Contents
Acknowledgments
Introduction: Turning and Turning
Part One: Cultural Publics
1. Zines and Those Who Make Them: Introducing the Citizen Bricoleur
2. Other Publics, Other Citizens, Other Writing Classrooms
Part Two: Disciplinary Publics
3. On the Very Idea of a Disciplinary Counterpublic: Three Exemplary Cases
4. Composition Studies as a Kind of Counterpublic
Epilogue: Whereabouts Unknown: Locating the Citizen Bricoleurs among Us
References
Index
About the Author