190 books match the query 'Critical theory' and 15 start with a

cover of A God Torn to Pieces: The Nietzsche Case

A God Torn to Pieces

The Nietzsche Case

Giuseppe Fornari

Michigan State University Press, 2013

Giuseppe Fornari’s groundbreaking inquiry shows that Friedrich Nietzsche’s neglected importance as a religious thinker and his “untimeliness” place him at the forefront of modern thought. Capable of exploiting his own failures as a cognitive tool to discover what other philosophers never wanted to see, Nietzsche ultimately drove himself to mental collapse. Fornari analyzes the tragic reports of Nietzsche’s madness and seeks out the cause of this self-destructive destiny, which, he argues, began earlier than his rivalry with the composer and polemicist Richard Wagner, dating back to the premature loss of Nietzsche’s father. Dramatic experience enabled Nietzsche to detect a more general tendency of European culture, leading to his archaeological and prophetic discovery of the death of God, which he understood as a primordial assassination from which all humankind took its origin. Fornari concludes that Nietzsche’s fatal rebellion against a Christian awareness, which he identified as the greatest threat to his plan, led him to become one and the same not only with Dionysus but also with the crucified Christ. His effort, Fornari argues, was a dramatic way to recognize the silent, inner meaning of Christ’s figure, and perhaps to be forgiven.

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cover of A Precarious Happiness: Adorno and the Sources of Normativity

A Precarious Happiness

Adorno and the Sources of Normativity

Peter E. Gordon

University of Chicago Press, 2023

A strikingly original account of Theodor Adorno’s work as a critique animated by happiness—now in paperback.

"Gordon’s confidently gripping and persistently subtle interpretation brings a new tone to the debate about Adorno’s negativism."—Jürgen Habermas
 
Theodor Adorno is often portrayed as a totalizing negativist, a scowling contrarian who looked upon modern society with despair. Peter E. Gordon thinks we have this wrong: if Adorno is uncompromising in his critique, it is because he sees in modernity an unfulfilled possibility of human flourishing. In a damaged world, Gordon argues, all happiness is likewise damaged but not wholly absent. Through a comprehensive rereading of Adorno’s work, A Precarious Happiness recovers Adorno’s commitment to traces of happiness—fragments of the good amid the bad. Ultimately, Gordon argues that social criticism, while exposing falsehoods, must also cast a vision for an unrealized better world.

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cover of Abjection Incorporated: Mediating the Politics of Pleasure and Violence

Abjection Incorporated

Mediating the Politics of Pleasure and Violence

Margaret Hennefeld and Nicholas Sammond, editors

Duke University Press, 2019

From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics.

Contributors. Meredith Bak, Eugenie Brinkema, James Leo Cahill, Michelle Cho, Maggie Hennefeld, Rob King, Thomas Lamarre, Sylvère Lotringer, Rijuta Mehta, Mark Mulroney, Nicholas Sammond, Yiman Wang, Rebecca Wanzo
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cover of Abolition Archives, Feminist Futures

Abolition Archives, Feminist Futures

Kathi Weeks

Duke University Press, 2026

Abolition Archives, Feminist Futures takes up the work of three iconic feminist thinkers—Angela Davis, Shulamith Firestone, and Donna Haraway—to ask how each author’s vision of work, the family, and the carceral state can expand contemporary feminism’s ability to structurally analyze social problems. Kathi Weeks examines the archive of this unexpected collection of Marxist feminists whose works are united by their abolitionist approaches, arguing that feminism can gain a broader constituency by taking up anti-capitalist critique and praxis. Across the book’s chapters, Weeks recontextualizes well-known feminist texts in a new and original light, bringing their insight from the past into the present and future of abolitionist politics.
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cover of About the Beginning of the Hermeneutics of the Self: Lectures at Dartmouth College, 1980

About the Beginning of the Hermeneutics of the Self

Lectures at Dartmouth College, 1980

Michel Foucault

University of Chicago Press, 2015

In 1980, Michel Foucault began a vast project of research on the relationship between subjectivity and truth, an examination of conscience, confession, and truth-telling that would become a crucial feature of his life-long work on the relationship between knowledge, power, and the self. The lectures published here offer one of the clearest pathways into this project, contrasting Greco-Roman techniques of the self with those of early Christian monastic culture in order to uncover, in the latter, the historical origin of many of the features that still characterize the modern subject. They are accompanied by a public discussion and debate as well as by an interview with Michael Bess, all of which took place at the University of California, Berkeley, where Foucault delivered an earlier and slightly different version of these lectures.

Foucault analyzes the practices of self-examination and confession in Greco-Roman antiquity and in the first centuries of Christianity in order to highlight a radical transformation from the ancient Delphic principle of “know thyself” to the monastic precept of “confess all of your thoughts to your spiritual guide.” His aim in doing so is to retrace the genealogy of the modern subject, which is inextricably tied to the emergence of the “hermeneutics of the self”—the necessity to explore one’s own thoughts and feelings and to confess them to a spiritual director—in early Christianity. According to Foucault, since some features of this Christian hermeneutics of the subject still determine our contemporary “gnoseologic” self, then the genealogy of the modern subject is both an ethical and a political enterprise, aiming to show that the “self” is nothing but the historical correlate of a series of technologies built into our history. Thus, from Foucault’s perspective, our main problem today is not to discover what “the self” is, but to try to analyze and change these technologies in order to change its form. 
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cover of Against Abstraction: Notes from an Ex-Latin Americanist

Against Abstraction

Notes from an Ex-Latin Americanist

By Alberto Moreiras

University of Texas Press, 2020

In 2015, members of the philosophy department at the University of Madrid conducted an interview with Alberto Moreiras for the university’s digital archive. The resulting dialogues and the Spanish edition of this work, Marranismo e inscripción, o el abandono de la conciencia desdichada, are the basis for Against Abstraction, supplemented with an interview conducted for the Chilean journal Papel máquina. In these landmark conversations, Moreiras describes how, though he was initially committed to Latin American literary studies, he eventually transitioned to become an eminent scholar of critical theory, existential philosophy, and ultimately infrapolitics and posthegemony.

Blending intellectual autobiography with a survey of Hispanism as practiced in universities in the United States (including the schisms in Latin American subaltern studies that eventually led to Moreiras’s departure from Duke University), these narratives read like a picaresque and a polemic on the symbolic power of scholars. Drawing on the concept of marranism (originally a term for Iberian Jews and Muslims forced to convert to Christianity during the Middle Ages) to consider the situations and allegiances he has navigated over the years, Moreiras has produced a multifaceted self-portrait that will surely spark further discourse.

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cover of All Thoughts Are Equal: Laruelle and Nonhuman Philosophy

All Thoughts Are Equal

Laruelle and Nonhuman Philosophy

John Ó Maoilearca

University of Minnesota Press, 2015

All Thoughts Are Equal is both an introduction to the work of French philosopher François Laruelle and an exercise in nonhuman thinking. For Laruelle, standard forms of philosophy continue to dominate our models of what counts as exemplary thought and knowledge. By contrast, what Laruelle calls his “non-standard” approach attempts to bring democracy into thought, because all forms of thinking—including the nonhuman—are equal.

John Ó Maoilearca examines how philosophy might appear when viewed with non-philosophical and nonhuman eyes. He does so by refusing to explain Laruelle through orthodox philosophy, opting instead to follow the structure of a film (Lars von Trier’s documentary The Five Obstructions) as an example of the non-standard method. Von Trier’s film is a meditation on the creative limits set by film, both technologically and aesthetically, and how these limits can push our experience of film—and of ourselves—beyond what is normally deemed “the perfect human.”

All Thoughts Are Equal adopts film’s constraints in its own experiment by showing how Laruelle’s radically new style of philosophy is best presented through our most nonhuman form of thought—that found in cinema.


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cover of Althusser, The Infinite Farewell

Althusser, The Infinite Farewell

Emilio de Ipola

Duke University Press, 2018

In Althusser, The Infinite Farewell—originally published in Spanish and appearing here in English for the first time—Emilio de Ípola contends that Althusser’s oeuvre is divided between two fundamentally different and at times contradictory projects. The first is the familiar Althusser, that of For Marx and Reading Capital. Symptomatically reading these canonical texts alongside Althusser’s lesser-known writings, de Ípola reveals a second, subterranean current of thought that flows throughout Althusser’s classic formulations and which only gains explicit expression in his later works. This subterranean current leads Althusser to move toward an aleatory materialism, or a materialism of the encounter. By explicating this key aspect of Althusser’s theoretical practice, de Ípola revitalizes classic debates concerning major theoretico-political topics, including the relationship between Marxism, structuralism, and psychoanalysis; the difference between ideology, philosophy, and science; and the role of contingency and subjectivity in political encounters and social transformation. In so doing, he underscores Althusser’s continuing importance to political theory and Marxist and post-Marxist thought.
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cover of An Innocent Abroad: Lectures in China

An Innocent Abroad

Lectures in China

J. Hillis Miller

Northwestern University Press, 2015

Since 1988, J. Hillis Miller has traveled to China to lecture on literary theory, especially the role of globalization in literary theory. Over time, he has assisted in the development of distinctively Chinese forms of literary theory, Comparative Literature, and World Literature. The fifteen lectures gathered in An Innocent Abroad span both time and geographic location, reflecting his work at universities across China for more than twenty-five years. More important, they reflect the evolution of Miller’s thinking and of the lectures’ contexts in China as these have markedly changed over the years, especially on either side of Tiananmen Square and in light of China’s economic growth and technological change. A foreword by the leading theorist Fredric Jameson provides additional context.

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cover of Anthropocene Islands: Entangled Worlds

Anthropocene Islands

Entangled Worlds

Jonathan Pugh and David Chandler

University of Westminster Press, 2021

‘Ambitious, sophisticated, timely and downright inspirational.’ – Philip Hayward, University of Technology Sydney, Okinawan Journal of Island Studies

'A must read … a new analytical agenda for the Anthropocene, coherently drawing out the power of thinking with islands.' – Elena Burgos Martinez, Leiden University

‘This is an essential book. [The] analytics they propose … offer both a critical agenda for island studies and compass points through which to navigate the haunting past, troubling present, and precarious future.’ – Craig Santos Perez, University of Hawai’i, Manoa

‘All academic books should be like this: hard to put down. Informative, careful, sometimes devasting, yet absolutely necessary - if you read one book about the Anthropocene let it be this. You will never think of islands in the same way again.’ – Kimberley Peters, University of Oldenburg

‘ … a unique journey into the Anthropocene. Critical, generous and compelling’. — Nigel Clark, Lancaster University

The island has become a key figure of the Anthropocene – an epoch in which human entanglements with nature come increasingly to the fore. For a long time, islands were romanticised or marginalised, seen as lacking modernity’s capacities for progress, vulnerable to the effects of catastrophic climate change and the afterlives of empire and coloniality. Today, however, the island is increasingly important for both policy-oriented and critical imaginaries that seek, more positively, to draw upon the island’s liminal and disruptive capacities, especially the relational entanglements and sensitivities its peoples and modes of life are said to exhibit.

Anthropocene Islands: Entangled Worlds explores the significant and widespread shift to working with islands for the generation of new or alternative approaches to knowledge, critique and policy practices. It explains how contemporary Anthropocene thinking takes a particular interest in islands as ‘entangled worlds’, which break down the human/nature divide of modernity and enable the generation of new or alternative approaches to ways of being (ontology) and knowing (epistemology). The book draws out core analytics which have risen to prominence (Resilience, Patchworks, Correlation and Storiation) as contemporary policy makers, scholars, critical theorists, artists, poets and activists work with islands to move beyond the constraints of modern approaches. In doing so, it argues that engaging with islands has become increasingly important for the generation of some of the core frameworks of contemporary thinking and concludes with a new critical agenda for the Anthropocene.

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cover of Anthropological Futures

Anthropological Futures

Michael M. J. Fischer

Duke University Press, 2009

In Anthropological Futures, Michael M. J. Fischer explores the uses of anthropology as a mode of philosophical inquiry, an evolving academic discipline, and a means for explicating the complex and shifting interweaving of human bonds and social interactions on a global level. Through linked essays, which are both speculative and experimental, Fischer seeks to break new ground for anthropology by illuminating the field’s broad analytical capacity and its attentiveness to emergent cultural systems.

Fischer is particularly concerned with cultural anthropology’s interactions with science studies, and throughout the book he investigates how emerging knowledge formations in molecular biology, environmental studies, computer science, and bioengineering are transforming some of anthropology’s key concepts including nature, culture, personhood, and the body. In an essay on culture, he uses the science studies paradigm of “experimental systems” to consider how the social scientific notion of culture has evolved as an analytical tool since the nineteenth century. Charting anthropology’s role in understanding and analyzing the production of knowledge within the sciences since the 1990s, he highlights anthropology’s aptitude for tracing the transnational collaborations and multi-sited networks that constitute contemporary scientific practice. Fischer investigates changing ideas about cultural inscription on the human body in a world where genetic engineering, robotics, and cybernetics are constantly redefining our understanding of biology. In the final essay, Fischer turns to Kant’s philosophical anthropology to reassess the object of study for contemporary anthropology and to reassert the field’s primacy for answering the largest questions about human beings, societies, culture, and our interactions with the world around us. In Anthropological Futures, Fischer continues to advance what Clifford Geertz, in reviewing Fischer’s earlier book Emergent Forms of Life and the Anthropological Voice, called “a broad new agenda for cultural description and political critique.”

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cover of Archive Feelings: A Theory of Greek Tragedy

Archive Feelings

A Theory of Greek Tragedy

Mario Telò

The Ohio State University Press, 2020

Do we take pleasure in reading ancient Greek tragedy despite the unsettling content or because of it? Does a safe aesthetic distance protect us from tragic suffering, or does the proximity to death tap into something more primal? Aristotle proposed catharsis, an emotional cleansing—or, in later interpretations, a sense of equilibrium—as tragedy’s outcome, and Sigmund Freud and Jacques Lacan, grand theorists of the forces of anti-mastery in human and nonhuman existence, surprisingly agreed. Notwithstanding this deferral to Aristotle, their theorizations of the death drive—together with Jacques Derrida’s notion of the archive as a place of conservation that inevitably fails—provide the groundwork for a radically new way of understanding tragic aesthetics.

With bold readings of thirteen plays by Aeschylus, Sophocles, and Euripides, including the Oedipus cycle, the Oresteia,Medea, and Bacchae; an eclectic synthesis of Freud, Lacan, Derrida, Žižek, Deleuze, and other critical theorists; and an engagement with art, architecture, and film, Mario Telò’s Archive Feelings: A Theory of Greek Tragedy locates Greek tragedy’s aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. In so doing, Telò forges a new model of tragic aesthetics.
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cover of Asylum: The Concept and the Practice

Asylum

The Concept and the Practice

Ranjana Khanna

Duke University Press, 2026

In Asylum, Ranjana Khanna examines how sanctuaries, refugee camps, mental asylums, holding facilities for asylum seekers, and state boundaries all are understood through the term asylum. Engaging with continental philosophy, psychoanalysis, literary theory, postcolonial studies, and Marxist critique, Khanna considers the multiple and entangled senses of asylum in the histories of mental health, incarceration, and human rights. She shows that diverse forms of migration are now assessed in terms of a new set of moral criteria concerning the right to political asylum. She further shows how postcolonial asylum, simultaneously signifying safety and incarceration, constructs spaces of hospitality and hostility that render divisions between the human and the nonhuman, dignity and shame, and value and disposability. As Khanna demonstrates, the notion of asylum reveals the importance of sovereignty as understood through the formulation and imposition of the concepts of the human and of the valuable.
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cover of At Home in Nature: Technology, Labor, and Critical Ecology in Modern China

At Home in Nature

Technology, Labor, and Critical Ecology in Modern China

Ban Wang, issue editor

Duke University Press, 2023

In this special supplement edited by Ban Wang, an ecocritical lens is used to examine anthropocentrism, technoscientific hubris, and ecologically destructive modes of production in modern China. Analyzing modern discourse, literature, film, and science fiction, Wang asserts that the domination of nature and labor under capitalism and technocrats is the culprit of ecological crises and human alienation. Alternatively, Wang argues, utopianisms of nonalienated labor keep alive the ideals of resonance between humans and Earth.
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cover of Authoritarianism: Three Inquiries in Critical Theory

Authoritarianism

Three Inquiries in Critical Theory

Wendy Brown, Peter E. Gordon, and Max Pensky

University of Chicago Press, 2018

Across the Euro-Atlantic world, political leaders have been mobilizing their bases with nativism, racism, xenophobia, and paeans to “traditional values,” in brazen bids for electoral support. How are we to understand this move to the mainstream of political policies and platforms that lurked only on the far fringes through most of the postwar era?  Does it herald a new wave of authoritarianism? Is liberal democracy itself in crisis? 
 
In this volume, three distinguished scholars draw on critical theory to address our current predicament.  Wendy Brown, Peter E. Gordon, and Max Pensky share a conviction that critical theory retains the power to illuminate the forces producing the current political constellation as well as possible paths away from it.  Brown explains how “freedom” has become a rallying cry for manifestly un-emancipatory movements; Gordon dismantles the idea that fascism is rooted in the susceptible psychology of individual citizens and reflects instead on the broader cultural and historical circumstances that lend it force; and Pensky brings together the unlikely pair of Tocqueville and Adorno to explore how democracies can buckle under internal pressure. These incisive essays do not seek to smooth over the irrationality of the contemporary world, and they do not offer the false comforts of an easy return to liberal democratic values. Rather, the three authors draw on their deep engagements with nineteenth–and twentieth–century thought to investigate the historical and political contradictions that have brought about this moment, offering fiery and urgent responses to the demands of the day.
 
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