of poetic modes does not presume to be either exhaustive or normative, but rather interpretative of poetic practices and hopefully more elucidative than historical considerations. Further, as understanding great poetry’s means deepens interpretation of ends, the Sourcebook begins with a propaedeutic “grammar” that introduces students to such devices of poetic art as meter, rhyme, and trope.
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cover of A Teaching Subject: Composition Since 1966, New Edition

A Teaching Subject

Composition Since 1966, New Edition

Joseph Harris

Utah State University Press, 2012

In this classic text, Joseph Harris traces the evolution of college writing instruction since the Dartmouth Seminar of 1966. A Teaching Subject offers a brilliant interpretive history of the first decades during which writing studies came to be imagined as a discipline separable from its partners in English studies. Postscripts to each chapter in this new edition bring the history of composition up to the present.

Reviewing the development of the field through five key ideas, Harris unfolds a set of issues and tensions that continue to shape the teaching of writing today. Ultimately, he builds a case, now deeply influential in its own right, that composition defines itself through its interest and investment in the literacy work that students and teachers do together. Unique among English studies fields, composition is, Harris contends, a teaching subject.

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cover of Advanced Standard Arabic through Authentic Texts and Audiovisual Materials: Part One, Textual Materials

Advanced Standard Arabic through Authentic Texts and Audiovisual Materials

Part One, Textual Materials

Raji M. Rammuny

University of Michigan Press, 1994

A linguistic smorgasbord of real-life Arabic texts
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cover of Advanced Standard Arabic through Authentic Texts and Audiovisual Materials: Part Two, Audiovisual Materials

Advanced Standard Arabic through Authentic Texts and Audiovisual Materials

Part Two, Audiovisual Materials

Raji M. Rammuny

University of Michigan Press, 1994

A linguistic smorgasbord of real-life Arabic texts
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cover of African American Literacies Unleashed: Vernacular English and the Composition Classroom

African American Literacies Unleashed

Vernacular English and the Composition Classroom

Arnetha F. Ball and Ted Lardner

Southern Illinois University Press, 2005

This pioneering study of African American students in the composition classroom lays the groundwork for reversing the cycle of underachievement that plagues linguistically diverse students. African American Literacies Unleashed: Vernacular English and the Composition Classroom approaches the issue of African American Vernacular English (AAVE) in terms of teacher knowledge and prevailing attitudes, and it attempts to change current pedagogical approaches with a highly readable combination of traditional academic discourse and personal narratives.

Realizing that composition is a particular form of social practice that validates some students and excludes others, Arnetha Ball and Ted Lardner acknowledge that many African American students come to writing and composition classrooms with talents that are not appreciated. To empower and inform practitioners, administrators, teacher educators, and researchers, Ball and Lardner provide knowledge and strategies that will help unleash the potential of African American students and help them imagine new possibilities for their successes as writers.

African American Literacies Unleashed asserts that necessary changes in theory and practice can be addressed by refocusing attention from teachers’ knowledge deficits to the processes through which teachers engage information relevant to culturally informed pedagogy. Providing strategies for unlearning racism in the classroom and changing the status quo, this volume stresses the development and maintenance of a real sense of teaching efficacy—teachers’ beliefs in their abilities to connect with and work effectively with all students—and reflective optimism—teachers’ informed expectations that all students have the potential to succeed.

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cover of After the Public Turn: Composition, Counterpublics, and the Citizen Bricoleur

After the Public Turn

Composition, Counterpublics, and the Citizen Bricoleur

Frank Farmer

Utah State University Press, 2013

 In After the Public Turn, author Frank Farmer argues that counterpublics and the people who make counterpublics—“citizen bricoleurs”—deserve a more prominent role in our scholarship and in our classrooms. Encouraging students to understand and consider resistant or oppositional discourse is a viable route toward mature participation as citizens in a democracy. 

Farmer examines two very different kinds of publics, cultural and disciplinary, and discusses two counterpublics within those broad categories: zine discourses and certain academic discourses. By juxtaposing these two significantly different kinds of publics, Farmer suggests that each discursive world can be seen, in its own distinct way, as a counterpublic, an oppositional social formation that has a stake in widening or altering public life as we know it.

Drawing on major figures in rhetoric and cultural theory, Farmer builds his argument about composition teaching and its relation to the public sphere, leading to a more sophisticated understanding of public life and a deeper sense of what democratic citizenship means for our time.
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cover of Amplifying Soundwriting Pedagogies: Integrating Sound into Rhetoric and Writing

Amplifying Soundwriting Pedagogies

Integrating Sound into Rhetoric and Writing

Michael J. Faris

University Press of Colorado, 2022

While sonic rhetoric is still a growing subfield of writing studies, attention to pedagogy remains an underattended but increasingly important conversation. Amplifying Soundwriting Pedagogies addresses this gap by offering a broad range of assignments to support university instructors who seek to integrate the use of digital audio into their writing and rhetoric curricula. Each of the 25 chapters in this edited collection provides a written introduction to an adaptable soundwriting activity or sequence of assignments; a transcribed audio reflection from the instructor discussing the assignment’s purpose, strengths, and weaknesses; student-oriented documents such as assignment prompts, and rubrics) that readers can adapt in their own teaching; and examples of student work (audio with transcriptions) hosted on the book’s website.
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cover of Archives of Instruction: Nineteenth-Century Rhetorics, Readers, and Composition Books in the United States

Archives of Instruction

Nineteenth-Century Rhetorics, Readers, and Composition Books in the United States

Jean Ferguson Carr, Stephen L. Carr, and Lucille M. Schultz

Southern Illinois University Press, 2005

Both a historical recovery and a critical rethinking of the functions and practices of textbooks, Archives of Instruction: Nineteenth-Century Rhetorics, Readers, and Composition Books in the United States argues for an alternative understanding of our rhetorical traditions. The authors describe how the pervasive influence of nineteenth-century literacy textbooks demonstrate the early emergence of substantive instruction in reading and writing. Tracing the histories of widespread educational practices, the authors treat the textbooks as an important means of cultural formation that restores a sense of their distinguished and unique contributions.


At the beginning of the nineteenth century, few people in the United States had access to significant school education or to the materials of instruction. By century’s end, education was a mass—though not universal—experience, and literacy textbooks were ubiquitous artifacts, used both in home and in school by a growing number of learners from diverse backgrounds. Many of the books have been forgotten, their contributions slighted or dismissed, or they are remembered through a haze of nostalgia as tokens of an idyllic form of schooling. Archives of Instruction suggests strategies for re-reading the texts and details the watersheds in the genre, providing a new perspective on the material conditions of schooling, book publication, and emerging practices of literacy instruction. The volume includes a substantial bibliography of primary and secondary works related to literacy instruction at all levels of education in the United States during the nineteenth century.

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